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Ruben Gazarian

The wonderful "Bärenreiter Urtext" editions have been an indispensable part of my everyday work for over 20 years. Studying scores with this music always gives you the familiar feeling of...

Ryan McKinny

Bärenreiter scores have been with me since the beginning of my career, especially Nozze and Giovanni. When I’m holding that big blue book, I know that I’m getting the very...

Sebastian Weigle

The first time I encountered Bärenreiter editions was as a horn player.For a complete recording of all the Mozart horn concertos in the 1980s, I drew on the New Mozart...

Shenyang

I still remember that I met Corinne Votteler in Music Shanghai Exhibition 2004. The magnificent Bärenreiter Urtext scores were exhibited on the bookshelf. I knew that these perfectly edited and...

Signum Quartet

The Signum Quartet is a big fan of Bärenreiter editions and has used these as the basis of our readings since the beginnings of the group. We are using Bärenreiter...

Simon Gaudenz

For me, Bärenreiter is not only the undisputed authority in matters of Urtext editions - wonderful to read and perfect to work with as far as the arrangement of the...

Simon Zaoui

I have been following Bärenreiter’s Fauré Complete Works Edition, which I find remarkable and extremely important. No editor has ever tried to correct and edit Gabriel Fauré’s work since the...

Sir Antonio Pappano

My first experience with a Bärenreiter edition was purchasing my beautiful deep red scores of Mozart’s Le nozze di Figaro. I was struck by the clarity and proportion of the...

Sir Stephen Hough

The editorial principle of Bärenreiter is to supply the clearest map possible so that the individual musician can set out on an interpretative journey with confidence, with security, even with daring. An urtext edition is...

Sol Gabetta

As a performer, I appreciate the high editorial standard, the clear notation, the optimum page turns and the detailed critical reports. The reliable, unadulterated musical text enables me to find...

Steven Isserlis

Barenreiter is a publishing house with a truly individual character. Managed by, employing, and catering to musical idealists, Barenreiter has carved out a very special niche in its first 100...

Su Yeon Kim

My first memory with Bärenreiter goes to the year of 2003 at age 8, when I got some music scores as a prize and they were from the Bach collection...

Sunhae Im

The first Bärenreiter score I bought was Bach’s Matthäus-Passion for my debut concert in Europe at the beginning of my career, and ever since, Bärenreiter scores have accompanied me through...

Tara Erraught

From the very beginning of my studies, my teacher, the late great Dr.Veronica Dunne had always spoken of the importance of good study material. The first score I bought was...

Timothy Chooi

I associate Bärenreiter as being the most honest and direct interpreter of some of classical music’s greatest compositions. This is truly important in order to dive deeply into developing a...
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