{"id":18978,"date":"2026-04-29T13:46:21","date_gmt":"2026-04-29T11:46:21","guid":{"rendered":"https:\/\/emag.baerenreiter.com\/die-farben-unserer-komponisten\/"},"modified":"2026-06-25T09:43:38","modified_gmt":"2026-06-25T07:43:38","slug":"the-baerenreiter-urtext-colours","status":"publish","type":"page","link":"https:\/\/emag.baerenreiter.com\/en\/the-baerenreiter-urtext-colours\/","title":{"rendered":"The B\u00e4renreiter Urtext Colours"},"content":{"rendered":"

The B\u00e4renreiter Urtext Colours<\/span><\/h2><\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
<\/div>
\r\n\t\t\t

The covers of our URTEXT editions are colour-coded. You may have noticed that we assign a different colour to each composer whose works we publish \u2013 or almost every composer.<\/p>\n

MOZART IS RED
\nBACH IS BLUE
\n\u2026 and so on.<\/p>\n

We are often asked how we choose these colours.<\/p>\n

The answer is simple: we get together and discuss it. We ask ourselves which colours we associate with a composer and their music.<\/p>\n

In the end, the majority view prevails. Even so, the choice remains a subjective one, made by the B\u00e4renreiter team.<\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

SCHUBERT IS YELLOW<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

What colour could one possibly associate with Schubert\u2019s music, given the richness and complexity of his oeuvre?<\/p>\n

There are countless moments in which darkness, despair, and loneliness find expression. And yet, light so often emerges in the end. This light is not always radiant or joyful; more often, it is a spiritual or emotional illumination \u2014 a sense of solace that Schubert evokes through his masterful harmonies and subtle shifts of tonality.<\/p>\n

It is this particular kind of light that we seek to capture in that warm shade of yellow.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

SAINT-SA\u00cbNS IS VIOLET<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

Camille Saint-Sa\u00ebns lived through a century of dramatic upheaval in Europe. His long life (1835-1921) spanned revolutions, wars, and the reshaping of states and empires. At the same time his private life was not without tragedy; he lost two sons, both of whom died within six weeks of each other. However, Saint-Sa\u00ebns kept this political and social turmoil as well as personal suffering out of his compositions. His musical style has a remarkable calmness and constancy about it.<\/p>\n

In our view, the colour violet captures this feeling of tranquility and serenity particularly well.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

DVO\u0158\u00c1K IS ORANGE
\n<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

The passionate, \u201cromantic\u201d music of this composer calls for a warm colour\u2014but one that also captures the liveliness and radiance found in the Czech folk elements of his work, with their syncopated rhythms and asymmetrical phrases. His music is never artificial; rather, it conveys a deep sense of sincerity. It moves between melancholy and optimism, between spirituality\u2014as heard in the \u201cStabat Mater\u201d and \u201cRequiem\u201d\u2014and earthiness, as reflected in the many folk-inspired passages.<\/p>\n

We chose a warm orange: the glowing hue of autumn leaves in late-summer light, perhaps like those Dvo\u0159\u00e1k admired in September, the month of his birth.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

DEBUSSY IS SKY-BLUE<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t\r\n\t\t<\/div>\r\n\t
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

Claude Debussy\u2014born on 22 August\u2014was a child of summer. Many of his most iconic works seem more closely associated with that season than with the darker months of the year\u2014most notably \u201ePr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune\u201d, but also \u201cLa Mer\u201d and \u201cClair de lune\u201d.<\/p>\n

Debussy\u2019s music often radiates lightness and transparency\u2014qualities that are airy, sensual, and atmospheric. Assigning a single colour to the dazzling variety of his oeuvre may be impossible, but if one must choose, a bright summer sky blue seems particularly fitting.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

JAN\u00c1\u010cEK IS DARK PURPLE<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

Jan\u00e1\u010dek\u2019s music is anything but \u201clight\u201d. The composer sought to express the deepest emotions with unflinching intensity.<\/p>\n

In setting texts to music, he drew heavily on the natural rhythms and intonations of spoken Czech, aiming to convey the full meaning and emotional weight of the words. Short, incisive motifs\u2014varied and developed in ever-changing ways\u2014give his works a fragmented structure heightening restlessness and drama. This impression is amplified by rhythmic complexity: his music pulses with vitality, yet also often displays a distinct angularity and unpredictability. Jan\u00e1\u010dek\u2019s harmonic language is equally striking, marked by unexpected dissonances, abrupt chord shifts, and unusual progressions that generate a unique sense of atmosphere and emotional tension. His music doesn\u2019t soar in celestial realms\u2014it remains grounded and deeply connected to human experience.<\/p>\n

A colour that could capture all of this? It could only be a deep, dark purple.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

SCHUMANN IS SAGE-GREEN<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

Schumann was certainly not a superficial character, but a reflective man who thought deeply about himself and others. Sensitive and psychologically vulnerable, he eventually suffered a mental breakdown. Is he the archetypal Romantic artist?<\/p>\n

The Romantics had a special relationship with nature, in which green plays a central role. Schumann\u2019s \u201cForest Scenes\u201d immediately come to mind.<\/p>\n

A deep green represents groundedness and inner harmony. Yet when it appears veiled, this sense of certainty begins to fade and grows more fragile.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

BACH IS BLUE <\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

Doesn\u2019t blue stand for clarity and sincerity? As a primary colour, it also conveys a sense of solidity, while at the same time maintaining a connection to the heavens. As such, it corresponds particularly well to the music of Johann Sebastian Bach, much of which was written for sacred purposes and which stands as one of the great cornerstones of European classical music.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

BRAHMS IS OLIVE-GREEN<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

From photographs we know the older Brahms as a dignified gentleman with a full beard. He radiates a certain \u201cGem\u00fctlichkeit\u201d, as we say in German\u2014a word that is not easily translated, suggesting something between comfort and coziness.<\/p>\n

And his music is warm and lyrical, yet also passionate, and undoubtedly rich in depth. Olive green seems a fitting choice for both the man and his music.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

MOZART IS RED<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

What do we associate with the colour red? Love and passion come to mind first. As one of the primary colours, it also represents vitality and clarity. Yet red has another side: it is the colour of danger and alertness, a colour that demands attention.<\/p>\n

Isn\u2019t red a fitting choice for Mozart\u2019s music? A colour that captures both its vibrancy and its drama, as well as its depth. A distinctive, singular colour for one of the most outstanding composers in the history of Western music.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

RAVEL IS LIME-GREEN<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

We associate freshness, lightness, and clarity with the colour lime-green. This colour seems to suit Ravel\u2019s music well, which embodies all of these qualities. Atmospheric sound magic is juxtaposed with rhythmic drive and breathtaking virtuosity. Ravel moves marvellously between a certain \u201ccoolness and sensuality\u201d, as the musicologist and composer Peter Cahn aptly puts it.<\/p>\n

Some say\u2014and we do not necessarily agree\u2014that Ravel\u2019s music is all surface sparkle, but what a surface it is.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n"},"excerpt":{"rendered":"

The B\u00e4renreiter Urtext Colours<\/span><\/h2><\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
<\/div>
\r\n\t\t\t

The covers of our URTEXT editions are colour-coded. You may have noticed that we assign a different colour to each composer whose works we publish \u2013 or almost every composer.<\/p>\n

MOZART IS RED
\nBACH IS BLUE
\n\u2026 and so on.<\/p>\n

We are often asked how we choose these colours.<\/p>\n

The answer is simple: we get together and discuss it. We ask ourselves which colours we associate with a composer and their music.<\/p>\n

In the end, the majority view prevails. Even so, the choice remains a subjective one, made by the B\u00e4renreiter team.<\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

SCHUBERT IS YELLOW<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

What colour could one possibly associate with Schubert\u2019s music, given the richness and complexity of his oeuvre?<\/p>\n

There are countless moments in which darkness, despair, and loneliness find expression. And yet, light so often emerges in the end. This light is not always radiant or joyful; more often, it is a spiritual or emotional illumination \u2014 a sense of solace that Schubert evokes through his masterful harmonies and subtle shifts of tonality.<\/p>\n

It is this particular kind of light that we seek to capture in that warm shade of yellow.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

SAINT-SA\u00cbNS IS VIOLET<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

Camille Saint-Sa\u00ebns lived through a century of dramatic upheaval in Europe. His long life (1835-1921) spanned revolutions, wars, and the reshaping of states and empires. At the same time his private life was not without tragedy; he lost two sons, both of whom died within six weeks of each other. However, Saint-Sa\u00ebns kept this political and social turmoil as well as personal suffering out of his compositions. His musical style has a remarkable calmness and constancy about it.<\/p>\n

In our view, the colour violet captures this feeling of tranquility and serenity particularly well.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

DVO\u0158\u00c1K IS ORANGE
\n<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

The passionate, \u201cromantic\u201d music of this composer calls for a warm colour\u2014but one that also captures the liveliness and radiance found in the Czech folk elements of his work, with their syncopated rhythms and asymmetrical phrases. His music is never artificial; rather, it conveys a deep sense of sincerity. It moves between melancholy and optimism, between spirituality\u2014as heard in the \u201cStabat Mater\u201d and \u201cRequiem\u201d\u2014and earthiness, as reflected in the many folk-inspired passages.<\/p>\n

We chose a warm orange: the glowing hue of autumn leaves in late-summer light, perhaps like those Dvo\u0159\u00e1k admired in September, the month of his birth.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

DEBUSSY IS SKY-BLUE<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t\r\n\t\t<\/div>\r\n\t
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

Claude Debussy\u2014born on 22 August\u2014was a child of summer. Many of his most iconic works seem more closely associated with that season than with the darker months of the year\u2014most notably \u201ePr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune\u201d, but also \u201cLa Mer\u201d and \u201cClair de lune\u201d.<\/p>\n

Debussy\u2019s music often radiates lightness and transparency\u2014qualities that are airy, sensual, and atmospheric. Assigning a single colour to the dazzling variety of his oeuvre may be impossible, but if one must choose, a bright summer sky blue seems particularly fitting.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

JAN\u00c1\u010cEK IS DARK PURPLE<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

Jan\u00e1\u010dek\u2019s music is anything but \u201clight\u201d. The composer sought to express the deepest emotions with unflinching intensity.<\/p>\n

In setting texts to music, he drew heavily on the natural rhythms and intonations of spoken Czech, aiming to convey the full meaning and emotional weight of the words. Short, incisive motifs\u2014varied and developed in ever-changing ways\u2014give his works a fragmented structure heightening restlessness and drama. This impression is amplified by rhythmic complexity: his music pulses with vitality, yet also often displays a distinct angularity and unpredictability. Jan\u00e1\u010dek\u2019s harmonic language is equally striking, marked by unexpected dissonances, abrupt chord shifts, and unusual progressions that generate a unique sense of atmosphere and emotional tension. His music doesn\u2019t soar in celestial realms\u2014it remains grounded and deeply connected to human experience.<\/p>\n

A colour that could capture all of this? It could only be a deep, dark purple.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

SCHUMANN IS SAGE-GREEN<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

Schumann was certainly not a superficial character, but a reflective man who thought deeply about himself and others. Sensitive and psychologically vulnerable, he eventually suffered a mental breakdown. Is he the archetypal Romantic artist?<\/p>\n

The Romantics had a special relationship with nature, in which green plays a central role. Schumann\u2019s \u201cForest Scenes\u201d immediately come to mind.<\/p>\n

A deep green represents groundedness and inner harmony. Yet when it appears veiled, this sense of certainty begins to fade and grows more fragile.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

BACH IS BLUE <\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

Doesn\u2019t blue stand for clarity and sincerity? As a primary colour, it also conveys a sense of solidity, while at the same time maintaining a connection to the heavens. As such, it corresponds particularly well to the music of Johann Sebastian Bach, much of which was written for sacred purposes and which stands as one of the great cornerstones of European classical music.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

BRAHMS IS OLIVE-GREEN<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>
\r\n\t\t\t

From photographs we know the older Brahms as a dignified gentleman with a full beard. He radiates a certain \u201cGem\u00fctlichkeit\u201d, as we say in German\u2014a word that is not easily translated, suggesting something between comfort and coziness.<\/p>\n

And his music is warm and lyrical, yet also passionate, and undoubtedly rich in depth. Olive green seems a fitting choice for both the man and his music.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\r\n\t\t\t

MOZART IS RED<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

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What do we associate with the colour red? Love and passion come to mind first. As one of the primary colours, it also represents vitality and clarity. Yet red has another side: it is the colour of danger and alertness, a colour that demands attention.<\/p>\n

Isn\u2019t red a fitting choice for Mozart\u2019s music? A colour that captures both its vibrancy and its drama, as well as its depth. A distinctive, singular colour for one of the most outstanding composers in the history of Western music.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

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RAVEL IS LIME-GREEN<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t

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We associate freshness, lightness, and clarity with the colour lime-green. This colour seems to suit Ravel\u2019s music well, which embodies all of these qualities. Atmospheric sound magic is juxtaposed with rhythmic drive and breathtaking virtuosity. Ravel moves marvellously between a certain \u201ccoolness and sensuality\u201d, as the musicologist and composer Peter Cahn aptly puts it.<\/p>\n

Some say\u2014and we do not necessarily agree\u2014that Ravel\u2019s music is all surface sparkle, but what a surface it is.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

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