{"id":12829,"date":"2024-06-14T08:06:00","date_gmt":"2024-06-14T06:06:00","guid":{"rendered":"https:\/\/emag.baerenreiter.com\/seither-charlotte\/"},"modified":"2026-02-19T14:31:58","modified_gmt":"2026-02-19T13:31:58","slug":"seither-charlotte","status":"publish","type":"page","link":"https:\/\/emag.baerenreiter.com\/en\/seither-charlotte\/","title":{"rendered":"Seither, Charlotte"},"content":{"rendered":"<div class=\"grve-section grve-row-section grve-fullwidth-background grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#707070;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section composer-header grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-5-12 grve-wpb-1715857276604 grve-vertical-position-middle grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-left\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 500px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 150.2%;\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"751\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Seither-500px.webp\" class=\"attachment-full size-full\" alt=\"Portrait picture of Charlotte Seither\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Seither-500px.webp 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Seither-500px.webp 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-7-12 grve-wpb-1715857422252 grve-vertical-position-middle grve-with-bg-transparent grve-align-center\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h1 class=\"grve-element grve-title grve-align-center grve-page-title grve-text-white\"><span>Charlotte Seither<\/span><\/h1><div class=\"grve-element grve-text grve-small-text\">\r\n\t\t\t<p><a href=\"http:\/\/www.charlotteseither.de\" target=\"_blank\" rel=\"noopener\">www.charlotteseither.de<\/a><\/p>\n\r\n\t\t<\/div>\r\n\t<div class=\"grve-empty-space grve-height-1x\"><\/div><div class=\"grve-element grve-image grve-align-center signature-witdh-100\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-svg-thumbnail-wrapper\"><div class=\"grve-svg-thumbnail\"><img decoding=\"async\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Seither_Pfade_weiss.svg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Seither_Pfade_weiss.svg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Seither_Pfade_weiss.svg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-4x grve-padding-bottom-4x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Biography<\/span><\/h2><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\nCharlotte Seither was born in Landau\/Palatinate in 1965 and studied composition, piano, German studies and musicology in Hanover and Berlin. In 1998 she received her doctorate in philosophy. She has received numerous prizes and awards, including first prize in the international composition competition &#8220;Prague Spring&#8221; (1995), the sponsorship prize of the Ernst von Siemens Music Foundation (2003), first prize in the international composition competition &#8220;Premi International Ciutat de Palma&#8221; (2004 ), the Praetorius Music Prize of the State of Lower Saxony in 2010, the Palatinate Music Prize in 2012 and the German Music Author Prize in the category of contemporary choral music in 2014. at the Cit\u00e9 des Arts Paris (1999), at the Palazzo Barbarigo Venice (1993), at the Villa Aurora Los Angeles (2000) and in 2009 at the Villa Massimo Rome. In 2013 she received a scholarship from the Villa Concordia Bamberg. After a guest professorship at the Bremen University of the Arts (2002), she continued to work there as a lecturer in contemporary music, followed by other teaching assignments and professorships, including the professorship for composition at the Munich University of Music and Theater in 2021. Her works are performed at numerous festivals, e.g. with BBC Symphony Orchestra London, Czech Radio Symphony Orchestra Prague, ASKO Kamerkoor, IFWM Festival Seoul, GRAME Festival Lyon, Nuova Consonanza Rome, LACMA Los Angeles and GAUDEAMUS Amsterdam. She is a member of the GEMA Supervisory Board, GEMA Foundation Advisory Board, Bogliasco Foundation Fellow Advisory Council \/ Italy, Board of Directors of the German Composers Association (DKV), she has been Chairwoman of the Music Advisory Board of the Guardini Foundation Berlin since 2021 and a member of the INMM Darmstadt Board of Directors. She was a jury member most recently: Paul Abraham Composition Prize for contemporary music theater, Music Prize Saxony-Anhalt 2022, Concorso Internazionale di Composizione per Orchestra &#8220;2 Agosto&#8221; di Bologna 2022, New Start Culture I &#8211; support program of the German Music Council, New Start Culture II &#8211; support program of the German Music Council, New Culture III \u2013 support program of the German Music Council, German Music Competition for Composition, support program for repertoire education of the State Music Council of North Rhine-Westphalia, EZM support for orchestral music of the German Music Council.<\/p>\n<p>In 2021, the world premieres of &#8220;fragend licht&#8221; (2021) for 8-part chamber choir and two cellos, anniversary concert for Sophie Scholl&#8217;s 100th birthday, Ensemble Vocantare Berlin, conductor: Tobias Walenciak, and of &#8220;Ferne Begegnung. Trois Adieux f\u00fcr Ludwig from B.&#8221; (2018) for chamber orchestra, German Orchestra Competition Bonn 2020\/21, prize-winning orchestra of the competition (corona-related catch-up competition online). In 2022, among other things, &#8220;Sisters&#8221; (2022) for violin, violoncello and piano, a work commissioned by Rundfunk Berlin Brandenburg for the Deutsches Symphonie Orchester, was premiered and in the 2023\/24 season of the Musiktheater im Revier Gelsenkirchen the premiere of the stage work &#8220;Fidelio Schweigt. Dialog- opera&#8221; will take place.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#e8ede8;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vita<\/h3><\/div><div class=\"grve-accordion-content biographie\" id=\"1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-seither-en-no-2\" class=\"tablepress tablepress-id-seither-en two-column-table\">\n<tbody>\n<tr class=\"row-1\">\n\t<td class=\"column-1\">1965<\/td><td class=\"column-2\">Born in Landau (Rhineland-Palatinate, Germany) on 31 August<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">1985-1994<\/td><td class=\"column-2\">Studied composition (with Frank-Michael Beyer, Friedrich Goldmann and Aribert Reimann),  piano, musicology and German language and  literature in Hanover and Berlin<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">1988-1991<\/td><td class=\"column-2\">Scholarship awarded by the Studienstiftung  des deutschen Volkes (German National  Academic Foundation)<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">1989<\/td><td class=\"column-2\">Award from the Minister of Culture of Lower  Saxony for outstanding achievements at the  Hochschule f\u00fcr Musik und Theater Hanover<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">1990<\/td><td class=\"column-2\">Musica Viva scholarship from the city of  Pforzheim, attended master class with Isang Yun<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">1992<\/td><td class=\"column-2\">Young talent scholarship from the Ministry of  Science and Culture, Lower Saxony<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">1993<\/td><td class=\"column-2\">Artist\u2019s scholarship for three months at the  Deutsches Studienzentrum in Venice (Palazzo Barbarigo della Terrazza)<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">1994<\/td><td class=\"column-2\">First prize in the G\u00f6ttingen Symphony Orchestra  Composition Competition for Hors d\u2019automne<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">1995<\/td><td class=\"column-2\">First prize in the Prague Spring International  Composition Competition for objet diaphane, Artist\u2019s scholarship for nine months at the Schloss Solitude Academy in Stuttgart, Composition scholarship from the Wilfried  Steinbrenner Foundation in Berlin<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">1995\/96<\/td><td class=\"column-2\">Artist\u2019s scholarship for nine months at the  Schreyahn artists\u2019 retreat in Lower Saxony<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">1998<\/td><td class=\"column-2\">Awarded Doctor of Philosophy following studies with Rudolf Stephan<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">1999<\/td><td class=\"column-2\">Artist\u2019s scholarship from Cit\u00e9 Internationale des Arts (Paris), six month stay<br>Invitation from the Goethe Institute Lisbon, portrait concert, guest lecture at the  Universidad Cat\u00f3lica<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">1999-2008<\/td><td class=\"column-2\">Lectureship in new music \/ experimental  performance at Otto von Guericke University, Magdeburg<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">2000<\/td><td class=\"column-2\">Franz Liszt composition scholarship from the  Weimar City of Culture, four month stay<br>Artist\u2019s scholarship for three months at the  Villa Aurora, Los Angeles<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">2000-2006<\/td><td class=\"column-2\">Lectureship in musicology at the Freie Universit\u00e4t Berlin<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">2001<\/td><td class=\"column-2\">Portrait CD issued by Wergo in Deutscher Musikrat\u2019s \u201cContemporary Music Edition\u201d series<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">2002<\/td><td class=\"column-2\">Visiting professor of composition at the  University of the Arts Bremen (interim professor deputising for Younghi Pagh-Paan for a semester), Composition prize from the Ernst von Siemens  Music Foundation, Munich<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">2003-2010<\/td><td class=\"column-2\">Lectureship in the history and aesthetics of new music at the University of the Arts Bremen<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">2003<\/td><td class=\"column-2\">Artist\u2019s scholarship at Schloss Weikersheim, six month stay<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">2004<\/td><td class=\"column-2\">1st prize in the International Composition  Competition Premi Internacional de Composicio Ciutat de Palma (Paires d\u2019alternances), Composition Prize from the Berliner Cappella choir, 2004 (Hora)     <\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">2005<\/td><td class=\"column-2\">Composer\u2019s scholarship for electronic music at  the Academy of Arts in Berlin, Special prize CLASH! \/ Musik der Jahrhunderte Stuttgart, chosen for the ISCM World New Music Festival Stuttgart 2006<br>Jury member at the Villa Aurora Los Angeles \/  Berlin<\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">2006<\/td><td class=\"column-2\">Invitation from the Goethe Institute Tashkent, Uzbekistan in collaboration with the Ensemble Omnibus Tashkent, lectures\/masterclass at  the State Conservatory Tashkent<br>Composer\u2019s scholarship KunstRaum Sylt, one month stay<\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">2007<\/td><td class=\"column-2\">Zonta Women\u2019s Composer Prize, Composer\u2019s scholarship KunstRaum Sylt, one  month stay<br>Jury member for the composition competition of Klangwerktage Hamburg, and since 2007  of the composition competition run by the  Berliner Cappella<\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">2008<\/td><td class=\"column-2\">Invitation from the Goethe Institute Santiago  de Chile \/ Encuentro Internacional de Compositores Santiago, lectures\/masterclass  at the Universidad Cat\u00f3lica<br>Composer in Residence at the University of  Witten-Herdecke<bR>Return Fellow at the Schloss Solitude Academy in Stuttgart, one month stay<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">2009<\/td><td class=\"column-2\">Scholarship awarded by the German Minister of Culture for a one-year stay at the German Academy Rome, Villa Massimo<br>Composer of the Month (for September) at  the Pytheas Music Center for Contemporary  Music USA<br>Jury member at the Deutscher Musikwettbewerb \/ Deutscher Musikrat, the international composition competition Ensemblia M\u00f6nchengladbach and the composition competition of the Music Teachers Association Bremen<\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">2010<\/td><td class=\"column-2\">Praetorius Musikpreis of the State of Lower  Saxony 2010 for composition<br>Nomination for the Deutscher Musikautorenpreis 2010<br>Jury member at the Deutscher Musikwettbewerb \/ Deutscher Musikrat<\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">2013<\/td><td class=\"column-2\">Bavarian State scholarship from the Internationales K\u00fcnstlerhaus Villa Concordia in Bamberg.<\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">2014<\/td><td class=\"column-2\">Deutscher Musikautorenpreis 2014, Category Contemporary Choir Music<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">2016<\/td><td class=\"column-2\">member of the GEMA Supervisory Board, Bogliasco Foundation Fellow Advisory Council \/ Italy, Board of the GEMA Foundation, Board of the German Composers Society (Deutscher Komponistenverband).<\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">2021 <\/td><td class=\"column-2\">Ordinary member of the European Academy of Sciences and Arts Salzburg (EASA)<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Performances at many international festivals:<bR>Generations Festival Warsaw, Gaudeamus Amsterdam, GAIDA Festival Lithuania, Grame Festival Lyon, Nuova Consonanza Rome,  IFWM Seoul, Schleswig Holstein Music Festival, Lacma Los Angeles, 5th International Youth Music Forum Kiev, Arsenale Musica Pisa, Muzica contemporanea Bucharest, Prague Spring Festival, Pozna\u0144 Musical Spring, ISCM World Music Festival Stuttgart, Viitasari Finland, Voix Nouvelles Royaumont and at the Goethe Institute in Tashkent, Santiago de Chile, Buenos Aires, Salvador Bahia, Montevideo, Sao Paulo, Caracas, Lisbon, etc.<\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Further performances by the BBC Symphony Orchestra, Berlin Philharmonic, Czech Radio Symphony Orchestra Prague, BBC Singers, ASKO Kamerkoor, Ensemble Modern, Neue Vocalsolisten Stuttgart, VocaalLab Amsterdam, Accroche Note Strasbourg, Musikfabrik NRW, L\u2019Arsenale Treviso, Dumas Amsterdam etc.<\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Portrait programmes on Deutschlandfunk, Bayerischer Rundfunk, Mitteldeutscher Rundfunk, Saarl\u00e4ndischer Rundfunk and RBB Berlin as well as numerous broadcasts in Germany and abroad. <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718344800219-292ef3bb-723c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Quotations<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1718344800219-292ef3bb-723c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\n\u201cIt&#8217;s a kind of hubris that fascinates me, this buzzing that comes from unequal things, where the barely perceivable breaks down further and further and branches out into the interior. Viewed in this light, I need less and less material to obtain a more and more sophisticated language. The more I subdivide the material, the more it coalesces.\u201d<br \/><em>Charlotte Seither, 1998<\/em><\/p>\n<p>\u201eHer music has a fragile sensitivity. Reducing her compositional means to the utmost minimum, she tries to make silence audible and the vibrations in the interior of sounds and structures palpable to the senses &#8230; The quintessence of her music lies precisely in the way it eavesdrops on vibrations beyond the perceptible and intelligible. That is the source of its strength and originality.\u201c<br \/><em>Aribert Reimann, laudatory address on awarding Charlotte Seither the Wilfried Steinbrenner Scholarship, Berlin, 1995<\/em><\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718344868836-d54ebcaf-979f\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Writings<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1718344868836-d54ebcaf-979f\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p><strong>Books<\/strong><\/p>\n<p>Charlotte Seither: Dissoziation als Prozess. Sincronie for string quartet von Luciano Berio<br \/>Kassel: B\u00e4renreiter 2000<\/p>\n<p>Charlotte Seither (Hrg.): Tacet. Non tacet. Festschrift f\u00fcr Peter Becker zum 70. Geburtstag<br \/>Saarbr\u00fccken 2004<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Essays<\/strong><\/p>\n<p>\u201e\u2026da\u00df nichts an sich jemals vollendet ist\u201c. \u00dcber Musik und Stille. In: Musik und Kirche 5\/1998, 307ff.<\/p>\n<p>\u201eOper, deine Lust &#8230;\u201c. In: Die Deutsche B\u00fchne 12\/1999, 28f.<\/p>\n<p>\u201e&#8230; h\u00e4uten, furchen, den Nerv blo\u00dflegen. Der Komponist Wolfgang Rihm\u201c. In: Programmheft zum Konzert der Hannoverschen Gesellschaft f\u00fcr Neue Musik vom 16.2.2000<\/p>\n<p>\u201eMusik \u2013 eine klingende Predigt?\u201c Komponisten beantworten zwei Fragen. Statement. In: Musik und Kirche 6\/2000, 394<\/p>\n<p>Aribert Reimann: Requiem. In: Oratorienf\u00fchrer, Metzler\/B\u00e4ren-reiter (2000), ISBN 978-3-7618-2012-4, 558f.<\/p>\n<p>&#8230; l&#8217;unit\u00e9 dans la diversite. Das Pastiche bei Luciano Berio. In: Programmheft der Salzburger Festspiele zur Produktion von Turandot von Puccini in der Vervollst\u00e4ndigung durch Luciano Berio, August 2002, 73-77<\/p>\n<p>Gl\u00fcckes genug (?). Man kann den Krug, doch nicht den Brunnen tauschen. Zur fr\u00fchen Lust am Klavier. In: Anf\u00e4nge. Erinnerungen zeitgen\u00f6ssischer Komponistinnen und Komponisten an ihren fr\u00fchen Instrumentalunterricht, hrsg. v. Marion Saxer, Hofheim: Wolke 2003, 166-169<\/p>\n<p>&#8230; erst die Leere zwischen den Speichen macht das Rad brauchbar. Anmerkungen zu John Cage oder Vom freien Fall. In: Cage und die Zukunft der K\u00fcnste, Bericht zum Symposium vom 10.-11.2.2002 in Bremen (= Einw\u00fcrfe. Schriftenreihe der Hochschule f\u00fcr K\u00fcnste Bremen), hrsg. v. Peter Rautmann und Nicolas Scholz, Bremen 2003, 62-69<\/p>\n<p>Tacet. Non Tacet. John Cage. 4\u201933\u201d. In: Charlotte Seither (Hrsg.): Tacet. Non tacet. Festschrift f\u00fcr Peter Becker zum 70. Geburtstag, Saarbr\u00fccken 2004, 58-63<\/p>\n<p>Bach. In: Johann Sebastian Bach und die Gegenwart, Beitr\u00e4ge zur Bach-Rezeption 1945-2005, hrsg. v. Michael Heinemann und Hans-Joachim Hinrichsen, K\u00f6ln: Dohr 2006, s.p.<\/p>\n<p>Aufspalten und hineinschauen. Zur Konstruktivit\u00e4t des Zerlegens im kompositorischen Prozess. In: Musik \u2013 Technik \u2013 Philosophie. Fragen und Positionen. Hrsg. v. Christoph L\u00fctge und Torsten Levi Meyer, Freiburg i.Br.\/M\u00fcnchen, Karl Alber 2005, 168-183<\/p>\n<p>Das Requiem bei Aribert Reimann. Anmerkungen zu Wolkenloses Christfest und Requiem. In: MusikKonzepte, Heft Aribert Reimann, hrsg. v. Ulrich Tadday, M\u00fcnchen 2008, 24-42<\/p>\n<p>Zum operativen Denken im Arbeitsprozess mit Elektronischer Musik. In: KunstMusik. Schriften zur Musik als Kunst, Heft 11, Herbst 2008, 36-40<\/p>\n<p>\u00dcber das H\u00f6ren. In: Um klarer zu sehen. Festschrift f\u00fcr Horst Ruprecht zum 80. Geburtstag. Hrsg. v. Peter Becker, Hannover 2003, 71-76<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Download scores<\/h3><\/div><div class=\"grve-accordion-content downloads\" id=\"1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11040_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">F\u00fcnf St\u00fccke um den Fluss zu queren f\u00fcr Orchester (2012) BA 11040-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11118_Partitur.pdf\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Language of Leaving for orchestra and 12 groups of voices (2012\/13) BA 11118-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11745_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">zu welcher Stunde f\u00fcr Kammerorchester (2022) BA 11745-72<\/h4><\/div><\/a><\/div><\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715857809324-89faa186-31c9\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Bibliography<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1715857809324-89faa186-31c9\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p><strong>Encyclopedia entries<\/strong><\/p>\n<p>Christa Br\u00fcstle: Charlotte Seither. In: Die Musik in Geschichte und Gegenwart. Zweite, neu bearbeitete Ausgabe, Personenteil Band 15, Kassel 2006, Spalten 542-543<\/p>\n<p>Peter Becker: Charlotte Seither. In: Komponisten der Gegenwart, Edition Text &amp; Kritik, M\u00fcnchen 1992ff, 35. Nachlieferung 11\/2007<\/p>\n<p>Christa Br\u00fcstle: Charlotte Seither. In: Lexikon Musik und Gender, hrsg. v. Annette Kreutziger-Herr und Melanie Unseld. B\u00e4renreiter\/Metzler, Kassel 2010, 466f<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong>Essays<\/strong><\/p>\n<p>Brigitta Weber: Im Blickpunkt: Charlotte Seither. In: Noten und Notizen. Zeitschrift der Hannoverschen Gesellschaft f\u00fcr Neue Musik, Hannover 1994, 15f.<\/p>\n<p>G\u00fcnter G\u00f6rtz: Charlotte Seither. In: Neues Deutschland, 8. August 1995<\/p>\n<p>Michael Sch\u00e4fer: Mit optimistischem Blick in die Zukunft. Charlotte Seither. In: G\u00f6ttinger Tageblatt, 27.4.1995<\/p>\n<p>J\u00fcrgen Otten: Takt f\u00fcr Takt nach vorn. Die Komponistin Charlotte Seither. In: Berliner Zeitung, 24.8.1995<\/p>\n<p>Roswitha Sperber (Hrsg): Komponistinnen in Deutschland. Hrsg von Inter Nationes, in Zusammenarbeit mit dem Kulturinstitut Komponistinnen, Bonn 1996, 75<\/p>\n<p>Christian Esch: Portr\u00e4t Charlotte Seither. In: Takte 1\/1996, B\u00e4renreiter, Kassel, 9f.<\/p>\n<p>Karl Georg Berg: Die Einheit von Augenblick und Proze\u00df. Ein Portr\u00e4t der Komponistin Charlotte Seither. In: Vivavoce Nr. 41\/97, Frau und Musik, Internationaler Arbeitskreis e.V., Kassel 1997, 18f.<\/p>\n<p>Michael Lohse: \u201eImmer wieder das Verbotene tun.\u201c Ein Gespr\u00e4ch mit der Komponistin Charlotte Seither. In: pressTo 1997, Heft 19 (Juni), 14f.<\/p>\n<p>Sointu Scharenberg: \u201e&#8230; es gibt kein Fangnetz.\u201c Komponistengespr\u00e4ch Charlotte Seither mit Hans B\u00e4\u00dfler. In: Werte-Wandel. Musikunterricht in neuer Orientierung. Kongressbericht zur 21. Bundesschulmusikwoche Rostock. Hrsg von Dieter Zimmerschied, Mainz 1997, 104ff.<\/p>\n<p>Reinhard Schulz: Der aufgespli\u00dfte Klang. Klangspuren-Konzert der Komponistin Charlotte Seither. In: NMZ 5\/1998, 31<\/p>\n<p>Frank K\u00e4mpfer: uniformiert androgyn. charlotte seithers \u00bbanderes\/selbst\u00ab in der bundeskunsthalle Bonn. In: NZ 4\/2000, 69<\/p>\n<p>Juan Maria Solare: Charlotte Seither, Dissoziation als Proze\u00df. Berio come Maestro. In: Doce notas, Heft 23, Oktober 2000<\/p>\n<p>Adelheid Krause-Pichler: Musik als wahrnehmbare Stille. Charlotte Seither im Siemens-Forum. In: NMZ 4\/2001, Berliner Seiten<\/p>\n<p>Michael T\u00f6pel: Das Orchester als Hochofen. Charlotte Seither \u00fcber gro\u00dfe und kleine Besetzungen anl\u00e4sslich der Verleihung des 6. Premi Internacional de Composici\u00f3 \u201eCiutat de Palma\u201c an die Komponistin. In: Takte 2\/2004, B\u00e4renreiter, Kassel 6f<\/p>\n<p>Christiane Franke: Atmen in Kl\u00e4ngen. Charlotte Seither im Portrait. In: Neue Chorzeit, M\u00e4rz 2008, 12f<\/p>\n<p>Marie Luise Maintz: Schatten und Wahrheit. Charlotte Seithers neues Orchesterst\u00fcck [Essay on Shadow and Truth] f\u00fcr London und Krefeld. In: Takte 1\/2008, B\u00e4renreiter, Kassel, 18<\/p>\n<p>Daniela Philippi: Kontrast und Wiederkehr. Himmelsspalt von Charlotte Seither. Neue Orgelmusik zu Beginn des 21. Jahrhunderts. In: Musik und Kirche 4\/2009, 245-246<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715926842723-5a976b04-5722\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Discography<\/h3><\/div><div class=\"grve-accordion-content diskographie\" id=\"1715926842723-5a976b04-5722\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p><strong>Portrait-CD<\/strong><\/p>\n<p>Champl\u00e8ve \u00b7 Sieben Verlautbarungen \u00b7 Kammersinfonie \u201eobjet diaphane\u201c \u00b7 Waters, earth and air I \u00b7 Klang und Schwebung \u00b7 Waters, earth and air II \u00b7 Alleanza d&#8217;archi \u00b7 Peser ses mots<\/p>\n<p>Diverse Solisten\/Ensembles. Auf: Edition Zeitgen\u00f6ssische Musik. Hrsg Deutscher Musikrat. 2001. WERGO 65482<\/p>\n<p><strong>Weitere Werke<\/strong><\/p>\n<p>Coq-\u00e0-l&#8217;\u00e2ne<br \/>Ensemble L&#8217;art pour l&#8217;art, Hamburg. Auf: Musik um uns.<br \/>CD zum Schulbuch-Erg\u00e4nzungsheft Komponistinnen.<br \/>Hrsg von Vera Funk, Metzler-Verlag, Stuttgart<\/p>\n<p>Dir, mir zu (2001)<br \/>f\u00fcr Mezzosopran und Klavier. Liat Himmelheber, Mezzosopran; Moritz Eggert, Klavier. Auf: Neue Dichter lieben, A-Devantgarde Festival 2001, amphion records, LC 11117<\/p>\n<p>Echoes, edges<br \/>Stanislav Unland-Boianov, Klavier. Auf: CD Bremer Klavierwettbewerb 2001, Dokumentation, hrsg. v. Landesmusikrat Bremen\/Radio Bremen<\/p>\n<p>Einlass und Wiederkehr (Ausschnitt)<br \/>Isabelle Vilmar (Sopran), Stefan Paul (Klavier). Auf: CD-Dokumentation, Universit\u00e4t der K\u00fcnste, Europ\u00e4isches Liedforum Berlin 2006<\/p>\n<p>Flow<br \/>Ensemble Ear Unit Los Angeles. Auf: WERGO \/ Artist, Villa Aurora. Berlin meets Los Angeles, LC 13459<\/p>\n<p>Herzfalter<br \/>Marcus Ullmann (Tenor) und Michael Wendeberg (Klavier)<br \/>Auf: CD Lied:Strahl. Der Deutsche Pavillon\/EXPO 2000 Hannover. LC 00581<\/p>\n<p>Herzform, Krater<br \/>Solorecital Margit Kern, Akkordeon. Auf: \u201eHeart\u201c, Edition Zeitklang, LC 00581<\/p>\n<p>Kammersinfonie \u201eobjet diaphane\u201c (Ausschnitt)<br \/>\u2013 Prager Kammerorchester (Live-Mitschnitt der Generalprobe vom 29. Mai 1995 im Rudolfinum Prag). Auf: Komponistinnen in Deutschland, CD zur Brosch\u00fcre. Hrsg von Inter Nationes, IN 01.96<br \/>\u2013 Berliner Philharmoniker, Leitung Gernot Schulz. Auf: CrossCut Edition, 20 Jahre \u201eEdition Zeitgen\u00f6ssische Musik\u201c des Deutschen Musikrats, WERGO 65992<\/p>\n<p>Klang und Schwebung<br \/>Sven Thomas Kiebler (Klavier). SurPlus live auf Solitude.<br \/>Edition Solitude\/Animato, LG 5187<\/p>\n<p>Monad&#8217;s face<br \/>\u2013 Ensemble Accroche Note Strasbourg. Auf: Dresdner Tage der zeitgen\u00f6ssischen Musik 1997\/1998. Hrsg vom Dresdner Zentrum f\u00fcr Zeitgen\u00f6ssische Musik\/MDR, S\u00e4chsische Tontr\u00e4ger, LC 09930<br \/>\u2013 Ensemble Accroche Note Strasbourg. Auf: CD Deutscher Musikrat, \u201eMusik in Deutschland\u201c, Volume \u201eVokale Kammermusik\/Solo und Ensemble 1970-2000\u201c, LC 00316<\/p>\n<p>Scusi<br \/>Ulrike Volkhardt (Tenorblockfl\u00f6te), Susanne Achilles (Klavier).<br \/>Auf: CD \u201eNovember Music 2008\u201c, Festival der Folkwang Universit\u00e4t Essen, ICEM<\/p>\n<p>Sieben Verlautbarungen (Nr. 1-5)<br \/>Gabriel Urrutia (Bariton), Stefan Paul (Klavier). Auf: CD Universit\u00e4t der K\u00fcnste 1. Liedforum Berlin 2005, Dokumentation<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><div class=\"grve-empty-space grve-height-2x\"><\/div><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Performances<\/span><\/h3><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-2-no-2\" class=\"tablepress tablepress-id-2 brv-termine tablepress-responsive tablepress-responsive-stack-headers tablepress-responsive-stack-tablet\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">composer_first_name<\/th><th class=\"column-2\">composer_last_name<\/th><th class=\"column-3\">title<\/th><th class=\"column-4\">date<\/th><th class=\"column-5\">orchestra<\/th><th class=\"column-6\">conductor<\/th><th class=\"column-7\">location<\/th><th class=\"column-8\">special<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">National Philharmonic Orchestra<\/td><td class=\"column-6\">Cornelius Meister<\/td><td class=\"column-7\">Warschau (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Violin Concerto<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Ilya Gringolts (Violine), Staatsorchester Rheinische Philharmonie<\/td><td class=\"column-6\">Anu Tali<\/td><td class=\"column-7\">Koblenz (Rhein-Mosel-Halle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Der Messias <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester &amp; Rundfunkchor<\/td><td class=\"column-6\">Dennis Russell Davies<\/td><td class=\"column-7\">Erfurt (Theater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Piano Concerto No. 2<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Francesco Piemontesi (Klavier), Symphonieorchester des Bayerischen Rundfunks<\/td><td class=\"column-6\">Enno Poppe<\/td><td class=\"column-7\">M\u00fcnchen (Residenz)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Emily Senturia, Regie: Haley Stamats<\/td><td class=\"column-7\">Madison (Overture Hall)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">2. Symphonie<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Dresdner Philharmonie<\/td><td class=\"column-6\">Christoph Eschenbach<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Echoes of O\u2019s<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Ensemble Lux NM<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wiesbaden (Art.Ist-Galerie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\">Orchester des Staatstheaters Darmstadt<\/td><td class=\"column-6\">Marc Albrecht<\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L\u2019incoronazione di Poppea<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lars Ulrik Mortensen, Regie: Christoph Marthaler<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marc Minkowski, Regie: Damiano Michieletto<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">La navigazione notturna<\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Marino Formenti, Alfredo Ovalles, Luca Lavuri, N.N. (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">Beat <\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Studie IV f\u00fcr Klavier solo <\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Filippo Gorini (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Italienische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Duisburger Philharmoniker<\/td><td class=\"column-6\">Stefan Blunier<\/td><td class=\"column-7\">Duisburg (Philharmonie Mercatorhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Messe solennelle<\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Bach-Verein K\u00f6ln, G\u00fcrzenichorchester<\/td><td class=\"column-6\">Christoph Siebert<\/td><td class=\"column-7\">K\u00f6ln (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Cl\u00e9op\u00e2tre<\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Antoniette Dennefeld (Sopran), Orchestra di Padova e del Veneto<\/td><td class=\"column-6\">Pierre Dumoussaud<\/td><td class=\"column-7\">Padova (Auditorium Pollini)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Wesendonck-Lieder <\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Alicja Bukowska (Mezzosopran), Elbland Philharmonie Sachsen<\/td><td class=\"column-6\">Hermes Helfricht<\/td><td class=\"column-7\">Pirna (Marienkirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">01.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Nadja Loschky<\/td><td class=\"column-7\">Dresden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Yi-Chen Lin, Regie: Barbara-David Br\u00fcesch<\/td><td class=\"column-7\">St. Gallen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L'Orfeo<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">J\u00f6rg Halubek, Regie: Markus Bothe<\/td><td class=\"column-7\">Schwetzingen (Schwetzinger SWR Festspiele, Schlosstheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Bethel (Zionskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Amor Artis Chamber Choir<\/td><td class=\"column-6\">Ryan James Brandau<\/td><td class=\"column-7\">New York (St. Patrick\u2019s Old Cathedral) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\">Wiener Symphoniker<\/td><td class=\"column-6\">Marie Jacquot<\/td><td class=\"column-7\">Wien (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orph\u00e9e et Euridice<\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Edward Ananian Cooper, Regie: Pierre-Andr\u00e9 Weitz<\/td><td class=\"column-7\">Limoges<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">Ludwig van<\/td><td class=\"column-2\">Beethoven<\/td><td class=\"column-3\">Musik zu Goethes Trauerspiel Egmont<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Essener Philharmoniker<\/td><td class=\"column-6\">Dirk Kaftan<\/td><td class=\"column-7\">Essen (Alfried Krupp Saal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Paride ed Helena<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Akademie f\u00fcr Alte Musik<\/td><td class=\"column-6\">Michael Hofstetter<\/td><td class=\"column-7\">Augsburg (Internationale Gluck-Opern-Festspiele)<\/td><td class=\"column-8\">konzertant, 9.5. Bayreuth, 10.5. F\u00fcrth<\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">Francesco<\/td><td class=\"column-2\">Filidei<\/td><td class=\"column-3\">Finito ogni gesto, Esercizio di pazzia I<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">ensemble XXI. jahrhundert<\/td><td class=\"column-6\">Peter Burwik<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Francesco Corti, Regie: Kirill Serebrennikov\u00a0<\/td><td class=\"column-7\">Amsterdam (Stichting Nationale Opera &amp; Ballet)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">saphir und haut Nr. 3 f\u00fcr Sopran und Inside Piano<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">Lisa-Maria Lebitschnis (Sopran), Amelie Warner (Klavier) <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Augsburg (Staatliches Textilmuseum) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Schwanensee<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Svetoslav Borisov, Choreographie: Stefano Giannetti<\/td><td class=\"column-7\">Dessau<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Tonhalle Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Bisatti, Regie: Suzanne Andrade, Barrie Kosky<\/td><td class=\"column-7\">Lille<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Julia Jones, Regie: Robert Carsen<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Ottawa Bach Choir<\/td><td class=\"column-6\">Lisette Canton<\/td><td class=\"column-7\">Ottawa (Knox Presbyterian Church)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Johannes Klumpp, Regie: Nora Krahl<\/td><td class=\"column-7\">Gelsenkirchen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">Ernst<\/td><td class=\"column-2\">Krenek<\/td><td class=\"column-3\">Fl\u00f6tenst\u00fcck neunphasig, f\u00fcr Fl\u00f6te und Klavier <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">\u0153nm . \u0153sterreichisches ensemble fuer neue musik<\/td><td class=\"column-6\">Rupert Huber<\/td><td class=\"column-7\">Salzburg (Schloss Frohnburg)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester<\/td><td class=\"column-6\">Alena Hron<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Das kalte Herz<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Kammerorchester Metzingen<\/td><td class=\"column-6\">Oliver Bensch<\/td><td class=\"column-7\">Metzingen (Stadthalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Orchester Opernhaus Z\u00fcrich<\/td><td class=\"column-6\">Yves Abel<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Alexander Soddy, Regie: Richard Jones<\/td><td class=\"column-7\">London (Royal Opera House)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andreas Spering, Regie: Wolfgang Berthold<\/td><td class=\"column-7\">Brandenburg<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\">Rotterdams Philharmonisch Orkest<\/td><td class=\"column-6\">Jukka-Pekka Saraste<\/td><td class=\"column-7\">Rotterdam (de Doelen)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Deidamia <\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">George Petrou, Regie: George Petrou<\/td><td class=\"column-7\">G\u00f6ttingen (Internationale H\u00e4ndel-Festspiele, Deutsches Theater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Monad\u2019s face f\u00fcr Sopran, Bassklarinette und Violoncello<\/td><td class=\"column-4\">16.05.2026<\/td><td class=\"column-5\">Sara Wiljaars (Sopran), N.N. (Bassklarinette), N.N. (Violoncello)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Hochschule f\u00fcr Musik Hanns Eisler)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">La bianca notte<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\">Klangforum Wien<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Katowice (Katowice Culture Nature Festival, NOSPR Concert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">Emmanuel<\/td><td class=\"column-2\">Chabrier<\/td><td class=\"column-3\">L\u2019Etoile<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Nicolas Kruger, Regie: Matthew Eberhardt<\/td><td class=\"column-7\">Eindhoven (Parktheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">Winfried Zillig: Rosse \/<\/td><td class=\"column-2\">Ruggero Leoncavallo: Pagliacci<\/td><td class=\"column-3\"><\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Mark Rohde, Regie: Roman Hovenbitzer<\/td><td class=\"column-7\">W\u00fcrzburg (Theaterfabrik Blaue Halle)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Le Docteur Miracle<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Anton Legkii, Regie: Claudia Pla\u00dfwich<\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">18.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Cluj-Napoca (Academia Nationala de Muzica Gheorge Dirna)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">20.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Willy Decker<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">Tre duetti con l\u00b4eco<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Ensemble Aventure<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Freiburg (Elisabeth Schneider Stiftung)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die drei kleinen Schweinchen<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Staatsorchester Darmstadt<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\">auch 22.\/23.5.<\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">L\u00e9lio ou Le retour \u00e0 la vie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Helsingborg Symphony Orchestra<\/td><td class=\"column-6\">Maxime Pascal<\/td><td class=\"column-7\">Helsingborg (Konserthus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Vinicius Kattah, Regie: Jiri Herman<\/td><td class=\"column-7\">Bratislava (Nationaltheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">Jean-Philippe<\/td><td class=\"column-2\">Rameau<\/td><td class=\"column-3\">Les Bor\u00e9ades<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">a nocte temporis<\/td><td class=\"column-6\">Reinoud Van Mechelen<\/td><td class=\"column-7\">Dortmund (Orchesterzentrum)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Lieux retrouv\u00e9s<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">RSO Wien<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Fort Worth Symphony Orchestra<\/td><td class=\"column-6\">Robert Spano<\/td><td class=\"column-7\">Fort Worth (Bass Performance Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Dietger Holm, Regie: Magdalena Fuchsberger<\/td><td class=\"column-7\">Heidelberg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Orchestre et ch\u0153ur Op\u00e9ra National de Paris<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Paris (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Zsolt Jank\u00f3, Regie: Mikl\u00f3s H. Vecsei<\/td><td class=\"column-7\">Budapest<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Benjamin Bayl, Regie: Agn\u00e8s Jaoui<\/td><td class=\"column-7\">Montpellier<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-62\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Kirche St. Michael)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-63\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">La Maitrise de Toulouse<\/td><td class=\"column-6\">Mark Opstad<\/td><td class=\"column-7\">Gramat (\u00c9glise Saint-Pierre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-64\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Vlaams Radiokoor, Orkest van de Achttiende eeuw<\/td><td class=\"column-6\">Bart van Reyn<\/td><td class=\"column-7\">Breda (Chasse Theater)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-65\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Prague Symphony Orchestra<\/td><td class=\"column-6\">Tom\u00e1s Netopil<\/td><td class=\"column-7\">Prag (Festival Prager Fr\u00fchling, Obecn\u00ed dum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-66\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">28.05.2026<\/td><td class=\"column-5\">Orchestra del Maggio Musicale Fiorentino<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Florenz (Teatro del Maggio)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-67\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Keren Kagarlitsky, Regie: Wim Vandekeybus<\/td><td class=\"column-7\">Antwerpen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-68\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Elena Salvatierra, Regie: Marta Eguilior<\/td><td class=\"column-7\">Cadiz (Teatro Villamarta)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-69\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">30.05.2026<\/td><td class=\"column-5\">Vocal ensembles\u00a0ardent\u00a0and\u00a0suppl\u00e9ments musicaux<\/td><td class=\"column-6\">Patrick Secchiari, Moritz Achermann<\/td><td class=\"column-7\">Bern (\u00c9glise francaise)<\/td><td class=\"column-8\">auch 31.5.<\/td>\n<\/tr>\n<tr class=\"row-70\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">6. Symphonie<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Tomas Hanus<\/td><td class=\"column-7\">Prag (Gemeindehaus)  <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-71\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Chor des Theater L\u00fcbeck, Philharmonisches Orchester Hansestadt L\u00fcbeck<\/td><td class=\"column-6\">Stefan Vladar<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-72\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo McFall, Regie: Uwe Eric Laufenberg<\/td><td class=\"column-7\">Wiesbaden (Maifestspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-73\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Zweimal Alexander<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Irene Delgado-Jim\u00e9nez, Regie: Anna Bernreitner<\/td><td class=\"column-7\">Wien (Theater an der Wien)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-74\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\">BBC Singer, Ma\u00eetrise de Notre-Dame<\/td><td class=\"column-6\">Sofi Jeannin,\u00a0Henri Chalet<\/td><td class=\"column-7\">Paris (Notre Dame)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-75\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">03.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Equilbey, Regie: Florent Siaud<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-76\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Der Mistk\u00e4fer<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\">Johannes Merz (Erz\u00e4hler), Kammerphilharmonie L\u00fcbeck<\/td><td class=\"column-6\">Emanuel Dantscher<\/td><td class=\"column-7\">L\u00fcbeck (Kolosseum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-77\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Rinaldo<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Hofstetter, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-78\">\n\t<td class=\"column-1\">Jir\u00ed Anton\u00edn (Georg Anton)<\/td><td class=\"column-2\">Benda<\/td><td class=\"column-3\">Medea <\/td><td class=\"column-4\">06.06.2026<\/td><td class=\"column-5\">Doerthe Maria Sandmann (Sprecherin), Barockorchester der Th\u00fcringen Philharmonie Gotha<\/td><td class=\"column-6\">Alexej Barchevitch<\/td><td class=\"column-7\">Eisenach (Landestheater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-79\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Ch\u0153ur de l\u2019Op\u00e9ra de Tours, Orchestre symphonique R\u00e9gion Centre-Val de Loire\/Tours<\/td><td class=\"column-6\">David Jackson<\/td><td class=\"column-7\">Tours (Grand Th\u00e9atre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-80\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">konzertant, auch 12.6. W\u00fcrzburg<\/td>\n<\/tr>\n<tr class=\"row-81\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">10.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Cummings, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-82\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Orquestra de Valencia<\/td><td class=\"column-6\">Francesco Corti, Regie: Beno\u00eet De Leersnyder<\/td><td class=\"column-7\">Valencia<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-83\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">W\u00fcrzburg (Kaisersaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-84\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Aci, Galatea e Polifemo<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Ren\u00e9 Jacobs<\/td><td class=\"column-7\">Halle (Marktkirche) <\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-85\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">David Bates, Regie: Robert Carsen<\/td><td class=\"column-7\">Rouen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-86\">\n\t<td class=\"column-1\">Anders<\/td><td class=\"column-2\">Hillborg<\/td><td class=\"column-3\">Sound Atlas<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">NDR Elbphilharmonie Orchester<\/td><td class=\"column-6\">Ryan Bancroft<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-87\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Claudio Novati, Regie: Felix Schr\u00f6dinger<\/td><td class=\"column-7\">Detmold  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-88\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Tell it or shout f\u00fcr Fl\u00f6te und Harfe<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Elizaveta Birjukova, Fl\u00f6te, Christina Engelke (Harfe)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Jena (K\u00fcnstlerische Abendschule)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-89\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Feldmesse<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\">M\u00fcnchner Philharmoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">M\u00fcnchen (Isarphilharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-90\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Il trionfo del Tempo e del Disinganno<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Simone De Felice, Regie: Katharina Kastening<\/td><td class=\"column-7\">Frankfurt (Bockenheimer Depot)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-91\">\n\t<td class=\"column-1\">Jindrich<\/td><td class=\"column-2\">Feld<\/td><td class=\"column-3\">Konzert f\u00fcr Fl\u00f6te und Orchester<\/td><td class=\"column-4\">15.06.2026<\/td><td class=\"column-5\">Daniela Koch (Fl\u00f6te), Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Konzerthalle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-92\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">17.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo Mc Fall, Regie: Marie-\u00c8ve Signeyrole<\/td><td class=\"column-7\">Wiesbaden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-93\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\">Konzerthausorchester<\/td><td class=\"column-6\">Ivan Fischer<\/td><td class=\"column-7\">Berlin (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-94\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Janis Liepins, Regie: Cordula D\u00e4uper <\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-95\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">G\u00e1bor Hontv\u00e1ri, Regie: Benjamin Prins<\/td><td class=\"column-7\">Sondershausen (Schloss)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-96\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Litanei f\u00fcr Sopran, Bassklarinette und Streichquartett (UA)\/canti della tenebra. F\u00fcnf Lieder f\u00fcr Mezzosopran und Klavier<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Nicholas\u2019 Church of Ireland)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-97\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Royal Liverpool Philharmonic Orchestra<\/td><td class=\"column-6\">Domingo Hindoyan<\/td><td class=\"column-7\">Liverpool (Philharmonic Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-98\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">in mia vita da vuolp f\u00fcr Bariton-Saxophon und Sopran\/Lot\u00f3fagos f\u00fcr Sopran und Kontrabass\/Prophezeiungen f\u00fcr Alt, Kontrabassklarinette und Akkordeon <\/td><td class=\"column-4\">20.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Vincent\u2019s Chapel)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-99\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Susanna<\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Collegium 1704 <\/td><td class=\"column-6\">V\u00e1clav Luks<\/td><td class=\"column-7\">Litomysl (Schlosshof)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-100\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Chelsea Opera Group<\/td><td class=\"column-6\">Paul Wingfield<\/td><td class=\"column-7\">London (Cadogan Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-101\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Klavierkonzert<\/td><td class=\"column-4\">24.06.2026<\/td><td class=\"column-5\">Kirill Gerstein (Klavier), Tonhalle Orchester<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-102\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Rias Kammerchor<\/td><td class=\"column-6\">Peter Dijkstra<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-103\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lidiya Yankovskaya, Regie: Max Webster <\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-104\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">27.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Guggeis, Regie: Andrea Moses<\/td><td class=\"column-7\">Berlin (Staatsoper Unter den Linden)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-105\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leonardo Garcia Alarcon, Regie: Cl\u00e9ment Cogitore<\/td><td class=\"column-7\">Aix-en-Provence (Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-106\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ariodante<\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Beaune (Festival Baroque, Hotel-Dieu)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-107\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix P\u00e4tzold, Regie: Immo Karaman<\/td><td class=\"column-7\">Kiel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-108\">\n\t<td class=\"column-1\">George<\/td><td class=\"column-2\">Benjamin<\/td><td class=\"column-3\">Three Consorts <\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Kent Nagano<\/td><td class=\"column-7\">Kl\u00fctz (Festspiele Mecklenburg-Vorpommern, Schloss Bothmer)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-109\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsche Staatsphilharmonie Rheinland-Pfalz<\/td><td class=\"column-6\">Michael Francis<\/td><td class=\"column-7\">Speyer (Ged\u00e4chtniskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-110\">\n\t<td class=\"column-1\">Giselher<\/td><td class=\"column-2\">Klebe<\/td><td class=\"column-3\">Mignon<\/td><td class=\"column-4\">07.07.2026<\/td><td class=\"column-5\">Detmolder Kammerorchester<\/td><td class=\"column-6\">Stanley Dodds<\/td><td class=\"column-7\">Detmold (Hochschule f\u00fcr Musik) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-111\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">16.07.2026<\/td><td class=\"column-5\">Schleswig-Holstein Festival Orchestra<\/td><td class=\"column-6\">Andrew Manze<\/td><td class=\"column-7\">Elmshorn (Stiftung Schleswig-Holstein Musik Festival)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-112\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">jag die hunde zur\u00fcck!<\/td><td class=\"column-4\">20.07.2026<\/td><td class=\"column-5\">Accademia Musicale Chigiana<\/td><td class=\"column-6\">Lorenzo Donati<\/td><td class=\"column-7\">Siena (Chiesa della Ss. Annunziata)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-113\">\n\t<td class=\"column-1\">Anton\u00edn <\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Petr Popelka, Regie: Martin Kusej <\/td><td class=\"column-7\">M\u00fcnchen (M\u00fcnchner Opernfestspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-114\">\n\t<td class=\"column-1\">Georges <\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen, Fassung 1874<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Fabio Luisi, Regie: Denis Krief<\/td><td class=\"column-7\">Martina Franca (Festival della Valle d\u2019Itria)<\/td><td class=\"column-8\">Szenische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-115\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">29.07.2026<\/td><td class=\"column-5\">Orchestre Symphonique de la Monnaie<\/td><td class=\"column-6\">Alain Altinoglu<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-116\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\">Studierende der Orchesterakademie<\/td><td class=\"column-6\">L\u00fc Jia<\/td><td class=\"column-7\">Lugano (Palazzo dei Congressi)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-117\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Evan Rogister, Regie: David McVicar<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-118\">\n\t<td class=\"column-1\">L'ubica<\/td><td class=\"column-2\">Cekovska<\/td><td class=\"column-3\">Maison de la musique en sept p\u00e9riodes<\/td><td class=\"column-4\">01.08.2026<\/td><td class=\"column-5\">Japan Century Symphony Orchestra<\/td><td class=\"column-6\">Andreas Ottensamer<\/td><td class=\"column-7\">Osaka<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-119\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Le Concert d\u2019Astr\u00e9e<\/td><td class=\"column-6\">Emmanuelle Haim<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-120\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Joana Mallwitz, Regie: Christof Loy<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-121\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXII (wer nur den lieben gott l\u00e4\u00dft walten) f\u00fcr orgel solo<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Angela Metzger (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">M\u00fcnchen (St. Markus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-122\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">K\u00f6nig Karotte<\/td><td class=\"column-4\">09.08.2026<\/td><td class=\"column-5\">Mattias Straub (Erz\u00e4hler), Orchester der Sommeroperette Heldritt<\/td><td class=\"column-6\">Manuel Grund <\/td><td class=\"column-7\">Bad Rodach (Waldb\u00fchne Heldritt)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-123\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">15.08.2026<\/td><td class=\"column-5\">London Symphony Chorus and Orchestra<\/td><td class=\"column-6\">Antonio Pappano<\/td><td class=\"column-7\">London (Proms, Royal Albert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-124\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Orlando Paladino<\/td><td class=\"column-4\">28.08.2026<\/td><td class=\"column-5\">Orfeo Orchestra<\/td><td class=\"column-6\">Gy\u00f6rgy Vashegyi<\/td><td class=\"column-7\">Fert\u00f6d (Haydneum Concerts at Esterh\u00e1zy Palace)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-125\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marie Jacquot, Regie: Tatjana G\u00fcrbaca<\/td><td class=\"column-7\">Kopenhagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-126\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die verlorene Melodie <\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\">Staatskapelle Weimar<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Weimar (Theaterfest)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-127\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie in c-Moll<\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Gewandhausorchester<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-128\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">18.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Sch\u00f6nwandt, Regie: Krzysztof Warlikowski<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-129\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXIII (in te domine speravi) f\u00fcr orgel solo<\/td><td class=\"column-4\">20.09.2026<\/td><td class=\"column-5\">Roman Summereder (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Hannover (Nazarethkirche)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-130\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel VIII (aus tiefer not schrei ich zu dir), choralvorspiel XL (te deum laudamus), choralvorspiel XLVI (morgenglanz der ewigkeit), choralvorspiel LI (kyrie XI, orbis factor) <\/td><td class=\"column-4\">23.09.2026<\/td><td class=\"column-5\">Hansj\u00f6rg Albrecht (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Kathedrale St. Hedwig)<\/td><td class=\"column-8\">Urauff\u00fchrung (choralvorspiel VIII)<\/td>\n<\/tr>\n<tr class=\"row-131\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Mitridate, re di Ponto <\/td><td class=\"column-4\">24.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Frizza, Regie: Claus Guth<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-132\">\n\t<td class=\"column-1\">Fromental<\/td><td class=\"column-2\">Hal\u00e9vy<\/td><td class=\"column-3\">La Juive<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix Bender, Regie: Marco Storman<\/td><td class=\"column-7\">Ulm<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-133\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">09.10.2026<\/td><td class=\"column-5\">Orchestra del Teatro di San Carlo<\/td><td class=\"column-6\">Iv\u00e1n L\u00f3pez-Reynoso<\/td><td class=\"column-7\">Neapel (Teatro di San Carlo)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-134\">\n\t<td class=\"column-1\">Charles<\/td><td class=\"column-2\">Gounod<\/td><td class=\"column-3\">Faust<\/td><td class=\"column-4\">20.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniele Rustioni, Regie: Johannes Erath<\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-135\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-136\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">hr-Sinfonieorchester<\/td><td class=\"column-6\">Michael Wendeberg<\/td><td class=\"column-7\">Frankfurt (hr-Sendesaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-137\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk f\u00fcr Orchester<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Pierre Bleuse<\/td><td class=\"column-7\">Basel (Stadtcasino)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-138\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.11.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Roberto Abbado<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-139\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">06.12.2026<\/td><td class=\"column-5\">Erik Br\u00fcnner (Sprecher), Jugendsinfonieorchester Heinrich-Sch\u00fctz-Konservatorium, Dresdner Philharmonie<\/td><td class=\"column-6\">Milko Kersten<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\">auch 7.12.<\/td>\n<\/tr>\n<tr class=\"row-140\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">17.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Bertrand de Billy, Regie: Lydia Steier<\/td><td class=\"column-7\">Wien (Staatsoper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-141\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Tha\u00efs<\/td><td class=\"column-4\">18.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pierre Dumoussaud, Regie: Olivier Lepelletier-Leeds<\/td><td class=\"column-7\">Li\u00e8ge<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Works<\/span><\/h3><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206286056-37cd7a42-0250\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Stage<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206286056-37cd7a42-0250\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Stage works &#8211; full length<\/p>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07702-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<p>Stage Works &#8211; abbreviated<\/p>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09712-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11026\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09301\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206286092-f289bef4-e7e3\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206286092-f289bef4-e7e3\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09724-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09723-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11040-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07395-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07728-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07391-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09797-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11189-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11745-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ Als Sonderanfertigung bestellbar<\/p>\n<p><strong>Ferne Begegnung<\/strong><br \/>Trois Adieux f\u00fcr Ludwig van B. f\u00fcr Orchester (2018). DBA 700-01<br \/>Streicher (Vl 1, Vl 2, Vla, Vcl, Kb); ad libitum: Fl, Ob, Klar in B, Fg, Hrn in F (einzeln, in Paaren oder chorisch) \/ ca. 6\u20138 Minuten<br \/>Urauff\u00fchrung: Orchesterwettbewerb des Deutschen Musikrats 2019\/2020<\/p>\n<p><a href=\"dorenburg@baerenreiter.com\">Auff\u00fchrungsmaterial k\u00e4uflich (Partitur und Stimmen digital)<\/a><\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206467327-fca2e2e9-177c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206467327-fca2e2e9-177c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11155-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11118-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09780-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11749-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206466771-4b4f0988-492f\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/instruments<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206466771-4b4f0988-492f\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11026\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07492\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07473\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07472\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07465\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>In Vorbereitung<\/p>\n<p><strong>Fl\u00fcgelmacher<\/strong><br \/>f\u00fcr Sopran, Violoncello und Schlagzeug. Text nach Tanja Langer (2016) in Vorbereitung<br \/>Urauff\u00fchrung 11.01.2017, Berlin (Staatsoper Unter den Linden, Werkstatt): Ramina Abdulla-Zad\u00e9 (Sopran), Ulrike Brand (Violoncello), Alexandros Giovanos (Schlagzeug)<\/p>\n<p><strong>Wanting to fly<br \/>\n<\/strong>f\u00fcr Sopran, Violoncello und Schlagzeug (2016)<br \/>Text nach Tanja Langer<br \/>Ramina Abdulla-Zad\u00e9 (Sopran), Ulrike Brand (Violoncello), Alexandros Giovanos (Schlagzeug)<br \/>Urauff\u00fchrung 11.1.2017 Berlin, Staatsoper Unter den Linden\/Schillertheater &#8211; Werkstatt (Atonale III)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206465689-973f1b20-10bf\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal solo w\/piano<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206465689-973f1b20-10bf\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11425D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11005D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09323\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08275\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09346\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07493\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11004\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08276\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<hr \/>\n<p>On request<\/p>\n<p><strong>Botschaften aus dem Turm. Zwei St\u00fccke f\u00fcr Friedrich H.<\/strong><br \/>f\u00fcr Stimme und Klavier (2016), in Vorbereitung<br \/>Urauff\u00fchrung 12. Juni 2016, Stuttgart (St. Matth\u00e4us): Martin Nagy (Stimme) Moira Muschalla (Klavier)<\/p>\n<p><strong>Dreizehn Verwehungen<\/strong><br \/>f\u00fcr Stimme solo (2012). ca. 11\u203230 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 25. Oktober 2012 in Berlin: Katja Guedes, Stimme<\/p>\n<p><strong>Feinstaub<\/strong><br \/>Solo I-IV f\u00fcr Stimme solo (2012). ca. 14 Minuten, in Vorbereitung<br \/>Urauff\u00fchrungen am 8. \/ 15. \/ 22. \/ 29. August 2012 in Kassel (St. Martin): Julia Mihaly (Nr. 1), Matthias Horn (Nr. 2), Rita Balta (Nr. 3), Jonathan de la Paz Zaens (Nr. 4), Stimme<\/p>\n<p><strong>Gehen lassen<\/strong><br \/>Solo I-III f\u00fcr Stimme mit Handpercussion (2012). ca. 12 Minuten, in Vorbereitung<br \/>Urauff\u00fchrungen am 17. Juni \/ 24. Juni \/ 1. August 2012 in Kassel (St. Martin): Traudl Schmaderer, Stimme<\/p>\n<p><strong>kopf hoch lady<\/strong><br \/>f\u00fcr Stimme und Klavier<br \/>Urauff\u00fchrung 01.07.2017 Bad Kissingen (Liederwerkstatt): Kimberley Bottger-Soller (Mezzosopran), Alex Bauni (Klavier)<\/p>\n<p><strong>koy<\/strong><br \/>f\u00fcr Bass-Stimme solo (2006). 5 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 1. September 2007 in Royaumont (Frankreich), Festival Voix-Nouvelles: Andreas Fischer<\/p>\n<p><strong>Sette respiri (Anrufung)<\/strong><br \/>f\u00fcr Stimme solo (oder responsoriale Stimmen), (2017), 4 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung: 15. Oktober 2017, Rom, Evangelische Christuskirche Via Sicilia, in Kooperation mit dem Forum Guardini \u201eDekalog\u201c 2017: Irene Kurka, Stimme<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206465143-6d6b38df-958c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Choir\/Vocal ensemble<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206465143-6d6b38df-958c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11743-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11099D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11098D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08596\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07463\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11027\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09398\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09318\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11155-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09354\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08579\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08274\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ Als Sonderanfertigung bestellbar<\/p>\n<p><strong>licht und namen<\/strong><br \/>Schwebung f\u00fcr 12 Stimmgruppen im Raum (2012\/13). ca. 16 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 23. Juni 2013 Loccum (Festkonzert 850 Jahre Kloster Loccum), Norddeutscher Figuralchor, Leitung: J\u00f6rg Straube (Auftragswerk von Deutschlandfunk K\u00f6ln)<\/p>\n<p><strong>Paintings<\/strong><br \/>f\u00fcr 5-stimmigen Chor (2021), ca. 5 Minuten, BA 11478, in Vorbereitung<br \/>UA: Mainz 03.06.2023, Jubil\u00e4umskonzert 40 Jahre Landesjugendchor Rheinland-Pfalz, Leitung: Jan Schumacher<\/p>\n<p><strong>still in bewegung<\/strong><br \/>Klanghalt f\u00fcr 4 Vokalgruppen im Raum und 3 Schlagzeuger (2022), ca. 18 Minuten, BA 11477<br \/>UA: St. Gallen, 21.04.2022: Vokalensemble St. Gallen, Schlagzeugensemble, Leitung: Katharina Jud<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206464527-d9c910dd-d3e4\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Ensemble<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206464527-d9c910dd-d3e4\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11059-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09799-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09769-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07751-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07391-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206463896-ae08757d-aa68\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Chamber music<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206463896-ae08757d-aa68\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"DBA00700\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11084D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07471\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07466\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08565\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11002\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09350\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07475\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07791\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08566\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09345\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11021\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<hr \/>\n<p>Auf Anfrage<\/p>\n<p><strong>Equal ways of difference<\/strong><br \/>f\u00fcr Violine, Violoncello und Klavier (2011). ca. 15 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 5. Oktober 2011 in Dresden (Festspielhaus Hellerau): elole Klaviertrio, Uta-Maria Lempert, Violine, Matthias Lorenz, Violoncello, Stefan Eder, Klavier<\/p>\n<p><strong>Flugsaaten<\/strong><br \/>f\u00fcr Klarinette, Akkordeon und Streichquartett (2017), 5 Minuten<br \/>Urauff\u00fchrung: XXV. Randspiele Zepernick, St. Annen-Kirche, 6. Juli 2017, Matthias Badczong, Klarinette, Christine Pat\u00e9, Akkordeon, Sonar-Quartett<\/p>\n<p><strong>Inventaire de d\u00e9part<\/strong><br \/>f\u00fcr Akkordeon und Elektronik (2006). 25 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 18. Oktober 2006 in Berlin: Akademie der K\u00fcnste, Margit Kern (Akkordeon), Elektronisches Studio der Akademie der K\u00fcnste Berlin, Klangregie Georg Morawetz und Gerd Rische<\/p>\n<p><strong>More reasons for reality<\/strong><br \/>f\u00fcr Bassfl\u00f6te, Bassklarinette, Violine, Violoncello und Klavier (2011). ca. 13 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 21. Oktober 2011 in Essen (Museum Folkwang): E-Mex Ensemble Dortmund<\/p>\n<p><strong>Peser ses mots<\/strong><br \/>f\u00fcr Kontrabassblockfl\u00f6te\/Bassblockfl\u00f6te, Bassklarinette\/B-Klarinette, Klavier, Schlagzeug, Violoncello und Kontrabass (1997). 12 Minuten. BA 7476, Spielpartitur k\u00e4uflich<br \/>Urauff\u00fchrung am 4. Februar 1998 in M\u00fcnchen, Biennale: Ensemble der Bayerischen Staatsoper<\/p>\n<p><strong>Schwebender Rand mit Verzweigung<\/strong><br \/>f\u00fcr zwei Bassklarinetten oder Klarinetten (2010). 10 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 4. Juli 2010 in Zepernick (Berlin), XVIII. Randspiele Zepernick: Matthias Badczong und Ingolfur Vilhjalmsson (Bassklarinetten)<\/p>\n<p><strong>Selbstlaut (Shortcut f\u00fcr Max)<\/strong><br \/>f\u00fcr Klarinette, Violine und Violoncello (2016). 5 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 16. September 2016 Weiden (Max-Reger-Tage): Wolfgang Meyer, Klarinette, Streicher des Carmina-Quartetts<\/p>\n<p><strong>Scusi<\/strong><br \/>f\u00fcr Tenorblockfl\u00f6te und Klavier (2008). 11 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 19. Oktober 2008 in Hannover: Sprengel-Museum, Ulrike Volkhardt (Tenorblockfl\u00f6te), Susanne Achilles (Klavier)<\/p>\n<p><strong>Secret roots of fusion and fate<\/strong><br \/>f\u00fcr Violine, Kontrabassklarinette, Schlagzeug, Kontrabass, Es-Tuba und Live-Elektronik (2005). 13 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 10. Dezember 2005 in Berlin: Akademie der K\u00fcnste, Kammerensemble Neue Musik Berlin, Georg Morawetz (Elektronik)<\/p>\n<p><strong>Tre acque con ombre<\/strong><br \/>f\u00fcr Violine, Viola, Violoncello, Bassklarinette und Klavier (2013). 11 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 16. Oktober 2013 Mailand, Auditorio San Fedele, (Festival Milano Musica 2013): Ensemble mdi Milano<\/p>\n<p><strong>Write my name<\/strong><br \/>f\u00fcr Orgel und Schlagzeug (2016), in Vorbereitung<br \/>Urauff\u00fchrung 20. Februar 2016, K\u00f6ln (Kunststation St. Peter): Duo Carillon, Armin Sommer (Schlagzeug) und Andreas Hoffmann (Orgel)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206463172-b9e42172-099c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206463172-b9e42172-099c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11421D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11487D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09383\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09319\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07790\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11016\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<hr \/>\n<p>Auf Anfrage \/ In Vorbereitung<\/p>\n<p><strong>Cry<\/strong><br \/>f\u00fcr Violine solo (2009). 14 Minuten, in Vorbereitung<\/p>\n<p><strong>Himmelsspalt<\/strong><br \/>f\u00fcr Orgel (2000\/01). 14 Minuten. BA 8273, in Vorbereitung<br \/>Urauff\u00fchrung am 31. M\u00e4rz 2001 in K\u00f6ln (WDR): Bernhard Haas<\/p>\n<p><strong>Inventaire de d\u00e9part<\/strong><br \/>f\u00fcr Akkordeon und Elektronik (2006). 23 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 18. Oktober 2006 in Berlin: Akademie der K\u00fcnste, Margit Kern (Akkordeon), Elektronisches Studio der Akademie der K\u00fcnste, Klangregie Georg Morawietz und Gerd Rische<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206462306-634faaa3-6226\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Piano<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206462306-634faaa3-6226\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA08272\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09358\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09359\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07462\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ In Vorbereitung<\/p>\n<p><strong>Running circles<\/strong><br \/>f\u00fcr zwei Klaviere und zwei Schlagzeuge (2011). ca. 14 Minuten, in Vorbereitung<br \/>Auftragswerk des Ensemble BerlinPianoPercussion<\/p>\n<p><strong>Schwebende Verse<\/strong><br \/>f\u00fcr Klavier und Schlagzeug (2012). ca. 11 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 13. Januar 2013 in Wien (Konzerthaus): Ensemble Phace Contemporary<\/p>\n<p><strong>Left Luggage. Nachklang f\u00fcr Ludwig Van B.<\/strong><br \/>f\u00fcr Klavier (2015), ca. 5 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 7. September 2015 Bonn \/ Rahmen-Programm des Beethovenfestes 2015, 250 Pieces for Ludwig van Beethoven: Susanne Kessel, Klavier<\/p>\n<p><strong>Ask Him!<\/strong><br \/>f\u00fcr Klavier (2014), 5 Minuten<br \/>Urauff\u00fchrung 19. Juli 2015 Johannesburg \/ S\u00fcdafrika, Sylt Foundation: Jill Richards, Klavier<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206713513-c9512095-4806\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Variable scoring<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206713513-c9512095-4806\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11026\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ In Vorbereitung<\/p>\n<p><strong>Coq-\u00e0-l&#8217;\u00e2ne<\/strong><br \/>f\u00fcr drei oder mehr Spieler von sound producing objects (1997). 4 Minuten. BA 7474, in Vorbereitung<br \/>Urauff\u00fchrung am 22. Mai 1997 in Hannover, Biennale Neue Musik: Ensemble L&#8217;art pour l&#8217;art<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Charlotte Seither\u2019s dialogue opera \u201cFidelio schweigt\u201d<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Leonore is no longer a victim. In \u201cFidelio schweigt\u201d the character who was merely a lover becomes an active subject and in so doing, emancipates herself from the well-known, all-too-familiar subject matter.<\/p>\n<p>Beethoven\u2019s opera \u201cFidelio\u201d is unique on the theatre stage. What had to be established for other operas in the course of their performance history was true for Fidelio from the very beginning: the opera takes place in the here and now. The contradictions of the work, which Beethoven himself battled with, still apply today: the text, the narrative style, the historical theatrical form, the characters, the spoken dialogues \u2013 all these seem to resist a contemporary treatment of the work to the present day, so some stronger leverage has to be found.<\/p>\n<p>\u201cThe victim is the person who does not take the initiative\u201d, says the composer Charlotte Seither on the guiding principle of Leonore, the protagonist in her new stage work \u201cFidelio schweigt\u201d (Fidelio is silent). \u201cTogether with Hermann Schneider, I have put aside precisely what for me restricts the subject matter historically, in order to make space for what interests me \u2013 removing the pressure for women to be victims.<\/p>\n<p>In my work Leonore is no longer a victim. She is no longer just a lover, no longer the adjunct of a man \u2013 she becomes an active subject who, at the end, stands above traditional role models on a level with all the other powerful characters who surround her. Hope indeed remains hollow \u2013 as it does also with Beethoven \u2013 when it is not followed by action. That alone would justify such a work as a theme. As a woman, Leonore steps out of her context and is capable of power in that she acts. Yet in so doing she remains vulnerable. Empathy and power are not ruled out if a person is really capable of action. That is what I am interested in.\u201d<\/p>\n<p>The music theatre work \u201cFidelio schweigt\u201d begins at this interface with Beethoven\u2019s original, a \u201cdialogue opera\u201d as the composer herself describes her music-theatrical form. The many years\u2019 study which Beethoven himself devoted to the subject and the form is simply re-thought here, making the content itself into a transitory object: the work begins with the second act, half of the work is shortened. \u201cWhere action takes place\u201d, says the composer, \u201cunusual interventions also have to be made and seemingly indispensable structures overridden.\u201d The original (Beethoven) and the interpolations (Seither) thus follow each other in a new sequence, thereby opening a separate narrative thread which refers forwards and looks back at the same time: \u201cForm is the present\u201d, says Charlotte Seither: \u201cOnly when we do not know whether the end conceals a new beginning, or the beginning conceals a new end will we continue to do justice to the form of opera today.\u201d<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-3x\"><\/div><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Together with the librettist and director Hermann Schneider, the composer places the emphasis on Leonore, whose disguise as a man in \u201cFidelio schweigt\u201d has become obsolete. Leonore acts, she goes into the world and shapes it. The duplicity of Fidelio \u2013 the model of assuming a male pattern of behaviour \u2013 is thus finally overcome, it is silenced. And in the rest of the narrative, the core of the plot concentrates on the four main characters, whilst subsidiary roles have been omitted. \u201cWhere action takes place, then the familiar must also be let go, one also has to be able to name truth in clear language, even if that is sometimes very direct or can be hurtful\u201d (Charlotte Seither).<\/p>\n<p>\u201cI decided\u201d, says the composer, \u201cto approach Beethoven\u2019s method of composition with a sharp dissecting knife. In so doing I left his music in the original, but made clear vertical cuts into which I inserted my own music. It was important to me that both Beethoven\u2019s original numbers as well as my music largely sounded \u2018pure\u2019, apart from the final conclusion. I rejected quotations, the anecdotal, and any kind of historicising artistic device.\u201d<br \/>At the end of the dialogue opera there are various overwritings, the sound levels cross out each other at ever-shorter distances. \u201cIf you like, the form of the piece is an abstract replica on the discursive thinking in Beethoven\u2019s late works; it therefore ends in the small, the contemporary, expected by no-one, in the here and now and perhaps nevertheless in a very personal form of utopia which continues to drive me on today\u201d (Charlotte Seither).<\/p>\n<p>Stephan Steinmetz\/Charlotte Seither<br \/>(from [t]akte 1\/2024 \u2013 translation: Elizabeth Robinson)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-carousel\">\r\n\t<div class=\"grve-carousel-wrapper\">\r\n\t\t\t<div class=\"grve-carousel-navigation grve-navigation-arrow-1\">\r\n\t\t<div class=\"grve-carousel-buttons\">\r\n\t\t\t<div class=\"grve-carousel-prev\"><div class=\"grve-svg-icon grve-direction-left grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t\t<div class=\"grve-carousel-next\"><div class=\"grve-svg-icon grve-direction-right grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t<div data-items=\"3\" data-items-tablet-landscape=\"2\" data-items-tablet-portrait=\"2\" data-items-mobile=\"1\" data-slider-autoplay=\"yes\" data-pagination=\"yes\" data-slider-loop=\"yes\" data-slider-speed=\"3000\" data-slider-pause=\"no\" data-pagination-speed=\"400\" data-gutter-size=\"40\" class=\"grve-carousel-element grve-blog-carousel grve-blog-columns grve-with-gap grve-classic-carousel\">\r\n\t\t\t<article class=\"grve-carousel-item post-18879 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Appearance versus reality<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Appearance versus reality<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>\u013dubica \u010cekovsk\u00e1\u2018s opera \u201cDorian Gray\u201d in Annaberg-Buchholz\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-31T08:31:38+02:00\">31. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-31T12:50:12+02:00\">31. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18838 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The Swiss composer is composer-in-residence\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-24T14:34:38+01:00\">24. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-24T14:38:11+01:00\">24. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18817 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Three musicians play their way to the top<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Three musicians play their way to the top<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter awards a special prize at the Bach Competition, Leipzig\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-23T13:19:42+01:00\">23. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-23T13:49:14+01:00\">23. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18690 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Pianists at the start of their careers<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Pianists at the start of their careers<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg (Photo: from left to right: Bogdan Dugali\u0107, Elisey Mysin, Anastasiia Kliuchereva, photo: Michael Klimt)    \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-23T10:12:12+01:00\">23. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-23T10:16:00+01:00\">23. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18592 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Young international violin stars<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Young international violin stars<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-16T11:14:59+01:00\">16. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T11:17:52+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18577 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">On the death of Helmuth Rilling<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>On the death of Helmuth Rilling<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>A life with Bach \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-13T08:33:14+01:00\">13. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T07:21:10+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18545 post type-post status-publish format-standard has-post-thumbnail hentry category-complete-edition category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Milestone Reached in Halle<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-29T14:33:29+01:00\">29. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-29T14:37:26+01:00\">29. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18477 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Mourning Peter Hanser-Strecker<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Mourning Peter Hanser-Strecker<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The long-serving publisher and Chief Executive Officer of Schott Music, Peter Hanser-Strecker passed away\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-23T13:12:20+01:00\">23. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-23T14:30:41+01:00\">23. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18433 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Piero Ostali died<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp 512w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-500x500.webp 500w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Piero Ostali died<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>Piero Ostali, Owner and Managing Director of Casa Musicale Sonzogno, has died unexpectedly\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >512<\/span>\r\n\t\t\t   <span itemprop='width' >512<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-09T06:37:43+01:00\">9. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-09T12:48:54+01:00\">9. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18415 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Jonathan Del Mar turns 75<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp 1080w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Jonathan Del Mar turns 75<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>English musicologist and conductor Jonathan Del Mar turns 75. His Beethoven editions opened a new chapter in the service of musical practice.\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1080<\/span>\r\n\t\t\t   <span itemprop='width' >1080<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-07T08:27:22+01:00\">7. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-07T14:00:57+01:00\">7. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n"},"excerpt":{"rendered":"<div class=\"grve-section grve-row-section grve-fullwidth-background grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#707070;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section composer-header grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-5-12 grve-wpb-1715857276604 grve-vertical-position-middle grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-left\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 500px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 150.2%;\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"751\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Seither-500px.webp\" class=\"attachment-full size-full\" alt=\"Portrait picture of Charlotte Seither\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Seither-500px.webp 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Seither-500px.webp 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-7-12 grve-wpb-1715857422252 grve-vertical-position-middle grve-with-bg-transparent grve-align-center\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h1 class=\"grve-element grve-title grve-align-center grve-page-title grve-text-white\"><span>Charlotte Seither<\/span><\/h1><div class=\"grve-element grve-text grve-small-text\">\r\n\t\t\t<p><a href=\"http:\/\/www.charlotteseither.de\" target=\"_blank\" rel=\"noopener\">www.charlotteseither.de<\/a><\/p>\n\r\n\t\t<\/div>\r\n\t<div class=\"grve-empty-space grve-height-1x\"><\/div><div class=\"grve-element grve-image grve-align-center signature-witdh-100\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-svg-thumbnail-wrapper\"><div class=\"grve-svg-thumbnail\"><img decoding=\"async\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Seither_Pfade_weiss.svg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Seither_Pfade_weiss.svg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Seither_Pfade_weiss.svg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-4x grve-padding-bottom-4x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Biography<\/span><\/h2><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\nCharlotte Seither was born in Landau\/Palatinate in 1965 and studied composition, piano, German studies and musicology in Hanover and Berlin. In 1998 she received her doctorate in philosophy. She has received numerous prizes and awards, including first prize in the international composition competition &#8220;Prague Spring&#8221; (1995), the sponsorship prize of the Ernst von Siemens Music Foundation (2003), first prize in the international composition competition &#8220;Premi International Ciutat de Palma&#8221; (2004 ), the Praetorius Music Prize of the State of Lower Saxony in 2010, the Palatinate Music Prize in 2012 and the German Music Author Prize in the category of contemporary choral music in 2014. at the Cit\u00e9 des Arts Paris (1999), at the Palazzo Barbarigo Venice (1993), at the Villa Aurora Los Angeles (2000) and in 2009 at the Villa Massimo Rome. In 2013 she received a scholarship from the Villa Concordia Bamberg. After a guest professorship at the Bremen University of the Arts (2002), she continued to work there as a lecturer in contemporary music, followed by other teaching assignments and professorships, including the professorship for composition at the Munich University of Music and Theater in 2021. Her works are performed at numerous festivals, e.g. with BBC Symphony Orchestra London, Czech Radio Symphony Orchestra Prague, ASKO Kamerkoor, IFWM Festival Seoul, GRAME Festival Lyon, Nuova Consonanza Rome, LACMA Los Angeles and GAUDEAMUS Amsterdam. She is a member of the GEMA Supervisory Board, GEMA Foundation Advisory Board, Bogliasco Foundation Fellow Advisory Council \/ Italy, Board of Directors of the German Composers Association (DKV), she has been Chairwoman of the Music Advisory Board of the Guardini Foundation Berlin since 2021 and a member of the INMM Darmstadt Board of Directors. She was a jury member most recently: Paul Abraham Composition Prize for contemporary music theater, Music Prize Saxony-Anhalt 2022, Concorso Internazionale di Composizione per Orchestra &#8220;2 Agosto&#8221; di Bologna 2022, New Start Culture I &#8211; support program of the German Music Council, New Start Culture II &#8211; support program of the German Music Council, New Culture III \u2013 support program of the German Music Council, German Music Competition for Composition, support program for repertoire education of the State Music Council of North Rhine-Westphalia, EZM support for orchestral music of the German Music Council.<\/p>\n<p>In 2021, the world premieres of &#8220;fragend licht&#8221; (2021) for 8-part chamber choir and two cellos, anniversary concert for Sophie Scholl&#8217;s 100th birthday, Ensemble Vocantare Berlin, conductor: Tobias Walenciak, and of &#8220;Ferne Begegnung. Trois Adieux f\u00fcr Ludwig from B.&#8221; (2018) for chamber orchestra, German Orchestra Competition Bonn 2020\/21, prize-winning orchestra of the competition (corona-related catch-up competition online). In 2022, among other things, &#8220;Sisters&#8221; (2022) for violin, violoncello and piano, a work commissioned by Rundfunk Berlin Brandenburg for the Deutsches Symphonie Orchester, was premiered and in the 2023\/24 season of the Musiktheater im Revier Gelsenkirchen the premiere of the stage work &#8220;Fidelio Schweigt. Dialog- opera&#8221; will take place.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#e8ede8;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vita<\/h3><\/div><div class=\"grve-accordion-content biographie\" id=\"1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-seither-en-no-3\" class=\"tablepress tablepress-id-seither-en two-column-table\">\n<tbody>\n<tr class=\"row-1\">\n\t<td class=\"column-1\">1965<\/td><td class=\"column-2\">Born in Landau (Rhineland-Palatinate, Germany) on 31 August<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">1985-1994<\/td><td class=\"column-2\">Studied composition (with Frank-Michael Beyer, Friedrich Goldmann and Aribert Reimann),  piano, musicology and German language and  literature in Hanover and Berlin<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">1988-1991<\/td><td class=\"column-2\">Scholarship awarded by the Studienstiftung  des deutschen Volkes (German National  Academic Foundation)<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">1989<\/td><td class=\"column-2\">Award from the Minister of Culture of Lower  Saxony for outstanding achievements at the  Hochschule f\u00fcr Musik und Theater Hanover<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">1990<\/td><td class=\"column-2\">Musica Viva scholarship from the city of  Pforzheim, attended master class with Isang Yun<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">1992<\/td><td class=\"column-2\">Young talent scholarship from the Ministry of  Science and Culture, Lower Saxony<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">1993<\/td><td class=\"column-2\">Artist\u2019s scholarship for three months at the  Deutsches Studienzentrum in Venice (Palazzo Barbarigo della Terrazza)<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">1994<\/td><td class=\"column-2\">First prize in the G\u00f6ttingen Symphony Orchestra  Composition Competition for Hors d\u2019automne<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">1995<\/td><td class=\"column-2\">First prize in the Prague Spring International  Composition Competition for objet diaphane, Artist\u2019s scholarship for nine months at the Schloss Solitude Academy in Stuttgart, Composition scholarship from the Wilfried  Steinbrenner Foundation in Berlin<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">1995\/96<\/td><td class=\"column-2\">Artist\u2019s scholarship for nine months at the  Schreyahn artists\u2019 retreat in Lower Saxony<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">1998<\/td><td class=\"column-2\">Awarded Doctor of Philosophy following studies with Rudolf Stephan<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">1999<\/td><td class=\"column-2\">Artist\u2019s scholarship from Cit\u00e9 Internationale des Arts (Paris), six month stay<br>Invitation from the Goethe Institute Lisbon, portrait concert, guest lecture at the  Universidad Cat\u00f3lica<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">1999-2008<\/td><td class=\"column-2\">Lectureship in new music \/ experimental  performance at Otto von Guericke University, Magdeburg<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">2000<\/td><td class=\"column-2\">Franz Liszt composition scholarship from the  Weimar City of Culture, four month stay<br>Artist\u2019s scholarship for three months at the  Villa Aurora, Los Angeles<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">2000-2006<\/td><td class=\"column-2\">Lectureship in musicology at the Freie Universit\u00e4t Berlin<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">2001<\/td><td class=\"column-2\">Portrait CD issued by Wergo in Deutscher Musikrat\u2019s \u201cContemporary Music Edition\u201d series<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">2002<\/td><td class=\"column-2\">Visiting professor of composition at the  University of the Arts Bremen (interim professor deputising for Younghi Pagh-Paan for a semester), Composition prize from the Ernst von Siemens  Music Foundation, Munich<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">2003-2010<\/td><td class=\"column-2\">Lectureship in the history and aesthetics of new music at the University of the Arts Bremen<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">2003<\/td><td class=\"column-2\">Artist\u2019s scholarship at Schloss Weikersheim, six month stay<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">2004<\/td><td class=\"column-2\">1st prize in the International Composition  Competition Premi Internacional de Composicio Ciutat de Palma (Paires d\u2019alternances), Composition Prize from the Berliner Cappella choir, 2004 (Hora)     <\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">2005<\/td><td class=\"column-2\">Composer\u2019s scholarship for electronic music at  the Academy of Arts in Berlin, Special prize CLASH! \/ Musik der Jahrhunderte Stuttgart, chosen for the ISCM World New Music Festival Stuttgart 2006<br>Jury member at the Villa Aurora Los Angeles \/  Berlin<\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">2006<\/td><td class=\"column-2\">Invitation from the Goethe Institute Tashkent, Uzbekistan in collaboration with the Ensemble Omnibus Tashkent, lectures\/masterclass at  the State Conservatory Tashkent<br>Composer\u2019s scholarship KunstRaum Sylt, one month stay<\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">2007<\/td><td class=\"column-2\">Zonta Women\u2019s Composer Prize, Composer\u2019s scholarship KunstRaum Sylt, one  month stay<br>Jury member for the composition competition of Klangwerktage Hamburg, and since 2007  of the composition competition run by the  Berliner Cappella<\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">2008<\/td><td class=\"column-2\">Invitation from the Goethe Institute Santiago  de Chile \/ Encuentro Internacional de Compositores Santiago, lectures\/masterclass  at the Universidad Cat\u00f3lica<br>Composer in Residence at the University of  Witten-Herdecke<bR>Return Fellow at the Schloss Solitude Academy in Stuttgart, one month stay<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">2009<\/td><td class=\"column-2\">Scholarship awarded by the German Minister of Culture for a one-year stay at the German Academy Rome, Villa Massimo<br>Composer of the Month (for September) at  the Pytheas Music Center for Contemporary  Music USA<br>Jury member at the Deutscher Musikwettbewerb \/ Deutscher Musikrat, the international composition competition Ensemblia M\u00f6nchengladbach and the composition competition of the Music Teachers Association Bremen<\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">2010<\/td><td class=\"column-2\">Praetorius Musikpreis of the State of Lower  Saxony 2010 for composition<br>Nomination for the Deutscher Musikautorenpreis 2010<br>Jury member at the Deutscher Musikwettbewerb \/ Deutscher Musikrat<\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">2013<\/td><td class=\"column-2\">Bavarian State scholarship from the Internationales K\u00fcnstlerhaus Villa Concordia in Bamberg.<\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">2014<\/td><td class=\"column-2\">Deutscher Musikautorenpreis 2014, Category Contemporary Choir Music<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">2016<\/td><td class=\"column-2\">member of the GEMA Supervisory Board, Bogliasco Foundation Fellow Advisory Council \/ Italy, Board of the GEMA Foundation, Board of the German Composers Society (Deutscher Komponistenverband).<\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">2021 <\/td><td class=\"column-2\">Ordinary member of the European Academy of Sciences and Arts Salzburg (EASA)<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Performances at many international festivals:<bR>Generations Festival Warsaw, Gaudeamus Amsterdam, GAIDA Festival Lithuania, Grame Festival Lyon, Nuova Consonanza Rome,  IFWM Seoul, Schleswig Holstein Music Festival, Lacma Los Angeles, 5th International Youth Music Forum Kiev, Arsenale Musica Pisa, Muzica contemporanea Bucharest, Prague Spring Festival, Pozna\u0144 Musical Spring, ISCM World Music Festival Stuttgart, Viitasari Finland, Voix Nouvelles Royaumont and at the Goethe Institute in Tashkent, Santiago de Chile, Buenos Aires, Salvador Bahia, Montevideo, Sao Paulo, Caracas, Lisbon, etc.<\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Further performances by the BBC Symphony Orchestra, Berlin Philharmonic, Czech Radio Symphony Orchestra Prague, BBC Singers, ASKO Kamerkoor, Ensemble Modern, Neue Vocalsolisten Stuttgart, VocaalLab Amsterdam, Accroche Note Strasbourg, Musikfabrik NRW, L\u2019Arsenale Treviso, Dumas Amsterdam etc.<\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Portrait programmes on Deutschlandfunk, Bayerischer Rundfunk, Mitteldeutscher Rundfunk, Saarl\u00e4ndischer Rundfunk and RBB Berlin as well as numerous broadcasts in Germany and abroad. <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718344800219-292ef3bb-723c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Quotations<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1718344800219-292ef3bb-723c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\n\u201cIt&#8217;s a kind of hubris that fascinates me, this buzzing that comes from unequal things, where the barely perceivable breaks down further and further and branches out into the interior. Viewed in this light, I need less and less material to obtain a more and more sophisticated language. The more I subdivide the material, the more it coalesces.\u201d<br \/><em>Charlotte Seither, 1998<\/em><\/p>\n<p>\u201eHer music has a fragile sensitivity. Reducing her compositional means to the utmost minimum, she tries to make silence audible and the vibrations in the interior of sounds and structures palpable to the senses &#8230; The quintessence of her music lies precisely in the way it eavesdrops on vibrations beyond the perceptible and intelligible. That is the source of its strength and originality.\u201c<br \/><em>Aribert Reimann, laudatory address on awarding Charlotte Seither the Wilfried Steinbrenner Scholarship, Berlin, 1995<\/em><\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718344868836-d54ebcaf-979f\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Writings<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1718344868836-d54ebcaf-979f\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p><strong>Books<\/strong><\/p>\n<p>Charlotte Seither: Dissoziation als Prozess. Sincronie for string quartet von Luciano Berio<br \/>Kassel: B\u00e4renreiter 2000<\/p>\n<p>Charlotte Seither (Hrg.): Tacet. Non tacet. Festschrift f\u00fcr Peter Becker zum 70. Geburtstag<br \/>Saarbr\u00fccken 2004<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Essays<\/strong><\/p>\n<p>\u201e\u2026da\u00df nichts an sich jemals vollendet ist\u201c. \u00dcber Musik und Stille. In: Musik und Kirche 5\/1998, 307ff.<\/p>\n<p>\u201eOper, deine Lust &#8230;\u201c. In: Die Deutsche B\u00fchne 12\/1999, 28f.<\/p>\n<p>\u201e&#8230; h\u00e4uten, furchen, den Nerv blo\u00dflegen. Der Komponist Wolfgang Rihm\u201c. In: Programmheft zum Konzert der Hannoverschen Gesellschaft f\u00fcr Neue Musik vom 16.2.2000<\/p>\n<p>\u201eMusik \u2013 eine klingende Predigt?\u201c Komponisten beantworten zwei Fragen. Statement. In: Musik und Kirche 6\/2000, 394<\/p>\n<p>Aribert Reimann: Requiem. In: Oratorienf\u00fchrer, Metzler\/B\u00e4ren-reiter (2000), ISBN 978-3-7618-2012-4, 558f.<\/p>\n<p>&#8230; l&#8217;unit\u00e9 dans la diversite. Das Pastiche bei Luciano Berio. In: Programmheft der Salzburger Festspiele zur Produktion von Turandot von Puccini in der Vervollst\u00e4ndigung durch Luciano Berio, August 2002, 73-77<\/p>\n<p>Gl\u00fcckes genug (?). Man kann den Krug, doch nicht den Brunnen tauschen. Zur fr\u00fchen Lust am Klavier. In: Anf\u00e4nge. Erinnerungen zeitgen\u00f6ssischer Komponistinnen und Komponisten an ihren fr\u00fchen Instrumentalunterricht, hrsg. v. Marion Saxer, Hofheim: Wolke 2003, 166-169<\/p>\n<p>&#8230; erst die Leere zwischen den Speichen macht das Rad brauchbar. Anmerkungen zu John Cage oder Vom freien Fall. In: Cage und die Zukunft der K\u00fcnste, Bericht zum Symposium vom 10.-11.2.2002 in Bremen (= Einw\u00fcrfe. Schriftenreihe der Hochschule f\u00fcr K\u00fcnste Bremen), hrsg. v. Peter Rautmann und Nicolas Scholz, Bremen 2003, 62-69<\/p>\n<p>Tacet. Non Tacet. John Cage. 4\u201933\u201d. In: Charlotte Seither (Hrsg.): Tacet. Non tacet. Festschrift f\u00fcr Peter Becker zum 70. Geburtstag, Saarbr\u00fccken 2004, 58-63<\/p>\n<p>Bach. In: Johann Sebastian Bach und die Gegenwart, Beitr\u00e4ge zur Bach-Rezeption 1945-2005, hrsg. v. Michael Heinemann und Hans-Joachim Hinrichsen, K\u00f6ln: Dohr 2006, s.p.<\/p>\n<p>Aufspalten und hineinschauen. Zur Konstruktivit\u00e4t des Zerlegens im kompositorischen Prozess. In: Musik \u2013 Technik \u2013 Philosophie. Fragen und Positionen. Hrsg. v. Christoph L\u00fctge und Torsten Levi Meyer, Freiburg i.Br.\/M\u00fcnchen, Karl Alber 2005, 168-183<\/p>\n<p>Das Requiem bei Aribert Reimann. Anmerkungen zu Wolkenloses Christfest und Requiem. In: MusikKonzepte, Heft Aribert Reimann, hrsg. v. Ulrich Tadday, M\u00fcnchen 2008, 24-42<\/p>\n<p>Zum operativen Denken im Arbeitsprozess mit Elektronischer Musik. In: KunstMusik. Schriften zur Musik als Kunst, Heft 11, Herbst 2008, 36-40<\/p>\n<p>\u00dcber das H\u00f6ren. In: Um klarer zu sehen. Festschrift f\u00fcr Horst Ruprecht zum 80. Geburtstag. Hrsg. v. Peter Becker, Hannover 2003, 71-76<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Download scores<\/h3><\/div><div class=\"grve-accordion-content downloads\" id=\"1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11040_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">F\u00fcnf St\u00fccke um den Fluss zu queren f\u00fcr Orchester (2012) BA 11040-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11118_Partitur.pdf\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Language of Leaving for orchestra and 12 groups of voices (2012\/13) BA 11118-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11745_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">zu welcher Stunde f\u00fcr Kammerorchester (2022) BA 11745-72<\/h4><\/div><\/a><\/div><\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715857809324-89faa186-31c9\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Bibliography<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1715857809324-89faa186-31c9\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p><strong>Encyclopedia entries<\/strong><\/p>\n<p>Christa Br\u00fcstle: Charlotte Seither. In: Die Musik in Geschichte und Gegenwart. Zweite, neu bearbeitete Ausgabe, Personenteil Band 15, Kassel 2006, Spalten 542-543<\/p>\n<p>Peter Becker: Charlotte Seither. In: Komponisten der Gegenwart, Edition Text &amp; Kritik, M\u00fcnchen 1992ff, 35. Nachlieferung 11\/2007<\/p>\n<p>Christa Br\u00fcstle: Charlotte Seither. In: Lexikon Musik und Gender, hrsg. v. Annette Kreutziger-Herr und Melanie Unseld. B\u00e4renreiter\/Metzler, Kassel 2010, 466f<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong>Essays<\/strong><\/p>\n<p>Brigitta Weber: Im Blickpunkt: Charlotte Seither. In: Noten und Notizen. Zeitschrift der Hannoverschen Gesellschaft f\u00fcr Neue Musik, Hannover 1994, 15f.<\/p>\n<p>G\u00fcnter G\u00f6rtz: Charlotte Seither. In: Neues Deutschland, 8. August 1995<\/p>\n<p>Michael Sch\u00e4fer: Mit optimistischem Blick in die Zukunft. Charlotte Seither. In: G\u00f6ttinger Tageblatt, 27.4.1995<\/p>\n<p>J\u00fcrgen Otten: Takt f\u00fcr Takt nach vorn. Die Komponistin Charlotte Seither. In: Berliner Zeitung, 24.8.1995<\/p>\n<p>Roswitha Sperber (Hrsg): Komponistinnen in Deutschland. Hrsg von Inter Nationes, in Zusammenarbeit mit dem Kulturinstitut Komponistinnen, Bonn 1996, 75<\/p>\n<p>Christian Esch: Portr\u00e4t Charlotte Seither. In: Takte 1\/1996, B\u00e4renreiter, Kassel, 9f.<\/p>\n<p>Karl Georg Berg: Die Einheit von Augenblick und Proze\u00df. Ein Portr\u00e4t der Komponistin Charlotte Seither. In: Vivavoce Nr. 41\/97, Frau und Musik, Internationaler Arbeitskreis e.V., Kassel 1997, 18f.<\/p>\n<p>Michael Lohse: \u201eImmer wieder das Verbotene tun.\u201c Ein Gespr\u00e4ch mit der Komponistin Charlotte Seither. In: pressTo 1997, Heft 19 (Juni), 14f.<\/p>\n<p>Sointu Scharenberg: \u201e&#8230; es gibt kein Fangnetz.\u201c Komponistengespr\u00e4ch Charlotte Seither mit Hans B\u00e4\u00dfler. In: Werte-Wandel. Musikunterricht in neuer Orientierung. Kongressbericht zur 21. Bundesschulmusikwoche Rostock. Hrsg von Dieter Zimmerschied, Mainz 1997, 104ff.<\/p>\n<p>Reinhard Schulz: Der aufgespli\u00dfte Klang. Klangspuren-Konzert der Komponistin Charlotte Seither. In: NMZ 5\/1998, 31<\/p>\n<p>Frank K\u00e4mpfer: uniformiert androgyn. charlotte seithers \u00bbanderes\/selbst\u00ab in der bundeskunsthalle Bonn. In: NZ 4\/2000, 69<\/p>\n<p>Juan Maria Solare: Charlotte Seither, Dissoziation als Proze\u00df. Berio come Maestro. In: Doce notas, Heft 23, Oktober 2000<\/p>\n<p>Adelheid Krause-Pichler: Musik als wahrnehmbare Stille. Charlotte Seither im Siemens-Forum. In: NMZ 4\/2001, Berliner Seiten<\/p>\n<p>Michael T\u00f6pel: Das Orchester als Hochofen. Charlotte Seither \u00fcber gro\u00dfe und kleine Besetzungen anl\u00e4sslich der Verleihung des 6. Premi Internacional de Composici\u00f3 \u201eCiutat de Palma\u201c an die Komponistin. In: Takte 2\/2004, B\u00e4renreiter, Kassel 6f<\/p>\n<p>Christiane Franke: Atmen in Kl\u00e4ngen. Charlotte Seither im Portrait. In: Neue Chorzeit, M\u00e4rz 2008, 12f<\/p>\n<p>Marie Luise Maintz: Schatten und Wahrheit. Charlotte Seithers neues Orchesterst\u00fcck [Essay on Shadow and Truth] f\u00fcr London und Krefeld. In: Takte 1\/2008, B\u00e4renreiter, Kassel, 18<\/p>\n<p>Daniela Philippi: Kontrast und Wiederkehr. Himmelsspalt von Charlotte Seither. Neue Orgelmusik zu Beginn des 21. Jahrhunderts. In: Musik und Kirche 4\/2009, 245-246<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715926842723-5a976b04-5722\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Discography<\/h3><\/div><div class=\"grve-accordion-content diskographie\" id=\"1715926842723-5a976b04-5722\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p><strong>Portrait-CD<\/strong><\/p>\n<p>Champl\u00e8ve \u00b7 Sieben Verlautbarungen \u00b7 Kammersinfonie \u201eobjet diaphane\u201c \u00b7 Waters, earth and air I \u00b7 Klang und Schwebung \u00b7 Waters, earth and air II \u00b7 Alleanza d&#8217;archi \u00b7 Peser ses mots<\/p>\n<p>Diverse Solisten\/Ensembles. Auf: Edition Zeitgen\u00f6ssische Musik. Hrsg Deutscher Musikrat. 2001. WERGO 65482<\/p>\n<p><strong>Weitere Werke<\/strong><\/p>\n<p>Coq-\u00e0-l&#8217;\u00e2ne<br \/>Ensemble L&#8217;art pour l&#8217;art, Hamburg. Auf: Musik um uns.<br \/>CD zum Schulbuch-Erg\u00e4nzungsheft Komponistinnen.<br \/>Hrsg von Vera Funk, Metzler-Verlag, Stuttgart<\/p>\n<p>Dir, mir zu (2001)<br \/>f\u00fcr Mezzosopran und Klavier. Liat Himmelheber, Mezzosopran; Moritz Eggert, Klavier. Auf: Neue Dichter lieben, A-Devantgarde Festival 2001, amphion records, LC 11117<\/p>\n<p>Echoes, edges<br \/>Stanislav Unland-Boianov, Klavier. Auf: CD Bremer Klavierwettbewerb 2001, Dokumentation, hrsg. v. Landesmusikrat Bremen\/Radio Bremen<\/p>\n<p>Einlass und Wiederkehr (Ausschnitt)<br \/>Isabelle Vilmar (Sopran), Stefan Paul (Klavier). Auf: CD-Dokumentation, Universit\u00e4t der K\u00fcnste, Europ\u00e4isches Liedforum Berlin 2006<\/p>\n<p>Flow<br \/>Ensemble Ear Unit Los Angeles. Auf: WERGO \/ Artist, Villa Aurora. Berlin meets Los Angeles, LC 13459<\/p>\n<p>Herzfalter<br \/>Marcus Ullmann (Tenor) und Michael Wendeberg (Klavier)<br \/>Auf: CD Lied:Strahl. Der Deutsche Pavillon\/EXPO 2000 Hannover. LC 00581<\/p>\n<p>Herzform, Krater<br \/>Solorecital Margit Kern, Akkordeon. Auf: \u201eHeart\u201c, Edition Zeitklang, LC 00581<\/p>\n<p>Kammersinfonie \u201eobjet diaphane\u201c (Ausschnitt)<br \/>\u2013 Prager Kammerorchester (Live-Mitschnitt der Generalprobe vom 29. Mai 1995 im Rudolfinum Prag). Auf: Komponistinnen in Deutschland, CD zur Brosch\u00fcre. Hrsg von Inter Nationes, IN 01.96<br \/>\u2013 Berliner Philharmoniker, Leitung Gernot Schulz. Auf: CrossCut Edition, 20 Jahre \u201eEdition Zeitgen\u00f6ssische Musik\u201c des Deutschen Musikrats, WERGO 65992<\/p>\n<p>Klang und Schwebung<br \/>Sven Thomas Kiebler (Klavier). SurPlus live auf Solitude.<br \/>Edition Solitude\/Animato, LG 5187<\/p>\n<p>Monad&#8217;s face<br \/>\u2013 Ensemble Accroche Note Strasbourg. Auf: Dresdner Tage der zeitgen\u00f6ssischen Musik 1997\/1998. Hrsg vom Dresdner Zentrum f\u00fcr Zeitgen\u00f6ssische Musik\/MDR, S\u00e4chsische Tontr\u00e4ger, LC 09930<br \/>\u2013 Ensemble Accroche Note Strasbourg. Auf: CD Deutscher Musikrat, \u201eMusik in Deutschland\u201c, Volume \u201eVokale Kammermusik\/Solo und Ensemble 1970-2000\u201c, LC 00316<\/p>\n<p>Scusi<br \/>Ulrike Volkhardt (Tenorblockfl\u00f6te), Susanne Achilles (Klavier).<br \/>Auf: CD \u201eNovember Music 2008\u201c, Festival der Folkwang Universit\u00e4t Essen, ICEM<\/p>\n<p>Sieben Verlautbarungen (Nr. 1-5)<br \/>Gabriel Urrutia (Bariton), Stefan Paul (Klavier). Auf: CD Universit\u00e4t der K\u00fcnste 1. Liedforum Berlin 2005, Dokumentation<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><div class=\"grve-empty-space grve-height-2x\"><\/div><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Performances<\/span><\/h3><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-2-no-3\" class=\"tablepress tablepress-id-2 brv-termine tablepress-responsive tablepress-responsive-stack-headers tablepress-responsive-stack-tablet\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">composer_first_name<\/th><th class=\"column-2\">composer_last_name<\/th><th class=\"column-3\">title<\/th><th class=\"column-4\">date<\/th><th class=\"column-5\">orchestra<\/th><th class=\"column-6\">conductor<\/th><th class=\"column-7\">location<\/th><th class=\"column-8\">special<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">National Philharmonic Orchestra<\/td><td class=\"column-6\">Cornelius Meister<\/td><td class=\"column-7\">Warschau (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Violin Concerto<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Ilya Gringolts (Violine), Staatsorchester Rheinische Philharmonie<\/td><td class=\"column-6\">Anu Tali<\/td><td class=\"column-7\">Koblenz (Rhein-Mosel-Halle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Der Messias <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester &amp; Rundfunkchor<\/td><td class=\"column-6\">Dennis Russell Davies<\/td><td class=\"column-7\">Erfurt (Theater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Piano Concerto No. 2<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Francesco Piemontesi (Klavier), Symphonieorchester des Bayerischen Rundfunks<\/td><td class=\"column-6\">Enno Poppe<\/td><td class=\"column-7\">M\u00fcnchen (Residenz)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Emily Senturia, Regie: Haley Stamats<\/td><td class=\"column-7\">Madison (Overture Hall)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">2. Symphonie<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Dresdner Philharmonie<\/td><td class=\"column-6\">Christoph Eschenbach<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Echoes of O\u2019s<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Ensemble Lux NM<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wiesbaden (Art.Ist-Galerie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\">Orchester des Staatstheaters Darmstadt<\/td><td class=\"column-6\">Marc Albrecht<\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L\u2019incoronazione di Poppea<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lars Ulrik Mortensen, Regie: Christoph Marthaler<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marc Minkowski, Regie: Damiano Michieletto<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">La navigazione notturna<\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Marino Formenti, Alfredo Ovalles, Luca Lavuri, N.N. (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">Beat <\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Studie IV f\u00fcr Klavier solo <\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Filippo Gorini (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Italienische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Duisburger Philharmoniker<\/td><td class=\"column-6\">Stefan Blunier<\/td><td class=\"column-7\">Duisburg (Philharmonie Mercatorhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Messe solennelle<\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Bach-Verein K\u00f6ln, G\u00fcrzenichorchester<\/td><td class=\"column-6\">Christoph Siebert<\/td><td class=\"column-7\">K\u00f6ln (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Cl\u00e9op\u00e2tre<\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Antoniette Dennefeld (Sopran), Orchestra di Padova e del Veneto<\/td><td class=\"column-6\">Pierre Dumoussaud<\/td><td class=\"column-7\">Padova (Auditorium Pollini)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Wesendonck-Lieder <\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Alicja Bukowska (Mezzosopran), Elbland Philharmonie Sachsen<\/td><td class=\"column-6\">Hermes Helfricht<\/td><td class=\"column-7\">Pirna (Marienkirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">01.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Nadja Loschky<\/td><td class=\"column-7\">Dresden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Yi-Chen Lin, Regie: Barbara-David Br\u00fcesch<\/td><td class=\"column-7\">St. Gallen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L'Orfeo<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">J\u00f6rg Halubek, Regie: Markus Bothe<\/td><td class=\"column-7\">Schwetzingen (Schwetzinger SWR Festspiele, Schlosstheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Bethel (Zionskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Amor Artis Chamber Choir<\/td><td class=\"column-6\">Ryan James Brandau<\/td><td class=\"column-7\">New York (St. Patrick\u2019s Old Cathedral) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\">Wiener Symphoniker<\/td><td class=\"column-6\">Marie Jacquot<\/td><td class=\"column-7\">Wien (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orph\u00e9e et Euridice<\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Edward Ananian Cooper, Regie: Pierre-Andr\u00e9 Weitz<\/td><td class=\"column-7\">Limoges<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">Ludwig van<\/td><td class=\"column-2\">Beethoven<\/td><td class=\"column-3\">Musik zu Goethes Trauerspiel Egmont<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Essener Philharmoniker<\/td><td class=\"column-6\">Dirk Kaftan<\/td><td class=\"column-7\">Essen (Alfried Krupp Saal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Paride ed Helena<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Akademie f\u00fcr Alte Musik<\/td><td class=\"column-6\">Michael Hofstetter<\/td><td class=\"column-7\">Augsburg (Internationale Gluck-Opern-Festspiele)<\/td><td class=\"column-8\">konzertant, 9.5. Bayreuth, 10.5. F\u00fcrth<\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">Francesco<\/td><td class=\"column-2\">Filidei<\/td><td class=\"column-3\">Finito ogni gesto, Esercizio di pazzia I<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">ensemble XXI. jahrhundert<\/td><td class=\"column-6\">Peter Burwik<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Francesco Corti, Regie: Kirill Serebrennikov\u00a0<\/td><td class=\"column-7\">Amsterdam (Stichting Nationale Opera &amp; Ballet)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">saphir und haut Nr. 3 f\u00fcr Sopran und Inside Piano<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">Lisa-Maria Lebitschnis (Sopran), Amelie Warner (Klavier) <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Augsburg (Staatliches Textilmuseum) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Schwanensee<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Svetoslav Borisov, Choreographie: Stefano Giannetti<\/td><td class=\"column-7\">Dessau<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Tonhalle Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Bisatti, Regie: Suzanne Andrade, Barrie Kosky<\/td><td class=\"column-7\">Lille<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Julia Jones, Regie: Robert Carsen<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Ottawa Bach Choir<\/td><td class=\"column-6\">Lisette Canton<\/td><td class=\"column-7\">Ottawa (Knox Presbyterian Church)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Johannes Klumpp, Regie: Nora Krahl<\/td><td class=\"column-7\">Gelsenkirchen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">Ernst<\/td><td class=\"column-2\">Krenek<\/td><td class=\"column-3\">Fl\u00f6tenst\u00fcck neunphasig, f\u00fcr Fl\u00f6te und Klavier <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">\u0153nm . \u0153sterreichisches ensemble fuer neue musik<\/td><td class=\"column-6\">Rupert Huber<\/td><td class=\"column-7\">Salzburg (Schloss Frohnburg)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester<\/td><td class=\"column-6\">Alena Hron<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Das kalte Herz<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Kammerorchester Metzingen<\/td><td class=\"column-6\">Oliver Bensch<\/td><td class=\"column-7\">Metzingen (Stadthalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Orchester Opernhaus Z\u00fcrich<\/td><td class=\"column-6\">Yves Abel<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Alexander Soddy, Regie: Richard Jones<\/td><td class=\"column-7\">London (Royal Opera House)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andreas Spering, Regie: Wolfgang Berthold<\/td><td class=\"column-7\">Brandenburg<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\">Rotterdams Philharmonisch Orkest<\/td><td class=\"column-6\">Jukka-Pekka Saraste<\/td><td class=\"column-7\">Rotterdam (de Doelen)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Deidamia <\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">George Petrou, Regie: George Petrou<\/td><td class=\"column-7\">G\u00f6ttingen (Internationale H\u00e4ndel-Festspiele, Deutsches Theater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Monad\u2019s face f\u00fcr Sopran, Bassklarinette und Violoncello<\/td><td class=\"column-4\">16.05.2026<\/td><td class=\"column-5\">Sara Wiljaars (Sopran), N.N. (Bassklarinette), N.N. (Violoncello)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Hochschule f\u00fcr Musik Hanns Eisler)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">La bianca notte<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\">Klangforum Wien<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Katowice (Katowice Culture Nature Festival, NOSPR Concert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">Emmanuel<\/td><td class=\"column-2\">Chabrier<\/td><td class=\"column-3\">L\u2019Etoile<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Nicolas Kruger, Regie: Matthew Eberhardt<\/td><td class=\"column-7\">Eindhoven (Parktheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">Winfried Zillig: Rosse \/<\/td><td class=\"column-2\">Ruggero Leoncavallo: Pagliacci<\/td><td class=\"column-3\"><\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Mark Rohde, Regie: Roman Hovenbitzer<\/td><td class=\"column-7\">W\u00fcrzburg (Theaterfabrik Blaue Halle)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Le Docteur Miracle<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Anton Legkii, Regie: Claudia Pla\u00dfwich<\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">18.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Cluj-Napoca (Academia Nationala de Muzica Gheorge Dirna)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">20.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Willy Decker<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">Tre duetti con l\u00b4eco<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Ensemble Aventure<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Freiburg (Elisabeth Schneider Stiftung)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die drei kleinen Schweinchen<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Staatsorchester Darmstadt<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\">auch 22.\/23.5.<\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">L\u00e9lio ou Le retour \u00e0 la vie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Helsingborg Symphony Orchestra<\/td><td class=\"column-6\">Maxime Pascal<\/td><td class=\"column-7\">Helsingborg (Konserthus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Vinicius Kattah, Regie: Jiri Herman<\/td><td class=\"column-7\">Bratislava (Nationaltheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">Jean-Philippe<\/td><td class=\"column-2\">Rameau<\/td><td class=\"column-3\">Les Bor\u00e9ades<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">a nocte temporis<\/td><td class=\"column-6\">Reinoud Van Mechelen<\/td><td class=\"column-7\">Dortmund (Orchesterzentrum)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Lieux retrouv\u00e9s<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">RSO Wien<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Fort Worth Symphony Orchestra<\/td><td class=\"column-6\">Robert Spano<\/td><td class=\"column-7\">Fort Worth (Bass Performance Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Dietger Holm, Regie: Magdalena Fuchsberger<\/td><td class=\"column-7\">Heidelberg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Orchestre et ch\u0153ur Op\u00e9ra National de Paris<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Paris (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Zsolt Jank\u00f3, Regie: Mikl\u00f3s H. Vecsei<\/td><td class=\"column-7\">Budapest<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Benjamin Bayl, Regie: Agn\u00e8s Jaoui<\/td><td class=\"column-7\">Montpellier<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-62\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Kirche St. Michael)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-63\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">La Maitrise de Toulouse<\/td><td class=\"column-6\">Mark Opstad<\/td><td class=\"column-7\">Gramat (\u00c9glise Saint-Pierre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-64\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Vlaams Radiokoor, Orkest van de Achttiende eeuw<\/td><td class=\"column-6\">Bart van Reyn<\/td><td class=\"column-7\">Breda (Chasse Theater)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-65\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Prague Symphony Orchestra<\/td><td class=\"column-6\">Tom\u00e1s Netopil<\/td><td class=\"column-7\">Prag (Festival Prager Fr\u00fchling, Obecn\u00ed dum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-66\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">28.05.2026<\/td><td class=\"column-5\">Orchestra del Maggio Musicale Fiorentino<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Florenz (Teatro del Maggio)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-67\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Keren Kagarlitsky, Regie: Wim Vandekeybus<\/td><td class=\"column-7\">Antwerpen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-68\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Elena Salvatierra, Regie: Marta Eguilior<\/td><td class=\"column-7\">Cadiz (Teatro Villamarta)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-69\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">30.05.2026<\/td><td class=\"column-5\">Vocal ensembles\u00a0ardent\u00a0and\u00a0suppl\u00e9ments musicaux<\/td><td class=\"column-6\">Patrick Secchiari, Moritz Achermann<\/td><td class=\"column-7\">Bern (\u00c9glise francaise)<\/td><td class=\"column-8\">auch 31.5.<\/td>\n<\/tr>\n<tr class=\"row-70\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">6. Symphonie<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Tomas Hanus<\/td><td class=\"column-7\">Prag (Gemeindehaus)  <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-71\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Chor des Theater L\u00fcbeck, Philharmonisches Orchester Hansestadt L\u00fcbeck<\/td><td class=\"column-6\">Stefan Vladar<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-72\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo McFall, Regie: Uwe Eric Laufenberg<\/td><td class=\"column-7\">Wiesbaden (Maifestspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-73\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Zweimal Alexander<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Irene Delgado-Jim\u00e9nez, Regie: Anna Bernreitner<\/td><td class=\"column-7\">Wien (Theater an der Wien)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-74\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\">BBC Singer, Ma\u00eetrise de Notre-Dame<\/td><td class=\"column-6\">Sofi Jeannin,\u00a0Henri Chalet<\/td><td class=\"column-7\">Paris (Notre Dame)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-75\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">03.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Equilbey, Regie: Florent Siaud<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-76\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Der Mistk\u00e4fer<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\">Johannes Merz (Erz\u00e4hler), Kammerphilharmonie L\u00fcbeck<\/td><td class=\"column-6\">Emanuel Dantscher<\/td><td class=\"column-7\">L\u00fcbeck (Kolosseum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-77\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Rinaldo<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Hofstetter, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-78\">\n\t<td class=\"column-1\">Jir\u00ed Anton\u00edn (Georg Anton)<\/td><td class=\"column-2\">Benda<\/td><td class=\"column-3\">Medea <\/td><td class=\"column-4\">06.06.2026<\/td><td class=\"column-5\">Doerthe Maria Sandmann (Sprecherin), Barockorchester der Th\u00fcringen Philharmonie Gotha<\/td><td class=\"column-6\">Alexej Barchevitch<\/td><td class=\"column-7\">Eisenach (Landestheater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-79\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Ch\u0153ur de l\u2019Op\u00e9ra de Tours, Orchestre symphonique R\u00e9gion Centre-Val de Loire\/Tours<\/td><td class=\"column-6\">David Jackson<\/td><td class=\"column-7\">Tours (Grand Th\u00e9atre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-80\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">konzertant, auch 12.6. W\u00fcrzburg<\/td>\n<\/tr>\n<tr class=\"row-81\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">10.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Cummings, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-82\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Orquestra de Valencia<\/td><td class=\"column-6\">Francesco Corti, Regie: Beno\u00eet De Leersnyder<\/td><td class=\"column-7\">Valencia<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-83\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">W\u00fcrzburg (Kaisersaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-84\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Aci, Galatea e Polifemo<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Ren\u00e9 Jacobs<\/td><td class=\"column-7\">Halle (Marktkirche) <\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-85\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">David Bates, Regie: Robert Carsen<\/td><td class=\"column-7\">Rouen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-86\">\n\t<td class=\"column-1\">Anders<\/td><td class=\"column-2\">Hillborg<\/td><td class=\"column-3\">Sound Atlas<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">NDR Elbphilharmonie Orchester<\/td><td class=\"column-6\">Ryan Bancroft<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-87\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Claudio Novati, Regie: Felix Schr\u00f6dinger<\/td><td class=\"column-7\">Detmold  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-88\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Tell it or shout f\u00fcr Fl\u00f6te und Harfe<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Elizaveta Birjukova, Fl\u00f6te, Christina Engelke (Harfe)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Jena (K\u00fcnstlerische Abendschule)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-89\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Feldmesse<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\">M\u00fcnchner Philharmoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">M\u00fcnchen (Isarphilharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-90\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Il trionfo del Tempo e del Disinganno<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Simone De Felice, Regie: Katharina Kastening<\/td><td class=\"column-7\">Frankfurt (Bockenheimer Depot)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-91\">\n\t<td class=\"column-1\">Jindrich<\/td><td class=\"column-2\">Feld<\/td><td class=\"column-3\">Konzert f\u00fcr Fl\u00f6te und Orchester<\/td><td class=\"column-4\">15.06.2026<\/td><td class=\"column-5\">Daniela Koch (Fl\u00f6te), Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Konzerthalle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-92\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">17.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo Mc Fall, Regie: Marie-\u00c8ve Signeyrole<\/td><td class=\"column-7\">Wiesbaden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-93\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\">Konzerthausorchester<\/td><td class=\"column-6\">Ivan Fischer<\/td><td class=\"column-7\">Berlin (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-94\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Janis Liepins, Regie: Cordula D\u00e4uper <\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-95\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">G\u00e1bor Hontv\u00e1ri, Regie: Benjamin Prins<\/td><td class=\"column-7\">Sondershausen (Schloss)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-96\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Litanei f\u00fcr Sopran, Bassklarinette und Streichquartett (UA)\/canti della tenebra. F\u00fcnf Lieder f\u00fcr Mezzosopran und Klavier<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Nicholas\u2019 Church of Ireland)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-97\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Royal Liverpool Philharmonic Orchestra<\/td><td class=\"column-6\">Domingo Hindoyan<\/td><td class=\"column-7\">Liverpool (Philharmonic Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-98\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">in mia vita da vuolp f\u00fcr Bariton-Saxophon und Sopran\/Lot\u00f3fagos f\u00fcr Sopran und Kontrabass\/Prophezeiungen f\u00fcr Alt, Kontrabassklarinette und Akkordeon <\/td><td class=\"column-4\">20.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Vincent\u2019s Chapel)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-99\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Susanna<\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Collegium 1704 <\/td><td class=\"column-6\">V\u00e1clav Luks<\/td><td class=\"column-7\">Litomysl (Schlosshof)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-100\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Chelsea Opera Group<\/td><td class=\"column-6\">Paul Wingfield<\/td><td class=\"column-7\">London (Cadogan Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-101\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Klavierkonzert<\/td><td class=\"column-4\">24.06.2026<\/td><td class=\"column-5\">Kirill Gerstein (Klavier), Tonhalle Orchester<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-102\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Rias Kammerchor<\/td><td class=\"column-6\">Peter Dijkstra<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-103\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lidiya Yankovskaya, Regie: Max Webster <\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-104\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">27.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Guggeis, Regie: Andrea Moses<\/td><td class=\"column-7\">Berlin (Staatsoper Unter den Linden)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-105\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leonardo Garcia Alarcon, Regie: Cl\u00e9ment Cogitore<\/td><td class=\"column-7\">Aix-en-Provence (Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-106\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ariodante<\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Beaune (Festival Baroque, Hotel-Dieu)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-107\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix P\u00e4tzold, Regie: Immo Karaman<\/td><td class=\"column-7\">Kiel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-108\">\n\t<td class=\"column-1\">George<\/td><td class=\"column-2\">Benjamin<\/td><td class=\"column-3\">Three Consorts <\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Kent Nagano<\/td><td class=\"column-7\">Kl\u00fctz (Festspiele Mecklenburg-Vorpommern, Schloss Bothmer)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-109\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsche Staatsphilharmonie Rheinland-Pfalz<\/td><td class=\"column-6\">Michael Francis<\/td><td class=\"column-7\">Speyer (Ged\u00e4chtniskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-110\">\n\t<td class=\"column-1\">Giselher<\/td><td class=\"column-2\">Klebe<\/td><td class=\"column-3\">Mignon<\/td><td class=\"column-4\">07.07.2026<\/td><td class=\"column-5\">Detmolder Kammerorchester<\/td><td class=\"column-6\">Stanley Dodds<\/td><td class=\"column-7\">Detmold (Hochschule f\u00fcr Musik) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-111\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">16.07.2026<\/td><td class=\"column-5\">Schleswig-Holstein Festival Orchestra<\/td><td class=\"column-6\">Andrew Manze<\/td><td class=\"column-7\">Elmshorn (Stiftung Schleswig-Holstein Musik Festival)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-112\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">jag die hunde zur\u00fcck!<\/td><td class=\"column-4\">20.07.2026<\/td><td class=\"column-5\">Accademia Musicale Chigiana<\/td><td class=\"column-6\">Lorenzo Donati<\/td><td class=\"column-7\">Siena (Chiesa della Ss. Annunziata)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-113\">\n\t<td class=\"column-1\">Anton\u00edn <\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Petr Popelka, Regie: Martin Kusej <\/td><td class=\"column-7\">M\u00fcnchen (M\u00fcnchner Opernfestspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-114\">\n\t<td class=\"column-1\">Georges <\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen, Fassung 1874<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Fabio Luisi, Regie: Denis Krief<\/td><td class=\"column-7\">Martina Franca (Festival della Valle d\u2019Itria)<\/td><td class=\"column-8\">Szenische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-115\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">29.07.2026<\/td><td class=\"column-5\">Orchestre Symphonique de la Monnaie<\/td><td class=\"column-6\">Alain Altinoglu<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-116\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\">Studierende der Orchesterakademie<\/td><td class=\"column-6\">L\u00fc Jia<\/td><td class=\"column-7\">Lugano (Palazzo dei Congressi)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-117\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Evan Rogister, Regie: David McVicar<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-118\">\n\t<td class=\"column-1\">L'ubica<\/td><td class=\"column-2\">Cekovska<\/td><td class=\"column-3\">Maison de la musique en sept p\u00e9riodes<\/td><td class=\"column-4\">01.08.2026<\/td><td class=\"column-5\">Japan Century Symphony Orchestra<\/td><td class=\"column-6\">Andreas Ottensamer<\/td><td class=\"column-7\">Osaka<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-119\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Le Concert d\u2019Astr\u00e9e<\/td><td class=\"column-6\">Emmanuelle Haim<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-120\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Joana Mallwitz, Regie: Christof Loy<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-121\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXII (wer nur den lieben gott l\u00e4\u00dft walten) f\u00fcr orgel solo<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Angela Metzger (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">M\u00fcnchen (St. Markus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-122\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">K\u00f6nig Karotte<\/td><td class=\"column-4\">09.08.2026<\/td><td class=\"column-5\">Mattias Straub (Erz\u00e4hler), Orchester der Sommeroperette Heldritt<\/td><td class=\"column-6\">Manuel Grund <\/td><td class=\"column-7\">Bad Rodach (Waldb\u00fchne Heldritt)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-123\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">15.08.2026<\/td><td class=\"column-5\">London Symphony Chorus and Orchestra<\/td><td class=\"column-6\">Antonio Pappano<\/td><td class=\"column-7\">London (Proms, Royal Albert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-124\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Orlando Paladino<\/td><td class=\"column-4\">28.08.2026<\/td><td class=\"column-5\">Orfeo Orchestra<\/td><td class=\"column-6\">Gy\u00f6rgy Vashegyi<\/td><td class=\"column-7\">Fert\u00f6d (Haydneum Concerts at Esterh\u00e1zy Palace)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-125\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marie Jacquot, Regie: Tatjana G\u00fcrbaca<\/td><td class=\"column-7\">Kopenhagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-126\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die verlorene Melodie <\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\">Staatskapelle Weimar<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Weimar (Theaterfest)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-127\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie in c-Moll<\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Gewandhausorchester<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-128\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">18.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Sch\u00f6nwandt, Regie: Krzysztof Warlikowski<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-129\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXIII (in te domine speravi) f\u00fcr orgel solo<\/td><td class=\"column-4\">20.09.2026<\/td><td class=\"column-5\">Roman Summereder (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Hannover (Nazarethkirche)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-130\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel VIII (aus tiefer not schrei ich zu dir), choralvorspiel XL (te deum laudamus), choralvorspiel XLVI (morgenglanz der ewigkeit), choralvorspiel LI (kyrie XI, orbis factor) <\/td><td class=\"column-4\">23.09.2026<\/td><td class=\"column-5\">Hansj\u00f6rg Albrecht (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Kathedrale St. Hedwig)<\/td><td class=\"column-8\">Urauff\u00fchrung (choralvorspiel VIII)<\/td>\n<\/tr>\n<tr class=\"row-131\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Mitridate, re di Ponto <\/td><td class=\"column-4\">24.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Frizza, Regie: Claus Guth<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-132\">\n\t<td class=\"column-1\">Fromental<\/td><td class=\"column-2\">Hal\u00e9vy<\/td><td class=\"column-3\">La Juive<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix Bender, Regie: Marco Storman<\/td><td class=\"column-7\">Ulm<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-133\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">09.10.2026<\/td><td class=\"column-5\">Orchestra del Teatro di San Carlo<\/td><td class=\"column-6\">Iv\u00e1n L\u00f3pez-Reynoso<\/td><td class=\"column-7\">Neapel (Teatro di San Carlo)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-134\">\n\t<td class=\"column-1\">Charles<\/td><td class=\"column-2\">Gounod<\/td><td class=\"column-3\">Faust<\/td><td class=\"column-4\">20.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniele Rustioni, Regie: Johannes Erath<\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-135\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-136\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">hr-Sinfonieorchester<\/td><td class=\"column-6\">Michael Wendeberg<\/td><td class=\"column-7\">Frankfurt (hr-Sendesaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-137\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk f\u00fcr Orchester<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Pierre Bleuse<\/td><td class=\"column-7\">Basel (Stadtcasino)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-138\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.11.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Roberto Abbado<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-139\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">06.12.2026<\/td><td class=\"column-5\">Erik Br\u00fcnner (Sprecher), Jugendsinfonieorchester Heinrich-Sch\u00fctz-Konservatorium, Dresdner Philharmonie<\/td><td class=\"column-6\">Milko Kersten<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\">auch 7.12.<\/td>\n<\/tr>\n<tr class=\"row-140\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">17.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Bertrand de Billy, Regie: Lydia Steier<\/td><td class=\"column-7\">Wien (Staatsoper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-141\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Tha\u00efs<\/td><td class=\"column-4\">18.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pierre Dumoussaud, Regie: Olivier Lepelletier-Leeds<\/td><td class=\"column-7\">Li\u00e8ge<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Works<\/span><\/h3><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206286056-37cd7a42-0250\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Stage<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206286056-37cd7a42-0250\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Stage works &#8211; full length<\/p>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07702-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<p>Stage Works &#8211; abbreviated<\/p>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09712-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11026\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09301\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206286092-f289bef4-e7e3\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206286092-f289bef4-e7e3\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09724-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09723-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11040-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07395-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07728-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07391-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09797-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11189-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11745-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ Als Sonderanfertigung bestellbar<\/p>\n<p><strong>Ferne Begegnung<\/strong><br \/>Trois Adieux f\u00fcr Ludwig van B. f\u00fcr Orchester (2018). DBA 700-01<br \/>Streicher (Vl 1, Vl 2, Vla, Vcl, Kb); ad libitum: Fl, Ob, Klar in B, Fg, Hrn in F (einzeln, in Paaren oder chorisch) \/ ca. 6\u20138 Minuten<br \/>Urauff\u00fchrung: Orchesterwettbewerb des Deutschen Musikrats 2019\/2020<\/p>\n<p><a href=\"dorenburg@baerenreiter.com\">Auff\u00fchrungsmaterial k\u00e4uflich (Partitur und Stimmen digital)<\/a><\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206467327-fca2e2e9-177c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206467327-fca2e2e9-177c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11155-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11118-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09780-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11749-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206466771-4b4f0988-492f\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/instruments<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206466771-4b4f0988-492f\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11026\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07492\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07473\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07472\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07465\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>In Vorbereitung<\/p>\n<p><strong>Fl\u00fcgelmacher<\/strong><br \/>f\u00fcr Sopran, Violoncello und Schlagzeug. Text nach Tanja Langer (2016) in Vorbereitung<br \/>Urauff\u00fchrung 11.01.2017, Berlin (Staatsoper Unter den Linden, Werkstatt): Ramina Abdulla-Zad\u00e9 (Sopran), Ulrike Brand (Violoncello), Alexandros Giovanos (Schlagzeug)<\/p>\n<p><strong>Wanting to fly<br \/>\n<\/strong>f\u00fcr Sopran, Violoncello und Schlagzeug (2016)<br \/>Text nach Tanja Langer<br \/>Ramina Abdulla-Zad\u00e9 (Sopran), Ulrike Brand (Violoncello), Alexandros Giovanos (Schlagzeug)<br \/>Urauff\u00fchrung 11.1.2017 Berlin, Staatsoper Unter den Linden\/Schillertheater &#8211; Werkstatt (Atonale III)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206465689-973f1b20-10bf\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal solo w\/piano<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206465689-973f1b20-10bf\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11425D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11005D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09323\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08275\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09346\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07493\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11004\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08276\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<hr \/>\n<p>On request<\/p>\n<p><strong>Botschaften aus dem Turm. Zwei St\u00fccke f\u00fcr Friedrich H.<\/strong><br \/>f\u00fcr Stimme und Klavier (2016), in Vorbereitung<br \/>Urauff\u00fchrung 12. Juni 2016, Stuttgart (St. Matth\u00e4us): Martin Nagy (Stimme) Moira Muschalla (Klavier)<\/p>\n<p><strong>Dreizehn Verwehungen<\/strong><br \/>f\u00fcr Stimme solo (2012). ca. 11\u203230 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 25. Oktober 2012 in Berlin: Katja Guedes, Stimme<\/p>\n<p><strong>Feinstaub<\/strong><br \/>Solo I-IV f\u00fcr Stimme solo (2012). ca. 14 Minuten, in Vorbereitung<br \/>Urauff\u00fchrungen am 8. \/ 15. \/ 22. \/ 29. August 2012 in Kassel (St. Martin): Julia Mihaly (Nr. 1), Matthias Horn (Nr. 2), Rita Balta (Nr. 3), Jonathan de la Paz Zaens (Nr. 4), Stimme<\/p>\n<p><strong>Gehen lassen<\/strong><br \/>Solo I-III f\u00fcr Stimme mit Handpercussion (2012). ca. 12 Minuten, in Vorbereitung<br \/>Urauff\u00fchrungen am 17. Juni \/ 24. Juni \/ 1. August 2012 in Kassel (St. Martin): Traudl Schmaderer, Stimme<\/p>\n<p><strong>kopf hoch lady<\/strong><br \/>f\u00fcr Stimme und Klavier<br \/>Urauff\u00fchrung 01.07.2017 Bad Kissingen (Liederwerkstatt): Kimberley Bottger-Soller (Mezzosopran), Alex Bauni (Klavier)<\/p>\n<p><strong>koy<\/strong><br \/>f\u00fcr Bass-Stimme solo (2006). 5 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 1. September 2007 in Royaumont (Frankreich), Festival Voix-Nouvelles: Andreas Fischer<\/p>\n<p><strong>Sette respiri (Anrufung)<\/strong><br \/>f\u00fcr Stimme solo (oder responsoriale Stimmen), (2017), 4 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung: 15. Oktober 2017, Rom, Evangelische Christuskirche Via Sicilia, in Kooperation mit dem Forum Guardini \u201eDekalog\u201c 2017: Irene Kurka, Stimme<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206465143-6d6b38df-958c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Choir\/Vocal ensemble<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206465143-6d6b38df-958c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11743-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11099D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11098D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08596\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07463\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11027\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09398\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09318\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11155-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09354\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08579\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08274\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ Als Sonderanfertigung bestellbar<\/p>\n<p><strong>licht und namen<\/strong><br \/>Schwebung f\u00fcr 12 Stimmgruppen im Raum (2012\/13). ca. 16 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 23. Juni 2013 Loccum (Festkonzert 850 Jahre Kloster Loccum), Norddeutscher Figuralchor, Leitung: J\u00f6rg Straube (Auftragswerk von Deutschlandfunk K\u00f6ln)<\/p>\n<p><strong>Paintings<\/strong><br \/>f\u00fcr 5-stimmigen Chor (2021), ca. 5 Minuten, BA 11478, in Vorbereitung<br \/>UA: Mainz 03.06.2023, Jubil\u00e4umskonzert 40 Jahre Landesjugendchor Rheinland-Pfalz, Leitung: Jan Schumacher<\/p>\n<p><strong>still in bewegung<\/strong><br \/>Klanghalt f\u00fcr 4 Vokalgruppen im Raum und 3 Schlagzeuger (2022), ca. 18 Minuten, BA 11477<br \/>UA: St. Gallen, 21.04.2022: Vokalensemble St. Gallen, Schlagzeugensemble, Leitung: Katharina Jud<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206464527-d9c910dd-d3e4\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Ensemble<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206464527-d9c910dd-d3e4\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11059-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09799-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09769-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07751-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07391-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206463896-ae08757d-aa68\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Chamber music<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206463896-ae08757d-aa68\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"DBA00700\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11084D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07471\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07466\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08565\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11002\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09350\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07475\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07791\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08566\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09345\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11021\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<hr \/>\n<p>Auf Anfrage<\/p>\n<p><strong>Equal ways of difference<\/strong><br \/>f\u00fcr Violine, Violoncello und Klavier (2011). ca. 15 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 5. Oktober 2011 in Dresden (Festspielhaus Hellerau): elole Klaviertrio, Uta-Maria Lempert, Violine, Matthias Lorenz, Violoncello, Stefan Eder, Klavier<\/p>\n<p><strong>Flugsaaten<\/strong><br \/>f\u00fcr Klarinette, Akkordeon und Streichquartett (2017), 5 Minuten<br \/>Urauff\u00fchrung: XXV. Randspiele Zepernick, St. Annen-Kirche, 6. Juli 2017, Matthias Badczong, Klarinette, Christine Pat\u00e9, Akkordeon, Sonar-Quartett<\/p>\n<p><strong>Inventaire de d\u00e9part<\/strong><br \/>f\u00fcr Akkordeon und Elektronik (2006). 25 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 18. Oktober 2006 in Berlin: Akademie der K\u00fcnste, Margit Kern (Akkordeon), Elektronisches Studio der Akademie der K\u00fcnste Berlin, Klangregie Georg Morawetz und Gerd Rische<\/p>\n<p><strong>More reasons for reality<\/strong><br \/>f\u00fcr Bassfl\u00f6te, Bassklarinette, Violine, Violoncello und Klavier (2011). ca. 13 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 21. Oktober 2011 in Essen (Museum Folkwang): E-Mex Ensemble Dortmund<\/p>\n<p><strong>Peser ses mots<\/strong><br \/>f\u00fcr Kontrabassblockfl\u00f6te\/Bassblockfl\u00f6te, Bassklarinette\/B-Klarinette, Klavier, Schlagzeug, Violoncello und Kontrabass (1997). 12 Minuten. BA 7476, Spielpartitur k\u00e4uflich<br \/>Urauff\u00fchrung am 4. Februar 1998 in M\u00fcnchen, Biennale: Ensemble der Bayerischen Staatsoper<\/p>\n<p><strong>Schwebender Rand mit Verzweigung<\/strong><br \/>f\u00fcr zwei Bassklarinetten oder Klarinetten (2010). 10 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 4. Juli 2010 in Zepernick (Berlin), XVIII. Randspiele Zepernick: Matthias Badczong und Ingolfur Vilhjalmsson (Bassklarinetten)<\/p>\n<p><strong>Selbstlaut (Shortcut f\u00fcr Max)<\/strong><br \/>f\u00fcr Klarinette, Violine und Violoncello (2016). 5 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 16. September 2016 Weiden (Max-Reger-Tage): Wolfgang Meyer, Klarinette, Streicher des Carmina-Quartetts<\/p>\n<p><strong>Scusi<\/strong><br \/>f\u00fcr Tenorblockfl\u00f6te und Klavier (2008). 11 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 19. Oktober 2008 in Hannover: Sprengel-Museum, Ulrike Volkhardt (Tenorblockfl\u00f6te), Susanne Achilles (Klavier)<\/p>\n<p><strong>Secret roots of fusion and fate<\/strong><br \/>f\u00fcr Violine, Kontrabassklarinette, Schlagzeug, Kontrabass, Es-Tuba und Live-Elektronik (2005). 13 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 10. Dezember 2005 in Berlin: Akademie der K\u00fcnste, Kammerensemble Neue Musik Berlin, Georg Morawetz (Elektronik)<\/p>\n<p><strong>Tre acque con ombre<\/strong><br \/>f\u00fcr Violine, Viola, Violoncello, Bassklarinette und Klavier (2013). 11 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 16. Oktober 2013 Mailand, Auditorio San Fedele, (Festival Milano Musica 2013): Ensemble mdi Milano<\/p>\n<p><strong>Write my name<\/strong><br \/>f\u00fcr Orgel und Schlagzeug (2016), in Vorbereitung<br \/>Urauff\u00fchrung 20. Februar 2016, K\u00f6ln (Kunststation St. Peter): Duo Carillon, Armin Sommer (Schlagzeug) und Andreas Hoffmann (Orgel)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206463172-b9e42172-099c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206463172-b9e42172-099c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11421D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11487D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09383\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09319\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07790\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11016\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<hr \/>\n<p>Auf Anfrage \/ In Vorbereitung<\/p>\n<p><strong>Cry<\/strong><br \/>f\u00fcr Violine solo (2009). 14 Minuten, in Vorbereitung<\/p>\n<p><strong>Himmelsspalt<\/strong><br \/>f\u00fcr Orgel (2000\/01). 14 Minuten. BA 8273, in Vorbereitung<br \/>Urauff\u00fchrung am 31. M\u00e4rz 2001 in K\u00f6ln (WDR): Bernhard Haas<\/p>\n<p><strong>Inventaire de d\u00e9part<\/strong><br \/>f\u00fcr Akkordeon und Elektronik (2006). 23 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 18. Oktober 2006 in Berlin: Akademie der K\u00fcnste, Margit Kern (Akkordeon), Elektronisches Studio der Akademie der K\u00fcnste, Klangregie Georg Morawietz und Gerd Rische<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206462306-634faaa3-6226\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Piano<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206462306-634faaa3-6226\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA08272\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09358\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09359\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07462\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ In Vorbereitung<\/p>\n<p><strong>Running circles<\/strong><br \/>f\u00fcr zwei Klaviere und zwei Schlagzeuge (2011). ca. 14 Minuten, in Vorbereitung<br \/>Auftragswerk des Ensemble BerlinPianoPercussion<\/p>\n<p><strong>Schwebende Verse<\/strong><br \/>f\u00fcr Klavier und Schlagzeug (2012). ca. 11 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung am 13. Januar 2013 in Wien (Konzerthaus): Ensemble Phace Contemporary<\/p>\n<p><strong>Left Luggage. Nachklang f\u00fcr Ludwig Van B.<\/strong><br \/>f\u00fcr Klavier (2015), ca. 5 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 7. September 2015 Bonn \/ Rahmen-Programm des Beethovenfestes 2015, 250 Pieces for Ludwig van Beethoven: Susanne Kessel, Klavier<\/p>\n<p><strong>Ask Him!<\/strong><br \/>f\u00fcr Klavier (2014), 5 Minuten<br \/>Urauff\u00fchrung 19. Juli 2015 Johannesburg \/ S\u00fcdafrika, Sylt Foundation: Jill Richards, Klavier<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721206713513-c9512095-4806\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Variable scoring<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721206713513-c9512095-4806\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11026\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Auf Anfrage \/ In Vorbereitung<\/p>\n<p><strong>Coq-\u00e0-l&#8217;\u00e2ne<\/strong><br \/>f\u00fcr drei oder mehr Spieler von sound producing objects (1997). 4 Minuten. BA 7474, in Vorbereitung<br \/>Urauff\u00fchrung am 22. Mai 1997 in Hannover, Biennale Neue Musik: Ensemble L&#8217;art pour l&#8217;art<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Charlotte Seither\u2019s dialogue opera \u201cFidelio schweigt\u201d<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Leonore is no longer a victim. In \u201cFidelio schweigt\u201d the character who was merely a lover becomes an active subject and in so doing, emancipates herself from the well-known, all-too-familiar subject matter.<\/p>\n<p>Beethoven\u2019s opera \u201cFidelio\u201d is unique on the theatre stage. What had to be established for other operas in the course of their performance history was true for Fidelio from the very beginning: the opera takes place in the here and now. The contradictions of the work, which Beethoven himself battled with, still apply today: the text, the narrative style, the historical theatrical form, the characters, the spoken dialogues \u2013 all these seem to resist a contemporary treatment of the work to the present day, so some stronger leverage has to be found.<\/p>\n<p>\u201cThe victim is the person who does not take the initiative\u201d, says the composer Charlotte Seither on the guiding principle of Leonore, the protagonist in her new stage work \u201cFidelio schweigt\u201d (Fidelio is silent). \u201cTogether with Hermann Schneider, I have put aside precisely what for me restricts the subject matter historically, in order to make space for what interests me \u2013 removing the pressure for women to be victims.<\/p>\n<p>In my work Leonore is no longer a victim. She is no longer just a lover, no longer the adjunct of a man \u2013 she becomes an active subject who, at the end, stands above traditional role models on a level with all the other powerful characters who surround her. Hope indeed remains hollow \u2013 as it does also with Beethoven \u2013 when it is not followed by action. That alone would justify such a work as a theme. As a woman, Leonore steps out of her context and is capable of power in that she acts. Yet in so doing she remains vulnerable. Empathy and power are not ruled out if a person is really capable of action. That is what I am interested in.\u201d<\/p>\n<p>The music theatre work \u201cFidelio schweigt\u201d begins at this interface with Beethoven\u2019s original, a \u201cdialogue opera\u201d as the composer herself describes her music-theatrical form. The many years\u2019 study which Beethoven himself devoted to the subject and the form is simply re-thought here, making the content itself into a transitory object: the work begins with the second act, half of the work is shortened. \u201cWhere action takes place\u201d, says the composer, \u201cunusual interventions also have to be made and seemingly indispensable structures overridden.\u201d The original (Beethoven) and the interpolations (Seither) thus follow each other in a new sequence, thereby opening a separate narrative thread which refers forwards and looks back at the same time: \u201cForm is the present\u201d, says Charlotte Seither: \u201cOnly when we do not know whether the end conceals a new beginning, or the beginning conceals a new end will we continue to do justice to the form of opera today.\u201d<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-3x\"><\/div><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Together with the librettist and director Hermann Schneider, the composer places the emphasis on Leonore, whose disguise as a man in \u201cFidelio schweigt\u201d has become obsolete. Leonore acts, she goes into the world and shapes it. The duplicity of Fidelio \u2013 the model of assuming a male pattern of behaviour \u2013 is thus finally overcome, it is silenced. And in the rest of the narrative, the core of the plot concentrates on the four main characters, whilst subsidiary roles have been omitted. \u201cWhere action takes place, then the familiar must also be let go, one also has to be able to name truth in clear language, even if that is sometimes very direct or can be hurtful\u201d (Charlotte Seither).<\/p>\n<p>\u201cI decided\u201d, says the composer, \u201cto approach Beethoven\u2019s method of composition with a sharp dissecting knife. In so doing I left his music in the original, but made clear vertical cuts into which I inserted my own music. It was important to me that both Beethoven\u2019s original numbers as well as my music largely sounded \u2018pure\u2019, apart from the final conclusion. I rejected quotations, the anecdotal, and any kind of historicising artistic device.\u201d<br \/>At the end of the dialogue opera there are various overwritings, the sound levels cross out each other at ever-shorter distances. \u201cIf you like, the form of the piece is an abstract replica on the discursive thinking in Beethoven\u2019s late works; it therefore ends in the small, the contemporary, expected by no-one, in the here and now and perhaps nevertheless in a very personal form of utopia which continues to drive me on today\u201d (Charlotte Seither).<\/p>\n<p>Stephan Steinmetz\/Charlotte Seither<br \/>(from [t]akte 1\/2024 \u2013 translation: Elizabeth Robinson)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-carousel\">\r\n\t<div class=\"grve-carousel-wrapper\">\r\n\t\t\t<div class=\"grve-carousel-navigation grve-navigation-arrow-1\">\r\n\t\t<div class=\"grve-carousel-buttons\">\r\n\t\t\t<div class=\"grve-carousel-prev\"><div class=\"grve-svg-icon grve-direction-left grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t\t<div class=\"grve-carousel-next\"><div class=\"grve-svg-icon grve-direction-right grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t<div data-items=\"3\" data-items-tablet-landscape=\"2\" data-items-tablet-portrait=\"2\" data-items-mobile=\"1\" data-slider-autoplay=\"yes\" data-pagination=\"yes\" data-slider-loop=\"yes\" data-slider-speed=\"3000\" data-slider-pause=\"no\" data-pagination-speed=\"400\" data-gutter-size=\"40\" class=\"grve-carousel-element grve-blog-carousel grve-blog-columns grve-with-gap grve-classic-carousel\">\r\n\t\t\t<article class=\"grve-carousel-item post-18879 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Appearance versus reality<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Appearance versus reality<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>\u013dubica \u010cekovsk\u00e1\u2018s opera \u201cDorian Gray\u201d in Annaberg-Buchholz\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-31T08:31:38+02:00\">31. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-31T12:50:12+02:00\">31. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18838 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The Swiss composer is composer-in-residence\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-24T14:34:38+01:00\">24. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-24T14:38:11+01:00\">24. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18817 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Three musicians play their way to the top<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Three musicians play their way to the top<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter awards a special prize at the Bach Competition, Leipzig\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-23T13:19:42+01:00\">23. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-23T13:49:14+01:00\">23. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18690 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Pianists at the start of their careers<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Pianists at the start of their careers<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg (Photo: from left to right: Bogdan Dugali\u0107, Elisey Mysin, Anastasiia Kliuchereva, photo: Michael Klimt)    \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-23T10:12:12+01:00\">23. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-23T10:16:00+01:00\">23. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18592 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Young international violin stars<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Young international violin stars<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-16T11:14:59+01:00\">16. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T11:17:52+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18577 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">On the death of Helmuth Rilling<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>On the death of Helmuth Rilling<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>A life with Bach \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-13T08:33:14+01:00\">13. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T07:21:10+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18545 post type-post status-publish format-standard has-post-thumbnail hentry category-complete-edition category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Milestone Reached in Halle<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-29T14:33:29+01:00\">29. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-29T14:37:26+01:00\">29. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18477 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Mourning Peter Hanser-Strecker<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Mourning Peter Hanser-Strecker<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The long-serving publisher and Chief Executive Officer of Schott Music, Peter Hanser-Strecker passed away\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-23T13:12:20+01:00\">23. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-23T14:30:41+01:00\">23. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18433 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Piero Ostali died<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp 512w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-500x500.webp 500w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Piero Ostali died<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>Piero Ostali, Owner and Managing Director of Casa Musicale Sonzogno, has died unexpectedly\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >512<\/span>\r\n\t\t\t   <span itemprop='width' >512<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-09T06:37:43+01:00\">9. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-09T12:48:54+01:00\">9. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18415 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Jonathan Del Mar turns 75<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp 1080w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Jonathan Del Mar turns 75<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>English musicologist and conductor Jonathan Del Mar turns 75. His Beethoven editions opened a new chapter in the service of musical practice.\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1080<\/span>\r\n\t\t\t   <span itemprop='width' >1080<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-07T08:27:22+01:00\">7. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-07T14:00:57+01:00\">7. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n"},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_album_images":[],"_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_custom_thumbnail_cover":0,"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-12829","page","type-page","status-publish","hentry","grve-entry-item"],"acf":[],"wpml_current_locale":"en_US","wpml_translations":{"de_DE":{"locale":"de_DE","id":8999,"slug":"seither-charlotte-2","post_title":"Seither, Charlotte","href":"https:\/\/emag.baerenreiter.com\/seither-charlotte-2\/"}},"_links":{"self":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/comments?post=12829"}],"version-history":[{"count":12,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12829\/revisions"}],"predecessor-version":[{"id":18626,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12829\/revisions\/18626"}],"wp:attachment":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/media?parent=12829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}