Ambassadors

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Noah Bendix-Balgley

My first memory with Bärenreiter was as a young violinist aged 14, learning Mozart’s Violin Concerto No. 4 for the very first time. The red cover of the music and...

Norichika Iimori

I recorded the complete Beethoven symphonies with the Württemberg Philharmonic Orchestra as its GMD and then the complete Mozart symphonies with the Yamagata Symphony Orchestra in Japan.  I trust Bärenreiter...

Okka von der Damerau

It is always a pleasure to open the beautiful blue cover of the Bärenreiter vocal scores in order to work. I like the high quality of the cover and the...

Pablo Heras-Casado

My first encounter with Bärenreiter was through their pocket editions, a vital resource during my early years as a conductor. Their Urtext editions have been a constant presence throughout my...

Paul McCreesh

It's always a pleasure to work with Barenreiter; there's a real sense of the company wanting to engage with artists to help them produce great musicmaking! Have a wonderful jubilee! Paul...

Peter Gülke

Bärenreiter connections? – I may be suspected of being a braggart! The time span will soon reach 80 years - between the ten-year-old handling of the beloved, long since tattered...

Prof. Dr. Hartmut Haenchen

Since my early youth, I have had a close bond with Bärenreiter. Already when I was a small child, I received the “Quempasheft” from my mother for domestic music-making at...

Prof. Jörg Halubek

My very first music edition was a gift from my parents for my confirmation: Bach's Orgelbüchlein in the blue Bärenreiter Urtext edition. I still play from this volume.Ever since then,...

Quartet Berlin-Tokyo

Bärenreiter has been our go-to Urtext source of trust for as far as we can remember. While they have through the years become famous among musicians for their undisputed editions...

Quatour Diotima

The first time we worked with Bärenreiter was with their editorial department on the Janáček quartets – and we immediately felt part of a bustling adventure, felt part of a...

Quatuor Danel

My very first encounter with Bärenreiter editions occurred in my early teenage years. As I was working through the marvellous red Mozart Editions, I was seized by how different his...

Rafael Payare

Ever since I came across my first pocket score of the Beethoven Symphonies edited by Jonathan Del Mar, I have been using Bärenreiter. It’s always a showcase of deep research...

René Jacobs

Of the many Bärenreiter publications in my collection of scores, I now have before me - as an advance copy - the latest: Paul Prévost's forthcoming new edition of Bizet's...

Renée Fleming

Bärenreiter Urtext editions have been absolutely indispensable resources for me throughout my career. I always relied on Bärenreiter Mozart editions when I was performing these roles – as well as...

Rolando Villazón

Bärenreiter scores have been my cherished companions ever since I was a young student at the conservatory. I particularly love my many, many Mozart scores – the operas and the...
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