{"id":14665,"date":"2024-06-12T07:45:46","date_gmt":"2024-06-12T05:45:46","guid":{"rendered":"https:\/\/emag.baerenreiter.com\/klebe-giselher\/"},"modified":"2026-02-23T07:23:07","modified_gmt":"2026-02-23T06:23:07","slug":"klebe-giselher","status":"publish","type":"page","link":"https:\/\/emag.baerenreiter.com\/en\/klebe-giselher\/","title":{"rendered":"Klebe, Giselher"},"content":{"rendered":"<div class=\"grve-section grve-row-section grve-fullwidth-background grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#707070;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section composer-header grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-5-12 grve-wpb-1715857276604 grve-vertical-position-middle grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-left\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 500px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 150.2%;\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"751\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Klebe-500px.webp\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Klebe-500px.webp 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Klebe-500px.webp 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-7-12 grve-wpb-1715857422252 grve-vertical-position-middle grve-with-bg-transparent grve-align-center\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h1 class=\"grve-element grve-title grve-align-center grve-page-title grve-text-white\"><span>Giselher Klebe<\/span><\/h1><div class=\"grve-empty-space grve-height-1x\"><\/div><div class=\"grve-element grve-image grve-align-center signature-witdh-100\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-svg-thumbnail-wrapper\"><div class=\"grve-svg-thumbnail\"><img decoding=\"async\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Klebe_Pfade_U_weiss.svg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Klebe_Pfade_U_weiss.svg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Klebe_Pfade_U_weiss.svg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Biography<\/span><\/h2><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-klebe-en-no-2\" class=\"tablepress tablepress-id-klebe-en two-column-table\">\n<tbody>\n<tr class=\"row-1\">\n\t<td class=\"column-1\">1925<\/td><td class=\"column-2\">born in Mannheim on 28 June<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">1940\u20131943<\/td><td class=\"column-2\">studies violin, viola and composition at the St\u00e4dtisches Konservatorium in Berlin with Kurt von Wolfurt, his studies are interrupted by military service and imprisonment<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">1946<\/td><td class=\"column-2\">composition studies at the Internationales Musikinstitut in Berlin with Josef Rufer<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">1946-1949<\/td><td class=\"column-2\">employed in the music division of the Berliner Rundfunk (recording archives, programming)<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">1946-1951<\/td><td class=\"column-2\">composition studies with Boris Blacher<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">1951-1957<\/td><td class=\"column-2\">free-lance composer in Berlin<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">1957<\/td><td class=\"column-2\">succeeds Wolfgang Fortner as teacher of compositin and music theory at the Nordwestdeutsche Musikakademie in Detmold<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">1959<\/td><td class=\"column-2\">wins the award \u201cGro\u00dfer Kunstpreis des Landes Nordrhein-Westfalen f\u00fcr Musik\u201d and a fellowship to the Deutsche Akademie \u201cVilla Massimo\u201d in Rome<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">1962<\/td><td class=\"column-2\">becomes professor<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">1962\/63<\/td><td class=\"column-2\">fellowship to the Deutsche Akademie \u201cVilla Massimo\u201d in Rome<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">1963<\/td><td class=\"column-2\">member of the Freie Akademie der K\u00fcnste in Hamburg<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">1964<\/td><td class=\"column-2\">member of the Akademie der K\u00fcnste in Berlin<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">1978<\/td><td class=\"column-2\">member of the Bayerische Akademie der Sch\u00f6nen K\u00fcnste in Munich<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">1982<\/td><td class=\"column-2\">honorary director of the World Harp Congress<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">ab 1986<\/td><td class=\"column-2\">president of the music division of the Dramatiker Union Berlin<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">1986-1989<\/td><td class=\"column-2\">president of the Akademie der K\u00fcnste Berlin<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">1999<\/td><td class=\"column-2\">Federal Cross of merit (Gro\u00dfes Bundesverdienstkreuz)<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">2002<\/td><td class=\"column-2\">honorary citizen of the city of Detmold<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">2009<\/td><td class=\"column-2\">died in Detmold on 5 October <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#e8ede8;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718172464991-a156fe79-3d50\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Bibliography<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1718172464991-a156fe79-3d50\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"row\">\n<div class=\"col-md-16\">\n<div id=\"c5485\" class=\"csc-default layout-0\">\n<div class=\"csc-brv-text\">\n<p><strong>Catalogue of Works (German)<\/strong><\/p>\n<p>Michael Rentzsch: Giselher Klebe. Werkverzeichnis 1947-1995<br \/>\nHerausgegeben von der Stiftung Archiv der Akademie der K\u00fcnste, Berlin. B\u00e4renreiter (1997). 288 Seiten; kartoniert<br \/>\nISBN 978-3-7618-1247-1<\/p>\n<p>Neben den zw\u00f6lf Opern, die Giselher Klebe in der zeitgen\u00f6ssischen Musikszene zu einer festen Gr\u00f6\u00dfe haben werden lassen, hat er zu allen Gattungen der Musik wichtige Beitr\u00e4ge geliefert. Dieses Buch ist eine grundlegende Bestandsaufnahme aller seit 1947 entstandenen Kompositionen.<\/p>\n<p>Die wichtigsten Daten wie Besetzung, Dauer, Entstehung, Herausgabe, Urauff\u00fchrung, Widmungstr\u00e4ger, Auftraggeber, Textvorlage etc. geben einen \u00dcberblick \u00fcber die jeweilige Komposition; die zum gr\u00f6\u00dften Teil in Particell aufgef\u00fchrten Notenbeispiele vermitteln einen Eindruck von der klanglichen Disposition des betreffenden Werkes.<\/p>\n<p>Literatur- und Quellenangaben sowie der Abdruck zahlreicher Werkeinf\u00fchrungen des Komponisten machen das Buch f\u00fcr Liebhaber von Klebes Musik zu einer unverzichtbaren Informationsquelle.<\/p>\n<hr \/>\n<p><strong>Secondary literature<\/strong><\/p>\n<p>Brigitte Sch\u00e4fer: Giselher Klebe. In: Die Musik in Geschichte und Gegenwart, 2., neubearbeitete Ausgabe, hrsg. von Ludwig Finscher, Personenteil, Band 10, B\u00e4renreiter\/Metzler, 2003, Sp. 208-214<\/p>\n<p>Hans Heinz Stuckenschmidt: Synthesen und neue Versuche. In: Schweizerische Musikzeitung 93, 1953, 1-10<\/p>\n<p>Wolf-Eberhard von Lewinski: Giselher Klebe. In: Junge Komponisten, herausgegeben von Herbert Eimert, = Die Reihe IV, Wien 1958<\/p>\n<p>Wolf-Eberhard von Lewinski: Giselher Klebe \u2013 Einfall, Ausdruck und Konstruktion. In: Musica 15, 1961, 537-539<\/p>\n<p>Wolf-Eberhard von Lewinski: Spannungskr\u00e4fte aus neuer Harmonik. Giselher Klebe \u2013 Ein Portr\u00e4t. In: Musica 20, 1966, 9-10<\/p>\n<p>Wolf-Eberhard von Lewinski: Der Opernkomponist Giselher Klebe. In: Schweizerischer Musikzeitung 109, 1969, 337-340<\/p>\n<p>Giselher Klebe. In: Helmut Kirchmeyer\/Hugo Wolfram Schmidt: Aufbruch der jungen Musik \u2013 Von Webern bis Stockhausen, Die Garbe, Musikkunde, Teil 4, K\u00f6ln 1970, Hans Gerig<\/p>\n<p>Giselher Klebe. In: Die gro\u00dfen Komponisten unseres Jahrhunderts, Band 1, von Hans Heinz Stuckenschmidt, M\u00fcnchen 1971, Piper<\/p>\n<p>Wolfram Schwinger: Auf den Menschen bezogen. Anmerkungen zum Schaffen des Komponisten Giselher Klebe. In: Dabei, Zeitschrift der Kulturgemeinschaft des DGB, Stuttgart 1976, Heft 3<\/p>\n<p>Arno Forchert: Musik ohne Systemzwang. Giselher Klebe zum 60. Geburtstag 1985. In: Musica 39, 1985, 314-316<\/p>\n<p>Wolf-Eberhard von Lewinski: Ein neues Weihnachtsoratorium. Giselher Klebe-Urauff\u00fchrung in Bonn. In: Musica 44, 1990, 93<\/p>\n<p>Michael T\u00f6pel: \u00bbDie Crux, eine pers\u00f6nliche Sprache finden zu m\u00fcssen\u00ab. Gespr\u00e4ch mit Giselher Klebe an seinem 65. Geburtstag. In: Musica 44, 1990, 302-304<\/p>\n<p>Arno Forchert: Giselher Klebe \u2013 ein Komponist wird 65. In: Das Schallst\u00fcck Nr. 2, Sommer 1990<\/p>\n<p>Michael T\u00f6pel: Von der \u00bbZwitschermaschine\u00ab zu den \u00bbGlockent\u00fcrmen\u00ab. Geburtstagsmatinee f\u00fcr Giselher Klebe. In: Musica 44, 1990, 375-376<\/p>\n<p>Michael T\u00f6pel: Amnesty und Aschenrand. K\u00f6lner Benefizkonzert mit Klebe-Urauff\u00fchrung. In: Musica 46, 1992, 185-186<\/p>\n<p>Holger Bleck: Giselher Klebe. Die Instrumentalkonzerte im Spannungsfeld von Tradition und Moderne, hrsg. von der Hochschule f\u00fcr Musik Detmold zum 70. Geburtstag von Giselher Klebe, Detmold 1994<\/p>\n<p>Holger Bleck: Giselher Klebe: In: Die 100 des Jahrhunderts. Komponisten, Reinbek 1995, 88f.<\/p>\n<p>Zorn und soziales Mitleid. Giselher Klebe im Gespr\u00e4ch mit Michael T\u00f6pel. In: Musica 49, 1995, 367f.<\/p>\n<p>Walter Jens, F\u00fcr Giselher Klebe in Freundschaft zum 70. Geburtstag. In: Programmheft zur Urauff\u00fchrung \u00bbGervaise Macquart\u00ab D\u00fcsseldorf, Deutsche Oper am Rhein, 10.11.1995<\/p>\n<p>Sle., \u00bbMich interessieren die Menschen, nicht die ideologischen Sprachs\u00e4ulen\u00ab. August Everding inszeniert die Klebe-Oper \u00bbGervaise Macquart\u00ab. In: D\u00fcsseldorfer Hefte 11\/1995<\/p>\n<p>Deutsche Oper am Rhein (Hrsg.), Journal. Aus der Probenarbeit, Gespr\u00e4che, Besetzungszettel, Nachrichten, Die Handlung, Texte zu \u00bbGervaise Macquart\u00ab, [1995]<\/p>\n<p>Brigitte Sch\u00e4fer: Zeit als Intensit\u00e4t und Qualit\u00e4t. Dem Komponisten Giselher Klebe zum 80. Geburtstag. In: nmz 9\/2005, 4<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718172465017-ca1257c4-afa6\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Writings<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1718172465017-ca1257c4-afa6\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"row\">\n<div class=\"col-md-16\">\n<div id=\"c5618\" class=\"csc-default layout-0\">\n<div class=\"csc-brv-text\">\n<p><strong>Essays, Articles, Lectures (Selection)<\/strong><\/p>\n<p>\u00dcber meine Oper \u201eDie R\u00e4uber\u201d. In: Melos 24, 1957, 73-76<\/p>\n<p>Meine Oper \u201eAlkmene\u201d. In: Melos 28, 1961, 272-275. Wiederabdruck in: \u201eWerke Kleists auf dem modernen Musiktheater, Berlin 1977, Erich Schmidt Verlag<\/p>\n<p>Boris Blacher zum 60. Geburtstag. In: Tagebuch 22, Berlin 1963, Bote &amp; Bock. Abdruck des 1963 bei dem Festkonzert des Westdeutschen Rundfunks K\u00f6ln gehaltenen Vortrags<\/p>\n<p>Richard Wagner und die Kontinuit\u00e4t der abendl\u00e4ndischen Musik. In: Hinweise und Huldigungen, Jahrbuch der Freien Akademie der K\u00fcnste Hamburg 1964. Abdruck eines 1963 zum 150. Geburtstag von Richard Wagner im Westdeutschen Rundfunk K\u00f6ln gehaltenen Vortrags<\/p>\n<p>Mathematik und Phantasie in der Neuen Musik. In: Spiralen, Jahrbuch der Freien Akademie der K\u00fcnste Hamburg 1965<\/p>\n<p>Gedanken um Blacher. Geschrieben zum Tode von Boris Blacher am 6. Februar 1975. In: Programmheft des W\u00fcrttembergischen Staatsorchester, 23. Februar 1975<\/p>\n<p>Die Traumata der Neuen Musik, Sonderbeitrag f\u00fcr: Meyers enzyklop\u00e4disches Lexikon, Mannheim 1976. Wiederabdruck in: Forum heute, Mannheim 1979, Bibliographisches Institut<\/p>\n<p>Bericht \u00fcber die Arbeit an meiner Sinfonie Nr. 5. In: Duisburger Journal, Sommer 1977<\/p>\n<p>Beethoven. Vortrag, gehalten im Westdeutschen Rundfunk K\u00f6ln, Herbst 1977<\/p>\n<p>\u201eKleist und der moderne K\u00fcnstler\u201d. Beitrag zu einer Umfrage, erschienen im Berliner \u201eTagesspiegel\u201d am 16. Oktober 1977<\/p>\n<p>Der Troubadour von Giuseppe Verdi. Vortrag, gehalten im Bayerischen Rundfunk M\u00fcnchen, 2. M\u00e4rz 1979<\/p>\n<p>Von der Verwaltung in der Kunst heute. Abdruck eines Gespr\u00e4ches mit Professor Dr. Karl Heinrich Ehrenforth. In: Humanit\u00e4t-Musik-Erziehung, Mainz, B. Schott\u2019s S\u00f6hne, 1981<\/p>\n<p>Zu \u201eParsifal\u201d Beitrag f\u00fcr das Programm der Bayreuther Festspiele 1982<\/p>\n<p>\u201eZum Thema Literaturoper\u201d. Beitrag zum Buch \u201eF\u00fcr und Wider die Literaturoper\u201d, herausgegeben von Sigrid Wiesmann, Laaber-Verlag 1982<\/p>\n<p>\u201eMeine Entwicklung als Komponist\u201d. Beitrag zu dem Buch \u201eMusikkultur in der Sowjetunion und in der Bundesrepublik Deutschland\u201d, herausgegeben von Carl Dahlhaus und Giwi Ordschonikidse, Sikorski-Verlag 1982<\/p>\n<p>Zu Wolfgang Fortners \u201eBluthochzeit\u201d. Vortrag, gehalten am 12. Oktober 1986 im Opernhaus D\u00fcsseldorf, redigiert von Michael Rentzsch, Mainz, B. Schott\u2019s S\u00f6hne<\/p>\n<p>Carl Maria von Weber zum 200. Geburtstag. Beitrag f\u00fcr die Zeitung \u201eMannheimer Morgen\u201d vom 18. November 1986<\/p>\n<p>Reflexionen \u00fcber die Einakter von Boris Blacher f\u00fcr das Jahrbuch der Deutschen Oper Berlin 1987<\/p>\n<p>\u201eDer Zeitbegriff in der Europ\u00e4ischen Musik\u201d. Vortrag auf dem Europ\u00e4ischen Kulturforum Amsterdam, Dezember 1987<\/p>\n<p>\u00dcber Boris Blacher. In: Boris Blacher. 1903-1975, Dokumente zu Leben und Werk. Zusammengestellt und kommentiert von Heribert Henrich, Berlin 1993, 20<\/p>\n<p>Zorn und soziales Mitleid. Giselher Klebe im Gespr\u00e4ch mit Michael T\u00f6pel. In: Takte 2\/1994, Informationen f\u00fcr B\u00fchne und Orchester, Kassel 1994, 16-17<\/p>\n<p>\u201eAuch Liebe ich sehr viele verschiedene Stile\u201d. Der Komponist Giselher Klebe im Gespr\u00e4ch mit Holger Bleck \u00fcber seine Konzerte f\u00fcr Soloinstrument(e) und Orchester. In: Das Orchester 42, 1994, 2-6<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718173689766-132aea38-1169\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Essay<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1718173689766-132aea38-1169\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"row\">\n<div class=\"col-md-16\">\n<div id=\"c5616\" class=\"csc-default layout-0\">\n<div class=\"csc-brv-text\">\n<p><strong>Das Wichtigste ist die Melodie. Erinnerung an Giselher Klebe (1925\u20132009)<\/strong><\/p>\n<p>Klarheit und Einfachheit waren wichtige Leitlinien f\u00fcr Giselher Klebe, der im Oktober verstarb. Seine Arbeiten, im Zentrum die Opern, waren von einer undogmatischen, aber kritischen Weltsicht gepr\u00e4gt. Als Lehrer war er hoch gesch\u00e4tzt. Eine Erinnerung an einen Gro\u00dfen des 20. Jahrhunderts.<\/p>\n<p>Am 5. Oktober 2009 ist Giselher Klebe nach schwerer Krankheit in Detmold verstorben. Seit Mitte der 1960er-Jahre hatte er seine Werke dem B\u00e4renreiter-Verlag zur Publikation anvertraut, eine nicht allt\u00e4gliche, \u00fcber vier Jahrzehnte andauernde Zusammenarbeit an einem rund 150 Opusnummern z\u00e4hlenden \u0152uvre, das neben 14 Opern und acht Sinfonien zahlreiche konzertante Werke sowie Kompositionen aller Gattungen umfasst.<\/p>\n<p>Giselher Klebe wurde 1925 in Mannheim geboren und studierte in Berlin bei Josef Rufer und Boris Blacher. 1950 gelang ihm mit dem Orchesterwerk Die Zwitschermaschine nach dem gleichnamigen Bild von Paul Klee ein erster gro\u00dfer Erfolg bei den Donaueschinger Musiktagen. Die Kritik stufte seine Oper Die R\u00e4uber nach Schillers Drama 1957 als \u201estilistisch konsequenteste und originellste Opernpartitur\u201c seit Bergs Wozzeck und Sch\u00f6nbergs Moses und Aaron ein. Im gleichen Jahr wurde Klebe als Nachfolger von Wolfgang Fortner Dozent und ab 1962 Professor f\u00fcr Komposition und Tonsatz an der Hochschule f\u00fcr Musik in Detmold. Dieser Stadt, deren Ehrenb\u00fcrger Klebe war, blieb er treu, wenngleich ihn seine Liebe zu Italien immer wieder gen S\u00fcden gezogen hat.<\/p>\n<p>Als hoch gesch\u00e4tzter Lehrer hat er vielen erfolgreichen Komponisten, darunter Matthias Pintscher, den er bereits als Jugendlichen in seine Meisterklasse aufgenommen hatte, das notwendige Handwerkszeug und die produktive Verunsicherung des kritischen Gespr\u00e4chs von Autor zu Autor mit auf den Weg gegeben. Im pers\u00f6nlichen Umgang zeichnete sich Klebe durch eine besondere Liebensw\u00fcrdigkeit und Geradlinigkeit aus.<\/p>\n<p>Klebe vertrat einen ausgesprochen undogmatischen \u00e4sthetischen Standpunkt: \u201eIn meiner Musik kannte ich nur eine Leidenschaft: die zur Klarheit, zu der mir gr\u00f6\u00dftm\u00f6glichen Einfachheit. Im Zentrum meiner Arbeit steht die Oper, ausschlie\u00dflich konzentriert auf die Form, in der der singende Mensch im Mittelpunkt steht.\u201c Wie weit die Gattung Oper f\u00fcr Klebe auf anderes ausstrahlt, geht aus einem Gespr\u00e4ch \u00fcber das konzertante Genre hervor: \u201eF\u00fcr mich ist ein Konzert immer \u2013 insofern spielt die Oper auch dort hinein \u2013 von Anfang an ein dramatischer Dialog.\u201c<\/p>\n<p>Ungef\u00e4hr im gleichen Alter, in dem Verdi seinen Falstaff schuf, schrieb Klebe 2007 den heiteren Dreiakter Chlestakows Wiederkehr nach Gogols Der Revisor, der im Landestheater Detmold sehr erfolgreich das Licht der Welt erblickte. Am Ende singt das komplette Ensemble \u2013 ganz im Sinne Verdis \u2013 \u201eDie ganze Welt ist ein Tollhaus!\u201c<\/p>\n<p>Warum erst so sp\u00e4t eine heitere Oper? \u201eAn sich ist Musik weder heiter noch traurig, sie ist \u2013 ganz n\u00fcchtern formuliert \u2013 ein klingender Vorgang, der vielleicht durch beigef\u00fcgte Texte zu dem wird, das wir als ,heiter\u2018, ,traurig\u2018 oder was auch immer bezeichnen. Warum es so ist, vermag ich nicht zu beantworten, doch scheint es offensichtlich leichter zu sein, ein elegisches,\u00a0 trauriges St\u00fcck zu komponieren als ein heiteres. Das mag auch daran liegen, dass es nicht so viele komponierbare heitere Texte gibt. Besonders hier muss man den gesungenen Text Silbe f\u00fcr Silbe verstehen k\u00f6nnen. Es geh\u00f6rt mit zu den schwersten Aufgaben, einen Text so zu komponieren, dass er auch gesungen verstanden werden kann.\u201c<\/p>\n<p>Am Ende jenes Gespr\u00e4chs griff Klebe \u00fcberraschend zu seinem Portemonnaie, um mit gro\u00dfer Vorsicht ein schon leicht br\u00fcchig gewordenes Papier herauszufingern. Auf dem Zettel, den Klebe ganz offensichtlich schon seit vielen Jahren bei sich getragen hatte, war eine Maxime des Komponisten Darius Milhaud zu lesen: \u201eDas Wichtigste ist das Vitale, die Melodie, die leicht zu behalten sein, gesummt und auf der Stra\u00dfe gepfiffen werden muss. Ohne dieses fundamentale Element kann die Technik in der ganzen Welt nur ein toter Buchstabe sein.\u201c<\/p>\n<p>In den letzten Monaten seines Lebens besch\u00e4ftigte ihn \u2013 wenn es seine Krankheit zulie\u00df \u2013 sein fragmentarisch hinterlassenes Opernprojekt nach \u00d6d\u00f6n von Horv\u00e1ths Die Unbekannte aus der Seine. Bezeichnend sind die letzten Worte, die Giselher Klebe vertont hat (es geht um eine Rose, die die Unbekannte kaufen m\u00f6chte). Die Unbekannte: \u201eNur eine. Bei uns drau\u00dfen w\u00e4chst das \u00fcberall. Besonders ist da so ein schmaler Weg, der f\u00fchrt zum Friedhof, wo die wei\u00dfen Blumen bl\u00fchen. Manchmal sehne ich mich zur\u00fcck.\u201c\u00a0 \u2013 \u201eNach dem Friedhof?\u201c<\/p>\n<p>Michael T\u00f6pel<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><div class=\"grve-empty-space grve-height-2x\"><\/div><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Performances<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-2-no-2\" class=\"tablepress tablepress-id-2 brv-termine tablepress-responsive tablepress-responsive-stack-headers tablepress-responsive-stack-tablet\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">composer_first_name<\/th><th class=\"column-2\">composer_last_name<\/th><th class=\"column-3\">title<\/th><th class=\"column-4\">date<\/th><th class=\"column-5\">orchestra<\/th><th class=\"column-6\">conductor<\/th><th class=\"column-7\">location<\/th><th class=\"column-8\">special<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">National Philharmonic Orchestra<\/td><td class=\"column-6\">Cornelius Meister<\/td><td class=\"column-7\">Warschau (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Violin Concerto<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Ilya Gringolts (Violine), Staatsorchester Rheinische Philharmonie<\/td><td class=\"column-6\">Anu Tali<\/td><td class=\"column-7\">Koblenz (Rhein-Mosel-Halle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Der Messias <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester &amp; Rundfunkchor<\/td><td class=\"column-6\">Dennis Russell Davies<\/td><td class=\"column-7\">Erfurt (Theater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Piano Concerto No. 2<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Francesco Piemontesi (Klavier), Symphonieorchester des Bayerischen Rundfunks<\/td><td class=\"column-6\">Enno Poppe<\/td><td class=\"column-7\">M\u00fcnchen (Residenz)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Emily Senturia, Regie: Haley Stamats<\/td><td class=\"column-7\">Madison (Overture Hall)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">2. Symphonie<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Dresdner Philharmonie<\/td><td class=\"column-6\">Christoph Eschenbach<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Echoes of O\u2019s<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Ensemble Lux NM<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wiesbaden (Art.Ist-Galerie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\">Orchester des Staatstheaters Darmstadt<\/td><td class=\"column-6\">Marc Albrecht<\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L\u2019incoronazione di Poppea<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lars Ulrik Mortensen, Regie: Christoph Marthaler<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marc Minkowski, Regie: Damiano Michieletto<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">La navigazione notturna<\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Marino Formenti, Alfredo Ovalles, Luca Lavuri, N.N. (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">Beat <\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Studie IV f\u00fcr Klavier solo <\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Filippo Gorini (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Italienische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Duisburger Philharmoniker<\/td><td class=\"column-6\">Stefan Blunier<\/td><td class=\"column-7\">Duisburg (Philharmonie Mercatorhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Messe solennelle<\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Bach-Verein K\u00f6ln, G\u00fcrzenichorchester<\/td><td class=\"column-6\">Christoph Siebert<\/td><td class=\"column-7\">K\u00f6ln (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Cl\u00e9op\u00e2tre<\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Antoniette Dennefeld (Sopran), Orchestra di Padova e del Veneto<\/td><td class=\"column-6\">Pierre Dumoussaud<\/td><td class=\"column-7\">Padova (Auditorium Pollini)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Wesendonck-Lieder <\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Alicja Bukowska (Mezzosopran), Elbland Philharmonie Sachsen<\/td><td class=\"column-6\">Hermes Helfricht<\/td><td class=\"column-7\">Pirna (Marienkirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">01.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Nadja Loschky<\/td><td class=\"column-7\">Dresden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Yi-Chen Lin, Regie: Barbara-David Br\u00fcesch<\/td><td class=\"column-7\">St. Gallen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L'Orfeo<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">J\u00f6rg Halubek, Regie: Markus Bothe<\/td><td class=\"column-7\">Schwetzingen (Schwetzinger SWR Festspiele, Schlosstheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Bethel (Zionskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Amor Artis Chamber Choir<\/td><td class=\"column-6\">Ryan James Brandau<\/td><td class=\"column-7\">New York (St. Patrick\u2019s Old Cathedral) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\">Wiener Symphoniker<\/td><td class=\"column-6\">Marie Jacquot<\/td><td class=\"column-7\">Wien (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orph\u00e9e et Euridice<\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Edward Ananian Cooper, Regie: Pierre-Andr\u00e9 Weitz<\/td><td class=\"column-7\">Limoges<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">Ludwig van<\/td><td class=\"column-2\">Beethoven<\/td><td class=\"column-3\">Musik zu Goethes Trauerspiel Egmont<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Essener Philharmoniker<\/td><td class=\"column-6\">Dirk Kaftan<\/td><td class=\"column-7\">Essen (Alfried Krupp Saal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Paride ed Helena<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Akademie f\u00fcr Alte Musik<\/td><td class=\"column-6\">Michael Hofstetter<\/td><td class=\"column-7\">Augsburg (Internationale Gluck-Opern-Festspiele)<\/td><td class=\"column-8\">konzertant, 9.5. Bayreuth, 10.5. F\u00fcrth<\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">Francesco<\/td><td class=\"column-2\">Filidei<\/td><td class=\"column-3\">Finito ogni gesto, Esercizio di pazzia I<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">ensemble XXI. jahrhundert<\/td><td class=\"column-6\">Peter Burwik<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Francesco Corti, Regie: Kirill Serebrennikov\u00a0<\/td><td class=\"column-7\">Amsterdam (Stichting Nationale Opera &amp; Ballet)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">saphir und haut Nr. 3 f\u00fcr Sopran und Inside Piano<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">Lisa-Maria Lebitschnis (Sopran), Amelie Warner (Klavier) <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Augsburg (Staatliches Textilmuseum) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Schwanensee<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Svetoslav Borisov, Choreographie: Stefano Giannetti<\/td><td class=\"column-7\">Dessau<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Tonhalle Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Bisatti, Regie: Suzanne Andrade, Barrie Kosky<\/td><td class=\"column-7\">Lille<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Julia Jones, Regie: Robert Carsen<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Ottawa Bach Choir<\/td><td class=\"column-6\">Lisette Canton<\/td><td class=\"column-7\">Ottawa (Knox Presbyterian Church)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Johannes Klumpp, Regie: Nora Krahl<\/td><td class=\"column-7\">Gelsenkirchen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">Ernst<\/td><td class=\"column-2\">Krenek<\/td><td class=\"column-3\">Fl\u00f6tenst\u00fcck neunphasig, f\u00fcr Fl\u00f6te und Klavier <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">\u0153nm . \u0153sterreichisches ensemble fuer neue musik<\/td><td class=\"column-6\">Rupert Huber<\/td><td class=\"column-7\">Salzburg (Schloss Frohnburg)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester<\/td><td class=\"column-6\">Alena Hron<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Das kalte Herz<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Kammerorchester Metzingen<\/td><td class=\"column-6\">Oliver Bensch<\/td><td class=\"column-7\">Metzingen (Stadthalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Orchester Opernhaus Z\u00fcrich<\/td><td class=\"column-6\">Yves Abel<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Alexander Soddy, Regie: Richard Jones<\/td><td class=\"column-7\">London (Royal Opera House)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andreas Spering, Regie: Wolfgang Berthold<\/td><td class=\"column-7\">Brandenburg<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\">Rotterdams Philharmonisch Orkest<\/td><td class=\"column-6\">Jukka-Pekka Saraste<\/td><td class=\"column-7\">Rotterdam (de Doelen)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Deidamia <\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">George Petrou, Regie: George Petrou<\/td><td class=\"column-7\">G\u00f6ttingen (Internationale H\u00e4ndel-Festspiele, Deutsches Theater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Monad\u2019s face f\u00fcr Sopran, Bassklarinette und Violoncello<\/td><td class=\"column-4\">16.05.2026<\/td><td class=\"column-5\">Sara Wiljaars (Sopran), N.N. (Bassklarinette), N.N. (Violoncello)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Hochschule f\u00fcr Musik Hanns Eisler)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">La bianca notte<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\">Klangforum Wien<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Katowice (Katowice Culture Nature Festival, NOSPR Concert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">Emmanuel<\/td><td class=\"column-2\">Chabrier<\/td><td class=\"column-3\">L\u2019Etoile<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Nicolas Kruger, Regie: Matthew Eberhardt<\/td><td class=\"column-7\">Eindhoven (Parktheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">Winfried Zillig: Rosse \/<\/td><td class=\"column-2\">Ruggero Leoncavallo: Pagliacci<\/td><td class=\"column-3\"><\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Mark Rohde, Regie: Roman Hovenbitzer<\/td><td class=\"column-7\">W\u00fcrzburg (Theaterfabrik Blaue Halle)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Le Docteur Miracle<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Anton Legkii, Regie: Claudia Pla\u00dfwich<\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">18.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Cluj-Napoca (Academia Nationala de Muzica Gheorge Dirna)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">20.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Willy Decker<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">Tre duetti con l\u00b4eco<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Ensemble Aventure<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Freiburg (Elisabeth Schneider Stiftung)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die drei kleinen Schweinchen<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Staatsorchester Darmstadt<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\">auch 22.\/23.5.<\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">L\u00e9lio ou Le retour \u00e0 la vie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Helsingborg Symphony Orchestra<\/td><td class=\"column-6\">Maxime Pascal<\/td><td class=\"column-7\">Helsingborg (Konserthus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Vinicius Kattah, Regie: Jiri Herman<\/td><td class=\"column-7\">Bratislava (Nationaltheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">Jean-Philippe<\/td><td class=\"column-2\">Rameau<\/td><td class=\"column-3\">Les Bor\u00e9ades<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">a nocte temporis<\/td><td class=\"column-6\">Reinoud Van Mechelen<\/td><td class=\"column-7\">Dortmund (Orchesterzentrum)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Lieux retrouv\u00e9s<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">RSO Wien<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Fort Worth Symphony Orchestra<\/td><td class=\"column-6\">Robert Spano<\/td><td class=\"column-7\">Fort Worth (Bass Performance Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Dietger Holm, Regie: Magdalena Fuchsberger<\/td><td class=\"column-7\">Heidelberg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Orchestre et ch\u0153ur Op\u00e9ra National de Paris<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Paris (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Zsolt Jank\u00f3, Regie: Mikl\u00f3s H. Vecsei<\/td><td class=\"column-7\">Budapest<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Benjamin Bayl, Regie: Agn\u00e8s Jaoui<\/td><td class=\"column-7\">Montpellier<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-62\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Kirche St. Michael)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-63\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">La Maitrise de Toulouse<\/td><td class=\"column-6\">Mark Opstad<\/td><td class=\"column-7\">Gramat (\u00c9glise Saint-Pierre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-64\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Vlaams Radiokoor, Orkest van de Achttiende eeuw<\/td><td class=\"column-6\">Bart van Reyn<\/td><td class=\"column-7\">Breda (Chasse Theater)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-65\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Prague Symphony Orchestra<\/td><td class=\"column-6\">Tom\u00e1s Netopil<\/td><td class=\"column-7\">Prag (Festival Prager Fr\u00fchling, Obecn\u00ed dum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-66\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">28.05.2026<\/td><td class=\"column-5\">Orchestra del Maggio Musicale Fiorentino<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Florenz (Teatro del Maggio)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-67\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Keren Kagarlitsky, Regie: Wim Vandekeybus<\/td><td class=\"column-7\">Antwerpen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-68\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Elena Salvatierra, Regie: Marta Eguilior<\/td><td class=\"column-7\">Cadiz (Teatro Villamarta)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-69\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">30.05.2026<\/td><td class=\"column-5\">Vocal ensembles\u00a0ardent\u00a0and\u00a0suppl\u00e9ments musicaux<\/td><td class=\"column-6\">Patrick Secchiari, Moritz Achermann<\/td><td class=\"column-7\">Bern (\u00c9glise francaise)<\/td><td class=\"column-8\">auch 31.5.<\/td>\n<\/tr>\n<tr class=\"row-70\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">6. Symphonie<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Tomas Hanus<\/td><td class=\"column-7\">Prag (Gemeindehaus)  <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-71\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Chor des Theater L\u00fcbeck, Philharmonisches Orchester Hansestadt L\u00fcbeck<\/td><td class=\"column-6\">Stefan Vladar<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-72\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo McFall, Regie: Uwe Eric Laufenberg<\/td><td class=\"column-7\">Wiesbaden (Maifestspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-73\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Zweimal Alexander<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Irene Delgado-Jim\u00e9nez, Regie: Anna Bernreitner<\/td><td class=\"column-7\">Wien (Theater an der Wien)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-74\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\">BBC Singer, Ma\u00eetrise de Notre-Dame<\/td><td class=\"column-6\">Sofi Jeannin,\u00a0Henri Chalet<\/td><td class=\"column-7\">Paris (Notre Dame)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-75\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">03.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Equilbey, Regie: Florent Siaud<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-76\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Der Mistk\u00e4fer<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\">Johannes Merz (Erz\u00e4hler), Kammerphilharmonie L\u00fcbeck<\/td><td class=\"column-6\">Emanuel Dantscher<\/td><td class=\"column-7\">L\u00fcbeck (Kolosseum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-77\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Rinaldo<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Hofstetter, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-78\">\n\t<td class=\"column-1\">Jir\u00ed Anton\u00edn (Georg Anton)<\/td><td class=\"column-2\">Benda<\/td><td class=\"column-3\">Medea <\/td><td class=\"column-4\">06.06.2026<\/td><td class=\"column-5\">Doerthe Maria Sandmann (Sprecherin), Barockorchester der Th\u00fcringen Philharmonie Gotha<\/td><td class=\"column-6\">Alexej Barchevitch<\/td><td class=\"column-7\">Eisenach (Landestheater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-79\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Ch\u0153ur de l\u2019Op\u00e9ra de Tours, Orchestre symphonique R\u00e9gion Centre-Val de Loire\/Tours<\/td><td class=\"column-6\">David Jackson<\/td><td class=\"column-7\">Tours (Grand Th\u00e9atre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-80\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">konzertant, auch 12.6. W\u00fcrzburg<\/td>\n<\/tr>\n<tr class=\"row-81\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">10.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Cummings, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-82\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Orquestra de Valencia<\/td><td class=\"column-6\">Francesco Corti, Regie: Beno\u00eet De Leersnyder<\/td><td class=\"column-7\">Valencia<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-83\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">W\u00fcrzburg (Kaisersaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-84\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Aci, Galatea e Polifemo<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Ren\u00e9 Jacobs<\/td><td class=\"column-7\">Halle (Marktkirche) <\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-85\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">David Bates, Regie: Robert Carsen<\/td><td class=\"column-7\">Rouen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-86\">\n\t<td class=\"column-1\">Anders<\/td><td class=\"column-2\">Hillborg<\/td><td class=\"column-3\">Sound Atlas<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">NDR Elbphilharmonie Orchester<\/td><td class=\"column-6\">Ryan Bancroft<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-87\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Claudio Novati, Regie: Felix Schr\u00f6dinger<\/td><td class=\"column-7\">Detmold  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-88\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Tell it or shout f\u00fcr Fl\u00f6te und Harfe<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Elizaveta Birjukova, Fl\u00f6te, Christina Engelke (Harfe)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Jena (K\u00fcnstlerische Abendschule)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-89\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Feldmesse<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\">M\u00fcnchner Philharmoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">M\u00fcnchen (Isarphilharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-90\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Il trionfo del Tempo e del Disinganno<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Simone De Felice, Regie: Katharina Kastening<\/td><td class=\"column-7\">Frankfurt (Bockenheimer Depot)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-91\">\n\t<td class=\"column-1\">Jindrich<\/td><td class=\"column-2\">Feld<\/td><td class=\"column-3\">Konzert f\u00fcr Fl\u00f6te und Orchester<\/td><td class=\"column-4\">15.06.2026<\/td><td class=\"column-5\">Daniela Koch (Fl\u00f6te), Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Konzerthalle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-92\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">17.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo Mc Fall, Regie: Marie-\u00c8ve Signeyrole<\/td><td class=\"column-7\">Wiesbaden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-93\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\">Konzerthausorchester<\/td><td class=\"column-6\">Ivan Fischer<\/td><td class=\"column-7\">Berlin (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-94\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Janis Liepins, Regie: Cordula D\u00e4uper <\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-95\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">G\u00e1bor Hontv\u00e1ri, Regie: Benjamin Prins<\/td><td class=\"column-7\">Sondershausen (Schloss)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-96\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Litanei f\u00fcr Sopran, Bassklarinette und Streichquartett (UA)\/canti della tenebra. F\u00fcnf Lieder f\u00fcr Mezzosopran und Klavier<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Nicholas\u2019 Church of Ireland)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-97\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Royal Liverpool Philharmonic Orchestra<\/td><td class=\"column-6\">Domingo Hindoyan<\/td><td class=\"column-7\">Liverpool (Philharmonic Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-98\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">in mia vita da vuolp f\u00fcr Bariton-Saxophon und Sopran\/Lot\u00f3fagos f\u00fcr Sopran und Kontrabass\/Prophezeiungen f\u00fcr Alt, Kontrabassklarinette und Akkordeon <\/td><td class=\"column-4\">20.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Vincent\u2019s Chapel)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-99\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Susanna<\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Collegium 1704 <\/td><td class=\"column-6\">V\u00e1clav Luks<\/td><td class=\"column-7\">Litomysl (Schlosshof)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-100\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Chelsea Opera Group<\/td><td class=\"column-6\">Paul Wingfield<\/td><td class=\"column-7\">London (Cadogan Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-101\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Klavierkonzert<\/td><td class=\"column-4\">24.06.2026<\/td><td class=\"column-5\">Kirill Gerstein (Klavier), Tonhalle Orchester<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-102\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Rias Kammerchor<\/td><td class=\"column-6\">Peter Dijkstra<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-103\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lidiya Yankovskaya, Regie: Max Webster <\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-104\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">27.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Guggeis, Regie: Andrea Moses<\/td><td class=\"column-7\">Berlin (Staatsoper Unter den Linden)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-105\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leonardo Garcia Alarcon, Regie: Cl\u00e9ment Cogitore<\/td><td class=\"column-7\">Aix-en-Provence (Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-106\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ariodante<\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Beaune (Festival Baroque, Hotel-Dieu)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-107\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix P\u00e4tzold, Regie: Immo Karaman<\/td><td class=\"column-7\">Kiel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-108\">\n\t<td class=\"column-1\">George<\/td><td class=\"column-2\">Benjamin<\/td><td class=\"column-3\">Three Consorts <\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Kent Nagano<\/td><td class=\"column-7\">Kl\u00fctz (Festspiele Mecklenburg-Vorpommern, Schloss Bothmer)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-109\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsche Staatsphilharmonie Rheinland-Pfalz<\/td><td class=\"column-6\">Michael Francis<\/td><td class=\"column-7\">Speyer (Ged\u00e4chtniskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-110\">\n\t<td class=\"column-1\">Giselher<\/td><td class=\"column-2\">Klebe<\/td><td class=\"column-3\">Mignon<\/td><td class=\"column-4\">07.07.2026<\/td><td class=\"column-5\">Detmolder Kammerorchester<\/td><td class=\"column-6\">Stanley Dodds<\/td><td class=\"column-7\">Detmold (Hochschule f\u00fcr Musik) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-111\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">16.07.2026<\/td><td class=\"column-5\">Schleswig-Holstein Festival Orchestra<\/td><td class=\"column-6\">Andrew Manze<\/td><td class=\"column-7\">Elmshorn (Stiftung Schleswig-Holstein Musik Festival)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-112\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">jag die hunde zur\u00fcck!<\/td><td class=\"column-4\">20.07.2026<\/td><td class=\"column-5\">Accademia Musicale Chigiana<\/td><td class=\"column-6\">Lorenzo Donati<\/td><td class=\"column-7\">Siena (Chiesa della Ss. Annunziata)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-113\">\n\t<td class=\"column-1\">Anton\u00edn <\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Petr Popelka, Regie: Martin Kusej <\/td><td class=\"column-7\">M\u00fcnchen (M\u00fcnchner Opernfestspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-114\">\n\t<td class=\"column-1\">Georges <\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen, Fassung 1874<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Fabio Luisi, Regie: Denis Krief<\/td><td class=\"column-7\">Martina Franca (Festival della Valle d\u2019Itria)<\/td><td class=\"column-8\">Szenische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-115\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">29.07.2026<\/td><td class=\"column-5\">Orchestre Symphonique de la Monnaie<\/td><td class=\"column-6\">Alain Altinoglu<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-116\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\">Studierende der Orchesterakademie<\/td><td class=\"column-6\">L\u00fc Jia<\/td><td class=\"column-7\">Lugano (Palazzo dei Congressi)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-117\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Evan Rogister, Regie: David McVicar<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-118\">\n\t<td class=\"column-1\">L'ubica<\/td><td class=\"column-2\">Cekovska<\/td><td class=\"column-3\">Maison de la musique en sept p\u00e9riodes<\/td><td class=\"column-4\">01.08.2026<\/td><td class=\"column-5\">Japan Century Symphony Orchestra<\/td><td class=\"column-6\">Andreas Ottensamer<\/td><td class=\"column-7\">Osaka<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-119\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Le Concert d\u2019Astr\u00e9e<\/td><td class=\"column-6\">Emmanuelle Haim<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-120\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Joana Mallwitz, Regie: Christof Loy<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-121\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">K\u00f6nig Karotte<\/td><td class=\"column-4\">09.08.2026<\/td><td class=\"column-5\">Mattias Straub (Erz\u00e4hler), Orchester der Sommeroperette Heldritt<\/td><td class=\"column-6\">Manuel Grund <\/td><td class=\"column-7\">Bad Rodach (Waldb\u00fchne Heldritt)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-122\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">15.08.2026<\/td><td class=\"column-5\">London Symphony Chorus and Orchestra<\/td><td class=\"column-6\">Antonio Pappano<\/td><td class=\"column-7\">London (Proms, Royal Albert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-123\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Orlando Paladino<\/td><td class=\"column-4\">28.08.2026<\/td><td class=\"column-5\">Orfeo Orchestra<\/td><td class=\"column-6\">Gy\u00f6rgy Vashegyi<\/td><td class=\"column-7\">Fert\u00f6d (Haydneum Concerts at Esterh\u00e1zy Palace)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-124\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marie Jacquot, Regie: Tatjana G\u00fcrbaca<\/td><td class=\"column-7\">Kopenhagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-125\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die verlorene Melodie <\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\">Staatskapelle Weimar<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Weimar (Theaterfest)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-126\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie in c-Moll<\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Gewandhausorchester<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-127\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">18.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Sch\u00f6nwandt, Regie: Krzysztof Warlikowski<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-128\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Mitridate, re di Ponto <\/td><td class=\"column-4\">24.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Frizza, Regie: Claus Guth<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-129\">\n\t<td class=\"column-1\">Fromental<\/td><td class=\"column-2\">Hal\u00e9vy<\/td><td class=\"column-3\">La Juive<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix Bender, Regie: Marco Storman<\/td><td class=\"column-7\">Ulm<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-130\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">09.10.2026<\/td><td class=\"column-5\">Orchestra del Teatro di San Carlo<\/td><td class=\"column-6\">Iv\u00e1n L\u00f3pez-Reynoso<\/td><td class=\"column-7\">Neapel (Teatro di San Carlo)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-131\">\n\t<td class=\"column-1\">Charles<\/td><td class=\"column-2\">Gounod<\/td><td class=\"column-3\">Faust<\/td><td class=\"column-4\">20.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniele Rustioni, Regie: Johannes Erath<\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-132\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-133\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">hr-Sinfonieorchester<\/td><td class=\"column-6\">Michael Wendeberg<\/td><td class=\"column-7\">Frankfurt (hr-Sendesaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-134\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk f\u00fcr Orchester<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Pierre Bleuse<\/td><td class=\"column-7\">Basel (Stadtcasino)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-135\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.11.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Roberto Abbado<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-136\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">06.12.2026<\/td><td class=\"column-5\">Erik Br\u00fcnner (Sprecher), Jugendsinfonieorchester Heinrich-Sch\u00fctz-Konservatorium, Dresdner Philharmonie<\/td><td class=\"column-6\">Milko Kersten<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\">auch 7.12.<\/td>\n<\/tr>\n<tr class=\"row-137\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">17.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Bertrand de Billy, Regie: Lydia Steier<\/td><td class=\"column-7\">Wien (Staatsoper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-138\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Tha\u00efs<\/td><td class=\"column-4\">18.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pierre Dumoussaud, Regie: Olivier Lepelletier-Leeds<\/td><td class=\"column-7\">Li\u00e8ge<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Works<\/span><\/h3><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196445966-404a492e-2d2f\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Stage<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196445966-404a492e-2d2f\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09717-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06708-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06001-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06730-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06063-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06769-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"AOE10136-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06094-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07369-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196445996-e8db20a2-ebc2\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196445996-e8db20a2-ebc2\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA06790-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06792-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06063-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07704-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07375-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07398-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06042-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07163-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07346-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07309-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07132-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06721-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA04170-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06727-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07388-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07745-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09730-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06011-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07167-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196529112-c2d542e4-0e99\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196529112-c2d542e4-0e99\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA06077-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07306-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06780-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07164-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07319-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06760-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07712-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07334-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07760-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07703-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07722-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07310-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196528788-5f427325-38f0\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196528788-5f427325-38f0\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA06741-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07752-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07322-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196527905-ae84213b-b3e0\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/instruments<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196527905-ae84213b-b3e0\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07787\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06194\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07786\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA04115\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09304\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09710-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07440\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07338-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196527343-66afa1af-0e5d\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Chamber Music<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196527343-66afa1af-0e5d\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA06277-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09307\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA04467-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07065\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09305\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA04150\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07083\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07788\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07310-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09309\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06129\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06150\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07080\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06096-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06120\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07046\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07498-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196527034-d3d72d3d-ee9b\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Piano<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196527034-d3d72d3d-ee9b\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07045\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07225\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07281\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06195\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07253\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07290\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09308\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196525913-7bea070b-854e\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196525913-7bea070b-854e\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA06193\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07062\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06119\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06204\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07215\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA05488\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06192\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06121\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09306\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h2 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>Interview<\/span><\/h2><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>On the 100th anniversary of Giselher Klebe\u2019s birth<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t<p>The composer Giselher Klebe was born in Mannheim on 28 June 1925. His 100th anniversary offers an opportunity to re-examine his extensive output.<\/p>\n<p>\u201cHere, has a border not become visible which suggests saying that art doesn\u2019t only come from ability or necessity, but especially from taking responsibility?\u201d (Giselher Klebe, 1981)<br \/>\nBorn on 28 June 1925, the composer Giselher Klebe came from a generation of creative artists whose youth was defined by the Nazi period and the Second World War, like others such as Hans Werner Henze or Karlheinz Stockhausen. His formative experiences included not only war service and a short period in Russian captivity in 1945, but also the specific experience of the violence of the Nazi regime: experiences such as the persecution of the Communist painter Fritz Ohse, whom the young Klebe\u2019s piano teacher hid in an attic room. This laid the foundation for a humanist and pacifist lifestyle which found expression in his programmatic instrumental works as well as the choice of subjects of his rich operatic output.<\/p>\n<p>Alongside early musical encouragement from his mother the violinist Gertrud Klebe, during the Second World War he succeeded in gaining access to then-forbidden art: abstract paintings by Franz Marc, Wassily Kandinsky, Pablo Picasso, Paul Klee and others which he got to know in reproductions thanks to Ohse. As he said, these \u201copened a new world\u201d for him (Klebe, 1982). He drew important influences for his compositional output from the \u201centartete\u201d [degenerate] outlawed scores of Gustav Mahler, Arnold Sch\u00f6nberg, Paul Hindemith and Igor Strawinsky, which he encountered through the personal recommendation of his music history professors Hans B\u00f6ttcher and Hermann Halbig during his first music studies from 1941 to 1943 (in violin, viola, composition) at the St\u00e4dtisches Konservatorium Berlin.After the end of the war he continued his composition studies in Berlin with Sch\u00f6nberg\u2019s pupil Josef Rufer and studied privately with Boris Blacher, from whom he adopted in particular the technique of variable metres. A further mentor of Klebe\u2019s was Wolfgang Fortner, whom he succeeded in 1957, initially as a lecturer in composition and music theory at what was then the North-west German Music Academy in Detmold, before being appointed a full professor in 1962. In 1955 Klebe also worked in the Studio for Electronic Music of Cologne Radio; the influences he experienced there also left traces in his works, such as the tape montages in his one-act opera \u201cDie Ermordung Caesars\u201d (1959) and in his Harpsichord Concerto op. 64 (1971). After his retirement in 1990 Klebe remained closely associated with the Detmold Musikhochschule where he taught in his retirement as a lecturer until 1998.<\/p>\n<p>As for many composers of the then young avantgarde, his step to international recognition came about through festivals and summer schools for new music: Fortner had encouraged Klebe to compose a chamber music ensemble piece for the Darmstadt Summer Course in 1949. This was followed by the world premiere in 1950 of \u201cDie Zwitschermaschine\u201d, a metamorphosis on the eponymous painting by Paul Klee for orchestra, in Donaueschingen. In this work Klebe set to music the 1922 miniature painting of a mechanised concert of birds, interpretable as a criticism of the 20th century\u2019s naive belief in technology. Henze had seen Klebe\u2019s score and given it to Heinrich Strobel, director of the Donaueschingen Festival at that time. The performance in Donaueschingen by Hans Rosbaud represented a breakthrough for Klebe. In the following years he was honoured with numerous awards and prizes, including the Berlin Art Prize in 1952, the F\u00f6rderpreis of the Culture Committee of the Federation of German Industries in 1953, the Grand Art Prize of North Rhine-Westphalia, and the Rome Scholarship at the Villa Massimo in 1959 and 1962. From 1986 to 1989 Klebe was President of the Academy of Arts.<\/p>\n<p>Compositionally, the 1950s pointed in new directions for the now established composer: after many commissioned works for chamber music scorings and orchestra, Klebe now worked in a new field \u2013 the stage. He experienced musical theatre as \u201cperhaps the most essential medium in [his] musical language\u201d. With a stage output of five ballets and 13 (literary) operas after texts by Shakespeare, Goethe, Schiller, Kleist, Balzac, Horv\u00e1th, Zuckmayer and others, Klebe was one of the most famous composers of German-language opera in the postwar period.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Whilst in Berlin he had met the violinist Lore Schiller, whom he married in 1946. They had two daughters. She remained his close artistic collaborator until her death in 2001, not only as librettist for his operas. Klebe\u2019s enthusiasm for the theatre began at an early age, initially sparked by a fascination for Wagner, Strawinsky, Tchaikovsky and Sch\u00f6nberg. Later, Verdi\u2019s output played a central role for Klebe, and he often integrated quotations from his works into his own dodecaphonic compositions. For the sake of theatrical expression and in order to do justice to the artist\u2019s \u201cresponsibility\u201d to overcome the \u201ctrauma of progressive thinking\u201d in New Music, he worked with a wide range of compositional techniques, for music must not \u201close its \u2018linguistic character\u2019 \u201d (Klebe, 1982). Tonality and atonality were no longer regarded as \u201cantitheses\u201d by Klebe from 1957 onwards, but as \u201ccolour values in a consistent sound spectrum\u201d (Klebe, n.d.). He integrated tonal elements, tape montages and quotations into his atonal-serial structures, and dodecaphonic structures were also employed as leitmotifs in the framework of different orchestrations. The musical material was never used for its own sake, but was always in the service of expression and communication with the audience. The traditional forms of number operas, such as arias, duets and large ensembles with high comprehensibility of text alternate in Klebe\u2019s operas with through-composed sections; and as well as vocal roles, spoken parts are frequently used in his music theatre works. In his opera \u201cDer j\u00fcngste Tag\u201d, premiered in Mannheim in 1980, the theme of guilt is dealt with in a memorable way. The protagonists and situations are ultimately characterised by concise, recognisable leitmotifs no longer dodecaphonically structured. Tonality, atonality and quotations are seamlessly integrated.<\/p>\n<p>At his death in 2009 Klebe left an output of over 150 musical compositions, including eight symphonies, many other orchestral works and solo concertos and an impressive number of chamber music compositions as well as significant sacred works, including a Christmas oratorio.<\/p>\n<p>In 2025, on the 100th anniversary of his birth, many individual works will be performed again at the Detmold Musikhochschule, and Klebe will be commemorated in an exhibition. His fundamental political-ethical attitude of a Christian-influenced pacifism and humanism seems more relevant than ever.<\/p>\n<p>Antje Tumat<br \/>\n(translation: Elizabeth Robinson \/ from [t]akte 2\/2024)<\/p>\n<p>Quotations from:<br \/>\nGiselher Klebe: Meine Entwicklung als Komponist. In: Beitr\u00e4ge zur Musikkultur in der Sowjetunion und in der Bundesrepublik Deutschland. Edited by Carl Dahlhaus and Giwi Ordschonikidse. Hamburg\/Wilhelmshaven, 1982, pp. 249\u2013256.<br \/>\nGiselher Klebe: Von der Verantwortung der Kunst heute. In: Humanit\u00e4t, Musik, Erziehung. Edited by Heinrich Ehrenforth. Mainz, 1981. pp. 152\u2013158.<br \/>\nGiselher Klebe: Manuscript n.d. Giselher Klebe-Archiv Detmold, Mus-h 12 K.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-carousel\">\r\n\t<div class=\"grve-carousel-wrapper\">\r\n\t\t\t<div class=\"grve-carousel-navigation grve-navigation-arrow-1\">\r\n\t\t<div class=\"grve-carousel-buttons\">\r\n\t\t\t<div class=\"grve-carousel-prev\"><div class=\"grve-svg-icon grve-direction-left grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t\t<div class=\"grve-carousel-next\"><div class=\"grve-svg-icon grve-direction-right grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t<div data-items=\"3\" data-items-tablet-landscape=\"2\" data-items-tablet-portrait=\"2\" data-items-mobile=\"1\" data-slider-autoplay=\"yes\" data-pagination=\"yes\" data-slider-loop=\"yes\" data-slider-speed=\"3000\" data-slider-pause=\"no\" data-pagination-speed=\"400\" data-gutter-size=\"40\" class=\"grve-carousel-element grve-blog-carousel grve-blog-columns grve-with-gap grve-classic-carousel\">\r\n\t\t\t<article class=\"grve-carousel-item post-18879 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Appearance versus reality<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Appearance versus reality<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>\u013dubica \u010cekovsk\u00e1\u2018s opera \u201cDorian Gray\u201d in Annaberg-Buchholz\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-31T08:31:38+02:00\">31. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-31T12:50:12+02:00\">31. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18838 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The Swiss composer is composer-in-residence\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-24T14:34:38+01:00\">24. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-24T14:38:11+01:00\">24. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18817 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Three musicians play their way to the top<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Three musicians play their way to the top<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter awards a special prize at the Bach Competition, Leipzig\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-23T13:19:42+01:00\">23. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-23T13:49:14+01:00\">23. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18690 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Pianists at the start of their careers<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Pianists at the start of their careers<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg (Photo: from left to right: Bogdan Dugali\u0107, Elisey Mysin, Anastasiia Kliuchereva, photo: Michael Klimt)    \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-23T10:12:12+01:00\">23. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-23T10:16:00+01:00\">23. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18592 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Young international violin stars<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Young international violin stars<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-16T11:14:59+01:00\">16. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T11:17:52+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18577 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">On the death of Helmuth Rilling<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>On the death of Helmuth Rilling<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>A life with Bach \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-13T08:33:14+01:00\">13. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T07:21:10+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18545 post type-post status-publish format-standard has-post-thumbnail hentry category-complete-edition category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Milestone Reached in Halle<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-29T14:33:29+01:00\">29. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-29T14:37:26+01:00\">29. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18477 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Mourning Peter Hanser-Strecker<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Mourning Peter Hanser-Strecker<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The long-serving publisher and Chief Executive Officer of Schott Music, Peter Hanser-Strecker passed away\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-23T13:12:20+01:00\">23. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-23T14:30:41+01:00\">23. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18433 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Piero Ostali died<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp 512w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-500x500.webp 500w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Piero Ostali died<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>Piero Ostali, Owner and Managing Director of Casa Musicale Sonzogno, has died unexpectedly\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >512<\/span>\r\n\t\t\t   <span itemprop='width' >512<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-09T06:37:43+01:00\">9. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-09T12:48:54+01:00\">9. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18415 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Jonathan Del Mar turns 75<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp 1080w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Jonathan Del Mar turns 75<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>English musicologist and conductor Jonathan Del Mar turns 75. His Beethoven editions opened a new chapter in the service of musical practice.\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1080<\/span>\r\n\t\t\t   <span itemprop='width' >1080<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-07T08:27:22+01:00\">7. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-07T14:00:57+01:00\">7. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n"},"excerpt":{"rendered":"<div class=\"grve-section grve-row-section grve-fullwidth-background grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#707070;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section composer-header grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-5-12 grve-wpb-1715857276604 grve-vertical-position-middle grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-left\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 500px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 150.2%;\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"751\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Klebe-500px.webp\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Klebe-500px.webp 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Klebe-500px.webp 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-7-12 grve-wpb-1715857422252 grve-vertical-position-middle grve-with-bg-transparent grve-align-center\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h1 class=\"grve-element grve-title grve-align-center grve-page-title grve-text-white\"><span>Giselher Klebe<\/span><\/h1><div class=\"grve-empty-space grve-height-1x\"><\/div><div class=\"grve-element grve-image grve-align-center signature-witdh-100\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-svg-thumbnail-wrapper\"><div class=\"grve-svg-thumbnail\"><img decoding=\"async\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Klebe_Pfade_U_weiss.svg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Klebe_Pfade_U_weiss.svg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Klebe_Pfade_U_weiss.svg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Biography<\/span><\/h2><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-klebe-en-no-3\" class=\"tablepress tablepress-id-klebe-en two-column-table\">\n<tbody>\n<tr class=\"row-1\">\n\t<td class=\"column-1\">1925<\/td><td class=\"column-2\">born in Mannheim on 28 June<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">1940\u20131943<\/td><td class=\"column-2\">studies violin, viola and composition at the St\u00e4dtisches Konservatorium in Berlin with Kurt von Wolfurt, his studies are interrupted by military service and imprisonment<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">1946<\/td><td class=\"column-2\">composition studies at the Internationales Musikinstitut in Berlin with Josef Rufer<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">1946-1949<\/td><td class=\"column-2\">employed in the music division of the Berliner Rundfunk (recording archives, programming)<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">1946-1951<\/td><td class=\"column-2\">composition studies with Boris Blacher<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">1951-1957<\/td><td class=\"column-2\">free-lance composer in Berlin<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">1957<\/td><td class=\"column-2\">succeeds Wolfgang Fortner as teacher of compositin and music theory at the Nordwestdeutsche Musikakademie in Detmold<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">1959<\/td><td class=\"column-2\">wins the award \u201cGro\u00dfer Kunstpreis des Landes Nordrhein-Westfalen f\u00fcr Musik\u201d and a fellowship to the Deutsche Akademie \u201cVilla Massimo\u201d in Rome<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">1962<\/td><td class=\"column-2\">becomes professor<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">1962\/63<\/td><td class=\"column-2\">fellowship to the Deutsche Akademie \u201cVilla Massimo\u201d in Rome<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">1963<\/td><td class=\"column-2\">member of the Freie Akademie der K\u00fcnste in Hamburg<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">1964<\/td><td class=\"column-2\">member of the Akademie der K\u00fcnste in Berlin<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">1978<\/td><td class=\"column-2\">member of the Bayerische Akademie der Sch\u00f6nen K\u00fcnste in Munich<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">1982<\/td><td class=\"column-2\">honorary director of the World Harp Congress<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">ab 1986<\/td><td class=\"column-2\">president of the music division of the Dramatiker Union Berlin<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">1986-1989<\/td><td class=\"column-2\">president of the Akademie der K\u00fcnste Berlin<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">1999<\/td><td class=\"column-2\">Federal Cross of merit (Gro\u00dfes Bundesverdienstkreuz)<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">2002<\/td><td class=\"column-2\">honorary citizen of the city of Detmold<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">2009<\/td><td class=\"column-2\">died in Detmold on 5 October <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#e8ede8;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718172464991-a156fe79-3d50\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Bibliography<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1718172464991-a156fe79-3d50\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"row\">\n<div class=\"col-md-16\">\n<div id=\"c5485\" class=\"csc-default layout-0\">\n<div class=\"csc-brv-text\">\n<p><strong>Catalogue of Works (German)<\/strong><\/p>\n<p>Michael Rentzsch: Giselher Klebe. Werkverzeichnis 1947-1995<br \/>\nHerausgegeben von der Stiftung Archiv der Akademie der K\u00fcnste, Berlin. B\u00e4renreiter (1997). 288 Seiten; kartoniert<br \/>\nISBN 978-3-7618-1247-1<\/p>\n<p>Neben den zw\u00f6lf Opern, die Giselher Klebe in der zeitgen\u00f6ssischen Musikszene zu einer festen Gr\u00f6\u00dfe haben werden lassen, hat er zu allen Gattungen der Musik wichtige Beitr\u00e4ge geliefert. Dieses Buch ist eine grundlegende Bestandsaufnahme aller seit 1947 entstandenen Kompositionen.<\/p>\n<p>Die wichtigsten Daten wie Besetzung, Dauer, Entstehung, Herausgabe, Urauff\u00fchrung, Widmungstr\u00e4ger, Auftraggeber, Textvorlage etc. geben einen \u00dcberblick \u00fcber die jeweilige Komposition; die zum gr\u00f6\u00dften Teil in Particell aufgef\u00fchrten Notenbeispiele vermitteln einen Eindruck von der klanglichen Disposition des betreffenden Werkes.<\/p>\n<p>Literatur- und Quellenangaben sowie der Abdruck zahlreicher Werkeinf\u00fchrungen des Komponisten machen das Buch f\u00fcr Liebhaber von Klebes Musik zu einer unverzichtbaren Informationsquelle.<\/p>\n<hr \/>\n<p><strong>Secondary literature<\/strong><\/p>\n<p>Brigitte Sch\u00e4fer: Giselher Klebe. In: Die Musik in Geschichte und Gegenwart, 2., neubearbeitete Ausgabe, hrsg. von Ludwig Finscher, Personenteil, Band 10, B\u00e4renreiter\/Metzler, 2003, Sp. 208-214<\/p>\n<p>Hans Heinz Stuckenschmidt: Synthesen und neue Versuche. In: Schweizerische Musikzeitung 93, 1953, 1-10<\/p>\n<p>Wolf-Eberhard von Lewinski: Giselher Klebe. In: Junge Komponisten, herausgegeben von Herbert Eimert, = Die Reihe IV, Wien 1958<\/p>\n<p>Wolf-Eberhard von Lewinski: Giselher Klebe \u2013 Einfall, Ausdruck und Konstruktion. In: Musica 15, 1961, 537-539<\/p>\n<p>Wolf-Eberhard von Lewinski: Spannungskr\u00e4fte aus neuer Harmonik. Giselher Klebe \u2013 Ein Portr\u00e4t. In: Musica 20, 1966, 9-10<\/p>\n<p>Wolf-Eberhard von Lewinski: Der Opernkomponist Giselher Klebe. In: Schweizerischer Musikzeitung 109, 1969, 337-340<\/p>\n<p>Giselher Klebe. In: Helmut Kirchmeyer\/Hugo Wolfram Schmidt: Aufbruch der jungen Musik \u2013 Von Webern bis Stockhausen, Die Garbe, Musikkunde, Teil 4, K\u00f6ln 1970, Hans Gerig<\/p>\n<p>Giselher Klebe. In: Die gro\u00dfen Komponisten unseres Jahrhunderts, Band 1, von Hans Heinz Stuckenschmidt, M\u00fcnchen 1971, Piper<\/p>\n<p>Wolfram Schwinger: Auf den Menschen bezogen. Anmerkungen zum Schaffen des Komponisten Giselher Klebe. In: Dabei, Zeitschrift der Kulturgemeinschaft des DGB, Stuttgart 1976, Heft 3<\/p>\n<p>Arno Forchert: Musik ohne Systemzwang. Giselher Klebe zum 60. Geburtstag 1985. In: Musica 39, 1985, 314-316<\/p>\n<p>Wolf-Eberhard von Lewinski: Ein neues Weihnachtsoratorium. Giselher Klebe-Urauff\u00fchrung in Bonn. In: Musica 44, 1990, 93<\/p>\n<p>Michael T\u00f6pel: \u00bbDie Crux, eine pers\u00f6nliche Sprache finden zu m\u00fcssen\u00ab. Gespr\u00e4ch mit Giselher Klebe an seinem 65. Geburtstag. In: Musica 44, 1990, 302-304<\/p>\n<p>Arno Forchert: Giselher Klebe \u2013 ein Komponist wird 65. In: Das Schallst\u00fcck Nr. 2, Sommer 1990<\/p>\n<p>Michael T\u00f6pel: Von der \u00bbZwitschermaschine\u00ab zu den \u00bbGlockent\u00fcrmen\u00ab. Geburtstagsmatinee f\u00fcr Giselher Klebe. In: Musica 44, 1990, 375-376<\/p>\n<p>Michael T\u00f6pel: Amnesty und Aschenrand. K\u00f6lner Benefizkonzert mit Klebe-Urauff\u00fchrung. In: Musica 46, 1992, 185-186<\/p>\n<p>Holger Bleck: Giselher Klebe. Die Instrumentalkonzerte im Spannungsfeld von Tradition und Moderne, hrsg. von der Hochschule f\u00fcr Musik Detmold zum 70. Geburtstag von Giselher Klebe, Detmold 1994<\/p>\n<p>Holger Bleck: Giselher Klebe: In: Die 100 des Jahrhunderts. Komponisten, Reinbek 1995, 88f.<\/p>\n<p>Zorn und soziales Mitleid. Giselher Klebe im Gespr\u00e4ch mit Michael T\u00f6pel. In: Musica 49, 1995, 367f.<\/p>\n<p>Walter Jens, F\u00fcr Giselher Klebe in Freundschaft zum 70. Geburtstag. In: Programmheft zur Urauff\u00fchrung \u00bbGervaise Macquart\u00ab D\u00fcsseldorf, Deutsche Oper am Rhein, 10.11.1995<\/p>\n<p>Sle., \u00bbMich interessieren die Menschen, nicht die ideologischen Sprachs\u00e4ulen\u00ab. August Everding inszeniert die Klebe-Oper \u00bbGervaise Macquart\u00ab. In: D\u00fcsseldorfer Hefte 11\/1995<\/p>\n<p>Deutsche Oper am Rhein (Hrsg.), Journal. Aus der Probenarbeit, Gespr\u00e4che, Besetzungszettel, Nachrichten, Die Handlung, Texte zu \u00bbGervaise Macquart\u00ab, [1995]<\/p>\n<p>Brigitte Sch\u00e4fer: Zeit als Intensit\u00e4t und Qualit\u00e4t. Dem Komponisten Giselher Klebe zum 80. Geburtstag. In: nmz 9\/2005, 4<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718172465017-ca1257c4-afa6\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Writings<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1718172465017-ca1257c4-afa6\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"row\">\n<div class=\"col-md-16\">\n<div id=\"c5618\" class=\"csc-default layout-0\">\n<div class=\"csc-brv-text\">\n<p><strong>Essays, Articles, Lectures (Selection)<\/strong><\/p>\n<p>\u00dcber meine Oper \u201eDie R\u00e4uber\u201d. In: Melos 24, 1957, 73-76<\/p>\n<p>Meine Oper \u201eAlkmene\u201d. In: Melos 28, 1961, 272-275. Wiederabdruck in: \u201eWerke Kleists auf dem modernen Musiktheater, Berlin 1977, Erich Schmidt Verlag<\/p>\n<p>Boris Blacher zum 60. Geburtstag. In: Tagebuch 22, Berlin 1963, Bote &amp; Bock. Abdruck des 1963 bei dem Festkonzert des Westdeutschen Rundfunks K\u00f6ln gehaltenen Vortrags<\/p>\n<p>Richard Wagner und die Kontinuit\u00e4t der abendl\u00e4ndischen Musik. In: Hinweise und Huldigungen, Jahrbuch der Freien Akademie der K\u00fcnste Hamburg 1964. Abdruck eines 1963 zum 150. Geburtstag von Richard Wagner im Westdeutschen Rundfunk K\u00f6ln gehaltenen Vortrags<\/p>\n<p>Mathematik und Phantasie in der Neuen Musik. In: Spiralen, Jahrbuch der Freien Akademie der K\u00fcnste Hamburg 1965<\/p>\n<p>Gedanken um Blacher. Geschrieben zum Tode von Boris Blacher am 6. Februar 1975. In: Programmheft des W\u00fcrttembergischen Staatsorchester, 23. Februar 1975<\/p>\n<p>Die Traumata der Neuen Musik, Sonderbeitrag f\u00fcr: Meyers enzyklop\u00e4disches Lexikon, Mannheim 1976. Wiederabdruck in: Forum heute, Mannheim 1979, Bibliographisches Institut<\/p>\n<p>Bericht \u00fcber die Arbeit an meiner Sinfonie Nr. 5. In: Duisburger Journal, Sommer 1977<\/p>\n<p>Beethoven. Vortrag, gehalten im Westdeutschen Rundfunk K\u00f6ln, Herbst 1977<\/p>\n<p>\u201eKleist und der moderne K\u00fcnstler\u201d. Beitrag zu einer Umfrage, erschienen im Berliner \u201eTagesspiegel\u201d am 16. Oktober 1977<\/p>\n<p>Der Troubadour von Giuseppe Verdi. Vortrag, gehalten im Bayerischen Rundfunk M\u00fcnchen, 2. M\u00e4rz 1979<\/p>\n<p>Von der Verwaltung in der Kunst heute. Abdruck eines Gespr\u00e4ches mit Professor Dr. Karl Heinrich Ehrenforth. In: Humanit\u00e4t-Musik-Erziehung, Mainz, B. Schott\u2019s S\u00f6hne, 1981<\/p>\n<p>Zu \u201eParsifal\u201d Beitrag f\u00fcr das Programm der Bayreuther Festspiele 1982<\/p>\n<p>\u201eZum Thema Literaturoper\u201d. Beitrag zum Buch \u201eF\u00fcr und Wider die Literaturoper\u201d, herausgegeben von Sigrid Wiesmann, Laaber-Verlag 1982<\/p>\n<p>\u201eMeine Entwicklung als Komponist\u201d. Beitrag zu dem Buch \u201eMusikkultur in der Sowjetunion und in der Bundesrepublik Deutschland\u201d, herausgegeben von Carl Dahlhaus und Giwi Ordschonikidse, Sikorski-Verlag 1982<\/p>\n<p>Zu Wolfgang Fortners \u201eBluthochzeit\u201d. Vortrag, gehalten am 12. Oktober 1986 im Opernhaus D\u00fcsseldorf, redigiert von Michael Rentzsch, Mainz, B. Schott\u2019s S\u00f6hne<\/p>\n<p>Carl Maria von Weber zum 200. Geburtstag. Beitrag f\u00fcr die Zeitung \u201eMannheimer Morgen\u201d vom 18. November 1986<\/p>\n<p>Reflexionen \u00fcber die Einakter von Boris Blacher f\u00fcr das Jahrbuch der Deutschen Oper Berlin 1987<\/p>\n<p>\u201eDer Zeitbegriff in der Europ\u00e4ischen Musik\u201d. Vortrag auf dem Europ\u00e4ischen Kulturforum Amsterdam, Dezember 1987<\/p>\n<p>\u00dcber Boris Blacher. In: Boris Blacher. 1903-1975, Dokumente zu Leben und Werk. Zusammengestellt und kommentiert von Heribert Henrich, Berlin 1993, 20<\/p>\n<p>Zorn und soziales Mitleid. Giselher Klebe im Gespr\u00e4ch mit Michael T\u00f6pel. In: Takte 2\/1994, Informationen f\u00fcr B\u00fchne und Orchester, Kassel 1994, 16-17<\/p>\n<p>\u201eAuch Liebe ich sehr viele verschiedene Stile\u201d. Der Komponist Giselher Klebe im Gespr\u00e4ch mit Holger Bleck \u00fcber seine Konzerte f\u00fcr Soloinstrument(e) und Orchester. In: Das Orchester 42, 1994, 2-6<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718173689766-132aea38-1169\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Essay<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1718173689766-132aea38-1169\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"row\">\n<div class=\"col-md-16\">\n<div id=\"c5616\" class=\"csc-default layout-0\">\n<div class=\"csc-brv-text\">\n<p><strong>Das Wichtigste ist die Melodie. Erinnerung an Giselher Klebe (1925\u20132009)<\/strong><\/p>\n<p>Klarheit und Einfachheit waren wichtige Leitlinien f\u00fcr Giselher Klebe, der im Oktober verstarb. Seine Arbeiten, im Zentrum die Opern, waren von einer undogmatischen, aber kritischen Weltsicht gepr\u00e4gt. Als Lehrer war er hoch gesch\u00e4tzt. Eine Erinnerung an einen Gro\u00dfen des 20. Jahrhunderts.<\/p>\n<p>Am 5. Oktober 2009 ist Giselher Klebe nach schwerer Krankheit in Detmold verstorben. Seit Mitte der 1960er-Jahre hatte er seine Werke dem B\u00e4renreiter-Verlag zur Publikation anvertraut, eine nicht allt\u00e4gliche, \u00fcber vier Jahrzehnte andauernde Zusammenarbeit an einem rund 150 Opusnummern z\u00e4hlenden \u0152uvre, das neben 14 Opern und acht Sinfonien zahlreiche konzertante Werke sowie Kompositionen aller Gattungen umfasst.<\/p>\n<p>Giselher Klebe wurde 1925 in Mannheim geboren und studierte in Berlin bei Josef Rufer und Boris Blacher. 1950 gelang ihm mit dem Orchesterwerk Die Zwitschermaschine nach dem gleichnamigen Bild von Paul Klee ein erster gro\u00dfer Erfolg bei den Donaueschinger Musiktagen. Die Kritik stufte seine Oper Die R\u00e4uber nach Schillers Drama 1957 als \u201estilistisch konsequenteste und originellste Opernpartitur\u201c seit Bergs Wozzeck und Sch\u00f6nbergs Moses und Aaron ein. Im gleichen Jahr wurde Klebe als Nachfolger von Wolfgang Fortner Dozent und ab 1962 Professor f\u00fcr Komposition und Tonsatz an der Hochschule f\u00fcr Musik in Detmold. Dieser Stadt, deren Ehrenb\u00fcrger Klebe war, blieb er treu, wenngleich ihn seine Liebe zu Italien immer wieder gen S\u00fcden gezogen hat.<\/p>\n<p>Als hoch gesch\u00e4tzter Lehrer hat er vielen erfolgreichen Komponisten, darunter Matthias Pintscher, den er bereits als Jugendlichen in seine Meisterklasse aufgenommen hatte, das notwendige Handwerkszeug und die produktive Verunsicherung des kritischen Gespr\u00e4chs von Autor zu Autor mit auf den Weg gegeben. Im pers\u00f6nlichen Umgang zeichnete sich Klebe durch eine besondere Liebensw\u00fcrdigkeit und Geradlinigkeit aus.<\/p>\n<p>Klebe vertrat einen ausgesprochen undogmatischen \u00e4sthetischen Standpunkt: \u201eIn meiner Musik kannte ich nur eine Leidenschaft: die zur Klarheit, zu der mir gr\u00f6\u00dftm\u00f6glichen Einfachheit. Im Zentrum meiner Arbeit steht die Oper, ausschlie\u00dflich konzentriert auf die Form, in der der singende Mensch im Mittelpunkt steht.\u201c Wie weit die Gattung Oper f\u00fcr Klebe auf anderes ausstrahlt, geht aus einem Gespr\u00e4ch \u00fcber das konzertante Genre hervor: \u201eF\u00fcr mich ist ein Konzert immer \u2013 insofern spielt die Oper auch dort hinein \u2013 von Anfang an ein dramatischer Dialog.\u201c<\/p>\n<p>Ungef\u00e4hr im gleichen Alter, in dem Verdi seinen Falstaff schuf, schrieb Klebe 2007 den heiteren Dreiakter Chlestakows Wiederkehr nach Gogols Der Revisor, der im Landestheater Detmold sehr erfolgreich das Licht der Welt erblickte. Am Ende singt das komplette Ensemble \u2013 ganz im Sinne Verdis \u2013 \u201eDie ganze Welt ist ein Tollhaus!\u201c<\/p>\n<p>Warum erst so sp\u00e4t eine heitere Oper? \u201eAn sich ist Musik weder heiter noch traurig, sie ist \u2013 ganz n\u00fcchtern formuliert \u2013 ein klingender Vorgang, der vielleicht durch beigef\u00fcgte Texte zu dem wird, das wir als ,heiter\u2018, ,traurig\u2018 oder was auch immer bezeichnen. Warum es so ist, vermag ich nicht zu beantworten, doch scheint es offensichtlich leichter zu sein, ein elegisches,\u00a0 trauriges St\u00fcck zu komponieren als ein heiteres. Das mag auch daran liegen, dass es nicht so viele komponierbare heitere Texte gibt. Besonders hier muss man den gesungenen Text Silbe f\u00fcr Silbe verstehen k\u00f6nnen. Es geh\u00f6rt mit zu den schwersten Aufgaben, einen Text so zu komponieren, dass er auch gesungen verstanden werden kann.\u201c<\/p>\n<p>Am Ende jenes Gespr\u00e4chs griff Klebe \u00fcberraschend zu seinem Portemonnaie, um mit gro\u00dfer Vorsicht ein schon leicht br\u00fcchig gewordenes Papier herauszufingern. Auf dem Zettel, den Klebe ganz offensichtlich schon seit vielen Jahren bei sich getragen hatte, war eine Maxime des Komponisten Darius Milhaud zu lesen: \u201eDas Wichtigste ist das Vitale, die Melodie, die leicht zu behalten sein, gesummt und auf der Stra\u00dfe gepfiffen werden muss. Ohne dieses fundamentale Element kann die Technik in der ganzen Welt nur ein toter Buchstabe sein.\u201c<\/p>\n<p>In den letzten Monaten seines Lebens besch\u00e4ftigte ihn \u2013 wenn es seine Krankheit zulie\u00df \u2013 sein fragmentarisch hinterlassenes Opernprojekt nach \u00d6d\u00f6n von Horv\u00e1ths Die Unbekannte aus der Seine. Bezeichnend sind die letzten Worte, die Giselher Klebe vertont hat (es geht um eine Rose, die die Unbekannte kaufen m\u00f6chte). Die Unbekannte: \u201eNur eine. Bei uns drau\u00dfen w\u00e4chst das \u00fcberall. Besonders ist da so ein schmaler Weg, der f\u00fchrt zum Friedhof, wo die wei\u00dfen Blumen bl\u00fchen. Manchmal sehne ich mich zur\u00fcck.\u201c\u00a0 \u2013 \u201eNach dem Friedhof?\u201c<\/p>\n<p>Michael T\u00f6pel<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><div class=\"grve-empty-space grve-height-2x\"><\/div><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Performances<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-2-no-3\" class=\"tablepress tablepress-id-2 brv-termine tablepress-responsive tablepress-responsive-stack-headers tablepress-responsive-stack-tablet\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">composer_first_name<\/th><th class=\"column-2\">composer_last_name<\/th><th class=\"column-3\">title<\/th><th class=\"column-4\">date<\/th><th class=\"column-5\">orchestra<\/th><th class=\"column-6\">conductor<\/th><th class=\"column-7\">location<\/th><th class=\"column-8\">special<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">National Philharmonic Orchestra<\/td><td class=\"column-6\">Cornelius Meister<\/td><td class=\"column-7\">Warschau (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Violin Concerto<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Ilya Gringolts (Violine), Staatsorchester Rheinische Philharmonie<\/td><td class=\"column-6\">Anu Tali<\/td><td class=\"column-7\">Koblenz (Rhein-Mosel-Halle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Der Messias <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester &amp; Rundfunkchor<\/td><td class=\"column-6\">Dennis Russell Davies<\/td><td class=\"column-7\">Erfurt (Theater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Piano Concerto No. 2<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Francesco Piemontesi (Klavier), Symphonieorchester des Bayerischen Rundfunks<\/td><td class=\"column-6\">Enno Poppe<\/td><td class=\"column-7\">M\u00fcnchen (Residenz)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Emily Senturia, Regie: Haley Stamats<\/td><td class=\"column-7\">Madison (Overture Hall)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">2. Symphonie<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Dresdner Philharmonie<\/td><td class=\"column-6\">Christoph Eschenbach<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Echoes of O\u2019s<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Ensemble Lux NM<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wiesbaden (Art.Ist-Galerie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\">Orchester des Staatstheaters Darmstadt<\/td><td class=\"column-6\">Marc Albrecht<\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L\u2019incoronazione di Poppea<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lars Ulrik Mortensen, Regie: Christoph Marthaler<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marc Minkowski, Regie: Damiano Michieletto<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">La navigazione notturna<\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Marino Formenti, Alfredo Ovalles, Luca Lavuri, N.N. (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">Beat <\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Studie IV f\u00fcr Klavier solo <\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Filippo Gorini (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Italienische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Duisburger Philharmoniker<\/td><td class=\"column-6\">Stefan Blunier<\/td><td class=\"column-7\">Duisburg (Philharmonie Mercatorhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Messe solennelle<\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Bach-Verein K\u00f6ln, G\u00fcrzenichorchester<\/td><td class=\"column-6\">Christoph Siebert<\/td><td class=\"column-7\">K\u00f6ln (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Cl\u00e9op\u00e2tre<\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Antoniette Dennefeld (Sopran), Orchestra di Padova e del Veneto<\/td><td class=\"column-6\">Pierre Dumoussaud<\/td><td class=\"column-7\">Padova (Auditorium Pollini)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Wesendonck-Lieder <\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Alicja Bukowska (Mezzosopran), Elbland Philharmonie Sachsen<\/td><td class=\"column-6\">Hermes Helfricht<\/td><td class=\"column-7\">Pirna (Marienkirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">01.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Nadja Loschky<\/td><td class=\"column-7\">Dresden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Yi-Chen Lin, Regie: Barbara-David Br\u00fcesch<\/td><td class=\"column-7\">St. Gallen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L'Orfeo<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">J\u00f6rg Halubek, Regie: Markus Bothe<\/td><td class=\"column-7\">Schwetzingen (Schwetzinger SWR Festspiele, Schlosstheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Bethel (Zionskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Amor Artis Chamber Choir<\/td><td class=\"column-6\">Ryan James Brandau<\/td><td class=\"column-7\">New York (St. Patrick\u2019s Old Cathedral) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\">Wiener Symphoniker<\/td><td class=\"column-6\">Marie Jacquot<\/td><td class=\"column-7\">Wien (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orph\u00e9e et Euridice<\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Edward Ananian Cooper, Regie: Pierre-Andr\u00e9 Weitz<\/td><td class=\"column-7\">Limoges<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">Ludwig van<\/td><td class=\"column-2\">Beethoven<\/td><td class=\"column-3\">Musik zu Goethes Trauerspiel Egmont<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Essener Philharmoniker<\/td><td class=\"column-6\">Dirk Kaftan<\/td><td class=\"column-7\">Essen (Alfried Krupp Saal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Paride ed Helena<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Akademie f\u00fcr Alte Musik<\/td><td class=\"column-6\">Michael Hofstetter<\/td><td class=\"column-7\">Augsburg (Internationale Gluck-Opern-Festspiele)<\/td><td class=\"column-8\">konzertant, 9.5. Bayreuth, 10.5. F\u00fcrth<\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">Francesco<\/td><td class=\"column-2\">Filidei<\/td><td class=\"column-3\">Finito ogni gesto, Esercizio di pazzia I<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">ensemble XXI. jahrhundert<\/td><td class=\"column-6\">Peter Burwik<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Francesco Corti, Regie: Kirill Serebrennikov\u00a0<\/td><td class=\"column-7\">Amsterdam (Stichting Nationale Opera &amp; Ballet)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">saphir und haut Nr. 3 f\u00fcr Sopran und Inside Piano<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">Lisa-Maria Lebitschnis (Sopran), Amelie Warner (Klavier) <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Augsburg (Staatliches Textilmuseum) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Schwanensee<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Svetoslav Borisov, Choreographie: Stefano Giannetti<\/td><td class=\"column-7\">Dessau<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Tonhalle Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Bisatti, Regie: Suzanne Andrade, Barrie Kosky<\/td><td class=\"column-7\">Lille<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Julia Jones, Regie: Robert Carsen<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Ottawa Bach Choir<\/td><td class=\"column-6\">Lisette Canton<\/td><td class=\"column-7\">Ottawa (Knox Presbyterian Church)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Johannes Klumpp, Regie: Nora Krahl<\/td><td class=\"column-7\">Gelsenkirchen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">Ernst<\/td><td class=\"column-2\">Krenek<\/td><td class=\"column-3\">Fl\u00f6tenst\u00fcck neunphasig, f\u00fcr Fl\u00f6te und Klavier <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">\u0153nm . \u0153sterreichisches ensemble fuer neue musik<\/td><td class=\"column-6\">Rupert Huber<\/td><td class=\"column-7\">Salzburg (Schloss Frohnburg)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester<\/td><td class=\"column-6\">Alena Hron<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Das kalte Herz<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Kammerorchester Metzingen<\/td><td class=\"column-6\">Oliver Bensch<\/td><td class=\"column-7\">Metzingen (Stadthalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Orchester Opernhaus Z\u00fcrich<\/td><td class=\"column-6\">Yves Abel<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Alexander Soddy, Regie: Richard Jones<\/td><td class=\"column-7\">London (Royal Opera House)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andreas Spering, Regie: Wolfgang Berthold<\/td><td class=\"column-7\">Brandenburg<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\">Rotterdams Philharmonisch Orkest<\/td><td class=\"column-6\">Jukka-Pekka Saraste<\/td><td class=\"column-7\">Rotterdam (de Doelen)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Deidamia <\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">George Petrou, Regie: George Petrou<\/td><td class=\"column-7\">G\u00f6ttingen (Internationale H\u00e4ndel-Festspiele, Deutsches Theater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Monad\u2019s face f\u00fcr Sopran, Bassklarinette und Violoncello<\/td><td class=\"column-4\">16.05.2026<\/td><td class=\"column-5\">Sara Wiljaars (Sopran), N.N. (Bassklarinette), N.N. (Violoncello)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Hochschule f\u00fcr Musik Hanns Eisler)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">La bianca notte<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\">Klangforum Wien<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Katowice (Katowice Culture Nature Festival, NOSPR Concert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">Emmanuel<\/td><td class=\"column-2\">Chabrier<\/td><td class=\"column-3\">L\u2019Etoile<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Nicolas Kruger, Regie: Matthew Eberhardt<\/td><td class=\"column-7\">Eindhoven (Parktheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">Winfried Zillig: Rosse \/<\/td><td class=\"column-2\">Ruggero Leoncavallo: Pagliacci<\/td><td class=\"column-3\"><\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Mark Rohde, Regie: Roman Hovenbitzer<\/td><td class=\"column-7\">W\u00fcrzburg (Theaterfabrik Blaue Halle)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Le Docteur Miracle<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Anton Legkii, Regie: Claudia Pla\u00dfwich<\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">18.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Cluj-Napoca (Academia Nationala de Muzica Gheorge Dirna)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">20.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Willy Decker<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">Tre duetti con l\u00b4eco<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Ensemble Aventure<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Freiburg (Elisabeth Schneider Stiftung)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die drei kleinen Schweinchen<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Staatsorchester Darmstadt<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\">auch 22.\/23.5.<\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">L\u00e9lio ou Le retour \u00e0 la vie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Helsingborg Symphony Orchestra<\/td><td class=\"column-6\">Maxime Pascal<\/td><td class=\"column-7\">Helsingborg (Konserthus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Vinicius Kattah, Regie: Jiri Herman<\/td><td class=\"column-7\">Bratislava (Nationaltheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">Jean-Philippe<\/td><td class=\"column-2\">Rameau<\/td><td class=\"column-3\">Les Bor\u00e9ades<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">a nocte temporis<\/td><td class=\"column-6\">Reinoud Van Mechelen<\/td><td class=\"column-7\">Dortmund (Orchesterzentrum)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Lieux retrouv\u00e9s<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">RSO Wien<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Fort Worth Symphony Orchestra<\/td><td class=\"column-6\">Robert Spano<\/td><td class=\"column-7\">Fort Worth (Bass Performance Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Dietger Holm, Regie: Magdalena Fuchsberger<\/td><td class=\"column-7\">Heidelberg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Orchestre et ch\u0153ur Op\u00e9ra National de Paris<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Paris (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Zsolt Jank\u00f3, Regie: Mikl\u00f3s H. Vecsei<\/td><td class=\"column-7\">Budapest<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Benjamin Bayl, Regie: Agn\u00e8s Jaoui<\/td><td class=\"column-7\">Montpellier<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-62\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Kirche St. Michael)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-63\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">La Maitrise de Toulouse<\/td><td class=\"column-6\">Mark Opstad<\/td><td class=\"column-7\">Gramat (\u00c9glise Saint-Pierre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-64\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Vlaams Radiokoor, Orkest van de Achttiende eeuw<\/td><td class=\"column-6\">Bart van Reyn<\/td><td class=\"column-7\">Breda (Chasse Theater)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-65\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Prague Symphony Orchestra<\/td><td class=\"column-6\">Tom\u00e1s Netopil<\/td><td class=\"column-7\">Prag (Festival Prager Fr\u00fchling, Obecn\u00ed dum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-66\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">28.05.2026<\/td><td class=\"column-5\">Orchestra del Maggio Musicale Fiorentino<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Florenz (Teatro del Maggio)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-67\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Keren Kagarlitsky, Regie: Wim Vandekeybus<\/td><td class=\"column-7\">Antwerpen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-68\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Elena Salvatierra, Regie: Marta Eguilior<\/td><td class=\"column-7\">Cadiz (Teatro Villamarta)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-69\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">30.05.2026<\/td><td class=\"column-5\">Vocal ensembles\u00a0ardent\u00a0and\u00a0suppl\u00e9ments musicaux<\/td><td class=\"column-6\">Patrick Secchiari, Moritz Achermann<\/td><td class=\"column-7\">Bern (\u00c9glise francaise)<\/td><td class=\"column-8\">auch 31.5.<\/td>\n<\/tr>\n<tr class=\"row-70\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">6. Symphonie<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Tomas Hanus<\/td><td class=\"column-7\">Prag (Gemeindehaus)  <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-71\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Chor des Theater L\u00fcbeck, Philharmonisches Orchester Hansestadt L\u00fcbeck<\/td><td class=\"column-6\">Stefan Vladar<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-72\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo McFall, Regie: Uwe Eric Laufenberg<\/td><td class=\"column-7\">Wiesbaden (Maifestspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-73\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Zweimal Alexander<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Irene Delgado-Jim\u00e9nez, Regie: Anna Bernreitner<\/td><td class=\"column-7\">Wien (Theater an der Wien)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-74\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\">BBC Singer, Ma\u00eetrise de Notre-Dame<\/td><td class=\"column-6\">Sofi Jeannin,\u00a0Henri Chalet<\/td><td class=\"column-7\">Paris (Notre Dame)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-75\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">03.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Equilbey, Regie: Florent Siaud<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-76\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Der Mistk\u00e4fer<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\">Johannes Merz (Erz\u00e4hler), Kammerphilharmonie L\u00fcbeck<\/td><td class=\"column-6\">Emanuel Dantscher<\/td><td class=\"column-7\">L\u00fcbeck (Kolosseum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-77\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Rinaldo<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Hofstetter, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-78\">\n\t<td class=\"column-1\">Jir\u00ed Anton\u00edn (Georg Anton)<\/td><td class=\"column-2\">Benda<\/td><td class=\"column-3\">Medea <\/td><td class=\"column-4\">06.06.2026<\/td><td class=\"column-5\">Doerthe Maria Sandmann (Sprecherin), Barockorchester der Th\u00fcringen Philharmonie Gotha<\/td><td class=\"column-6\">Alexej Barchevitch<\/td><td class=\"column-7\">Eisenach (Landestheater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-79\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Ch\u0153ur de l\u2019Op\u00e9ra de Tours, Orchestre symphonique R\u00e9gion Centre-Val de Loire\/Tours<\/td><td class=\"column-6\">David Jackson<\/td><td class=\"column-7\">Tours (Grand Th\u00e9atre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-80\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">konzertant, auch 12.6. W\u00fcrzburg<\/td>\n<\/tr>\n<tr class=\"row-81\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">10.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Cummings, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-82\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Orquestra de Valencia<\/td><td class=\"column-6\">Francesco Corti, Regie: Beno\u00eet De Leersnyder<\/td><td class=\"column-7\">Valencia<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-83\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">W\u00fcrzburg (Kaisersaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-84\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Aci, Galatea e Polifemo<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Ren\u00e9 Jacobs<\/td><td class=\"column-7\">Halle (Marktkirche) <\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-85\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">David Bates, Regie: Robert Carsen<\/td><td class=\"column-7\">Rouen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-86\">\n\t<td class=\"column-1\">Anders<\/td><td class=\"column-2\">Hillborg<\/td><td class=\"column-3\">Sound Atlas<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">NDR Elbphilharmonie Orchester<\/td><td class=\"column-6\">Ryan Bancroft<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-87\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Claudio Novati, Regie: Felix Schr\u00f6dinger<\/td><td class=\"column-7\">Detmold  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-88\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Tell it or shout f\u00fcr Fl\u00f6te und Harfe<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Elizaveta Birjukova, Fl\u00f6te, Christina Engelke (Harfe)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Jena (K\u00fcnstlerische Abendschule)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-89\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Feldmesse<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\">M\u00fcnchner Philharmoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">M\u00fcnchen (Isarphilharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-90\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Il trionfo del Tempo e del Disinganno<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Simone De Felice, Regie: Katharina Kastening<\/td><td class=\"column-7\">Frankfurt (Bockenheimer Depot)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-91\">\n\t<td class=\"column-1\">Jindrich<\/td><td class=\"column-2\">Feld<\/td><td class=\"column-3\">Konzert f\u00fcr Fl\u00f6te und Orchester<\/td><td class=\"column-4\">15.06.2026<\/td><td class=\"column-5\">Daniela Koch (Fl\u00f6te), Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Konzerthalle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-92\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">17.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo Mc Fall, Regie: Marie-\u00c8ve Signeyrole<\/td><td class=\"column-7\">Wiesbaden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-93\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\">Konzerthausorchester<\/td><td class=\"column-6\">Ivan Fischer<\/td><td class=\"column-7\">Berlin (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-94\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Janis Liepins, Regie: Cordula D\u00e4uper <\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-95\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">G\u00e1bor Hontv\u00e1ri, Regie: Benjamin Prins<\/td><td class=\"column-7\">Sondershausen (Schloss)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-96\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Litanei f\u00fcr Sopran, Bassklarinette und Streichquartett (UA)\/canti della tenebra. F\u00fcnf Lieder f\u00fcr Mezzosopran und Klavier<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Nicholas\u2019 Church of Ireland)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-97\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Royal Liverpool Philharmonic Orchestra<\/td><td class=\"column-6\">Domingo Hindoyan<\/td><td class=\"column-7\">Liverpool (Philharmonic Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-98\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">in mia vita da vuolp f\u00fcr Bariton-Saxophon und Sopran\/Lot\u00f3fagos f\u00fcr Sopran und Kontrabass\/Prophezeiungen f\u00fcr Alt, Kontrabassklarinette und Akkordeon <\/td><td class=\"column-4\">20.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Vincent\u2019s Chapel)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-99\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Susanna<\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Collegium 1704 <\/td><td class=\"column-6\">V\u00e1clav Luks<\/td><td class=\"column-7\">Litomysl (Schlosshof)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-100\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Chelsea Opera Group<\/td><td class=\"column-6\">Paul Wingfield<\/td><td class=\"column-7\">London (Cadogan Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-101\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Klavierkonzert<\/td><td class=\"column-4\">24.06.2026<\/td><td class=\"column-5\">Kirill Gerstein (Klavier), Tonhalle Orchester<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-102\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Rias Kammerchor<\/td><td class=\"column-6\">Peter Dijkstra<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-103\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lidiya Yankovskaya, Regie: Max Webster <\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-104\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">27.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Guggeis, Regie: Andrea Moses<\/td><td class=\"column-7\">Berlin (Staatsoper Unter den Linden)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-105\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leonardo Garcia Alarcon, Regie: Cl\u00e9ment Cogitore<\/td><td class=\"column-7\">Aix-en-Provence (Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-106\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ariodante<\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Beaune (Festival Baroque, Hotel-Dieu)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-107\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix P\u00e4tzold, Regie: Immo Karaman<\/td><td class=\"column-7\">Kiel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-108\">\n\t<td class=\"column-1\">George<\/td><td class=\"column-2\">Benjamin<\/td><td class=\"column-3\">Three Consorts <\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Kent Nagano<\/td><td class=\"column-7\">Kl\u00fctz (Festspiele Mecklenburg-Vorpommern, Schloss Bothmer)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-109\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsche Staatsphilharmonie Rheinland-Pfalz<\/td><td class=\"column-6\">Michael Francis<\/td><td class=\"column-7\">Speyer (Ged\u00e4chtniskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-110\">\n\t<td class=\"column-1\">Giselher<\/td><td class=\"column-2\">Klebe<\/td><td class=\"column-3\">Mignon<\/td><td class=\"column-4\">07.07.2026<\/td><td class=\"column-5\">Detmolder Kammerorchester<\/td><td class=\"column-6\">Stanley Dodds<\/td><td class=\"column-7\">Detmold (Hochschule f\u00fcr Musik) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-111\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">16.07.2026<\/td><td class=\"column-5\">Schleswig-Holstein Festival Orchestra<\/td><td class=\"column-6\">Andrew Manze<\/td><td class=\"column-7\">Elmshorn (Stiftung Schleswig-Holstein Musik Festival)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-112\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">jag die hunde zur\u00fcck!<\/td><td class=\"column-4\">20.07.2026<\/td><td class=\"column-5\">Accademia Musicale Chigiana<\/td><td class=\"column-6\">Lorenzo Donati<\/td><td class=\"column-7\">Siena (Chiesa della Ss. Annunziata)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-113\">\n\t<td class=\"column-1\">Anton\u00edn <\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Petr Popelka, Regie: Martin Kusej <\/td><td class=\"column-7\">M\u00fcnchen (M\u00fcnchner Opernfestspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-114\">\n\t<td class=\"column-1\">Georges <\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen, Fassung 1874<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Fabio Luisi, Regie: Denis Krief<\/td><td class=\"column-7\">Martina Franca (Festival della Valle d\u2019Itria)<\/td><td class=\"column-8\">Szenische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-115\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">29.07.2026<\/td><td class=\"column-5\">Orchestre Symphonique de la Monnaie<\/td><td class=\"column-6\">Alain Altinoglu<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-116\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\">Studierende der Orchesterakademie<\/td><td class=\"column-6\">L\u00fc Jia<\/td><td class=\"column-7\">Lugano (Palazzo dei Congressi)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-117\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Evan Rogister, Regie: David McVicar<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-118\">\n\t<td class=\"column-1\">L'ubica<\/td><td class=\"column-2\">Cekovska<\/td><td class=\"column-3\">Maison de la musique en sept p\u00e9riodes<\/td><td class=\"column-4\">01.08.2026<\/td><td class=\"column-5\">Japan Century Symphony Orchestra<\/td><td class=\"column-6\">Andreas Ottensamer<\/td><td class=\"column-7\">Osaka<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-119\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Le Concert d\u2019Astr\u00e9e<\/td><td class=\"column-6\">Emmanuelle Haim<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-120\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Joana Mallwitz, Regie: Christof Loy<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-121\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">K\u00f6nig Karotte<\/td><td class=\"column-4\">09.08.2026<\/td><td class=\"column-5\">Mattias Straub (Erz\u00e4hler), Orchester der Sommeroperette Heldritt<\/td><td class=\"column-6\">Manuel Grund <\/td><td class=\"column-7\">Bad Rodach (Waldb\u00fchne Heldritt)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-122\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">15.08.2026<\/td><td class=\"column-5\">London Symphony Chorus and Orchestra<\/td><td class=\"column-6\">Antonio Pappano<\/td><td class=\"column-7\">London (Proms, Royal Albert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-123\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Orlando Paladino<\/td><td class=\"column-4\">28.08.2026<\/td><td class=\"column-5\">Orfeo Orchestra<\/td><td class=\"column-6\">Gy\u00f6rgy Vashegyi<\/td><td class=\"column-7\">Fert\u00f6d (Haydneum Concerts at Esterh\u00e1zy Palace)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-124\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marie Jacquot, Regie: Tatjana G\u00fcrbaca<\/td><td class=\"column-7\">Kopenhagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-125\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die verlorene Melodie <\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\">Staatskapelle Weimar<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Weimar (Theaterfest)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-126\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie in c-Moll<\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Gewandhausorchester<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-127\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">18.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Sch\u00f6nwandt, Regie: Krzysztof Warlikowski<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-128\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Mitridate, re di Ponto <\/td><td class=\"column-4\">24.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Frizza, Regie: Claus Guth<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-129\">\n\t<td class=\"column-1\">Fromental<\/td><td class=\"column-2\">Hal\u00e9vy<\/td><td class=\"column-3\">La Juive<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix Bender, Regie: Marco Storman<\/td><td class=\"column-7\">Ulm<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-130\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">09.10.2026<\/td><td class=\"column-5\">Orchestra del Teatro di San Carlo<\/td><td class=\"column-6\">Iv\u00e1n L\u00f3pez-Reynoso<\/td><td class=\"column-7\">Neapel (Teatro di San Carlo)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-131\">\n\t<td class=\"column-1\">Charles<\/td><td class=\"column-2\">Gounod<\/td><td class=\"column-3\">Faust<\/td><td class=\"column-4\">20.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniele Rustioni, Regie: Johannes Erath<\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-132\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-133\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">hr-Sinfonieorchester<\/td><td class=\"column-6\">Michael Wendeberg<\/td><td class=\"column-7\">Frankfurt (hr-Sendesaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-134\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk f\u00fcr Orchester<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Pierre Bleuse<\/td><td class=\"column-7\">Basel (Stadtcasino)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-135\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.11.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Roberto Abbado<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-136\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">06.12.2026<\/td><td class=\"column-5\">Erik Br\u00fcnner (Sprecher), Jugendsinfonieorchester Heinrich-Sch\u00fctz-Konservatorium, Dresdner Philharmonie<\/td><td class=\"column-6\">Milko Kersten<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\">auch 7.12.<\/td>\n<\/tr>\n<tr class=\"row-137\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">17.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Bertrand de Billy, Regie: Lydia Steier<\/td><td class=\"column-7\">Wien (Staatsoper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-138\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Tha\u00efs<\/td><td class=\"column-4\">18.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pierre Dumoussaud, Regie: Olivier Lepelletier-Leeds<\/td><td class=\"column-7\">Li\u00e8ge<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Works<\/span><\/h3><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196445966-404a492e-2d2f\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Stage<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196445966-404a492e-2d2f\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09717-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06708-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06001-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06730-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06063-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06769-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"AOE10136-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06094-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07369-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196445996-e8db20a2-ebc2\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196445996-e8db20a2-ebc2\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA06790-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06792-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06063-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07704-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07375-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07398-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06042-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07163-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07346-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07309-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07132-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06721-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA04170-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06727-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07388-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07745-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09730-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06011-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07167-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196529112-c2d542e4-0e99\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196529112-c2d542e4-0e99\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA06077-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07306-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06780-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07164-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07319-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06760-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07712-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07334-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07760-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07703-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07722-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07310-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196528788-5f427325-38f0\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196528788-5f427325-38f0\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA06741-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07752-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07322-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196527905-ae84213b-b3e0\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/instruments<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196527905-ae84213b-b3e0\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07787\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06194\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07786\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA04115\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09304\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09710-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07440\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07338-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196527343-66afa1af-0e5d\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Chamber Music<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196527343-66afa1af-0e5d\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA06277-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09307\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA04467-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07065\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09305\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA04150\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07083\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07788\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07310-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09309\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06129\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06150\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07080\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06096-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06120\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07046\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07498-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196527034-d3d72d3d-ee9b\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Piano<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196527034-d3d72d3d-ee9b\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07045\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07225\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07281\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06195\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07253\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07290\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09308\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721196525913-7bea070b-854e\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721196525913-7bea070b-854e\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA06193\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07062\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06119\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06204\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07215\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA05488\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06192\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA06121\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09306\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h2 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>Interview<\/span><\/h2><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>On the 100th anniversary of Giselher Klebe\u2019s birth<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t<p>The composer Giselher Klebe was born in Mannheim on 28 June 1925. His 100th anniversary offers an opportunity to re-examine his extensive output.<\/p>\n<p>\u201cHere, has a border not become visible which suggests saying that art doesn\u2019t only come from ability or necessity, but especially from taking responsibility?\u201d (Giselher Klebe, 1981)<br \/>\nBorn on 28 June 1925, the composer Giselher Klebe came from a generation of creative artists whose youth was defined by the Nazi period and the Second World War, like others such as Hans Werner Henze or Karlheinz Stockhausen. His formative experiences included not only war service and a short period in Russian captivity in 1945, but also the specific experience of the violence of the Nazi regime: experiences such as the persecution of the Communist painter Fritz Ohse, whom the young Klebe\u2019s piano teacher hid in an attic room. This laid the foundation for a humanist and pacifist lifestyle which found expression in his programmatic instrumental works as well as the choice of subjects of his rich operatic output.<\/p>\n<p>Alongside early musical encouragement from his mother the violinist Gertrud Klebe, during the Second World War he succeeded in gaining access to then-forbidden art: abstract paintings by Franz Marc, Wassily Kandinsky, Pablo Picasso, Paul Klee and others which he got to know in reproductions thanks to Ohse. As he said, these \u201copened a new world\u201d for him (Klebe, 1982). He drew important influences for his compositional output from the \u201centartete\u201d [degenerate] outlawed scores of Gustav Mahler, Arnold Sch\u00f6nberg, Paul Hindemith and Igor Strawinsky, which he encountered through the personal recommendation of his music history professors Hans B\u00f6ttcher and Hermann Halbig during his first music studies from 1941 to 1943 (in violin, viola, composition) at the St\u00e4dtisches Konservatorium Berlin.After the end of the war he continued his composition studies in Berlin with Sch\u00f6nberg\u2019s pupil Josef Rufer and studied privately with Boris Blacher, from whom he adopted in particular the technique of variable metres. A further mentor of Klebe\u2019s was Wolfgang Fortner, whom he succeeded in 1957, initially as a lecturer in composition and music theory at what was then the North-west German Music Academy in Detmold, before being appointed a full professor in 1962. In 1955 Klebe also worked in the Studio for Electronic Music of Cologne Radio; the influences he experienced there also left traces in his works, such as the tape montages in his one-act opera \u201cDie Ermordung Caesars\u201d (1959) and in his Harpsichord Concerto op. 64 (1971). After his retirement in 1990 Klebe remained closely associated with the Detmold Musikhochschule where he taught in his retirement as a lecturer until 1998.<\/p>\n<p>As for many composers of the then young avantgarde, his step to international recognition came about through festivals and summer schools for new music: Fortner had encouraged Klebe to compose a chamber music ensemble piece for the Darmstadt Summer Course in 1949. This was followed by the world premiere in 1950 of \u201cDie Zwitschermaschine\u201d, a metamorphosis on the eponymous painting by Paul Klee for orchestra, in Donaueschingen. In this work Klebe set to music the 1922 miniature painting of a mechanised concert of birds, interpretable as a criticism of the 20th century\u2019s naive belief in technology. Henze had seen Klebe\u2019s score and given it to Heinrich Strobel, director of the Donaueschingen Festival at that time. The performance in Donaueschingen by Hans Rosbaud represented a breakthrough for Klebe. In the following years he was honoured with numerous awards and prizes, including the Berlin Art Prize in 1952, the F\u00f6rderpreis of the Culture Committee of the Federation of German Industries in 1953, the Grand Art Prize of North Rhine-Westphalia, and the Rome Scholarship at the Villa Massimo in 1959 and 1962. From 1986 to 1989 Klebe was President of the Academy of Arts.<\/p>\n<p>Compositionally, the 1950s pointed in new directions for the now established composer: after many commissioned works for chamber music scorings and orchestra, Klebe now worked in a new field \u2013 the stage. He experienced musical theatre as \u201cperhaps the most essential medium in [his] musical language\u201d. With a stage output of five ballets and 13 (literary) operas after texts by Shakespeare, Goethe, Schiller, Kleist, Balzac, Horv\u00e1th, Zuckmayer and others, Klebe was one of the most famous composers of German-language opera in the postwar period.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Whilst in Berlin he had met the violinist Lore Schiller, whom he married in 1946. They had two daughters. She remained his close artistic collaborator until her death in 2001, not only as librettist for his operas. Klebe\u2019s enthusiasm for the theatre began at an early age, initially sparked by a fascination for Wagner, Strawinsky, Tchaikovsky and Sch\u00f6nberg. Later, Verdi\u2019s output played a central role for Klebe, and he often integrated quotations from his works into his own dodecaphonic compositions. For the sake of theatrical expression and in order to do justice to the artist\u2019s \u201cresponsibility\u201d to overcome the \u201ctrauma of progressive thinking\u201d in New Music, he worked with a wide range of compositional techniques, for music must not \u201close its \u2018linguistic character\u2019 \u201d (Klebe, 1982). Tonality and atonality were no longer regarded as \u201cantitheses\u201d by Klebe from 1957 onwards, but as \u201ccolour values in a consistent sound spectrum\u201d (Klebe, n.d.). He integrated tonal elements, tape montages and quotations into his atonal-serial structures, and dodecaphonic structures were also employed as leitmotifs in the framework of different orchestrations. The musical material was never used for its own sake, but was always in the service of expression and communication with the audience. The traditional forms of number operas, such as arias, duets and large ensembles with high comprehensibility of text alternate in Klebe\u2019s operas with through-composed sections; and as well as vocal roles, spoken parts are frequently used in his music theatre works. In his opera \u201cDer j\u00fcngste Tag\u201d, premiered in Mannheim in 1980, the theme of guilt is dealt with in a memorable way. The protagonists and situations are ultimately characterised by concise, recognisable leitmotifs no longer dodecaphonically structured. Tonality, atonality and quotations are seamlessly integrated.<\/p>\n<p>At his death in 2009 Klebe left an output of over 150 musical compositions, including eight symphonies, many other orchestral works and solo concertos and an impressive number of chamber music compositions as well as significant sacred works, including a Christmas oratorio.<\/p>\n<p>In 2025, on the 100th anniversary of his birth, many individual works will be performed again at the Detmold Musikhochschule, and Klebe will be commemorated in an exhibition. His fundamental political-ethical attitude of a Christian-influenced pacifism and humanism seems more relevant than ever.<\/p>\n<p>Antje Tumat<br \/>\n(translation: Elizabeth Robinson \/ from [t]akte 2\/2024)<\/p>\n<p>Quotations from:<br \/>\nGiselher Klebe: Meine Entwicklung als Komponist. In: Beitr\u00e4ge zur Musikkultur in der Sowjetunion und in der Bundesrepublik Deutschland. Edited by Carl Dahlhaus and Giwi Ordschonikidse. Hamburg\/Wilhelmshaven, 1982, pp. 249\u2013256.<br \/>\nGiselher Klebe: Von der Verantwortung der Kunst heute. In: Humanit\u00e4t, Musik, Erziehung. Edited by Heinrich Ehrenforth. Mainz, 1981. pp. 152\u2013158.<br \/>\nGiselher Klebe: Manuscript n.d. Giselher Klebe-Archiv Detmold, Mus-h 12 K.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-carousel\">\r\n\t<div class=\"grve-carousel-wrapper\">\r\n\t\t\t<div class=\"grve-carousel-navigation grve-navigation-arrow-1\">\r\n\t\t<div class=\"grve-carousel-buttons\">\r\n\t\t\t<div class=\"grve-carousel-prev\"><div class=\"grve-svg-icon grve-direction-left grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t\t<div class=\"grve-carousel-next\"><div class=\"grve-svg-icon grve-direction-right grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t<div data-items=\"3\" data-items-tablet-landscape=\"2\" data-items-tablet-portrait=\"2\" data-items-mobile=\"1\" data-slider-autoplay=\"yes\" data-pagination=\"yes\" data-slider-loop=\"yes\" data-slider-speed=\"3000\" data-slider-pause=\"no\" data-pagination-speed=\"400\" data-gutter-size=\"40\" class=\"grve-carousel-element grve-blog-carousel grve-blog-columns grve-with-gap grve-classic-carousel\">\r\n\t\t\t<article class=\"grve-carousel-item post-18879 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Appearance versus reality<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Appearance versus reality<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>\u013dubica \u010cekovsk\u00e1\u2018s opera \u201cDorian Gray\u201d in Annaberg-Buchholz\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-31T08:31:38+02:00\">31. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-31T12:50:12+02:00\">31. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18838 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The Swiss composer is composer-in-residence\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-24T14:34:38+01:00\">24. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-24T14:38:11+01:00\">24. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18817 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Three musicians play their way to the top<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Three musicians play their way to the top<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter awards a special prize at the Bach Competition, Leipzig\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-23T13:19:42+01:00\">23. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-23T13:49:14+01:00\">23. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18690 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Pianists at the start of their careers<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Pianists at the start of their careers<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg (Photo: from left to right: Bogdan Dugali\u0107, Elisey Mysin, Anastasiia Kliuchereva, photo: Michael Klimt)    \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-23T10:12:12+01:00\">23. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-23T10:16:00+01:00\">23. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18592 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Young international violin stars<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Young international violin stars<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-16T11:14:59+01:00\">16. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T11:17:52+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18577 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">On the death of Helmuth Rilling<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>On the death of Helmuth Rilling<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>A life with Bach \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-13T08:33:14+01:00\">13. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T07:21:10+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18545 post type-post status-publish format-standard has-post-thumbnail hentry category-complete-edition category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Milestone Reached in Halle<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-29T14:33:29+01:00\">29. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-29T14:37:26+01:00\">29. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18477 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Mourning Peter Hanser-Strecker<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Mourning Peter Hanser-Strecker<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The long-serving publisher and Chief Executive Officer of Schott Music, Peter Hanser-Strecker passed away\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-23T13:12:20+01:00\">23. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-23T14:30:41+01:00\">23. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18433 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Piero Ostali died<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp 512w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-500x500.webp 500w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Piero Ostali died<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>Piero Ostali, Owner and Managing Director of Casa Musicale Sonzogno, has died unexpectedly\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >512<\/span>\r\n\t\t\t   <span itemprop='width' >512<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-09T06:37:43+01:00\">9. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-09T12:48:54+01:00\">9. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18415 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Jonathan Del Mar turns 75<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp 1080w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Jonathan Del Mar turns 75<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>English musicologist and conductor Jonathan Del Mar turns 75. His Beethoven editions opened a new chapter in the service of musical practice.\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1080<\/span>\r\n\t\t\t   <span itemprop='width' >1080<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-07T08:27:22+01:00\">7. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-07T14:00:57+01:00\">7. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n"},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_album_images":[],"_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_custom_thumbnail_cover":0,"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-14665","page","type-page","status-publish","hentry","grve-entry-item"],"acf":[],"wpml_current_locale":"en_US","wpml_translations":{"de_DE":{"locale":"de_DE","id":8972,"slug":"klebe-giselher","post_title":"Klebe, Giselher","href":"https:\/\/emag.baerenreiter.com\/klebe-giselher\/"}},"_links":{"self":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/14665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/comments?post=14665"}],"version-history":[{"count":9,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/14665\/revisions"}],"predecessor-version":[{"id":18663,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/14665\/revisions\/18663"}],"wp:attachment":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/media?parent=14665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}