Bärenreiter has accompanied me throughout my career, from when I covered the role of Susanna in “Le nozze di Figaro” at the Juilliard School right through to this summer where...
Bärenreiter editions have accompanied me for a quarter of a century! Studying the scores of Mozart, Bach or Schubert in Bärenreiter’s clearly, meticulously printed editions and consequently using them as...
Queen City Opera recently used the Bärenreiter edition of Verdi’s Requiem for a production that commemorated the Jewish musicians of the Terezín Concentration Camp, who performed the work in the...
In 2016 I addressed Bärenreiter about the lack of a new high-quality edition of Dvořák's Piano Concerto. Bärenreiter reacted immediately, included the work in its editorial plan and within a...
One of my fondest memories is the preparation of the new edition of Cavalli’s “La Calisto” for our famous production at Bayerische Staatsoper in 2005. A production that has since...
I am not really able to remember my very first encounter with a Bärenreiter edition because I basically feel that I have lived with them forever. It must have been...
My first encounter with Bärenreiter was in 2009 when I started studying at the Fryderyk Chopin University of Music in Warsaw. I remember that I went for an extra lesson...
In my attempts to get to the heart of great musical masterpieces, Bärenreiter has been my guide, my compass, and my partner. Their commitment to excellence is unfaltering, and their...
Just two years after first walking through the doors of the Metropolitan Opera for their annual competition, I was offered the opportunity to make my official Met debut, as Zweite...
From my early childhood, my work as both a performer and musicologist has gone hand in hand with the editions of Bärenreiter. Immersing myself in the musical texts of the...
As a young student in New York I recall purchasing my first Bärenreiter score, Mozart’s Le nozze di Figaro, a gift into the future! Soon after on Christmas day, opening...
It is a special feeling to open a Bärenreiter score for the first time! These editions are the epitome of musical integrity and the degree of faithfulness to the composer’s...
I conducted Kabeláč's Symphony No. 4 for the first time at the Salzburg Festival, at that time still from the old edition. For my Prague Spring Festival debut, we prepared...
I am so happy and grateful for the valuable musicological work and the resulting new Bärenreiter editions, which enable us musicians to reinterpret the works and thus to advance ever...
I am SO humbled to become a Bärenreiter Jubilee Ambassador! I have always trusted Bärenreiter editions from early on for their integrity to original manuscripts supplemented by thorough musicological research...
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