In preparation for recitals or operas, working with the text and the music is of the utmost importance; many hours are needed to memorise vocal scores and full scores. When...
As an ensemble, we are always on the lookout for the emotional content of the works we play. The basis for this is always a thorough study of the sources...
Bärenreiter scores hold a special place in my heart. I used a Bärenreiter score to learn Pamina in “Die Zauberflöte” for my professional debut, and I continue using that same...
Indeed, Bärenreiter has always been my musicians’ choice. With their unmistakable blue covers, Bärenreiter’s vocals scores, especially of Handelian operas, accompanied my path from the beginning. Studying and preparing a...
I feel so lucky to have been on an immense journey in my career with everything from Cavalli's "La Calisto" to Berlioz's "Les Troyens" and more. It always felt like a...
I have felt attached to Bärenreiter ever since my childhood, when Bärenreiter published my father Heribert Ringmann's musicological work, the "Glogauer Liederbuch". Furthermore, Bärenreiter was a faithful companion in my...
I have always relied on Bärenreiter when it comes to Baroque and Classical repertoire, especially Mozart, from the insightful anecdotes found in the pretext, to its authenticity in its printing. Something I also...
"What would the early music movement be without the pioneering work of Bärenreiter? For Concerto Köln, the Bärenreiter editions have always been faithful companions, a reliable basis for discussion and...
For many years, I have felt closely attached to the equally youthful and venerable Bärenreiter publishing house. Without its excellent music editions and books, my shelves would admittedly sag less,...
Bärenreiter has accompanied me since my very early musical years. It has always been of the utmost importance to me to play from a music score that I can trust....
I'm thrilled to announce that I have been named a Jubilee Ambassador for Bärenreiter, a world-renowned publisher of classical music editions. As a musician and producer, I have had the pleasure...
I received my first Bärenreiter edition when I was 8 years old, it was Telemann’s “Die Kleine Kammermusik”! When I conducted my first opera in 2016, I was able to...
Coming from a musical family I’ve always been surrounded by Bärenreiter scores. The first score I bought for myself was "The Magic Flute" – an opera that opened many doors...
We in the Emerson Quartet congratulate Bärenreiter on its upcoming centenary. Since its inception, your publishing house has made a substantial contribution to the musical lives of countless performers. From...
I have always lived with Bärenreiter editions, ever since I was a student. It was so exciting, when studying in Milano at the Conservatorio Giuseppe Verdi, to explore a music...
