Ever since we were in the Thomaner Choir in our youth, the great music publishers, and of course Bärenreiter, have played an important role in our musical work. Be it...
It is impossible for me to name my first encounter with Bärenreiter editions precisely because they have always been an important part of my love of music.Already during my childhood,...
My first experience was when I moved to Munich as a young artist and started my career at the Bayerische Staatsoper. I think Die Zauberflöte must have been my first...
Bärenreiter has accompanied my professional life in different ways: the well-used scores are a testimony. The precision and flexibility of the board of scholars make this company a model of...
Bärenreiter scores have always been a cherished part of my life. As a student in Canada, they were the editions we prized, racing to get them from the university library....
In preparation for recitals or operas, working with the text and the music is of the utmost importance; many hours are needed to memorise vocal scores and full scores. When...
Bärenreiter scores hold a special place in my heart. I used a Bärenreiter score to learn Pamina in “Die Zauberflöte” for my professional debut, and I continue using that same...
Indeed, Bärenreiter has always been my musicians’ choice. With their unmistakable blue covers, Bärenreiter’s vocals scores, especially of Handelian operas, accompanied my path from the beginning. Studying and preparing a...
I feel so lucky to have been on an immense journey in my career with everything from Cavalli's "La Calisto" to Berlioz's "Les Troyens" and more. It always felt like a...
I'm thrilled to announce that I have been named a Jubilee Ambassador for Bärenreiter, a world-renowned publisher of classical music editions. As a musician and producer, I have had the pleasure...
Coming from a musical family I’ve always been surrounded by Bärenreiter scores. The first score I bought for myself was "The Magic Flute" – an opera that opened many doors...
Bärenreiter has accompanied me throughout my career, from when I covered the role of Susanna in “Le nozze di Figaro” at the Juilliard School right through to this summer where...
My first encounter with Bärenreiter was in 2009 when I started studying at the Fryderyk Chopin University of Music in Warsaw. I remember that I went for an extra lesson...
Just two years after first walking through the doors of the Metropolitan Opera for their annual competition, I was offered the opportunity to make my official Met debut, as Zweite...
