{"id":12906,"date":"2024-06-24T13:39:04","date_gmt":"2024-06-24T11:39:04","guid":{"rendered":"https:\/\/emag.baerenreiter.com\/srnka-miroslav\/"},"modified":"2026-06-17T06:53:53","modified_gmt":"2026-06-17T04:53:53","slug":"srnka-miroslav","status":"publish","type":"page","link":"https:\/\/emag.baerenreiter.com\/en\/srnka-miroslav\/","title":{"rendered":"Srnka, Miroslav"},"content":{"rendered":"<div class=\"grve-section grve-row-section grve-fullwidth-background grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#707070;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section composer-header grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-5-12 grve-wpb-1715857276604 grve-vertical-position-middle grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-left\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 500px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 150.2%;\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"751\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Srnka-500px.webp\" class=\"attachment-full size-full\" alt=\"Portrait picture of Miroslav Srnka\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Srnka-500px.webp 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Srnka-500px.webp 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-7-12 grve-wpb-1715857422252 grve-vertical-position-middle grve-with-bg-transparent grve-align-center\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h1 class=\"grve-element grve-title grve-align-center grve-page-title grve-text-white\"><span>Miroslav Srnka<\/span><\/h1><div class=\"grve-element grve-text grve-small-text\">\r\n\t\t\t<p><a href=\"https:\/\/www.srnka.cz\/\" target=\"_blank\" rel=\"noopener\">www.srnka.cz<\/a><\/p>\n\r\n\t\t<\/div>\r\n\t<div class=\"grve-empty-space grve-height-1x\"><\/div><div class=\"grve-element grve-image grve-align-center signature-witdh-100\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-svg-thumbnail-wrapper\"><div class=\"grve-svg-thumbnail\"><img decoding=\"async\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Srnka_Pfade_U_weiss.svg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Srnka_Pfade_U_weiss.svg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Srnka_Pfade_U_weiss.svg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-4x grve-padding-bottom-4x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Biography<\/span><\/h2><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Miroslav Srnka&#8217;s international breakthrough came in 2016 when his opera South Pole was premiered at the Bayerische Staatsoper in Munich under Kirill Petrenko, in a production by Hans Neuenfels that featured Rolando Villaz\u00f3n and Thomas Hampson in the title roles.<\/p>\n<p>But even before that, Srnka had received several major commissions and awards, including the Ernst von Siemens Music Foundation Composer&#8217;s Prize in 2009. His works have been performed by renowned interpreters including the Berliner Philharmoniker, Symphonieorchester des Bayerischen Rundfunks, the Los Angeles Philharmonic, NHK Symphony Orchestra Tokyo, the Czech Philharmonic, WDR Symphony Orchestra, the BBC Philharmonic Orchestra, Ensemble Intercontemporain, Ensemble Modern, Klangforum Wien and the Munich Chamber Orchestra, by conductors such as Peter E\u00f6tv\u00f6s, Jakub Hr\u016f\u0161a and Susanna M\u00e4lkki at festivals like Lucerne Festival, Ultraschall Berlin, Wien Modern, Pr\u00e9sences Paris, Prague Spring, Musica Strasbourg, Milano Musica and Printemps des Arts de Monte-Carlo.<\/p>\n<p>In the 2024\/2025 season, Superorganisms for large orchestra took center stage with its main commissioner, the Berliner Philharmoniker. Following its world premiere in Tokyo with the NHK Symphony Orchestra, the piece has already been performed in national premieres with the Czech Philharmonic and David Robertson at the Prague Spring Festival&#8217;s closing concert, and with the Orchestre de Paris under Klaus M\u00e4kel\u00e4.<br \/>\nIn 2025, the new opera Voice Killer received its world premiere at the MusikTheater an der Wien, performed by Klangforum Wien and the Arnold Sch\u00f6nberg Choir.<\/p>\n<p>His short opera Wall, based on a work by Jonathan Safran Foer, was premiered at the Staatsoper Unter den Linden in Berlin in 2005, and in 2006\/2007 he was the &#8220;Composer for Heidelberg&#8221; at Theater Heidelberg. In 2011, his chamber opera Make No Noise premiered at the Bayerische Staatsoper and Jakub Fl\u00fcgelbunt, a &#8220;comic book for three singers and orchestra&#8221;, received its first performance at the Semperoper in Dresden. In 2017, the Dialogues Festival in Salzburg presented a comprehensive portrait of the composer with numerous events and premieres. For its 100th season in 2018\/2019, the Los Angeles Philharmonic commissioned Srnka to write the piece Overheating. In 2015, the concert series musica viva in Munich presented move 01 &amp; 02. During the same series in 2019, Speed of Truth was given its first performance with J\u00f6rg Widmann, clarinet, and the Bavarian Radio Symphony Orchestra and Bavarian Radio Chorus conducted by Susanna M\u00e4lkki. In 2022, Standstill for harpsichord and orchestra was premiered by Mahan Esfahani with the G\u00fcrzenich Orchestra Cologne under Fran\u00e7ois-Xavier Roth. In 2024, Is This Us? for two horns and orchestra was premiered by Saar Berger, P\u0159emysl Vojta, the WDR Symphony Orchestra and Elena Schwarz at the final concert of the Acht Br\u00fccken Festival.<br \/>\nIn 2026, he was honored by the Czech collecting society OSA as the most successful Czech composer of classical music abroad.<\/p>\n<p>Srnka has collaborated for many years with the ensemble Quatuor Diotima, which has performed his quartets across Europe and issued a portrait CD with chamber music on the Na\u00efve label.<\/p>\n<p>Srnka, born in Prague in 1975, studied musicology at the Charles University and composition at the Prague Academy of Performing Arts. He is professor for composition at the Hochschule f\u00fcr Musik und Tanz in Cologne and a sought-after juror at competitions such as the renowned Mahler Competition in Bamberg or the Mauricio Kagel Composition Competition. He is also a member of the Artistic Advisory Board of the Prague Spring Festival, where he founded and co-curates Prague Offspring, a festival which focuses on new music.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#e8ede8;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vita<\/h3><\/div><div class=\"grve-accordion-content biographie\" id=\"1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-srnka-en-no-2\" class=\"tablepress tablepress-id-srnka-en two-column-table\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">1975<\/th><th class=\"column-2\">born on March 23rd in Prague<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">1993-1999<\/td><td class=\"column-2\">Studied musicology at Charles University in Prague with Jarmila Gabrielov\u00e1<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">1995\/96<\/td><td class=\"column-2\">Study stay at the Humboldt University in Berlin<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">1998-2003<\/td><td class=\"column-2\">Studied composition at the Prague Academy of Performing Arts with Milan Slavick\u00fd<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">2001<\/td><td class=\"column-2\">Study stay at the Conservatoire National Sup\u00e9rieur de Musique in Paris<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">2004<\/td><td class=\"column-2\">Leo\u0161 Jan\u00e1cek Anniversary Prize in Brno<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">2006-2007<\/td><td class=\"column-2\">\u201cComposer for Heidelberg\u201d at the Heidelberg Theater<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">since 2007<\/td><td class=\"column-2\">Jerwood Opera Writing Program and Fellowship in Aldeburgh (UK)<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">2009<\/td><td class=\"column-2\">Promotional prize from the Ernst von Siemens Music Foundation<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">2011<\/td><td class=\"column-2\">Premiere of the chamber opera \u201cMake No Noise\u201d at the Bavarian State Opera in Munich as part of the Munich Opera Festival. Premiere of \u201cJakub Flugelbunt and Magdalena Rotenband\u201d. Or: How deeply a bird can sing\u201d. Comics for three singers and orchestra at the Semperoper Dresden collaboration, among others. with: BBC Philharmonic, German Symphony Orchestra Berlin, Prague Philharmonia, Arditti Quartet, Ensemble Modern, Ostravsk\u00e1 banda, Prague Modern, Accentus, Matthias Pintscher, Anssi Karttunen, Magnus Lindberg, Peter Rundel, Cornelius Meister, Laurence Equilbey<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">2016<\/td><td class=\"column-2\">Premiere of \u201cSouth Pole. A double opera in two parts\u201d at the Bavarian State Opera in Munich<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">since 2019<\/td><td class=\"column-2\">Professorship for composition at the University of Music and Dance in Cologne<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">2022<\/td><td class=\"column-2\">Premiere of the harpsichord concert \u201cStandstill\u201d with the G\u00fcrzenich Orchestra Cologne<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">2023<\/td><td class=\"column-2\">World premiere of \"Superorganisms for large orchestra\" by the NHK Symphony Orchestra in Tokyo<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">2025<\/td><td class=\"column-2\">World premiere of the opera \u201cVoice Killer\u201d at the MusikTheater an der Wien<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">2026<\/td><td class=\"column-2\">The collecting society OSA recognizes Srnka as the most successful Czech composer abroad.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Download Scores<\/h3><\/div><div class=\"grve-accordion-content downloads\" id=\"1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9791_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Assembly f\u00fcr Ensemble (2011) BA 9791-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11107_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Eighteen Agents for 19 strings (2012) BA 11107-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11100_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Jakub Fl\u00fcgelbunt und Magdalena Rotenband oder: Wie tief ein Vogel singen kann f\u00fcr drei S\u00e4nger und Orchester (2011) BA 11100-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9744_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Fan Faire f\u00fcr vier H\u00f6rner, zwei Trompeten, zwei Posaunen und zwei Schlagzeuger (2009) BA 9744-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9399-72_Partitur.pdf\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Engrams for string quartet (2011) BA 9399-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11404_Partitur__MS__.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Emojis, Likes and Ringtones for Piano Trio (2018) BA 11404-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9704_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Kdyz me star\u00e1 matka \/ My Mother tought me f\u00fcr Sopran und Orchester BA 9704-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9716_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Kr\u00e1ter Brahms f\u00fcr Violoncello und Streichorchester (2007) BA 9716-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9790_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Make no noise (2011) BA 9790-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11144_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">move 01 for large orchestra (2015) BA 11144-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11145_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">move 02 for large orchestra (2015) BA 11145-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11727-72_partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">move 04 ``Memory Full`` for orchestra (2019\/20) BA 11727-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9738_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">My Life Without Me for Soprano and Ensemble (2008-13) BA 9738-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11172_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Overheating for ensemble (2018) BA 11172-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11112_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Piano Concerto (2012) BA 11112-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9337_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Podvrhy \/ Falsifikationen f\u00fcr Chor (1998) 9337-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9372-72_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Pouhou vinou \/ Qu'une vague (2008) BA 9372-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9718_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Reading Lessons f\u00fcr Orchester (2007) BA 9718-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9721_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Reservoirs f\u00fcr Ensemble (2007) BA 9721-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9779-72_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Tree of Heaven f\u00fcr Streichtrio (2010) BA 9779-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7771_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Tak klid (2002-05) BA 7771-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11197-72_Partitur_.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Superorganisms f\u00fcr gro\u00dfes Orchester (2022) BA 11197-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9311_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Streichquartett Nr. 3 (2004) BA 9311-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11199-72_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Standstill for harpsichord and orchestra (2022) BA 11199-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11190-72_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Speed of Truth f\u00fcr Soloklarinette, Chor und Orchester (2019) BA 11190-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11147_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">South Pole (2017) BA 11147-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11192-72_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Singularity. A Space Opera for Young Voices (2020\/21) BA 11192-72<\/h4><\/div><\/a><\/div><\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715857809324-89faa186-31c9\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Bibliography<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1715857809324-89faa186-31c9\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Ulrich Michels: Encyklopedick\u00fd atlas hudby. Nakladatelstv\u00ed Lidov\u00e9 noviny, Praha 2000, ISBN 80-7106-238-3 [Co-\u00dcbersetzer des deutschen Originals]<\/p>\n<p>Miroslav Srnka: Lubo\u0161 Fi\u0161er \u2013 F\u00fcnfzehn Bl\u00e4tter nach D\u00fcrers Apokalypse. In: Kontexte. Musica iudaica 2000, \u00dastav hudebn\u00ed v\u00ecdy FF UK, Praha 2002, S. 149-158<\/p>\n<p>Miroslav Srnka (Mitherausgeber mit Jan Kachl\u00edk): Anton\u00edn Dvor\u00e1k, Stabat Mater. Klavierauszug nach Dvor\u00e1ks urspr\u00fcnglicher Klavierfassung. Editio B\u00e4renreiter Praha\/B\u00e4renreiter Kassel 2004, H 7920<\/p>\n<p>Miroslav Srnka: Rusalka de Dvor\u00e1k \u2013 la dynamique, une cl\u00e9 de compr\u00e9hension des valeurs et des sens, Hudebn\u00ed v\u00ecda XLII, 3-4\/2005, S. 291-300 [Kongressbericht \u00bbAnton\u00edn Dvor\u00e1k et son \u00e9poque \u2013 entre musique et litt\u00e9rature\u00ab, Paris 19-20\/11\/2004]<\/p>\n<hr \/>\n<p><strong>Aufs\u00e4tze<\/strong><\/p>\n<p>Michael T\u00f6pel: &#8230; nur zwei Themen: Leben\/Tod und Liebe. Ein Gespr\u00e4ch mit dem Komponisten Miroslav Srnka. Takte 1\/2005, Kassel, S. 6f<\/p>\n<p>Michael T\u00f6pel: Miroslav Srnka. In: MGG, Die Musik in Geschichte und Gegenwart, Personenteil, Band 15, Kassel<\/p>\n<p>Jaroslav Pa\u0161mik: M\u00edt \u00factu pred vlastn\u00edm instinktem. In: Respekt XVII, Nr. 12, Praha 2006, S. 16<\/p>\n<p>Petr Bakla: What You Do is Only Partly the Result of Your Will. Interview with Miroslav Srnka. In: Czech Music, No. 2, 2006, S. 2ff<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715926842723-5a976b04-5722\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Discography<\/h3><\/div><div class=\"grve-accordion-content diskographie\" id=\"1715926842723-5a976b04-5722\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"row\">\n<div class=\"col-md-16\">\n<div id=\"c6058\" class=\"csc-default layout-0\">\n<div class=\"csc-brv-text\">\n<p>Chamber Music<strong><br \/>\n<\/strong> Quatuor Diotima. Naive V 5433<\/p>\n<p>Fan Faire (Version for 10 horns)<br \/>\nMunich Opera Horns. Farao Classics B 108 072 (2013)<\/p>\n<p>Coronae for French horn solo<br \/>\nSaar Berger (Horn). CD 5028464 Ensemble Modern, Farao Classics B 108 072 (2013)<\/p>\n<p>Dvo\u0159\u00e1k: Stabat Mater<br \/>\nversion 1876 for choir and piano reconstructed by Miroslav Srnka<br \/>\nAlexandra Coku &#8211; soprano, Renata Pokupic &#8211; alto, Pavol Breslik &#8211; tenor, Markus Butter &#8211; bass, Brigitte Engerer &#8211; piano, Accentus, Laurence Equilbey &#8211; conductor<br \/>\nNaive V5091 (2008)<\/p>\n<p>String Quartet<br \/>\nArditti Quartet<br \/>\nYoung Blood &#8211; His Voice Sampler 3 (2005)<\/p>\n<p>Rod\u00edme! \/ We Are Giving Birth!<br \/>\nsound art<br \/>\nRadiocustica Selected &#8211; Czech Radio (2003)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><div class=\"grve-empty-space grve-height-2x\"><\/div><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>Performances<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-2-no-2\" class=\"tablepress tablepress-id-2 brv-termine tablepress-responsive tablepress-responsive-stack-headers tablepress-responsive-stack-tablet\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">composer_first_name<\/th><th class=\"column-2\">composer_last_name<\/th><th class=\"column-3\">title<\/th><th class=\"column-4\">date<\/th><th class=\"column-5\">orchestra<\/th><th class=\"column-6\">conductor<\/th><th class=\"column-7\">location<\/th><th class=\"column-8\">special<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Klavierkonzert<\/td><td class=\"column-4\">24.06.2026<\/td><td class=\"column-5\">Kirill Gerstein (Klavier), Tonhalle Orchester<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Chelsea Opera Group<\/td><td class=\"column-6\">Paul Wingfield<\/td><td class=\"column-7\">London (Cadogan Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Rias Kammerchor<\/td><td class=\"column-6\">Peter Dijkstra<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lidiya Yankovskaya, Regie: Max Webster <\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">27.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Guggeis, Regie: Andrea Moses<\/td><td class=\"column-7\">Berlin (Staatsoper Unter den Linden)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Messe solennelle<\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\">Orchestre National de France<\/td><td class=\"column-6\">Dinis Sousa<\/td><td class=\"column-7\">Paris (Maison de la Radio)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leonardo Garcia Alarcon, Regie: Cl\u00e9ment Cogitore<\/td><td class=\"column-7\">Aix-en-Provence (Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Bruckner Orchester Linz<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">St. Florian (Basilika)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ariodante<\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Beaune (Festival Baroque, Hotel-Dieu)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix P\u00e4tzold, Regie: Immo Karaman<\/td><td class=\"column-7\">Kiel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">George<\/td><td class=\"column-2\">Benjamin<\/td><td class=\"column-3\">Three Consorts <\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Kent Nagano<\/td><td class=\"column-7\">Kl\u00fctz (Festspiele Mecklenburg-Vorpommern, Schloss Bothmer)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsche Staatsphilharmonie Rheinland-Pfalz<\/td><td class=\"column-6\">Michael Francis<\/td><td class=\"column-7\">Speyer (Ged\u00e4chtniskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">Giselher<\/td><td class=\"column-2\">Klebe<\/td><td class=\"column-3\">Mignon<\/td><td class=\"column-4\">07.07.2026<\/td><td class=\"column-5\">Detmolder Kammerorchester<\/td><td class=\"column-6\">Stanley Dodds<\/td><td class=\"column-7\">Detmold (Hochschule f\u00fcr Musik) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">09.07.2026<\/td><td class=\"column-5\">Slovenian Philharmonic<\/td><td class=\"column-6\">Charles Dutoit<\/td><td class=\"column-7\">Cankarjev (Gallus Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">12.07.2026<\/td><td class=\"column-5\">Staatsorchester Stuttgart<\/td><td class=\"column-6\">Lothar Zagrosek<\/td><td class=\"column-7\">Stuttgart (Liederhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXVII (so nimm denn meine h\u00e4nde) f\u00fcr orgel solo<\/td><td class=\"column-4\">15.07.2026<\/td><td class=\"column-5\">Martin K\u00fcckes (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Templin (Maria-Magdalenen-Kirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">16.07.2026<\/td><td class=\"column-5\">Schleswig-Holstein Festival Orchestra<\/td><td class=\"column-6\">Andrew Manze<\/td><td class=\"column-7\">Elmshorn (Stiftung Schleswig-Holstein Musik Festival)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito<\/td><td class=\"column-4\">19.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Adrian Kelly, Regie: Corina W\u00fcrsch<\/td><td class=\"column-7\">Buxton (International Festival, Opera House)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">jag die hunde zur\u00fcck!<\/td><td class=\"column-4\">20.07.2026<\/td><td class=\"column-5\">Accademia Musicale Chigiana<\/td><td class=\"column-6\">Lorenzo Donati<\/td><td class=\"column-7\">Siena (Chiesa della Ss. Annunziata)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">Anton\u00edn <\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Petr Popelka, Regie: Martin Kusej <\/td><td class=\"column-7\">M\u00fcnchen (M\u00fcnchner Opernfestspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">Georges <\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen, Fassung 1874<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Fabio Luisi, Regie: Denis Krief<\/td><td class=\"column-7\">Martina Franca (Festival della Valle d\u2019Itria)<\/td><td class=\"column-8\">Szenische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXVII (so nimm denn meine h\u00e4nde) f\u00fcr orgel solo<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\">Martin K\u00fcckes (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin-Spandau\u00a0(Orgelsommer, St. Nikolai)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">V\u00e1clav<\/td><td class=\"column-2\">Trojan<\/td><td class=\"column-3\">M\u00e4rchen<\/td><td class=\"column-4\">26.07.2026<\/td><td class=\"column-5\">Heilbronner Sinfonie Orchester <\/td><td class=\"column-6\">Alois Seidlmeier<\/td><td class=\"column-7\">Heilbronn (Deutschhof)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">26.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Teodor Currentzis, Regie: Gabriela Carrizo (Peeping Tom)<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">29.07.2026<\/td><td class=\"column-5\">Orchestre Symphonique de la Monnaie<\/td><td class=\"column-6\">Alain Altinoglu<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\">Studierende der Orchesterakademie<\/td><td class=\"column-6\">L\u00fc Jia<\/td><td class=\"column-7\">Lugano (Palazzo dei Congressi)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Evan Rogister, Regie: David McVicar<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">L'ubica<\/td><td class=\"column-2\">Cekovska<\/td><td class=\"column-3\">Maison de la musique en sept p\u00e9riodes<\/td><td class=\"column-4\">01.08.2026<\/td><td class=\"column-5\">Japan Century Symphony Orchestra<\/td><td class=\"column-6\">Andreas Ottensamer<\/td><td class=\"column-7\">Osaka<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Lucio Silla <\/td><td class=\"column-4\">02.08.2026<\/td><td class=\"column-5\">Mozarteum Orchester<\/td><td class=\"column-6\">Adam Fischer<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Le Cinesi<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Collegium 1704<\/td><td class=\"column-6\">V\u00e1clav Luks<\/td><td class=\"column-7\">Cesky Krumlov<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Le Concert d\u2019Astr\u00e9e<\/td><td class=\"column-6\">Emmanuelle Haim<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Joana Mallwitz, Regie: Christof Loy<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXII (wer nur den lieben gott l\u00e4\u00dft walten) f\u00fcr orgel solo<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Angela Metzger (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">M\u00fcnchen (St. Markus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Wesendonck-Lieder <\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Catherine Foster (Sopran), Mitglieder des Orchesters der Bayreuther Festspiele<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Bayreuth (Festspiele)<\/td><td class=\"column-8\">auch 11.8.<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">K\u00f6nig Karotte<\/td><td class=\"column-4\">09.08.2026<\/td><td class=\"column-5\">Mattias Straub (Erz\u00e4hler), Orchester der Sommeroperette Heldritt<\/td><td class=\"column-6\">Manuel Grund <\/td><td class=\"column-7\">Bad Rodach (Waldb\u00fchne Heldritt)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">Antonio<\/td><td class=\"column-2\">Salieri<\/td><td class=\"column-3\">Cublai, gran Kan de\u2019 Tartari<\/td><td class=\"column-4\">10.08.2026<\/td><td class=\"column-5\">Orchestra Haydn di Bolzano e Trento<\/td><td class=\"column-6\">Stefano Ferrario<\/td><td class=\"column-7\">La Villa (Badia)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">15.08.2026<\/td><td class=\"column-5\">London Symphony Chorus and Orchestra<\/td><td class=\"column-6\">Antonio Pappano<\/td><td class=\"column-7\">London (Proms, Royal Albert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni<\/td><td class=\"column-4\">16.08.2026<\/td><td class=\"column-5\">Scottish Chamber Chorus and Orchestra<\/td><td class=\"column-6\">Maxim Emelyanychev<\/td><td class=\"column-7\">Edinburgh (International Festival)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">19.08.2026<\/td><td class=\"column-5\">Orquesta Sinf\u00f3nica de Bilbao<\/td><td class=\"column-6\">Erick Nielsen<\/td><td class=\"column-7\">San Sebastian (Musikfestivals Quincena, Auditorio Kursaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La finta giardiniera<\/td><td class=\"column-4\">20.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Massimiliano Caldi, Regie: Maria Sartova<\/td><td class=\"column-7\">Danzig<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">Bernd Alois<\/td><td class=\"column-2\">Zimmermann<\/td><td class=\"column-3\">Musique pour les soupers du Roi Ubu<\/td><td class=\"column-4\">20.08.2026<\/td><td class=\"column-5\">Orchestre des Jardins Musicaux<\/td><td class=\"column-6\">Valentin Reymond<\/td><td class=\"column-7\">Cernier<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Canti della tenebra, In mia vita da vuolp, Presto f\u00fcr Fl\u00f6te und Klavier, Melodie f\u00fcr Fl\u00f6te solo, Studie f\u00fcr Klavier <\/td><td class=\"column-4\">26.08.2026<\/td><td class=\"column-5\">Elina Viluma-Helling (Sopran), Cornelia Sonnleithner (Alt), Maria Iazia (Klavier) Iva Kovac (Fl\u00f6te), Gerald Preinfalk (Saxophon)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">St. Gallen (Burg Gallenstein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Orlando Paladino<\/td><td class=\"column-4\">28.08.2026<\/td><td class=\"column-5\">Orfeo Orchestra<\/td><td class=\"column-6\">Gy\u00f6rgy Vashegyi<\/td><td class=\"column-7\">Fert\u00f6d (Haydneum Concerts at Esterh\u00e1zy Palace)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">Gustav<\/td><td class=\"column-2\">Holst<\/td><td class=\"column-3\">The Planets<\/td><td class=\"column-4\">03.09.2026<\/td><td class=\"column-5\">Robert Schumann Philharmonie<\/td><td class=\"column-6\">Benjamin Reiners<\/td><td class=\"column-7\">Chemnitz<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Sinfonie<\/td><td class=\"column-4\">08.09.2026<\/td><td class=\"column-5\">Staatskapelle Berlin<\/td><td class=\"column-6\">Christian Thielemann<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marie Jacquot, Regie: Tatjana G\u00fcrbaca<\/td><td class=\"column-7\">Kopenhagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die verlorene Melodie <\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\">Staatskapelle Weimar<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Weimar (Theaterfest)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Sebastiano Rolli, Regie: Martina Gredler<\/td><td class=\"column-7\">Magdeburg <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">R\u00e9gis<\/td><td class=\"column-2\">Campo<\/td><td class=\"column-3\">Lumen<\/td><td class=\"column-4\">13.09.2026<\/td><td class=\"column-5\">Stuttgarter Philharmoniker<\/td><td class=\"column-6\">R\u00e9my Ballot<\/td><td class=\"column-7\">Besancon (Festival de Musique)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">Arnold<\/td><td class=\"column-2\">Bax<\/td><td class=\"column-3\">Octet<\/td><td class=\"column-4\">14.09.2026<\/td><td class=\"column-5\">Ensemble Kontrapunkte<\/td><td class=\"column-6\">Gottfried Rabl<\/td><td class=\"column-7\">Wien (Musikverein) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Boost<\/td><td class=\"column-4\">16.09.2026<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">3. Symphonie <\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Essener Philharmoniker<\/td><td class=\"column-6\">Bertrand de Billy<\/td><td class=\"column-7\">Essen (Alfried Krupp Saal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie in c-Moll<\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Gewandhausorchester<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">18.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Sch\u00f6nwandt, Regie: Krzysztof Warlikowski<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">19.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andreas Wolf, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Violation<\/td><td class=\"column-4\">20.09.2026<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Julia Kurzydlak<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXIII (in te domine speravi) f\u00fcr orgel solo<\/td><td class=\"column-4\">20.09.2026<\/td><td class=\"column-5\">Roman Summereder (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Hannover (Nazarethkirche)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel VIII (aus tiefer not schrei ich zu dir), choralvorspiel XL (te deum laudamus), choralvorspiel XLVI (morgenglanz der ewigkeit), choralvorspiel LI (kyrie XI, orbis factor) <\/td><td class=\"column-4\">23.09.2026<\/td><td class=\"column-5\">Hansj\u00f6rg Albrecht (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Kathedrale St. Hedwig)<\/td><td class=\"column-8\">Urauff\u00fchrung (choralvorspiel VIII)<\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Mitridate, re di Ponto <\/td><td class=\"column-4\">24.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Frizza, Regie: Claus Guth<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">Matthias<\/td><td class=\"column-2\">Pintscher<\/td><td class=\"column-3\">NUR<\/td><td class=\"column-4\">25.09.2026<\/td><td class=\"column-5\">Inon Barnatan (Klavier), Utah Symphony<\/td><td class=\"column-6\">Matthias Pintscher<\/td><td class=\"column-7\">Salt Lake City (Abravanel Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-62\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">25.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Jakub Przybicien, Regie: Matthias Kitter<\/td><td class=\"column-7\">Nordhausen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-63\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">26.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Johannes Braun, Regie: Lorenzo Fioroni<\/td><td class=\"column-7\">Graz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-64\">\n\t<td class=\"column-1\">Anders<\/td><td class=\"column-2\">Hillborg<\/td><td class=\"column-3\">Cello Concerto<\/td><td class=\"column-4\">26.09.2026<\/td><td class=\"column-5\">Ariel Barnes (Cello), N\u00fcrnberger Symphoniker<\/td><td class=\"column-6\">Jonathan Darlington<\/td><td class=\"column-7\">N\u00fcrnberg (Meistersingerhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-65\">\n\t<td class=\"column-1\">Arnold<\/td><td class=\"column-2\">Bax<\/td><td class=\"column-3\">Tintagel<\/td><td class=\"column-4\">28.09.2026<\/td><td class=\"column-5\">Philharmonisches Orchester Bremerhaven <\/td><td class=\"column-6\">Florian Ludwig<\/td><td class=\"column-7\">Bremerhaven<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-66\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk (2026) f\u00fcr Bass &amp; Baritonsaxophon<\/td><td class=\"column-4\">29.09.2026<\/td><td class=\"column-5\">Ulfried Staber (Bass), Gerald Preinfalk (Saxophon)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Graz (BRUSEUM\/Neue Galerie)<\/td><td class=\"column-8\">Urauff\u00fchrung  <\/td>\n<\/tr>\n<tr class=\"row-67\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Zaide <\/td><td class=\"column-4\">30.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">George Petrou, Regie: David Hermann<\/td><td class=\"column-7\">Frankfurt   <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-68\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">01.10.2026<\/td><td class=\"column-5\">Orchestra del Maggio Musicale Fiorentino<\/td><td class=\"column-6\">Thomas Guggeis<\/td><td class=\"column-7\">Florenz<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-69\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">02.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michele Spotti, Regie: Ted Huffman<\/td><td class=\"column-7\">Valencia (Palau de les Arts Reina Sofia)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-70\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">02.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Stefan Vladar, Regie: Philipp Himmelmann<\/td><td class=\"column-7\">L\u00fcbeck<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-71\">\n\t<td class=\"column-1\">Umberto<\/td><td class=\"column-2\">Giordano<\/td><td class=\"column-3\">Andrea Ch\u00e9nier<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniel Cohen, Regie: John Dew<\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-72\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">31.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Sebastian Lang-Lessing, Regie: Pamela Recinella<\/td><td class=\"column-7\">Hagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-73\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Dornr\u00f6schen<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Carlo Benedetto Cimento, Choreographie: Reginaldo Oliveira<\/td><td class=\"column-7\">Palermo (Teatro Massimo)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-74\">\n\t<td class=\"column-1\">Fromental<\/td><td class=\"column-2\">Hal\u00e9vy<\/td><td class=\"column-3\">La Juive<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix Bender, Regie: Marco Storman<\/td><td class=\"column-7\">Ulm<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-75\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">04.10.2026<\/td><td class=\"column-5\">Philharmonia Orchestra<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">London (Royal Festival Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-76\">\n\t<td class=\"column-1\">Jacques<\/td><td class=\"column-2\">Offenbach<\/td><td class=\"column-3\">Les contes d'Hoffmann<\/td><td class=\"column-4\">04.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Sejoon Park, Regie: Anja Nicklich<\/td><td class=\"column-7\">Koblenz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-77\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">06.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Emmanuelle Haim, Regie: Ewelina Marciniak<\/td><td class=\"column-7\">Lille<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-78\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">09.10.2026<\/td><td class=\"column-5\">Orchestra del Teatro di San Carlo<\/td><td class=\"column-6\">Iv\u00e1n L\u00f3pez-Reynoso<\/td><td class=\"column-7\">Neapel (Teatro di San Carlo)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-79\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">10.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Hermes Helfricht, Regie: Matthew Ferraro<\/td><td class=\"column-7\">Erfurt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-80\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Herbst, Enigma I-IV &amp; VI, Enigma V, Enigma VII<\/td><td class=\"column-4\">10.10.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\">Cordula B\u00fcrgi<\/td><td class=\"column-7\">Graz (Helmut List Halle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-81\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ottone<\/td><td class=\"column-4\">11.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">V\u00e1clav Luks, Regie: Jetske Mijnssen<\/td><td class=\"column-7\">Frankfurt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-82\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">13.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pablo Gonz\u00e1lez, Regie: Marta Pazos<\/td><td class=\"column-7\">Teneriffa (Auditorio)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-83\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Riccardo primo, Re d\u2019Inghilterra <\/td><td class=\"column-4\">14.10.2026<\/td><td class=\"column-5\">Les Arts Florissants<\/td><td class=\"column-6\">Paul Agnew<\/td><td class=\"column-7\">Dijon (Grand Th\u00e9atre)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-84\">\n\t<td class=\"column-1\">Andrea Lorenzo<\/td><td class=\"column-2\">Scartazzini<\/td><td class=\"column-3\">Torso - Epitaph<\/td><td class=\"column-4\">14.10.2026<\/td><td class=\"column-5\">Luzerner Sinfonieorchester<\/td><td class=\"column-6\">Michael Sanderling<\/td><td class=\"column-7\">Luzern (KKL)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-85\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Konzert f\u00fcr Klavier und Orchester<\/td><td class=\"column-4\">15.10.2026<\/td><td class=\"column-5\">Orquesta Sinf\u00f3nica de l'ESMUC<\/td><td class=\"column-6\">Ernest Mart\u00ednez Izquierdo<\/td><td class=\"column-7\">Barcelona<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-86\">\n\t<td class=\"column-1\">Gioachino<\/td><td class=\"column-2\">Rossini<\/td><td class=\"column-3\">Il barbiere di Siviglia<\/td><td class=\"column-4\">15.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Chloe Rooke, Regie: Annabel Arden<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-87\">\n\t<td class=\"column-1\">Bernd Alois<\/td><td class=\"column-2\">Zimmermann<\/td><td class=\"column-3\">Musique pour les soupers du Roi Ubu<\/td><td class=\"column-4\">15.10.2026<\/td><td class=\"column-5\">M\u00fcnchner Philharmoniker<\/td><td class=\"column-6\">Anja Bihlmaier<\/td><td class=\"column-7\">M\u00fcnchen (Isarphilharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-88\">\n\t<td class=\"column-1\">Torsten<\/td><td class=\"column-2\">Rasch<\/td><td class=\"column-3\">Die wunderbaren Jahre<\/td><td class=\"column-4\">16.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Christian Blex, Regie: Nora Bussenius<\/td><td class=\"column-7\">Dresden  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-89\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">17.10.2026<\/td><td class=\"column-5\">NHK Symphony Orchestra<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Tokio (NHK Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-90\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">Gesualdo senza parole<\/td><td class=\"column-4\">17.10.2026<\/td><td class=\"column-5\">Klangforum Wien<\/td><td class=\"column-6\">Sylvain Cambreling<\/td><td class=\"column-7\">Wien (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-91\">\n\t<td class=\"column-1\">Charles<\/td><td class=\"column-2\">Gounod<\/td><td class=\"column-3\">Faust<\/td><td class=\"column-4\">20.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniele Rustioni, Regie: Johannes Erath<\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-92\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">John Stulz (Viola), Ensemble Intercontemporain<\/td><td class=\"column-6\">George Benjamin<\/td><td class=\"column-7\">Paris (Cit\u00e9 de la Musique)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-93\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Flavio, Re de\u2019 Langobardi <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Camille Delaforge, Regie: Max Emanuel Cencic<\/td><td class=\"column-7\">Meiningen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-94\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-95\">\n\t<td class=\"column-1\">Benjamin<\/td><td class=\"column-2\">Britten<\/td><td class=\"column-3\">Young Apollo<\/td><td class=\"column-4\">24.10.2026<\/td><td class=\"column-5\">Camerata Bern<\/td><td class=\"column-6\">Alexander Melnikov<\/td><td class=\"column-7\">Bern (Zentrum Paul Klee)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-96\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">25.10.2026<\/td><td class=\"column-5\">Orchestra, Coro e Tecnici del Teatro Comunale di Bologna<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-97\">\n\t<td class=\"column-1\">Matthias<\/td><td class=\"column-2\">Pintscher<\/td><td class=\"column-3\">Assonanza<\/td><td class=\"column-4\">29.10.2026<\/td><td class=\"column-5\">Leila Josefowicz (Violine), Royal Stockholm Philharmonic Orchestra<\/td><td class=\"column-6\">Matthias Pintscher<\/td><td class=\"column-7\">Stockholm (Konserthuset)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-98\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">29.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">N.N., Regie: Nilufar K. M\u00fcnzing<\/td><td class=\"column-7\">Klagenfurt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-99\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">30.10.2026<\/td><td class=\"column-5\">Estonian National Symphony Orchestra<\/td><td class=\"column-6\">Gregor A. Mayrhofer<\/td><td class=\"column-7\">Tallinn (Festival AFEKT, Estonia Concert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-100\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Schwanensee<\/td><td class=\"column-4\">31.10.2026<\/td><td class=\"column-5\">Camerata Louis Spohr<\/td><td class=\"column-6\">Bernd Peter Fugelsang<\/td><td class=\"column-7\">D\u00fcsseldorf<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-101\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">31.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">N.N., Regie: Neil Barry Moss<\/td><td class=\"column-7\">Coburg (Globe)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-102\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Turn<\/td><td class=\"column-4\">04.11.2026<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\">auchh 5.\/6.11.<\/td>\n<\/tr>\n<tr class=\"row-103\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Br\u00fcnn (Jan\u00e1cek-Theater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-104\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">hr-Sinfonieorchester<\/td><td class=\"column-6\">Michael Wendeberg<\/td><td class=\"column-7\">Frankfurt (hr-Sendesaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-105\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Core<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Orchester der Oper Z\u00fcrich<\/td><td class=\"column-6\">Gianandrea Noseda<\/td><td class=\"column-7\">Z\u00fcrich   <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-106\">\n\t<td class=\"column-1\">Pietro<\/td><td class=\"column-2\">Mascagni<\/td><td class=\"column-3\">Cavalleria rusticana<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">N.N., Regie: Gil Mehmert<\/td><td class=\"column-7\">Dortmund<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-107\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk f\u00fcr Orchester<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Pierre Bleuse<\/td><td class=\"column-7\">Basel (Stadtcasino)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-108\">\n\t<td class=\"column-1\">Engelbert<\/td><td class=\"column-2\">Humperdinck<\/td><td class=\"column-3\">Dornr\u00f6schen<\/td><td class=\"column-4\">08.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Markus Poschner, Regie: Anna Bergmann<\/td><td class=\"column-7\">Hamburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-109\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.11.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Roberto Abbado<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-110\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">a sei voci f\u00fcr 6 Frauenstimmen<\/td><td class=\"column-4\">15.11.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\">Cordula B\u00fcrgi<\/td><td class=\"column-7\">M\u00fcnchendorf (Musiksalon)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-111\">\n\t<td class=\"column-1\">V\u00e1clav<\/td><td class=\"column-2\">Trojan<\/td><td class=\"column-3\">M\u00e4rchen<\/td><td class=\"column-4\">21.11.2026<\/td><td class=\"column-5\">Kammerorchester der TUD<\/td><td class=\"column-6\">Florian Streich<\/td><td class=\"column-7\">Gro\u00df-Umstadt (Stadthalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-112\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">21.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">H\u00e9lio Vida, Regie: Nikolaus Habjan<\/td><td class=\"column-7\">Basel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-113\">\n\t<td class=\"column-1\">Henry<\/td><td class=\"column-2\">Purcell<\/td><td class=\"column-3\">Dido and Aeneas<\/td><td class=\"column-4\">21.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniel Geiss, Regie: Seollyeon Konwitschny-Lee<\/td><td class=\"column-7\">Neubrandenburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-114\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">25.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">David McVicar, Regie: Bettina Neuhaus<\/td><td class=\"column-7\">Barcelona<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-115\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Das Mondklavier<\/td><td class=\"column-4\">29.11.2026<\/td><td class=\"column-5\">Beate Bachmann (Sprecherin), Jenaer Philharmonie<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Jena (Volkshaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-116\">\n\t<td class=\"column-1\">Giovanni<\/td><td class=\"column-2\">Sollima<\/td><td class=\"column-3\">Violoncelles, vibrez!<\/td><td class=\"column-4\">02.12.2026<\/td><td class=\"column-5\">M\u00fcnchener Kammerorchester<\/td><td class=\"column-6\">Daniel Giglberger<\/td><td class=\"column-7\">Olten (Stadttheater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-117\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Geh\u00f6rte Form - Hommages<\/td><td class=\"column-4\">03.12.2026<\/td><td class=\"column-5\">Trio Sola<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-118\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Les P\u00eacheurs de Perles<\/td><td class=\"column-4\">05.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marc Minkowski, Regie: Pierre-Andr\u00e9 Weitz<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-119\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">06.12.2026<\/td><td class=\"column-5\">Erik Br\u00fcnner (Sprecher), Jugendsinfonieorchester Heinrich-Sch\u00fctz-Konservatorium, Dresdner Philharmonie<\/td><td class=\"column-6\">Milko Kersten<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\">auch 7.12.<\/td>\n<\/tr>\n<tr class=\"row-120\">\n\t<td class=\"column-1\">Francesco<\/td><td class=\"column-2\">Filidei<\/td><td class=\"column-3\">I funerali dell\u2019anarchico Serantini<\/td><td class=\"column-4\">09.12.2026<\/td><td class=\"column-5\">Studierende der Hochschule<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Karlsruhe (Hochschule f\u00fcr Musik)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-121\">\n\t<td class=\"column-1\">Miroslav<\/td><td class=\"column-2\">Srnka<\/td><td class=\"column-3\">Smoke<\/td><td class=\"column-4\">10.12.2026<\/td><td class=\"column-5\">NHK Symphony Orchestra<\/td><td class=\"column-6\">Maxim Emelyanychev<\/td><td class=\"column-7\">Tokio (Suntory Hall)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-122\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">13.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marta Gardoli?ska, Regie: Jetske Mijnssen<\/td><td class=\"column-7\">Genf (B\u00e2timent des Forces Motrices)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-123\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">17.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Bertrand de Billy, Regie: Lydia Steier<\/td><td class=\"column-7\">Wien (Staatsoper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-124\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Tha\u00efs<\/td><td class=\"column-4\">18.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pierre Dumoussaud, Regie: Olivier Lepelletier-Leeds<\/td><td class=\"column-7\">Li\u00e8ge<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-125\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Flavio, Re de\u2019 Langobardi<\/td><td class=\"column-4\">19.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Karsten Januschke, Regie: Tilmann K\u00f6hler<\/td><td class=\"column-7\">Frankfurt (Bockenheimer Depot)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-126\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Les P\u00eacheurs de Perles<\/td><td class=\"column-4\">29.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Victorien Vanoosten, Regie: Mirabelle Ordinaire<\/td><td class=\"column-7\">Toulon (Z\u00e9nith)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-127\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Thamos, K\u00f6nig in \u00c4gypten<\/td><td class=\"column-4\">12.01.2027<\/td><td class=\"column-5\">Orchestra Haydn di Bolzano e Trento<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Bozen (Auditorium)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-128\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">13.01.2027<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Gianandrea Noseda<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-129\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">16.01.2027<\/td><td class=\"column-5\">Staatsphilharmonie N\u00fcrnberg<\/td><td class=\"column-6\">Christopher Schumann<\/td><td class=\"column-7\">N\u00fcrnberg  <\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-130\">\n\t<td class=\"column-1\">Richard<\/td><td class=\"column-2\">Dubugnon<\/td><td class=\"column-3\">Sonnenring<\/td><td class=\"column-4\">20.01.2027<\/td><td class=\"column-5\">Janine Jansen (Violine), Orchestre de la Suisse Romande<\/td><td class=\"column-6\">Jonathan Nott<\/td><td class=\"column-7\">Genf (Victoria Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-131\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Orlando <\/td><td class=\"column-4\">21.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniel Espasa, Regie: Rafael Villalobos<\/td><td class=\"column-7\">Teneriffa (Auditorio)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-132\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Francesco Angelico, Regie: Vasily Barkhatov <\/td><td class=\"column-7\">Graz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-133\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orfeo ed Euridice <\/td><td class=\"column-4\">23.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Eric Staiger, Regie: Aileen Schneider<\/td><td class=\"column-7\">Oldenburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-134\">\n\t<td class=\"column-1\">Giovanni<\/td><td class=\"column-2\">Sollima<\/td><td class=\"column-3\">When We Were Trees<\/td><td class=\"column-4\">24.01.2027<\/td><td class=\"column-5\">S\u00fcdwestdeutsches Kammerorchester<\/td><td class=\"column-6\">Reto Bieri<\/td><td class=\"column-7\">Pforzheim (CongressCentrum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-135\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">24.01.2027<\/td><td class=\"column-5\">Oliver Moumouris (Sprecher), W\u00fcrttembergische Philharmonie<\/td><td class=\"column-6\">Hans Grischkat<\/td><td class=\"column-7\">Reutlingen (Georgensaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-136\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orfeo ed Euridice <\/td><td class=\"column-4\">29.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Aapo H\u00e4kkinen, Regie: Tero Saarinen<\/td><td class=\"column-7\">Helsinki<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-137\">\n\t<td class=\"column-1\">Engelbert<\/td><td class=\"column-2\">Humperdinck<\/td><td class=\"column-3\">K\u00f6nigskinder<\/td><td class=\"column-4\">30.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Justus Thorau, Regie: Angela Denoke<\/td><td class=\"column-7\">Saarbr\u00fccken<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-138\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">30.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Jiri Rozen, Regie: Caterina Cianfarini <\/td><td class=\"column-7\">Basel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-139\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">30.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marco Alibrando, Regie: Marcos Darbyshire<\/td><td class=\"column-7\">Weimar   <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-140\">\n\t<td class=\"column-1\">Jean-Philippe<\/td><td class=\"column-2\">Rameau<\/td><td class=\"column-3\">Les Bor\u00e9ades<\/td><td class=\"column-4\">05.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Camille Delaforge, Regie: R.B. Schlather<\/td><td class=\"column-7\">Dublin (Irish National Opera)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-141\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">10.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Hengelbrock, Regie: Netia Jones<\/td><td class=\"column-7\">London (Royal Opera House)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-142\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Nathalie Stutzmann, Regie: Robert Carsen<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-143\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">13.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Gerrit Prie\u00dfnitz, Regie: Anna-Sophie Mahler<\/td><td class=\"column-7\">Innsbruck<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-144\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marco Comin, Regie: N.N.<\/td><td class=\"column-7\">Bremerhaven<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-145\">\n\t<td class=\"column-1\">Ludwig van<\/td><td class=\"column-2\">Beethoven<\/td><td class=\"column-3\">Fidelio<\/td><td class=\"column-4\">17.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Kensho Watanabe, Regie: Ruth Knight<\/td><td class=\"column-7\">Glasgow<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-146\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Rinaldo<\/td><td class=\"column-4\">22.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Philippe Jaroussky, Regie: Valentina Carrasco<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-147\">\n\t<td class=\"column-1\">Oliver<\/td><td class=\"column-2\">Leith<\/td><td class=\"column-3\">Last Days<\/td><td class=\"column-4\">27.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andr\u00e9 de Ridder, Friedrike Scheunchen, Regie: Lily Kuhlmann<\/td><td class=\"column-7\">Freiburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-148\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Die verkaufte Braut<\/td><td class=\"column-4\">28.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">T\u00f3mas Netopil, Regie: Laurent Pelly<\/td><td class=\"column-7\">K\u00f6ln<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-149\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">05.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Kaspar Zehnder, Regie: Joel Lauwers<\/td><td class=\"column-7\">Metz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-150\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Serse <\/td><td class=\"column-4\">06.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Cl\u00e9ment Lonca, Regie: Lorenzo Fioroni<\/td><td class=\"column-7\">Bern  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-151\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">07.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Seok-Won Hong, Regie: Nicola Berloffa<\/td><td class=\"column-7\">Teneriffa (Auditorio)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-152\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Konzert Nr. 2 f\u00fcr Violine und Orchester<\/td><td class=\"column-4\">15.03.2027<\/td><td class=\"column-5\">Kirill Kobantschenko (Violine), Sinfonia Academica<\/td><td class=\"column-6\">David Holzinger<\/td><td class=\"column-7\">Wien (Mozartsaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-153\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Iphig\u00e9nie en Aulide<\/td><td class=\"column-4\">20.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Ivan Demidov, Regie: Jochen Biganzoli<\/td><td class=\"column-7\">Augsburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Works<\/span><\/h3><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206866546-4603a8cf-f1e5\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Stage<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206866546-4603a8cf-f1e5\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11724-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11100-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09790-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11192-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11147-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09324-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206866607-a020172d-53ba\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206866607-a020172d-53ba\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11197-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11107-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09704-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11144-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11145-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11146-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11727-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11130-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09718-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07771-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206930285-41f37176-a4ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo\/Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206930285-41f37176-a4ac\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11758-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09716-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11112-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11199-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206929679-34cc5d0a-4863\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Ensemble<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206929679-34cc5d0a-4863\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09791-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09744-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09725-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11172-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09721-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>In Vorbereitung<\/p>\n<p><strong>Willst wohl einmal hin\u00fcbersehn?<\/strong><br \/>\nfor ensemble [Interludium zu Franz Schuberts \u201eWinterreise\u201c] (2005). BA 7773, auf Anfrage<br \/>\nBesetzung: 1 (auch Picc, auch BFl), 1, 1 (auch BKlar), 1 &#8211; 1, 0 0, 0 &#8211; Schlg (1) &#8211; Str (1, 1, 1, 1) \/ 5 Minuten<br \/>\nUrauff\u00fchrung am 27. Mai 2005 in Berlin, Abschlusskonzert \u201eKulturjahr der Zehn\u201d: Sinfonietta Leipzig, Leitung Johannes Harneit<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206929078-23dbe91c-9260\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal works<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206929078-23dbe91c-9260\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09370\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09386-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11723-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09738-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11190-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ In Vorbereitung<\/p>\n<p><strong>Ps\u00e1t tvoje oci \/ Write Your Eyes<\/strong><br \/>\n(Deine Augen schreiben). Five songs for soprano and chamber orchestra on texts by Petr Borkovec (2002)<br \/>\nBesetzung: 2,2,2,2 &#8211; 2,2,0,0 &#8211; Schlg (3) &#8211; Str (6,5,4,3,2) \/ 11 Minuten<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206928422-2f749c87-1280\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Choir<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206928422-2f749c87-1280\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09337-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206927768-d064a95b-de7c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Chamber Music<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206927768-d064a95b-de7c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11404D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09399-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09387-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09744-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09302\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09310\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09372-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09311-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09779-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ In Vorbereitung<\/p>\n<p><strong>docudrama01 &#8211; Orph &amp; Eury<\/strong><br \/>\nfor wind trio (2014), 4 Minuten, in Vorbereitung<br \/>\nUrauff\u00fchrung am 23. Januar 2015 Berlin, Ultraschall: ensemble recherche<\/p>\n<p><strong>Fictitious Hum<\/strong><br \/>\nf\u00fcr Oboe, Klarinette, Klavier und Streichquartett (2007). 12 Minuten. BA 9375, in Vorbereitung<br \/>\nUrauff\u00fchrung am 15. Juni 2007 in Essen, YOUrope together: Prague Modern<\/p>\n<p><strong>Hejna<\/strong><br \/>\nfor clarinet, percussion (1 player), harp, piano and accordion (2010). ca. 17 Minuten. BA 9394, in Vorbereitung<br \/>\nUrauff\u00fchrung am 20. Oktober 2010 in M\u00fcnchen, Klangspuren plus \u2013 Portr\u00e4tkonzert der M\u00fcnchener Biennale: Stefan Schneider (Klarinette), Konstantin Ischenko (Akkordeon), Feodora Gabler (Harfe), Simon Klavzar (Schlagzeug), Jean-Pierre Collot (Klavier), Tobias Peschanel (Dirigent)<\/p>\n<p><strong>here with you<\/strong><br \/>\nf\u00fcr Violine und Violoncello (2016), in Vorbereitung<br \/>\nUrauff\u00fchrung am 10. Juni 2016, Freiburg: Ensemble Recherche<\/p>\n<p><strong>Maria&#8217;s Choice<\/strong><br \/>\n(final version) for flute, clarinet, 2 saxophones and percussion (2006). BA 9335, in Vorbereitung<br \/>\nUrauff\u00fchrung am 3. Februar 2007 in Paris: Ensemble Hic et Nunc<\/p>\n<p><strong>Surprises in the Dark<\/strong><br \/>\nfor flute, clarinet, violin, alto, violoncello and piano (2002). 11 \u00bd Minuten. BA 9312, Partitur und Stimmen in Vorbereitung<br \/>\nUrauff\u00fchrung am 14. November 2002 in Paris: Centre tch\u00e9que, Ensemble MoEns<\/p>\n<p><strong>track 01<\/strong><br \/>\nfor violin and piano (2014), 3 Minuten, in Vorbereitung<br \/>\nUrauff\u00fchrung 14. M\u00e4rz 2014, Monte-Carlo, Printemps des Arts de Monte-Carlo: Lorenzo Gatto (Violine), Nathana\u00ebl Gouin (Klavier)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206927080-64b2fdd3-9141\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206927080-64b2fdd3-9141\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09376-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09313-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ In Vorbereitung<\/p>\n<p><strong>Coronae<\/strong><br \/>\nfor solo horn. BA 9385, in Vorbereitung<br \/>\nUrauff\u00fchrung am 16. M\u00e4rz 2010 in Frankfurt (Alte Oper): Saar Berger (Horn)<\/p>\n<p><strong>origami<\/strong><br \/>\nfor accordion solo (2015), in Vorbereitung<br \/>\nUrauff\u00fchrung 25. April 2015 Witten, Tage f\u00fcr Neue Kammermusik: Teodoro Anzellotti (Akkordeon)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206926295-2312357e-b543\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Unpublished<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206926295-2312357e-b543\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p><strong>A Prima Mad<\/strong><br \/>\nfor alto saxophone or flute (2002). 7 Minuten<\/p>\n<p><strong>Joy and Sorrow of 1862<\/strong><br \/>\nfor chamber orchestra (2002)<br \/>\nBesetzung: 2,2,2,1 &#8211; 1,2,1,1 &#8211; Schlg (2) &#8211; Str (4,4,3,2) \/ 5 \u00bd Minuten<\/p>\n<p><strong>Kr\u00e1ter Brahms \/ Brahms Crater<\/strong><br \/>\nfor six violoncellos or six violins (2002). 10 \u00bd Minuten<\/p>\n<p><strong>Collapsing<\/strong><br \/>\nfor bass flute solo, soprano saxophone solo and two alto flutes, two flutes in C and piccolo flute (2001). 3 \u00bd Minuten<\/p>\n<p><strong>Sonnet 64<\/strong><br \/>\n(&#8230; lofty towers I see down-razed) for high soprano and bass drum on text by William Shakespeare (2001). 5 \u00bd Minuten<\/p>\n<p><strong>Rann\u00ed hajahu \/ The Morning Hajahu<\/strong><br \/>\nfor nine percussion instruments (1 performer) (1999). 7 Minuten<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-60 grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-sm-column-1 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Interview<\/span><\/h2><h3 class=\"grve-element grve-title grve-align-left grve-h4 grve-text-primary-2\"><span>Absolute openness<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t<p><strong>Uli Aum\u00fcller in conversation with Miroslav Srnka<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t<div class=\"grve-element grve-text\">\r\n\t\t\t<p>How did the idea for \u201cSouth Pole\u201d come about?<br \/>\nOn hiking tours and in nature, questions arose: what\u2019s it like if you are much further away and have nothing with you at all which you\u2019d otherwise take for granted in civilisation? That was the beginning. Later I came across the story of Scott and Amundsen, which is so tremendously exciting in its temporality and its drama. In a second question it\u2019s about opera itself, which contains elements of the absolutely stylized and unrealistic in its form. I searched for a reality which seems absolutely unreal in itself. That is Antarctica. What it\u2019s like there has nothing to do with the world here, it seems to be as absolutely stylized as the world of opera. But that\u2019s only a sliver of reality, and this then came to fascinate me.<\/p>\n<p>So is it this incredibility of the Antarctic which seems similar to the credibility gap in opera to you?<br \/>\nIn a certain sense that\u2019s true. In the world out there, there is something which is completely open and \u201cunlimited\u201d. In the Antarctic there is simply no civilisation. There are only the heroes, the figures, only the characters in an unending world which bears no traces of civilisation. That gives the piece an enormous freedom. The fact that there is no civilisation there places the focus on the people \u2013 in an extreme situation. In opera too, the characters are mainly in an extreme situation and have to battle with themselves.<\/p>\n<p>What does \u201cSouth Pole\u201d sound llike?<br \/>\nI did a great deal of research. People imagine that the Antarctic is silent, but it\u2019s anything but. The wind and nature and everything there are all extremely loud. Everything which affects the senses is more extreme than what we experience here in civilisation. In our story the Antarctic itself plays a role: as a kind of constantly present \u201cDeus ex machina\u201d, as the Antarctic played a game with both the expedition teams. The relationships within the teams were completely different. It seemed almost as if someone had determined which one would win. For example, the luck which Amundsen had with the weather, and Scott\u2019s terrible misfortune make the Antarctic into a kind of entity with an active role of its own. It is never personified in the opera. But it\u2019s present in the back of our minds.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-sm-column-1 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-text\">\r\n\t\t\t<p>What does the opera deal with?<br \/>\nThe opera is about the race between Scott and Amundsen. The subtitle \u201cA double opera in two parts\u201d explains how the music is structured. There are two musical layers which always run parallel and asymmetrically in their tempi, because, with a few exceptions, we always have the two teams parallel on the stage. But in reality they are separated. For in fact, they never met in the Antarctic. Each took a different route, and the only point in common was the South Pole which they both approached from different directions. The whole opera tells the same story twice, a story which changes in details, and which at the end leads to fatal consequences. The opera takes place in a kind of simultaneity, but also \u2013 and this is always a central theme for me \u2013 deals with communication. We live today in a world in which communication is constantly available. Here, however, we have two teams which do not know how the other is doing for several years. The exciting thing is then what\u2019s going on in their heads. Tom Holloway has written a fascinating libretto for me in which he concentrates on the psychological development of the two main protagonists as well as the men in the teams. He has also found interesting things in their private lives which may give reasons for why they undertook the expedition. It can be regarded as a kind of suicide mission \u2013 and for half of the men this became the reality.<\/p>\n<p>And the music?<br \/>\nI wanted a structure which would be absolutely fluid in itself. What takes place in the Antarctic and what the men described in their diaries is an \u201cabsence\u201d. There is simply a lack of clear, visual objects. The only thing they can see, well structured the whole time, is a horizon, and even that\u2019s very often missing. When, for example, it snows, then the men describe in their diaries that they simply can no longer decide where the ground or sky, where above or below are. The categories with which we normally describe our surroundings have disappeared, and I\u2019ve therefore tried to write music which moves freely.<\/p>\n<p>Is this, so to speak, science fiction from the past for you?<br \/>\nYes, I love science fiction because it\u2019s concerned with categories which contain a great freedom in themselves. They do not describe our world, but a larger world, with more possibilities.<\/p>\n<p>A really important theme in the opera is this route to a supposed destination. When the men arrive, they establish that what they have been striving for for years, or perhaps their whole lives, is in fact empty, and that they have done all of this for quite different reasons, because each sought a way for himself.<\/p>\n<p>The entire social and political discourse is concerned with questions about what we are entitled to, what you can buy with money, what you can simply take with political power. It\u2019s about the power to keep something for yourself. In this incentive to \u201cwin\u201d the South Pole it\u2019s not only about a mental craving just to be there physically first, but it\u2019s also to do with achieving fame and acquiring a part of society for yourself. And the men at first regarded that as their true motivation. Only at the South Pole, when they stand at an abstract point in an empty white wilderness, do they analyse this putative value.<\/p>\n<p>(from [t]akte 2\/2015)<br \/>\n(translation: Elizabeth Robinson)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-carousel\">\r\n\t<div class=\"grve-carousel-wrapper\">\r\n\t\t\t<div class=\"grve-carousel-navigation grve-navigation-arrow-1\">\r\n\t\t<div class=\"grve-carousel-buttons\">\r\n\t\t\t<div class=\"grve-carousel-prev\"><div class=\"grve-svg-icon grve-direction-left grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t\t<div class=\"grve-carousel-next\"><div class=\"grve-svg-icon grve-direction-right grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t<div data-items=\"3\" data-items-tablet-landscape=\"2\" data-items-tablet-portrait=\"2\" data-items-mobile=\"1\" data-slider-autoplay=\"yes\" data-pagination=\"yes\" data-slider-loop=\"yes\" data-slider-speed=\"3000\" data-slider-pause=\"no\" data-pagination-speed=\"400\" data-gutter-size=\"40\" class=\"grve-carousel-element grve-blog-carousel grve-blog-columns grve-with-gap grve-classic-carousel\">\r\n\t\t\t<article class=\"grve-carousel-item post-19397 post type-post status-publish format-standard has-post-thumbnail hentry category-baerenreiter-on-stage-en category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/baerenreiter-on-stage-en\/an-unheard-carmen\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">An Unheard \u201cCarmen\u201d<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen.webp 1078w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/baerenreiter-on-stage-en\/an-unheard-carmen\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>An Unheard \u201cCarmen\u201d<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The new edition of Bizet&#8217;s opera Carmen in Apulia and Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1078<\/span>\r\n\t\t\t   <span itemprop='width' >1078<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-07-07T13:38:55+02:00\">7. July 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-07-07T13:41:42+02:00\">7. July 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/baerenreiter-on-stage-en\/an-unheard-carmen\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-19322 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/creative-chair-in-zurich-and-opus-klassik\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Creative Chair in Zurich and Opus Klassik<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/creative-chair-in-zurich-and-opus-klassik\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Creative Chair in Zurich and Opus Klassik<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>Dieter Ammann &#8211; Creative Chair in Zurich and Opus Klassik\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-06-22T13:07:09+02:00\">22. June 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-06-22T13:11:59+02:00\">22. June 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/creative-chair-in-zurich-and-opus-klassik\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-19113 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/brilliant-baroque-ensembles\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Brilliant Baroque ensembles<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/brilliant-baroque-ensembles\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Brilliant Baroque ensembles<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter Special Prizes at the G\u00f6ttingen Handel Competition\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-05-20T14:40:32+02:00\">20. May 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-05-20T14:45:41+02:00\">20. May 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/brilliant-baroque-ensembles\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18879 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Appearance versus reality<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Appearance versus reality<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>\u013dubica \u010cekovsk\u00e1\u2018s opera \u201cDorian Gray\u201d in Annaberg-Buchholz\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-31T08:31:38+02:00\">31. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-31T12:50:12+02:00\">31. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18838 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The Swiss composer is composer-in-residence\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-24T14:34:38+01:00\">24. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-24T14:38:11+01:00\">24. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18817 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Three musicians play their way to the top<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Three musicians play their way to the top<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter awards a special prize at the Bach Competition, Leipzig\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-23T13:19:42+01:00\">23. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-23T13:49:14+01:00\">23. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18690 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Pianists at the start of their careers<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Pianists at the start of their careers<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg (Photo: from left to right: Bogdan Dugali\u0107, Elisey Mysin, Anastasiia Kliuchereva, photo: Michael Klimt)    \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-23T10:12:12+01:00\">23. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-23T10:16:00+01:00\">23. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18592 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Young international violin stars<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Young international violin stars<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-16T11:14:59+01:00\">16. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T11:17:52+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18577 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">On the death of Helmuth Rilling<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>On the death of Helmuth Rilling<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>A life with Bach \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-13T08:33:14+01:00\">13. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T07:21:10+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18545 post type-post status-publish format-standard has-post-thumbnail hentry category-complete-edition category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Milestone Reached in Halle<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-29T14:33:29+01:00\">29. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-29T14:37:26+01:00\">29. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n"},"excerpt":{"rendered":"<div class=\"grve-section grve-row-section grve-fullwidth-background grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#707070;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section composer-header grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-5-12 grve-wpb-1715857276604 grve-vertical-position-middle grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-left\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 500px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 150.2%;\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"751\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Srnka-500px.webp\" class=\"attachment-full size-full\" alt=\"Portrait picture of Miroslav Srnka\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Srnka-500px.webp 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Srnka-500px.webp 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-7-12 grve-wpb-1715857422252 grve-vertical-position-middle grve-with-bg-transparent grve-align-center\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h1 class=\"grve-element grve-title grve-align-center grve-page-title grve-text-white\"><span>Miroslav Srnka<\/span><\/h1><div class=\"grve-element grve-text grve-small-text\">\r\n\t\t\t<p><a href=\"https:\/\/www.srnka.cz\/\" target=\"_blank\" rel=\"noopener\">www.srnka.cz<\/a><\/p>\n\r\n\t\t<\/div>\r\n\t<div class=\"grve-empty-space grve-height-1x\"><\/div><div class=\"grve-element grve-image grve-align-center signature-witdh-100\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-svg-thumbnail-wrapper\"><div class=\"grve-svg-thumbnail\"><img decoding=\"async\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Srnka_Pfade_U_weiss.svg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Srnka_Pfade_U_weiss.svg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Srnka_Pfade_U_weiss.svg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-4x grve-padding-bottom-4x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Biography<\/span><\/h2><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Miroslav Srnka&#8217;s international breakthrough came in 2016 when his opera South Pole was premiered at the Bayerische Staatsoper in Munich under Kirill Petrenko, in a production by Hans Neuenfels that featured Rolando Villaz\u00f3n and Thomas Hampson in the title roles.<\/p>\n<p>But even before that, Srnka had received several major commissions and awards, including the Ernst von Siemens Music Foundation Composer&#8217;s Prize in 2009. His works have been performed by renowned interpreters including the Berliner Philharmoniker, Symphonieorchester des Bayerischen Rundfunks, the Los Angeles Philharmonic, NHK Symphony Orchestra Tokyo, the Czech Philharmonic, WDR Symphony Orchestra, the BBC Philharmonic Orchestra, Ensemble Intercontemporain, Ensemble Modern, Klangforum Wien and the Munich Chamber Orchestra, by conductors such as Peter E\u00f6tv\u00f6s, Jakub Hr\u016f\u0161a and Susanna M\u00e4lkki at festivals like Lucerne Festival, Ultraschall Berlin, Wien Modern, Pr\u00e9sences Paris, Prague Spring, Musica Strasbourg, Milano Musica and Printemps des Arts de Monte-Carlo.<\/p>\n<p>In the 2024\/2025 season, Superorganisms for large orchestra took center stage with its main commissioner, the Berliner Philharmoniker. Following its world premiere in Tokyo with the NHK Symphony Orchestra, the piece has already been performed in national premieres with the Czech Philharmonic and David Robertson at the Prague Spring Festival&#8217;s closing concert, and with the Orchestre de Paris under Klaus M\u00e4kel\u00e4.<br \/>\nIn 2025, the new opera Voice Killer received its world premiere at the MusikTheater an der Wien, performed by Klangforum Wien and the Arnold Sch\u00f6nberg Choir.<\/p>\n<p>His short opera Wall, based on a work by Jonathan Safran Foer, was premiered at the Staatsoper Unter den Linden in Berlin in 2005, and in 2006\/2007 he was the &#8220;Composer for Heidelberg&#8221; at Theater Heidelberg. In 2011, his chamber opera Make No Noise premiered at the Bayerische Staatsoper and Jakub Fl\u00fcgelbunt, a &#8220;comic book for three singers and orchestra&#8221;, received its first performance at the Semperoper in Dresden. In 2017, the Dialogues Festival in Salzburg presented a comprehensive portrait of the composer with numerous events and premieres. For its 100th season in 2018\/2019, the Los Angeles Philharmonic commissioned Srnka to write the piece Overheating. In 2015, the concert series musica viva in Munich presented move 01 &amp; 02. During the same series in 2019, Speed of Truth was given its first performance with J\u00f6rg Widmann, clarinet, and the Bavarian Radio Symphony Orchestra and Bavarian Radio Chorus conducted by Susanna M\u00e4lkki. In 2022, Standstill for harpsichord and orchestra was premiered by Mahan Esfahani with the G\u00fcrzenich Orchestra Cologne under Fran\u00e7ois-Xavier Roth. In 2024, Is This Us? for two horns and orchestra was premiered by Saar Berger, P\u0159emysl Vojta, the WDR Symphony Orchestra and Elena Schwarz at the final concert of the Acht Br\u00fccken Festival.<br \/>\nIn 2026, he was honored by the Czech collecting society OSA as the most successful Czech composer of classical music abroad.<\/p>\n<p>Srnka has collaborated for many years with the ensemble Quatuor Diotima, which has performed his quartets across Europe and issued a portrait CD with chamber music on the Na\u00efve label.<\/p>\n<p>Srnka, born in Prague in 1975, studied musicology at the Charles University and composition at the Prague Academy of Performing Arts. He is professor for composition at the Hochschule f\u00fcr Musik und Tanz in Cologne and a sought-after juror at competitions such as the renowned Mahler Competition in Bamberg or the Mauricio Kagel Composition Competition. He is also a member of the Artistic Advisory Board of the Prague Spring Festival, where he founded and co-curates Prague Offspring, a festival which focuses on new music.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#e8ede8;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vita<\/h3><\/div><div class=\"grve-accordion-content biographie\" id=\"1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-srnka-en-no-3\" class=\"tablepress tablepress-id-srnka-en two-column-table\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">1975<\/th><th class=\"column-2\">born on March 23rd in Prague<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">1993-1999<\/td><td class=\"column-2\">Studied musicology at Charles University in Prague with Jarmila Gabrielov\u00e1<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">1995\/96<\/td><td class=\"column-2\">Study stay at the Humboldt University in Berlin<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">1998-2003<\/td><td class=\"column-2\">Studied composition at the Prague Academy of Performing Arts with Milan Slavick\u00fd<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">2001<\/td><td class=\"column-2\">Study stay at the Conservatoire National Sup\u00e9rieur de Musique in Paris<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">2004<\/td><td class=\"column-2\">Leo\u0161 Jan\u00e1cek Anniversary Prize in Brno<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">2006-2007<\/td><td class=\"column-2\">\u201cComposer for Heidelberg\u201d at the Heidelberg Theater<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">since 2007<\/td><td class=\"column-2\">Jerwood Opera Writing Program and Fellowship in Aldeburgh (UK)<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">2009<\/td><td class=\"column-2\">Promotional prize from the Ernst von Siemens Music Foundation<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">2011<\/td><td class=\"column-2\">Premiere of the chamber opera \u201cMake No Noise\u201d at the Bavarian State Opera in Munich as part of the Munich Opera Festival. Premiere of \u201cJakub Flugelbunt and Magdalena Rotenband\u201d. Or: How deeply a bird can sing\u201d. Comics for three singers and orchestra at the Semperoper Dresden collaboration, among others. with: BBC Philharmonic, German Symphony Orchestra Berlin, Prague Philharmonia, Arditti Quartet, Ensemble Modern, Ostravsk\u00e1 banda, Prague Modern, Accentus, Matthias Pintscher, Anssi Karttunen, Magnus Lindberg, Peter Rundel, Cornelius Meister, Laurence Equilbey<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">2016<\/td><td class=\"column-2\">Premiere of \u201cSouth Pole. A double opera in two parts\u201d at the Bavarian State Opera in Munich<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">since 2019<\/td><td class=\"column-2\">Professorship for composition at the University of Music and Dance in Cologne<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">2022<\/td><td class=\"column-2\">Premiere of the harpsichord concert \u201cStandstill\u201d with the G\u00fcrzenich Orchestra Cologne<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">2023<\/td><td class=\"column-2\">World premiere of \"Superorganisms for large orchestra\" by the NHK Symphony Orchestra in Tokyo<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">2025<\/td><td class=\"column-2\">World premiere of the opera \u201cVoice Killer\u201d at the MusikTheater an der Wien<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">2026<\/td><td class=\"column-2\">The collecting society OSA recognizes Srnka as the most successful Czech composer abroad.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Download Scores<\/h3><\/div><div class=\"grve-accordion-content downloads\" id=\"1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9791_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Assembly f\u00fcr Ensemble (2011) BA 9791-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11107_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Eighteen Agents for 19 strings (2012) BA 11107-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11100_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Jakub Fl\u00fcgelbunt und Magdalena Rotenband oder: Wie tief ein Vogel singen kann f\u00fcr drei S\u00e4nger und Orchester (2011) BA 11100-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9744_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Fan Faire f\u00fcr vier H\u00f6rner, zwei Trompeten, zwei Posaunen und zwei Schlagzeuger (2009) BA 9744-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9399-72_Partitur.pdf\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Engrams for string quartet (2011) BA 9399-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11404_Partitur__MS__.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Emojis, Likes and Ringtones for Piano Trio (2018) BA 11404-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9704_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Kdyz me star\u00e1 matka \/ My Mother tought me f\u00fcr Sopran und Orchester BA 9704-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9716_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Kr\u00e1ter Brahms f\u00fcr Violoncello und Streichorchester (2007) BA 9716-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9790_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Make no noise (2011) BA 9790-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11144_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">move 01 for large orchestra (2015) BA 11144-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11145_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">move 02 for large orchestra (2015) BA 11145-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11727-72_partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">move 04 ``Memory Full`` for orchestra (2019\/20) BA 11727-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9738_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">My Life Without Me for Soprano and Ensemble (2008-13) BA 9738-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11172_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Overheating for ensemble (2018) BA 11172-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11112_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Piano Concerto (2012) BA 11112-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9337_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Podvrhy \/ Falsifikationen f\u00fcr Chor (1998) 9337-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9372-72_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Pouhou vinou \/ Qu'une vague (2008) BA 9372-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9718_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Reading Lessons f\u00fcr Orchester (2007) BA 9718-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9721_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Reservoirs f\u00fcr Ensemble (2007) BA 9721-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9779-72_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Tree of Heaven f\u00fcr Streichtrio (2010) BA 9779-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7771_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Tak klid (2002-05) BA 7771-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11197-72_Partitur_.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Superorganisms f\u00fcr gro\u00dfes Orchester (2022) BA 11197-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9311_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Streichquartett Nr. 3 (2004) BA 9311-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11199-72_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Standstill for harpsichord and orchestra (2022) BA 11199-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11190-72_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Speed of Truth f\u00fcr Soloklarinette, Chor und Orchester (2019) BA 11190-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11147_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">South Pole (2017) BA 11147-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11192-72_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Singularity. A Space Opera for Young Voices (2020\/21) BA 11192-72<\/h4><\/div><\/a><\/div><\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715857809324-89faa186-31c9\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Bibliography<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1715857809324-89faa186-31c9\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Ulrich Michels: Encyklopedick\u00fd atlas hudby. Nakladatelstv\u00ed Lidov\u00e9 noviny, Praha 2000, ISBN 80-7106-238-3 [Co-\u00dcbersetzer des deutschen Originals]<\/p>\n<p>Miroslav Srnka: Lubo\u0161 Fi\u0161er \u2013 F\u00fcnfzehn Bl\u00e4tter nach D\u00fcrers Apokalypse. In: Kontexte. Musica iudaica 2000, \u00dastav hudebn\u00ed v\u00ecdy FF UK, Praha 2002, S. 149-158<\/p>\n<p>Miroslav Srnka (Mitherausgeber mit Jan Kachl\u00edk): Anton\u00edn Dvor\u00e1k, Stabat Mater. Klavierauszug nach Dvor\u00e1ks urspr\u00fcnglicher Klavierfassung. Editio B\u00e4renreiter Praha\/B\u00e4renreiter Kassel 2004, H 7920<\/p>\n<p>Miroslav Srnka: Rusalka de Dvor\u00e1k \u2013 la dynamique, une cl\u00e9 de compr\u00e9hension des valeurs et des sens, Hudebn\u00ed v\u00ecda XLII, 3-4\/2005, S. 291-300 [Kongressbericht \u00bbAnton\u00edn Dvor\u00e1k et son \u00e9poque \u2013 entre musique et litt\u00e9rature\u00ab, Paris 19-20\/11\/2004]<\/p>\n<hr \/>\n<p><strong>Aufs\u00e4tze<\/strong><\/p>\n<p>Michael T\u00f6pel: &#8230; nur zwei Themen: Leben\/Tod und Liebe. Ein Gespr\u00e4ch mit dem Komponisten Miroslav Srnka. Takte 1\/2005, Kassel, S. 6f<\/p>\n<p>Michael T\u00f6pel: Miroslav Srnka. In: MGG, Die Musik in Geschichte und Gegenwart, Personenteil, Band 15, Kassel<\/p>\n<p>Jaroslav Pa\u0161mik: M\u00edt \u00factu pred vlastn\u00edm instinktem. In: Respekt XVII, Nr. 12, Praha 2006, S. 16<\/p>\n<p>Petr Bakla: What You Do is Only Partly the Result of Your Will. Interview with Miroslav Srnka. In: Czech Music, No. 2, 2006, S. 2ff<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715926842723-5a976b04-5722\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Discography<\/h3><\/div><div class=\"grve-accordion-content diskographie\" id=\"1715926842723-5a976b04-5722\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"row\">\n<div class=\"col-md-16\">\n<div id=\"c6058\" class=\"csc-default layout-0\">\n<div class=\"csc-brv-text\">\n<p>Chamber Music<strong><br \/>\n<\/strong> Quatuor Diotima. Naive V 5433<\/p>\n<p>Fan Faire (Version for 10 horns)<br \/>\nMunich Opera Horns. Farao Classics B 108 072 (2013)<\/p>\n<p>Coronae for French horn solo<br \/>\nSaar Berger (Horn). CD 5028464 Ensemble Modern, Farao Classics B 108 072 (2013)<\/p>\n<p>Dvo\u0159\u00e1k: Stabat Mater<br \/>\nversion 1876 for choir and piano reconstructed by Miroslav Srnka<br \/>\nAlexandra Coku &#8211; soprano, Renata Pokupic &#8211; alto, Pavol Breslik &#8211; tenor, Markus Butter &#8211; bass, Brigitte Engerer &#8211; piano, Accentus, Laurence Equilbey &#8211; conductor<br \/>\nNaive V5091 (2008)<\/p>\n<p>String Quartet<br \/>\nArditti Quartet<br \/>\nYoung Blood &#8211; His Voice Sampler 3 (2005)<\/p>\n<p>Rod\u00edme! \/ We Are Giving Birth!<br \/>\nsound art<br \/>\nRadiocustica Selected &#8211; Czech Radio (2003)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><div class=\"grve-empty-space grve-height-2x\"><\/div><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>Performances<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-2-no-3\" class=\"tablepress tablepress-id-2 brv-termine tablepress-responsive tablepress-responsive-stack-headers tablepress-responsive-stack-tablet\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">composer_first_name<\/th><th class=\"column-2\">composer_last_name<\/th><th class=\"column-3\">title<\/th><th class=\"column-4\">date<\/th><th class=\"column-5\">orchestra<\/th><th class=\"column-6\">conductor<\/th><th class=\"column-7\">location<\/th><th class=\"column-8\">special<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Klavierkonzert<\/td><td class=\"column-4\">24.06.2026<\/td><td class=\"column-5\">Kirill Gerstein (Klavier), Tonhalle Orchester<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Chelsea Opera Group<\/td><td class=\"column-6\">Paul Wingfield<\/td><td class=\"column-7\">London (Cadogan Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Rias Kammerchor<\/td><td class=\"column-6\">Peter Dijkstra<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lidiya Yankovskaya, Regie: Max Webster <\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">27.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Guggeis, Regie: Andrea Moses<\/td><td class=\"column-7\">Berlin (Staatsoper Unter den Linden)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Messe solennelle<\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\">Orchestre National de France<\/td><td class=\"column-6\">Dinis Sousa<\/td><td class=\"column-7\">Paris (Maison de la Radio)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leonardo Garcia Alarcon, Regie: Cl\u00e9ment Cogitore<\/td><td class=\"column-7\">Aix-en-Provence (Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Bruckner Orchester Linz<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">St. Florian (Basilika)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ariodante<\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Beaune (Festival Baroque, Hotel-Dieu)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix P\u00e4tzold, Regie: Immo Karaman<\/td><td class=\"column-7\">Kiel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">George<\/td><td class=\"column-2\">Benjamin<\/td><td class=\"column-3\">Three Consorts <\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Kent Nagano<\/td><td class=\"column-7\">Kl\u00fctz (Festspiele Mecklenburg-Vorpommern, Schloss Bothmer)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsche Staatsphilharmonie Rheinland-Pfalz<\/td><td class=\"column-6\">Michael Francis<\/td><td class=\"column-7\">Speyer (Ged\u00e4chtniskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">Giselher<\/td><td class=\"column-2\">Klebe<\/td><td class=\"column-3\">Mignon<\/td><td class=\"column-4\">07.07.2026<\/td><td class=\"column-5\">Detmolder Kammerorchester<\/td><td class=\"column-6\">Stanley Dodds<\/td><td class=\"column-7\">Detmold (Hochschule f\u00fcr Musik) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">09.07.2026<\/td><td class=\"column-5\">Slovenian Philharmonic<\/td><td class=\"column-6\">Charles Dutoit<\/td><td class=\"column-7\">Cankarjev (Gallus Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">12.07.2026<\/td><td class=\"column-5\">Staatsorchester Stuttgart<\/td><td class=\"column-6\">Lothar Zagrosek<\/td><td class=\"column-7\">Stuttgart (Liederhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXVII (so nimm denn meine h\u00e4nde) f\u00fcr orgel solo<\/td><td class=\"column-4\">15.07.2026<\/td><td class=\"column-5\">Martin K\u00fcckes (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Templin (Maria-Magdalenen-Kirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">16.07.2026<\/td><td class=\"column-5\">Schleswig-Holstein Festival Orchestra<\/td><td class=\"column-6\">Andrew Manze<\/td><td class=\"column-7\">Elmshorn (Stiftung Schleswig-Holstein Musik Festival)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito<\/td><td class=\"column-4\">19.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Adrian Kelly, Regie: Corina W\u00fcrsch<\/td><td class=\"column-7\">Buxton (International Festival, Opera House)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">jag die hunde zur\u00fcck!<\/td><td class=\"column-4\">20.07.2026<\/td><td class=\"column-5\">Accademia Musicale Chigiana<\/td><td class=\"column-6\">Lorenzo Donati<\/td><td class=\"column-7\">Siena (Chiesa della Ss. Annunziata)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">Anton\u00edn <\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Petr Popelka, Regie: Martin Kusej <\/td><td class=\"column-7\">M\u00fcnchen (M\u00fcnchner Opernfestspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">Georges <\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen, Fassung 1874<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Fabio Luisi, Regie: Denis Krief<\/td><td class=\"column-7\">Martina Franca (Festival della Valle d\u2019Itria)<\/td><td class=\"column-8\">Szenische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXVII (so nimm denn meine h\u00e4nde) f\u00fcr orgel solo<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\">Martin K\u00fcckes (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin-Spandau\u00a0(Orgelsommer, St. Nikolai)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">V\u00e1clav<\/td><td class=\"column-2\">Trojan<\/td><td class=\"column-3\">M\u00e4rchen<\/td><td class=\"column-4\">26.07.2026<\/td><td class=\"column-5\">Heilbronner Sinfonie Orchester <\/td><td class=\"column-6\">Alois Seidlmeier<\/td><td class=\"column-7\">Heilbronn (Deutschhof)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">26.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Teodor Currentzis, Regie: Gabriela Carrizo (Peeping Tom)<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">29.07.2026<\/td><td class=\"column-5\">Orchestre Symphonique de la Monnaie<\/td><td class=\"column-6\">Alain Altinoglu<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\">Studierende der Orchesterakademie<\/td><td class=\"column-6\">L\u00fc Jia<\/td><td class=\"column-7\">Lugano (Palazzo dei Congressi)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Evan Rogister, Regie: David McVicar<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">L'ubica<\/td><td class=\"column-2\">Cekovska<\/td><td class=\"column-3\">Maison de la musique en sept p\u00e9riodes<\/td><td class=\"column-4\">01.08.2026<\/td><td class=\"column-5\">Japan Century Symphony Orchestra<\/td><td class=\"column-6\">Andreas Ottensamer<\/td><td class=\"column-7\">Osaka<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Lucio Silla <\/td><td class=\"column-4\">02.08.2026<\/td><td class=\"column-5\">Mozarteum Orchester<\/td><td class=\"column-6\">Adam Fischer<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Le Cinesi<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Collegium 1704<\/td><td class=\"column-6\">V\u00e1clav Luks<\/td><td class=\"column-7\">Cesky Krumlov<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Le Concert d\u2019Astr\u00e9e<\/td><td class=\"column-6\">Emmanuelle Haim<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Joana Mallwitz, Regie: Christof Loy<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXII (wer nur den lieben gott l\u00e4\u00dft walten) f\u00fcr orgel solo<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Angela Metzger (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">M\u00fcnchen (St. Markus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Wesendonck-Lieder <\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Catherine Foster (Sopran), Mitglieder des Orchesters der Bayreuther Festspiele<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Bayreuth (Festspiele)<\/td><td class=\"column-8\">auch 11.8.<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">K\u00f6nig Karotte<\/td><td class=\"column-4\">09.08.2026<\/td><td class=\"column-5\">Mattias Straub (Erz\u00e4hler), Orchester der Sommeroperette Heldritt<\/td><td class=\"column-6\">Manuel Grund <\/td><td class=\"column-7\">Bad Rodach (Waldb\u00fchne Heldritt)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">Antonio<\/td><td class=\"column-2\">Salieri<\/td><td class=\"column-3\">Cublai, gran Kan de\u2019 Tartari<\/td><td class=\"column-4\">10.08.2026<\/td><td class=\"column-5\">Orchestra Haydn di Bolzano e Trento<\/td><td class=\"column-6\">Stefano Ferrario<\/td><td class=\"column-7\">La Villa (Badia)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">15.08.2026<\/td><td class=\"column-5\">London Symphony Chorus and Orchestra<\/td><td class=\"column-6\">Antonio Pappano<\/td><td class=\"column-7\">London (Proms, Royal Albert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni<\/td><td class=\"column-4\">16.08.2026<\/td><td class=\"column-5\">Scottish Chamber Chorus and Orchestra<\/td><td class=\"column-6\">Maxim Emelyanychev<\/td><td class=\"column-7\">Edinburgh (International Festival)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">19.08.2026<\/td><td class=\"column-5\">Orquesta Sinf\u00f3nica de Bilbao<\/td><td class=\"column-6\">Erick Nielsen<\/td><td class=\"column-7\">San Sebastian (Musikfestivals Quincena, Auditorio Kursaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La finta giardiniera<\/td><td class=\"column-4\">20.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Massimiliano Caldi, Regie: Maria Sartova<\/td><td class=\"column-7\">Danzig<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">Bernd Alois<\/td><td class=\"column-2\">Zimmermann<\/td><td class=\"column-3\">Musique pour les soupers du Roi Ubu<\/td><td class=\"column-4\">20.08.2026<\/td><td class=\"column-5\">Orchestre des Jardins Musicaux<\/td><td class=\"column-6\">Valentin Reymond<\/td><td class=\"column-7\">Cernier<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Canti della tenebra, In mia vita da vuolp, Presto f\u00fcr Fl\u00f6te und Klavier, Melodie f\u00fcr Fl\u00f6te solo, Studie f\u00fcr Klavier <\/td><td class=\"column-4\">26.08.2026<\/td><td class=\"column-5\">Elina Viluma-Helling (Sopran), Cornelia Sonnleithner (Alt), Maria Iazia (Klavier) Iva Kovac (Fl\u00f6te), Gerald Preinfalk (Saxophon)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">St. Gallen (Burg Gallenstein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Orlando Paladino<\/td><td class=\"column-4\">28.08.2026<\/td><td class=\"column-5\">Orfeo Orchestra<\/td><td class=\"column-6\">Gy\u00f6rgy Vashegyi<\/td><td class=\"column-7\">Fert\u00f6d (Haydneum Concerts at Esterh\u00e1zy Palace)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">Gustav<\/td><td class=\"column-2\">Holst<\/td><td class=\"column-3\">The Planets<\/td><td class=\"column-4\">03.09.2026<\/td><td class=\"column-5\">Robert Schumann Philharmonie<\/td><td class=\"column-6\">Benjamin Reiners<\/td><td class=\"column-7\">Chemnitz<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Sinfonie<\/td><td class=\"column-4\">08.09.2026<\/td><td class=\"column-5\">Staatskapelle Berlin<\/td><td class=\"column-6\">Christian Thielemann<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marie Jacquot, Regie: Tatjana G\u00fcrbaca<\/td><td class=\"column-7\">Kopenhagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die verlorene Melodie <\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\">Staatskapelle Weimar<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Weimar (Theaterfest)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Sebastiano Rolli, Regie: Martina Gredler<\/td><td class=\"column-7\">Magdeburg <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">R\u00e9gis<\/td><td class=\"column-2\">Campo<\/td><td class=\"column-3\">Lumen<\/td><td class=\"column-4\">13.09.2026<\/td><td class=\"column-5\">Stuttgarter Philharmoniker<\/td><td class=\"column-6\">R\u00e9my Ballot<\/td><td class=\"column-7\">Besancon (Festival de Musique)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">Arnold<\/td><td class=\"column-2\">Bax<\/td><td class=\"column-3\">Octet<\/td><td class=\"column-4\">14.09.2026<\/td><td class=\"column-5\">Ensemble Kontrapunkte<\/td><td class=\"column-6\">Gottfried Rabl<\/td><td class=\"column-7\">Wien (Musikverein) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Boost<\/td><td class=\"column-4\">16.09.2026<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">3. Symphonie <\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Essener Philharmoniker<\/td><td class=\"column-6\">Bertrand de Billy<\/td><td class=\"column-7\">Essen (Alfried Krupp Saal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie in c-Moll<\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Gewandhausorchester<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">18.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Sch\u00f6nwandt, Regie: Krzysztof Warlikowski<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">19.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andreas Wolf, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Violation<\/td><td class=\"column-4\">20.09.2026<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Julia Kurzydlak<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXIII (in te domine speravi) f\u00fcr orgel solo<\/td><td class=\"column-4\">20.09.2026<\/td><td class=\"column-5\">Roman Summereder (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Hannover (Nazarethkirche)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel VIII (aus tiefer not schrei ich zu dir), choralvorspiel XL (te deum laudamus), choralvorspiel XLVI (morgenglanz der ewigkeit), choralvorspiel LI (kyrie XI, orbis factor) <\/td><td class=\"column-4\">23.09.2026<\/td><td class=\"column-5\">Hansj\u00f6rg Albrecht (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Kathedrale St. Hedwig)<\/td><td class=\"column-8\">Urauff\u00fchrung (choralvorspiel VIII)<\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Mitridate, re di Ponto <\/td><td class=\"column-4\">24.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Frizza, Regie: Claus Guth<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">Matthias<\/td><td class=\"column-2\">Pintscher<\/td><td class=\"column-3\">NUR<\/td><td class=\"column-4\">25.09.2026<\/td><td class=\"column-5\">Inon Barnatan (Klavier), Utah Symphony<\/td><td class=\"column-6\">Matthias Pintscher<\/td><td class=\"column-7\">Salt Lake City (Abravanel Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-62\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">25.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Jakub Przybicien, Regie: Matthias Kitter<\/td><td class=\"column-7\">Nordhausen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-63\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">26.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Johannes Braun, Regie: Lorenzo Fioroni<\/td><td class=\"column-7\">Graz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-64\">\n\t<td class=\"column-1\">Anders<\/td><td class=\"column-2\">Hillborg<\/td><td class=\"column-3\">Cello Concerto<\/td><td class=\"column-4\">26.09.2026<\/td><td class=\"column-5\">Ariel Barnes (Cello), N\u00fcrnberger Symphoniker<\/td><td class=\"column-6\">Jonathan Darlington<\/td><td class=\"column-7\">N\u00fcrnberg (Meistersingerhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-65\">\n\t<td class=\"column-1\">Arnold<\/td><td class=\"column-2\">Bax<\/td><td class=\"column-3\">Tintagel<\/td><td class=\"column-4\">28.09.2026<\/td><td class=\"column-5\">Philharmonisches Orchester Bremerhaven <\/td><td class=\"column-6\">Florian Ludwig<\/td><td class=\"column-7\">Bremerhaven<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-66\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk (2026) f\u00fcr Bass &amp; Baritonsaxophon<\/td><td class=\"column-4\">29.09.2026<\/td><td class=\"column-5\">Ulfried Staber (Bass), Gerald Preinfalk (Saxophon)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Graz (BRUSEUM\/Neue Galerie)<\/td><td class=\"column-8\">Urauff\u00fchrung  <\/td>\n<\/tr>\n<tr class=\"row-67\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Zaide <\/td><td class=\"column-4\">30.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">George Petrou, Regie: David Hermann<\/td><td class=\"column-7\">Frankfurt   <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-68\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">01.10.2026<\/td><td class=\"column-5\">Orchestra del Maggio Musicale Fiorentino<\/td><td class=\"column-6\">Thomas Guggeis<\/td><td class=\"column-7\">Florenz<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-69\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">02.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michele Spotti, Regie: Ted Huffman<\/td><td class=\"column-7\">Valencia (Palau de les Arts Reina Sofia)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-70\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">02.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Stefan Vladar, Regie: Philipp Himmelmann<\/td><td class=\"column-7\">L\u00fcbeck<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-71\">\n\t<td class=\"column-1\">Umberto<\/td><td class=\"column-2\">Giordano<\/td><td class=\"column-3\">Andrea Ch\u00e9nier<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniel Cohen, Regie: John Dew<\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-72\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">31.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Sebastian Lang-Lessing, Regie: Pamela Recinella<\/td><td class=\"column-7\">Hagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-73\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Dornr\u00f6schen<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Carlo Benedetto Cimento, Choreographie: Reginaldo Oliveira<\/td><td class=\"column-7\">Palermo (Teatro Massimo)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-74\">\n\t<td class=\"column-1\">Fromental<\/td><td class=\"column-2\">Hal\u00e9vy<\/td><td class=\"column-3\">La Juive<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix Bender, Regie: Marco Storman<\/td><td class=\"column-7\">Ulm<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-75\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">04.10.2026<\/td><td class=\"column-5\">Philharmonia Orchestra<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">London (Royal Festival Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-76\">\n\t<td class=\"column-1\">Jacques<\/td><td class=\"column-2\">Offenbach<\/td><td class=\"column-3\">Les contes d'Hoffmann<\/td><td class=\"column-4\">04.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Sejoon Park, Regie: Anja Nicklich<\/td><td class=\"column-7\">Koblenz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-77\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">06.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Emmanuelle Haim, Regie: Ewelina Marciniak<\/td><td class=\"column-7\">Lille<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-78\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">09.10.2026<\/td><td class=\"column-5\">Orchestra del Teatro di San Carlo<\/td><td class=\"column-6\">Iv\u00e1n L\u00f3pez-Reynoso<\/td><td class=\"column-7\">Neapel (Teatro di San Carlo)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-79\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">10.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Hermes Helfricht, Regie: Matthew Ferraro<\/td><td class=\"column-7\">Erfurt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-80\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Herbst, Enigma I-IV &amp; VI, Enigma V, Enigma VII<\/td><td class=\"column-4\">10.10.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\">Cordula B\u00fcrgi<\/td><td class=\"column-7\">Graz (Helmut List Halle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-81\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ottone<\/td><td class=\"column-4\">11.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">V\u00e1clav Luks, Regie: Jetske Mijnssen<\/td><td class=\"column-7\">Frankfurt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-82\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">13.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pablo Gonz\u00e1lez, Regie: Marta Pazos<\/td><td class=\"column-7\">Teneriffa (Auditorio)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-83\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Riccardo primo, Re d\u2019Inghilterra <\/td><td class=\"column-4\">14.10.2026<\/td><td class=\"column-5\">Les Arts Florissants<\/td><td class=\"column-6\">Paul Agnew<\/td><td class=\"column-7\">Dijon (Grand Th\u00e9atre)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-84\">\n\t<td class=\"column-1\">Andrea Lorenzo<\/td><td class=\"column-2\">Scartazzini<\/td><td class=\"column-3\">Torso - Epitaph<\/td><td class=\"column-4\">14.10.2026<\/td><td class=\"column-5\">Luzerner Sinfonieorchester<\/td><td class=\"column-6\">Michael Sanderling<\/td><td class=\"column-7\">Luzern (KKL)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-85\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Konzert f\u00fcr Klavier und Orchester<\/td><td class=\"column-4\">15.10.2026<\/td><td class=\"column-5\">Orquesta Sinf\u00f3nica de l'ESMUC<\/td><td class=\"column-6\">Ernest Mart\u00ednez Izquierdo<\/td><td class=\"column-7\">Barcelona<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-86\">\n\t<td class=\"column-1\">Gioachino<\/td><td class=\"column-2\">Rossini<\/td><td class=\"column-3\">Il barbiere di Siviglia<\/td><td class=\"column-4\">15.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Chloe Rooke, Regie: Annabel Arden<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-87\">\n\t<td class=\"column-1\">Bernd Alois<\/td><td class=\"column-2\">Zimmermann<\/td><td class=\"column-3\">Musique pour les soupers du Roi Ubu<\/td><td class=\"column-4\">15.10.2026<\/td><td class=\"column-5\">M\u00fcnchner Philharmoniker<\/td><td class=\"column-6\">Anja Bihlmaier<\/td><td class=\"column-7\">M\u00fcnchen (Isarphilharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-88\">\n\t<td class=\"column-1\">Torsten<\/td><td class=\"column-2\">Rasch<\/td><td class=\"column-3\">Die wunderbaren Jahre<\/td><td class=\"column-4\">16.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Christian Blex, Regie: Nora Bussenius<\/td><td class=\"column-7\">Dresden  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-89\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">17.10.2026<\/td><td class=\"column-5\">NHK Symphony Orchestra<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Tokio (NHK Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-90\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">Gesualdo senza parole<\/td><td class=\"column-4\">17.10.2026<\/td><td class=\"column-5\">Klangforum Wien<\/td><td class=\"column-6\">Sylvain Cambreling<\/td><td class=\"column-7\">Wien (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-91\">\n\t<td class=\"column-1\">Charles<\/td><td class=\"column-2\">Gounod<\/td><td class=\"column-3\">Faust<\/td><td class=\"column-4\">20.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniele Rustioni, Regie: Johannes Erath<\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-92\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">John Stulz (Viola), Ensemble Intercontemporain<\/td><td class=\"column-6\">George Benjamin<\/td><td class=\"column-7\">Paris (Cit\u00e9 de la Musique)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-93\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Flavio, Re de\u2019 Langobardi <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Camille Delaforge, Regie: Max Emanuel Cencic<\/td><td class=\"column-7\">Meiningen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-94\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-95\">\n\t<td class=\"column-1\">Benjamin<\/td><td class=\"column-2\">Britten<\/td><td class=\"column-3\">Young Apollo<\/td><td class=\"column-4\">24.10.2026<\/td><td class=\"column-5\">Camerata Bern<\/td><td class=\"column-6\">Alexander Melnikov<\/td><td class=\"column-7\">Bern (Zentrum Paul Klee)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-96\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">25.10.2026<\/td><td class=\"column-5\">Orchestra, Coro e Tecnici del Teatro Comunale di Bologna<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-97\">\n\t<td class=\"column-1\">Matthias<\/td><td class=\"column-2\">Pintscher<\/td><td class=\"column-3\">Assonanza<\/td><td class=\"column-4\">29.10.2026<\/td><td class=\"column-5\">Leila Josefowicz (Violine), Royal Stockholm Philharmonic Orchestra<\/td><td class=\"column-6\">Matthias Pintscher<\/td><td class=\"column-7\">Stockholm (Konserthuset)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-98\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">29.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">N.N., Regie: Nilufar K. M\u00fcnzing<\/td><td class=\"column-7\">Klagenfurt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-99\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">30.10.2026<\/td><td class=\"column-5\">Estonian National Symphony Orchestra<\/td><td class=\"column-6\">Gregor A. Mayrhofer<\/td><td class=\"column-7\">Tallinn (Festival AFEKT, Estonia Concert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-100\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Schwanensee<\/td><td class=\"column-4\">31.10.2026<\/td><td class=\"column-5\">Camerata Louis Spohr<\/td><td class=\"column-6\">Bernd Peter Fugelsang<\/td><td class=\"column-7\">D\u00fcsseldorf<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-101\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">31.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">N.N., Regie: Neil Barry Moss<\/td><td class=\"column-7\">Coburg (Globe)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-102\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Turn<\/td><td class=\"column-4\">04.11.2026<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\">auchh 5.\/6.11.<\/td>\n<\/tr>\n<tr class=\"row-103\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Br\u00fcnn (Jan\u00e1cek-Theater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-104\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">hr-Sinfonieorchester<\/td><td class=\"column-6\">Michael Wendeberg<\/td><td class=\"column-7\">Frankfurt (hr-Sendesaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-105\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Core<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Orchester der Oper Z\u00fcrich<\/td><td class=\"column-6\">Gianandrea Noseda<\/td><td class=\"column-7\">Z\u00fcrich   <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-106\">\n\t<td class=\"column-1\">Pietro<\/td><td class=\"column-2\">Mascagni<\/td><td class=\"column-3\">Cavalleria rusticana<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">N.N., Regie: Gil Mehmert<\/td><td class=\"column-7\">Dortmund<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-107\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk f\u00fcr Orchester<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Pierre Bleuse<\/td><td class=\"column-7\">Basel (Stadtcasino)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-108\">\n\t<td class=\"column-1\">Engelbert<\/td><td class=\"column-2\">Humperdinck<\/td><td class=\"column-3\">Dornr\u00f6schen<\/td><td class=\"column-4\">08.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Markus Poschner, Regie: Anna Bergmann<\/td><td class=\"column-7\">Hamburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-109\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.11.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Roberto Abbado<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-110\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">a sei voci f\u00fcr 6 Frauenstimmen<\/td><td class=\"column-4\">15.11.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\">Cordula B\u00fcrgi<\/td><td class=\"column-7\">M\u00fcnchendorf (Musiksalon)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-111\">\n\t<td class=\"column-1\">V\u00e1clav<\/td><td class=\"column-2\">Trojan<\/td><td class=\"column-3\">M\u00e4rchen<\/td><td class=\"column-4\">21.11.2026<\/td><td class=\"column-5\">Kammerorchester der TUD<\/td><td class=\"column-6\">Florian Streich<\/td><td class=\"column-7\">Gro\u00df-Umstadt (Stadthalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-112\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">21.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">H\u00e9lio Vida, Regie: Nikolaus Habjan<\/td><td class=\"column-7\">Basel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-113\">\n\t<td class=\"column-1\">Henry<\/td><td class=\"column-2\">Purcell<\/td><td class=\"column-3\">Dido and Aeneas<\/td><td class=\"column-4\">21.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniel Geiss, Regie: Seollyeon Konwitschny-Lee<\/td><td class=\"column-7\">Neubrandenburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-114\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">25.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">David McVicar, Regie: Bettina Neuhaus<\/td><td class=\"column-7\">Barcelona<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-115\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Das Mondklavier<\/td><td class=\"column-4\">29.11.2026<\/td><td class=\"column-5\">Beate Bachmann (Sprecherin), Jenaer Philharmonie<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Jena (Volkshaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-116\">\n\t<td class=\"column-1\">Giovanni<\/td><td class=\"column-2\">Sollima<\/td><td class=\"column-3\">Violoncelles, vibrez!<\/td><td class=\"column-4\">02.12.2026<\/td><td class=\"column-5\">M\u00fcnchener Kammerorchester<\/td><td class=\"column-6\">Daniel Giglberger<\/td><td class=\"column-7\">Olten (Stadttheater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-117\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Geh\u00f6rte Form - Hommages<\/td><td class=\"column-4\">03.12.2026<\/td><td class=\"column-5\">Trio Sola<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-118\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Les P\u00eacheurs de Perles<\/td><td class=\"column-4\">05.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marc Minkowski, Regie: Pierre-Andr\u00e9 Weitz<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-119\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">06.12.2026<\/td><td class=\"column-5\">Erik Br\u00fcnner (Sprecher), Jugendsinfonieorchester Heinrich-Sch\u00fctz-Konservatorium, Dresdner Philharmonie<\/td><td class=\"column-6\">Milko Kersten<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\">auch 7.12.<\/td>\n<\/tr>\n<tr class=\"row-120\">\n\t<td class=\"column-1\">Francesco<\/td><td class=\"column-2\">Filidei<\/td><td class=\"column-3\">I funerali dell\u2019anarchico Serantini<\/td><td class=\"column-4\">09.12.2026<\/td><td class=\"column-5\">Studierende der Hochschule<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Karlsruhe (Hochschule f\u00fcr Musik)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-121\">\n\t<td class=\"column-1\">Miroslav<\/td><td class=\"column-2\">Srnka<\/td><td class=\"column-3\">Smoke<\/td><td class=\"column-4\">10.12.2026<\/td><td class=\"column-5\">NHK Symphony Orchestra<\/td><td class=\"column-6\">Maxim Emelyanychev<\/td><td class=\"column-7\">Tokio (Suntory Hall)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-122\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">13.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marta Gardoli?ska, Regie: Jetske Mijnssen<\/td><td class=\"column-7\">Genf (B\u00e2timent des Forces Motrices)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-123\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">17.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Bertrand de Billy, Regie: Lydia Steier<\/td><td class=\"column-7\">Wien (Staatsoper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-124\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Tha\u00efs<\/td><td class=\"column-4\">18.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pierre Dumoussaud, Regie: Olivier Lepelletier-Leeds<\/td><td class=\"column-7\">Li\u00e8ge<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-125\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Flavio, Re de\u2019 Langobardi<\/td><td class=\"column-4\">19.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Karsten Januschke, Regie: Tilmann K\u00f6hler<\/td><td class=\"column-7\">Frankfurt (Bockenheimer Depot)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-126\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Les P\u00eacheurs de Perles<\/td><td class=\"column-4\">29.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Victorien Vanoosten, Regie: Mirabelle Ordinaire<\/td><td class=\"column-7\">Toulon (Z\u00e9nith)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-127\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Thamos, K\u00f6nig in \u00c4gypten<\/td><td class=\"column-4\">12.01.2027<\/td><td class=\"column-5\">Orchestra Haydn di Bolzano e Trento<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Bozen (Auditorium)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-128\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">13.01.2027<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Gianandrea Noseda<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-129\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">16.01.2027<\/td><td class=\"column-5\">Staatsphilharmonie N\u00fcrnberg<\/td><td class=\"column-6\">Christopher Schumann<\/td><td class=\"column-7\">N\u00fcrnberg  <\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-130\">\n\t<td class=\"column-1\">Richard<\/td><td class=\"column-2\">Dubugnon<\/td><td class=\"column-3\">Sonnenring<\/td><td class=\"column-4\">20.01.2027<\/td><td class=\"column-5\">Janine Jansen (Violine), Orchestre de la Suisse Romande<\/td><td class=\"column-6\">Jonathan Nott<\/td><td class=\"column-7\">Genf (Victoria Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-131\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Orlando <\/td><td class=\"column-4\">21.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniel Espasa, Regie: Rafael Villalobos<\/td><td class=\"column-7\">Teneriffa (Auditorio)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-132\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Francesco Angelico, Regie: Vasily Barkhatov <\/td><td class=\"column-7\">Graz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-133\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orfeo ed Euridice <\/td><td class=\"column-4\">23.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Eric Staiger, Regie: Aileen Schneider<\/td><td class=\"column-7\">Oldenburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-134\">\n\t<td class=\"column-1\">Giovanni<\/td><td class=\"column-2\">Sollima<\/td><td class=\"column-3\">When We Were Trees<\/td><td class=\"column-4\">24.01.2027<\/td><td class=\"column-5\">S\u00fcdwestdeutsches Kammerorchester<\/td><td class=\"column-6\">Reto Bieri<\/td><td class=\"column-7\">Pforzheim (CongressCentrum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-135\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">24.01.2027<\/td><td class=\"column-5\">Oliver Moumouris (Sprecher), W\u00fcrttembergische Philharmonie<\/td><td class=\"column-6\">Hans Grischkat<\/td><td class=\"column-7\">Reutlingen (Georgensaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-136\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orfeo ed Euridice <\/td><td class=\"column-4\">29.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Aapo H\u00e4kkinen, Regie: Tero Saarinen<\/td><td class=\"column-7\">Helsinki<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-137\">\n\t<td class=\"column-1\">Engelbert<\/td><td class=\"column-2\">Humperdinck<\/td><td class=\"column-3\">K\u00f6nigskinder<\/td><td class=\"column-4\">30.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Justus Thorau, Regie: Angela Denoke<\/td><td class=\"column-7\">Saarbr\u00fccken<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-138\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">30.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Jiri Rozen, Regie: Caterina Cianfarini <\/td><td class=\"column-7\">Basel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-139\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">30.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marco Alibrando, Regie: Marcos Darbyshire<\/td><td class=\"column-7\">Weimar   <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-140\">\n\t<td class=\"column-1\">Jean-Philippe<\/td><td class=\"column-2\">Rameau<\/td><td class=\"column-3\">Les Bor\u00e9ades<\/td><td class=\"column-4\">05.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Camille Delaforge, Regie: R.B. Schlather<\/td><td class=\"column-7\">Dublin (Irish National Opera)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-141\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">10.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Hengelbrock, Regie: Netia Jones<\/td><td class=\"column-7\">London (Royal Opera House)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-142\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Nathalie Stutzmann, Regie: Robert Carsen<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-143\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">13.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Gerrit Prie\u00dfnitz, Regie: Anna-Sophie Mahler<\/td><td class=\"column-7\">Innsbruck<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-144\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marco Comin, Regie: N.N.<\/td><td class=\"column-7\">Bremerhaven<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-145\">\n\t<td class=\"column-1\">Ludwig van<\/td><td class=\"column-2\">Beethoven<\/td><td class=\"column-3\">Fidelio<\/td><td class=\"column-4\">17.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Kensho Watanabe, Regie: Ruth Knight<\/td><td class=\"column-7\">Glasgow<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-146\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Rinaldo<\/td><td class=\"column-4\">22.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Philippe Jaroussky, Regie: Valentina Carrasco<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-147\">\n\t<td class=\"column-1\">Oliver<\/td><td class=\"column-2\">Leith<\/td><td class=\"column-3\">Last Days<\/td><td class=\"column-4\">27.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andr\u00e9 de Ridder, Friedrike Scheunchen, Regie: Lily Kuhlmann<\/td><td class=\"column-7\">Freiburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-148\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Die verkaufte Braut<\/td><td class=\"column-4\">28.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">T\u00f3mas Netopil, Regie: Laurent Pelly<\/td><td class=\"column-7\">K\u00f6ln<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-149\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">05.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Kaspar Zehnder, Regie: Joel Lauwers<\/td><td class=\"column-7\">Metz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-150\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Serse <\/td><td class=\"column-4\">06.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Cl\u00e9ment Lonca, Regie: Lorenzo Fioroni<\/td><td class=\"column-7\">Bern  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-151\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">07.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Seok-Won Hong, Regie: Nicola Berloffa<\/td><td class=\"column-7\">Teneriffa (Auditorio)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-152\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Konzert Nr. 2 f\u00fcr Violine und Orchester<\/td><td class=\"column-4\">15.03.2027<\/td><td class=\"column-5\">Kirill Kobantschenko (Violine), Sinfonia Academica<\/td><td class=\"column-6\">David Holzinger<\/td><td class=\"column-7\">Wien (Mozartsaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-153\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Iphig\u00e9nie en Aulide<\/td><td class=\"column-4\">20.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Ivan Demidov, Regie: Jochen Biganzoli<\/td><td class=\"column-7\">Augsburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Works<\/span><\/h3><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206866546-4603a8cf-f1e5\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Stage<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206866546-4603a8cf-f1e5\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11724-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11100-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09790-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11192-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11147-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09324-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206866607-a020172d-53ba\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206866607-a020172d-53ba\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11197-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11107-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09704-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11144-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11145-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11146-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11727-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11130-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09718-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07771-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206930285-41f37176-a4ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo\/Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206930285-41f37176-a4ac\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11758-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09716-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11112-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11199-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206929679-34cc5d0a-4863\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Ensemble<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206929679-34cc5d0a-4863\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09791-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09744-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09725-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11172-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09721-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>In Vorbereitung<\/p>\n<p><strong>Willst wohl einmal hin\u00fcbersehn?<\/strong><br \/>\nfor ensemble [Interludium zu Franz Schuberts \u201eWinterreise\u201c] (2005). BA 7773, auf Anfrage<br \/>\nBesetzung: 1 (auch Picc, auch BFl), 1, 1 (auch BKlar), 1 &#8211; 1, 0 0, 0 &#8211; Schlg (1) &#8211; Str (1, 1, 1, 1) \/ 5 Minuten<br \/>\nUrauff\u00fchrung am 27. Mai 2005 in Berlin, Abschlusskonzert \u201eKulturjahr der Zehn\u201d: Sinfonietta Leipzig, Leitung Johannes Harneit<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206929078-23dbe91c-9260\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal works<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206929078-23dbe91c-9260\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09370\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09386-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11723-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09738-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11190-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ In Vorbereitung<\/p>\n<p><strong>Ps\u00e1t tvoje oci \/ Write Your Eyes<\/strong><br \/>\n(Deine Augen schreiben). Five songs for soprano and chamber orchestra on texts by Petr Borkovec (2002)<br \/>\nBesetzung: 2,2,2,2 &#8211; 2,2,0,0 &#8211; Schlg (3) &#8211; Str (6,5,4,3,2) \/ 11 Minuten<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206928422-2f749c87-1280\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Choir<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206928422-2f749c87-1280\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09337-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206927768-d064a95b-de7c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Chamber Music<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206927768-d064a95b-de7c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11404D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09399-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09387-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09744-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09302\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09310\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09372-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09311-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09779-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ In Vorbereitung<\/p>\n<p><strong>docudrama01 &#8211; Orph &amp; Eury<\/strong><br \/>\nfor wind trio (2014), 4 Minuten, in Vorbereitung<br \/>\nUrauff\u00fchrung am 23. Januar 2015 Berlin, Ultraschall: ensemble recherche<\/p>\n<p><strong>Fictitious Hum<\/strong><br \/>\nf\u00fcr Oboe, Klarinette, Klavier und Streichquartett (2007). 12 Minuten. BA 9375, in Vorbereitung<br \/>\nUrauff\u00fchrung am 15. Juni 2007 in Essen, YOUrope together: Prague Modern<\/p>\n<p><strong>Hejna<\/strong><br \/>\nfor clarinet, percussion (1 player), harp, piano and accordion (2010). ca. 17 Minuten. BA 9394, in Vorbereitung<br \/>\nUrauff\u00fchrung am 20. Oktober 2010 in M\u00fcnchen, Klangspuren plus \u2013 Portr\u00e4tkonzert der M\u00fcnchener Biennale: Stefan Schneider (Klarinette), Konstantin Ischenko (Akkordeon), Feodora Gabler (Harfe), Simon Klavzar (Schlagzeug), Jean-Pierre Collot (Klavier), Tobias Peschanel (Dirigent)<\/p>\n<p><strong>here with you<\/strong><br \/>\nf\u00fcr Violine und Violoncello (2016), in Vorbereitung<br \/>\nUrauff\u00fchrung am 10. Juni 2016, Freiburg: Ensemble Recherche<\/p>\n<p><strong>Maria&#8217;s Choice<\/strong><br \/>\n(final version) for flute, clarinet, 2 saxophones and percussion (2006). BA 9335, in Vorbereitung<br \/>\nUrauff\u00fchrung am 3. Februar 2007 in Paris: Ensemble Hic et Nunc<\/p>\n<p><strong>Surprises in the Dark<\/strong><br \/>\nfor flute, clarinet, violin, alto, violoncello and piano (2002). 11 \u00bd Minuten. BA 9312, Partitur und Stimmen in Vorbereitung<br \/>\nUrauff\u00fchrung am 14. November 2002 in Paris: Centre tch\u00e9que, Ensemble MoEns<\/p>\n<p><strong>track 01<\/strong><br \/>\nfor violin and piano (2014), 3 Minuten, in Vorbereitung<br \/>\nUrauff\u00fchrung 14. M\u00e4rz 2014, Monte-Carlo, Printemps des Arts de Monte-Carlo: Lorenzo Gatto (Violine), Nathana\u00ebl Gouin (Klavier)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206927080-64b2fdd3-9141\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206927080-64b2fdd3-9141\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09376-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09313-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ In Vorbereitung<\/p>\n<p><strong>Coronae<\/strong><br \/>\nfor solo horn. BA 9385, in Vorbereitung<br \/>\nUrauff\u00fchrung am 16. M\u00e4rz 2010 in Frankfurt (Alte Oper): Saar Berger (Horn)<\/p>\n<p><strong>origami<\/strong><br \/>\nfor accordion solo (2015), in Vorbereitung<br \/>\nUrauff\u00fchrung 25. April 2015 Witten, Tage f\u00fcr Neue Kammermusik: Teodoro Anzellotti (Akkordeon)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206926295-2312357e-b543\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Unpublished<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206926295-2312357e-b543\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p><strong>A Prima Mad<\/strong><br \/>\nfor alto saxophone or flute (2002). 7 Minuten<\/p>\n<p><strong>Joy and Sorrow of 1862<\/strong><br \/>\nfor chamber orchestra (2002)<br \/>\nBesetzung: 2,2,2,1 &#8211; 1,2,1,1 &#8211; Schlg (2) &#8211; Str (4,4,3,2) \/ 5 \u00bd Minuten<\/p>\n<p><strong>Kr\u00e1ter Brahms \/ Brahms Crater<\/strong><br \/>\nfor six violoncellos or six violins (2002). 10 \u00bd Minuten<\/p>\n<p><strong>Collapsing<\/strong><br \/>\nfor bass flute solo, soprano saxophone solo and two alto flutes, two flutes in C and piccolo flute (2001). 3 \u00bd Minuten<\/p>\n<p><strong>Sonnet 64<\/strong><br \/>\n(&#8230; lofty towers I see down-razed) for high soprano and bass drum on text by William Shakespeare (2001). 5 \u00bd Minuten<\/p>\n<p><strong>Rann\u00ed hajahu \/ The Morning Hajahu<\/strong><br \/>\nfor nine percussion instruments (1 performer) (1999). 7 Minuten<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-60 grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-sm-column-1 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Interview<\/span><\/h2><h3 class=\"grve-element grve-title grve-align-left grve-h4 grve-text-primary-2\"><span>Absolute openness<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t<p><strong>Uli Aum\u00fcller in conversation with Miroslav Srnka<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t<div class=\"grve-element grve-text\">\r\n\t\t\t<p>How did the idea for \u201cSouth Pole\u201d come about?<br \/>\nOn hiking tours and in nature, questions arose: what\u2019s it like if you are much further away and have nothing with you at all which you\u2019d otherwise take for granted in civilisation? That was the beginning. Later I came across the story of Scott and Amundsen, which is so tremendously exciting in its temporality and its drama. In a second question it\u2019s about opera itself, which contains elements of the absolutely stylized and unrealistic in its form. I searched for a reality which seems absolutely unreal in itself. That is Antarctica. What it\u2019s like there has nothing to do with the world here, it seems to be as absolutely stylized as the world of opera. But that\u2019s only a sliver of reality, and this then came to fascinate me.<\/p>\n<p>So is it this incredibility of the Antarctic which seems similar to the credibility gap in opera to you?<br \/>\nIn a certain sense that\u2019s true. In the world out there, there is something which is completely open and \u201cunlimited\u201d. In the Antarctic there is simply no civilisation. There are only the heroes, the figures, only the characters in an unending world which bears no traces of civilisation. That gives the piece an enormous freedom. The fact that there is no civilisation there places the focus on the people \u2013 in an extreme situation. In opera too, the characters are mainly in an extreme situation and have to battle with themselves.<\/p>\n<p>What does \u201cSouth Pole\u201d sound llike?<br \/>\nI did a great deal of research. People imagine that the Antarctic is silent, but it\u2019s anything but. The wind and nature and everything there are all extremely loud. Everything which affects the senses is more extreme than what we experience here in civilisation. In our story the Antarctic itself plays a role: as a kind of constantly present \u201cDeus ex machina\u201d, as the Antarctic played a game with both the expedition teams. The relationships within the teams were completely different. It seemed almost as if someone had determined which one would win. For example, the luck which Amundsen had with the weather, and Scott\u2019s terrible misfortune make the Antarctic into a kind of entity with an active role of its own. It is never personified in the opera. But it\u2019s present in the back of our minds.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-sm-column-1 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-text\">\r\n\t\t\t<p>What does the opera deal with?<br \/>\nThe opera is about the race between Scott and Amundsen. The subtitle \u201cA double opera in two parts\u201d explains how the music is structured. There are two musical layers which always run parallel and asymmetrically in their tempi, because, with a few exceptions, we always have the two teams parallel on the stage. But in reality they are separated. For in fact, they never met in the Antarctic. Each took a different route, and the only point in common was the South Pole which they both approached from different directions. The whole opera tells the same story twice, a story which changes in details, and which at the end leads to fatal consequences. The opera takes place in a kind of simultaneity, but also \u2013 and this is always a central theme for me \u2013 deals with communication. We live today in a world in which communication is constantly available. Here, however, we have two teams which do not know how the other is doing for several years. The exciting thing is then what\u2019s going on in their heads. Tom Holloway has written a fascinating libretto for me in which he concentrates on the psychological development of the two main protagonists as well as the men in the teams. He has also found interesting things in their private lives which may give reasons for why they undertook the expedition. It can be regarded as a kind of suicide mission \u2013 and for half of the men this became the reality.<\/p>\n<p>And the music?<br \/>\nI wanted a structure which would be absolutely fluid in itself. What takes place in the Antarctic and what the men described in their diaries is an \u201cabsence\u201d. There is simply a lack of clear, visual objects. The only thing they can see, well structured the whole time, is a horizon, and even that\u2019s very often missing. When, for example, it snows, then the men describe in their diaries that they simply can no longer decide where the ground or sky, where above or below are. The categories with which we normally describe our surroundings have disappeared, and I\u2019ve therefore tried to write music which moves freely.<\/p>\n<p>Is this, so to speak, science fiction from the past for you?<br \/>\nYes, I love science fiction because it\u2019s concerned with categories which contain a great freedom in themselves. They do not describe our world, but a larger world, with more possibilities.<\/p>\n<p>A really important theme in the opera is this route to a supposed destination. When the men arrive, they establish that what they have been striving for for years, or perhaps their whole lives, is in fact empty, and that they have done all of this for quite different reasons, because each sought a way for himself.<\/p>\n<p>The entire social and political discourse is concerned with questions about what we are entitled to, what you can buy with money, what you can simply take with political power. It\u2019s about the power to keep something for yourself. In this incentive to \u201cwin\u201d the South Pole it\u2019s not only about a mental craving just to be there physically first, but it\u2019s also to do with achieving fame and acquiring a part of society for yourself. And the men at first regarded that as their true motivation. Only at the South Pole, when they stand at an abstract point in an empty white wilderness, do they analyse this putative value.<\/p>\n<p>(from [t]akte 2\/2015)<br \/>\n(translation: Elizabeth Robinson)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-carousel\">\r\n\t<div class=\"grve-carousel-wrapper\">\r\n\t\t\t<div class=\"grve-carousel-navigation grve-navigation-arrow-1\">\r\n\t\t<div class=\"grve-carousel-buttons\">\r\n\t\t\t<div class=\"grve-carousel-prev\"><div class=\"grve-svg-icon grve-direction-left grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t\t<div class=\"grve-carousel-next\"><div class=\"grve-svg-icon grve-direction-right grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t<div data-items=\"3\" data-items-tablet-landscape=\"2\" data-items-tablet-portrait=\"2\" data-items-mobile=\"1\" data-slider-autoplay=\"yes\" data-pagination=\"yes\" data-slider-loop=\"yes\" data-slider-speed=\"3000\" data-slider-pause=\"no\" data-pagination-speed=\"400\" data-gutter-size=\"40\" class=\"grve-carousel-element grve-blog-carousel grve-blog-columns grve-with-gap grve-classic-carousel\">\r\n\t\t\t<article class=\"grve-carousel-item post-19397 post type-post status-publish format-standard has-post-thumbnail hentry category-baerenreiter-on-stage-en category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/baerenreiter-on-stage-en\/an-unheard-carmen\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">An Unheard \u201cCarmen\u201d<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen.webp 1078w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/baerenreiter-on-stage-en\/an-unheard-carmen\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>An Unheard \u201cCarmen\u201d<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The new edition of Bizet&#8217;s opera Carmen in Apulia and Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1078<\/span>\r\n\t\t\t   <span itemprop='width' >1078<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-07-07T13:38:55+02:00\">7. July 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-07-07T13:41:42+02:00\">7. July 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/baerenreiter-on-stage-en\/an-unheard-carmen\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-19322 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/creative-chair-in-zurich-and-opus-klassik\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Creative Chair in Zurich and Opus Klassik<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/creative-chair-in-zurich-and-opus-klassik\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Creative Chair in Zurich and Opus Klassik<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>Dieter Ammann &#8211; Creative Chair in Zurich and Opus Klassik\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-06-22T13:07:09+02:00\">22. June 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-06-22T13:11:59+02:00\">22. June 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/creative-chair-in-zurich-and-opus-klassik\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-19113 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/brilliant-baroque-ensembles\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Brilliant Baroque ensembles<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/brilliant-baroque-ensembles\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Brilliant Baroque ensembles<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter Special Prizes at the G\u00f6ttingen Handel Competition\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-05-20T14:40:32+02:00\">20. May 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-05-20T14:45:41+02:00\">20. May 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/brilliant-baroque-ensembles\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18879 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Appearance versus reality<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Appearance versus reality<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>\u013dubica \u010cekovsk\u00e1\u2018s opera \u201cDorian Gray\u201d in Annaberg-Buchholz\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-31T08:31:38+02:00\">31. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-31T12:50:12+02:00\">31. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18838 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The Swiss composer is composer-in-residence\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-24T14:34:38+01:00\">24. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-24T14:38:11+01:00\">24. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18817 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Three musicians play their way to the top<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Three musicians play their way to the top<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter awards a special prize at the Bach Competition, Leipzig\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-23T13:19:42+01:00\">23. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-23T13:49:14+01:00\">23. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18690 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Pianists at the start of their careers<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Pianists at the start of their careers<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg (Photo: from left to right: Bogdan Dugali\u0107, Elisey Mysin, Anastasiia Kliuchereva, photo: Michael Klimt)    \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-23T10:12:12+01:00\">23. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-23T10:16:00+01:00\">23. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18592 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Young international violin stars<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Young international violin stars<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-16T11:14:59+01:00\">16. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T11:17:52+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18577 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">On the death of Helmuth Rilling<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>On the death of Helmuth Rilling<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>A life with Bach \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-13T08:33:14+01:00\">13. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T07:21:10+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18545 post type-post status-publish format-standard has-post-thumbnail hentry category-complete-edition category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Milestone Reached in Halle<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-29T14:33:29+01:00\">29. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-29T14:37:26+01:00\">29. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n"},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_album_images":[],"_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_custom_thumbnail_cover":0,"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-12906","page","type-page","status-publish","hentry","grve-entry-item"],"acf":[],"wpml_current_locale":"en_US","wpml_translations":{"de_DE":{"locale":"de_DE","id":8994,"slug":"srnka-miroslav","post_title":"Srnka, Miroslav","href":"https:\/\/emag.baerenreiter.com\/srnka-miroslav\/"}},"_links":{"self":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/comments?post=12906"}],"version-history":[{"count":21,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12906\/revisions"}],"predecessor-version":[{"id":19278,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12906\/revisions\/19278"}],"wp:attachment":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/media?parent=12906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}