{"id":13462,"date":"2024-07-01T15:48:29","date_gmt":"2024-07-01T13:48:29","guid":{"rendered":"https:\/\/emag.baerenreiter.com\/rossini-gioachino\/"},"modified":"2025-08-20T08:50:36","modified_gmt":"2025-08-20T06:50:36","slug":"rossini-gioachino","status":"publish","type":"page","link":"https:\/\/emag.baerenreiter.com\/en\/rossini-gioachino\/","title":{"rendered":"Rossini, Gioachino"},"content":{"rendered":"
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Gioachino Rossini<\/span><\/h1>

(1792 – 1868)<\/span><\/h3>
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Opere<\/h2>\n\r\n\t\t<\/div>\r\n\t
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General Editor: Philip Gossett<\/span><\/h3>
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Until 1829 Rossini was an extraordinarily prolific composer of operas, comic, serious and semi-serious, in Italian and French, as well as of a great deal of vocal and instrumental music. He composed sacred music, vocal treatises and cantatas. Then, for many different reasons, he wrote very little music for more than twenty-five years, except some songs and the \u201eStabat Mater\u201c. Only after he finally left Italy for Paris in 1855 he became productive again. Between 1857 and 1868 a fresh group of masterpieces were composed; the so-called P\u00e9ch\u00e9s de vieillesse (Sins of Old Age) which is a collection of chamber music for voice(s) and piano and the \u201ePetite Messe Solennelle\u201c.<\/p>\n

Producing a critical edition of Rossini\u2019s music is complex. The operas were often written in multiple versions, all of which need to be edited. Sources for his non-operatic music which are to be found all over the world, must be identified, catalogued, and evaluated if we are to edit his music in a way that will serve the needs of both scholars and performers.<\/p>\n

B\u00e4renreiter will issue practical editions derived from these critical editions wherever appropriate, including vocal scores and performance materials based on the new editions for operas and sacred music.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

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Publication Schedule<\/span><\/h3>