{"id":12826,"date":"2024-06-10T08:56:13","date_gmt":"2024-06-10T06:56:13","guid":{"rendered":"https:\/\/emag.baerenreiter.com\/schlee-thomas-daniel\/"},"modified":"2026-06-03T14:59:41","modified_gmt":"2026-06-03T12:59:41","slug":"schlee-thomas-daniel","status":"publish","type":"page","link":"https:\/\/emag.baerenreiter.com\/en\/schlee-thomas-daniel\/","title":{"rendered":"Schlee, Thomas Daniel"},"content":{"rendered":"<div class=\"grve-section grve-row-section grve-fullwidth-background grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#707070;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section composer-header grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-5-12 grve-wpb-1715857276604 grve-vertical-position-middle grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-left\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 500px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 149.2%;\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"746\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee-500px.webp\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee-500px.webp 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee-500px.webp 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-7-12 grve-wpb-1715857422252 grve-vertical-position-middle grve-with-bg-transparent grve-align-center\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h1 class=\"grve-element grve-title grve-align-center grve-page-title grve-text-white\"><span>Thomas Daniel Schlee<\/span><\/h1><div class=\"grve-empty-space grve-height-1x\"><\/div><div class=\"grve-element grve-image grve-align-center signature-witdh-100\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-svg-thumbnail-wrapper\"><div class=\"grve-svg-thumbnail\"><img decoding=\"async\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee_Pfade_U_weiss.svg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee_Pfade_U_weiss.svg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee_Pfade_U_weiss.svg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-4x grve-padding-bottom-4x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Biography<\/span><\/h2><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Thomas Daniel Schlee was born in Vienna in 1957. He studied organ, composition and musicology in Vienna and Paris with Michael Radulescu, Jean Langlais, Olivier Messiaen and Francis Burt. As an organist, he gives concerts all over Europe, takes part in radio productions and CD recordings, acts as a juror in international competitions and as a publisher. From 1990 to 1998 he was music director of the Brucknerhaus Linz and artistic director of the International Bruckner Festival, from 1999 to 2003 deputy director of the International Beethoven Festival in Bonn. From 2004 to 2015 he was director of the Carinthian Summer Festival. As a composer, Schlee has published numerous works for orchestra, vocal and chamber music ensembles, as well as works for and with organ. In 2005 he was appointed Officer des Arts et Lettres, in 2010 he received the Austrian Art Prize for Music and in 2012 the Cross of Honor for Science and Art. In 2023, Schlee was awarded the Church Music Prize of the City of Saarlouis for the composition &#8220;Bild und Gleichnis \u2013 Sechs Betrachtungen der Heilsgeschichte f\u00fcr Orgel op. 92&#8221;.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#e8ede8;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vita<\/h3><\/div><div class=\"grve-accordion-content biographie\" id=\"1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-schlee-en-no-2\" class=\"tablepress tablepress-id-schlee-en two-column-table\">\n<tbody>\n<tr class=\"row-1\">\n\t<td class=\"column-1\">1957<\/td><td class=\"column-2\">Born on 26 October in Vienna<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">1970-1976<\/td><td class=\"column-2\">Began to study organ with Friedrich Lessky<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">1976-1983<\/td><td class=\"column-2\">Studied at the Vienna Musikhochschule with Michael Radulescu (organ) and Erich Romanovsky (harmony and counterpoint)<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">1976-1984<\/td><td class=\"column-2\">Studied musicology and art history at Vienna University, earning a PhD.<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">1977-1978<\/td><td class=\"column-2\">Audited Olivier Messiaen\u2019s composition class at the Conservatoire National Sup\u00e9rieur de Musique, Paris<br>Private pupil of Jean Langlais, Paris<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">1982-1985<\/td><td class=\"column-2\">Studied composition with Francis Burt, Vienna<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">1982<\/td><td class=\"column-2\">Young Artists Grant from City of Vienna<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Prix du concours international de Saint-R\u00e9my-de-Provence<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">1986-1989<\/td><td class=\"column-2\">Musical dramaturg, Salzburg Landestheater<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">1988-1990<\/td><td class=\"column-2\">Taught at Vienna Musikhochschule<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">1989-1990<\/td><td class=\"column-2\">Taught at Department of Musicology, Salzburg University<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">1990-1998<\/td><td class=\"column-2\">Artistic director of Bruckner Hall, Linz<br>artistic director of International Bruckner Festival<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">1990<\/td><td class=\"column-2\">Chevalier des Arts et Lettres<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">1995-2001<\/td><td class=\"column-2\">Project director of \u201cLa cit\u00e9 c\u00e9leste\u201d, an exhibition on Olivier Messiaen with concerts, symposia and a composition competition, sponsored by the Guardini Foundation, Berlin<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">1998-2001<\/td><td class=\"column-2\">president of the Foundation, since then a member of its governing body and chairman of the board of musical advisors<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">1997<\/td><td class=\"column-2\">Joaqu\u00edn Rodrigo Medal<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">1998<\/td><td class=\"column-2\">Cultural prize in music from state of Upper Austria<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">1999-2003<\/td><td class=\"column-2\">Deputy director of International Beethoven Festival, Bonn<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">2002<\/td><td class=\"column-2\">Church music prize from city of Neuss<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">2003<\/td><td class=\"column-2\">Grant-in-aid from the Austrian Federal Chancellery<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">2004\u20132015<\/td><td class=\"column-2\">Director of Carinthian Summer Festival<\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">2005<\/td><td class=\"column-2\">Officier des Arts et Lettres<\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">2010<\/td><td class=\"column-2\">Austrian cultural prize of music<\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Active career as a concert organist with recitals, broadcasts, festival appearances and CD recordings (Diapason d\u2019Or, German Record Critics Prize, 10 de r\u00e9pertoire, etc.). <\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">2025<\/td><td class=\"column-2\">died on November 10, in Vienna<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Download Scores<\/h3><\/div><div class=\"grve-accordion-content downloads\" id=\"1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9794_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Concertino f\u00fcr zwei Oboen und Streicher op. 36 BA 9794-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9795_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Concertino f\u00fcr zwei Piccolotrompeten und Streicher (kleine Besetzung) BA 9795-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9796_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Concertino f\u00fcr zwei Piccolotrompeten und Streicher (gro\u00dfe Besetzung) BA 9796-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7738_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Der Kreuzweg unseres Herrn und Heilandes f\u00fcr Orgel und Streicher op. 52 BA 7738-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9714_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Ich, Hiob f\u00fcr Tenor, Sopran und Instrumentalensemble op. 68 BA 9714-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Sinfonia tascabile op. 67 (2006) BA 7754-72<\/h4><\/div><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7685_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Sonata da camera BA 7685-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7759_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">und ich sah (2002\/03) op. 55 BA 7759-72<\/h4><\/div><\/a><\/div><\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718002312864-e98d0ee6-b410\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Writings<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1718002312864-e98d0ee6-b410\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\u201eSpiritualit\u00e4t und transkulturelle Musiksprache\u201c, Gespr\u00e4ch mit Reinhard Pabst. In: Musica sacra 6\/1983<br \/>Skizzen zur Situation der Musica sacra heute. In: \u00d6MZ 40, 1985, 587f.<\/p>\n<p>\u201eLa L\u00e9gende de Tristan\u201c de Charles Tournemire. In: Les Ecrivains Fran\u00e7ais et l\u2019op\u00e9ra, hrsg. von Jean-Paul Capdevielle und Peter-Eckhard Knabe, K\u00f6ln 1986<\/p>\n<p>Zur freien Orgelmusik von Helmut Bornefeld. In: W\u00fcrttembergische Bl\u00e4tter f\u00fcr Kirchenmusik 6\/1986<\/p>\n<p>Die \u201eCinq Rechants\u201c von Olivier Messiaen. In: Studien zur Wertungsforschung, hrsg. von Otto Kolleritsch, Bd. 20, Wien \/Graz 1988<\/p>\n<p>Texte zu \u201eQuatuor pour la fin du temps\u201c, \u201eQuatre Etudes de rythme\u201c und \u201eSaint Fran\u00e7ois d\u2019Assise\u201c von Olivier Messiaen. In: Meilensteine der Musik, Bd. III, hrsg. von Hans A. Neunzig, Dortmund 1991<\/p>\n<p>Texte \u00fcber das Orgelwerk von Olivier Messiaen sowie \u00fcber Louis Vierne, Charles Tournemire und Marcel Dupr\u00e9. In: Almanach \u201eWien modern 91\u201c<\/p>\n<p>Christophe Colomb \u2013 Stationen einer Zusammenarbeit zwischen Paul Claudel und Darius Milhaud. In: Columbus zwischen zwei Welten, hrsg. von Titus Heydenreich, Frankfurt\/Main 1992<\/p>\n<p>Komplette deutsche Fassung des \u201epo\u00e8me\u201c des \u201eSaint Fran\u00e7ois d\u2019Assise\u201c von Olivier Messiaen. In: L\u2019Avant-Sc\u00e8ne Op\u00e9ra \/Salzburger Festspiele 1992<\/p>\n<p>In memoriam Olivier Messiaen. In: Musica, September\/Oktober 1992<br \/>Artikel in: Begnadet f\u00fcr das Sch\u00f6ne, Beitr\u00e4ge zum Stellenwert: Kunst- und Werkp\u00e4dagogik, Weitra 1993<\/p>\n<p>Ohne die Sterne leuchten die Monde nicht. In: Festschrift 20 Jahre Brucknerhaus, Linz 1994<\/p>\n<p>Wie fl\u00fcchtig ist der Augenblick? In: \u201eVon der Kunst, dem Wein zu lauschen\u201c, hrsg. von Herbert Friedl, St. P\u00f6lten 1995<\/p>\n<p>\u201eEine verlorene Tochter?\u201c \u2013 Religion und Musik am Ende des 20. Jahrhunderts. In: Autonomie und Verantwortung, hrsg. von Karl Lehmann und Hans Maier, Regensburg 1996<\/p>\n<p>\u201eOlivier Messiaen. La Cit\u00e9 c\u00e9leste \u2013 Das himmlische Jerusalem\u201c. \u00dcber Leben und Werk des franz\u00f6sischen Komponisten. Text des Katalogteils und Herausgabe (zusammen mit Dietrich K\u00e4mper), K\u00f6ln 1998<\/p>\n<p>Zelter hatte doch recht \u2013 Parerga zur gro\u00dfen Terz. In: \u201eBeethoven, Goethe und Europa\u201d, Almanach zum Internationalen Beethovenfest Bonn 1999, hrsg. von Thomas Daniel Schlee, Laaber 1999<\/p>\n<p>Artikel \u00fcber Georges Auric. In: MGG, Personenteil, Band 1, Kassel 2000, 1190ff.<\/p>\n<p>\u201eOrdnung und Freiheit\u201c, Almanach zum Internationalen Beethovenfest Bonn 2000, hrsg. von Thomas Daniel Schlee, Laaber 2000<\/p>\n<p>Les solitudes de Jean Fran\u00e7aix. In: Actes du Colloque International Jean Fran\u00e7aix, Fondation Singer-Polignac, Paris 2001<\/p>\n<p>Von der Gewalt des Sch\u00f6nen \u2013 die \u201eApocalypse selon Saint Jean\u201c von Jean Fran\u00e7aix. In: \u201eApokalypse\u201c, Symposion 1999 der Franz Schmidt-Gesellschaft, hrsg. von Carmen Ottner, Wien 2001<\/p>\n<p>Gesungene Gnade \u2013 zu Olivier Messiaens \u201eSaint Fran\u00e7ois d\u2019Assise\u201c. In: Musica sacra 2\/2002<br \/>Olivier Messiaen \u2013 Musiker der Verk\u00fcndigung. In: Stimmen der Zeit 11\/2002, Freiburg i. Br. 2002<\/p>\n<p>\u201eZweite Wiener Schule\u201c &#8211; Zum Programmschwerpunkt Sch\u00f6nberg-Berg-Webern des Internationalen Beethovenfestes Bonn 2003. In: Magazin des Internationalen Beethovenfestes Bonn 2003<\/p>\n<p>\u201eAbkehr und Einkehr\u201c &#8211; Anmerkungen zu Eitelkeit und Demut in der Orgelmusik der zweiten H\u00e4lfte des 20. Jahrhunderts. In: Musik &amp; Kirche Mai\/Juni 2005, Kassel<\/p>\n<p>Au\u00dferdem zahlreiche Artikel und Rezensionen (\u00d6sterreichische Musikzeitschrift, \u00d6sterreichisches Orgelforum, L\u2019Orgue, etc.), Programmhefttexte (Wiener Konzerthaus, Salzburger Landestheater, Brucknerhaus Linz, Internationale Beethovenfeste Bonn, Festival Carinthischer Sommer) und CD-Booklets.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715857809324-89faa186-31c9\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Bibliography<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1715857809324-89faa186-31c9\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>International Who\u2019s Who in Music, Cambridge (seit 1990\/91)<\/p>\n<p>Thomas Daniel Schlee. In: Harald Goertz, \u00d6sterreichische Komponisten unserer Zeit. Beitr\u00e4ge &#8217;94. Hrsg. vom \u00d6sterreichischen Musikrat, 1994, 136f.<\/p>\n<p>Musik aus \u00d6sterreich, hrsg. von Bernhard G\u00fcnther, Wien 1997<\/p>\n<p>Michael T\u00f6pel: Die Suche nach Sch\u00f6nheit in der Musik. Ein Gespr\u00e4ch mit Thomas Daniel Schlee. In: Musik und Kirche 3\/1998, 194ff.<\/p>\n<p>Fridolin Dallinger: \u00dcber Thomas Daniel Schlee. In: Beispiele 98 (Kulturpreise des Landes Ober\u00f6sterreich), Linz 1998<\/p>\n<p>Mit dem Orchester spielen. Thomas Daniel Schlees neues Orchesterst\u00fcck [Orchesterspiele op. 45]. In: Takte 2\/1998, 13<\/p>\n<p>The New Grove Dictionary of Music, 2nd edition, hrsg. von Stanley Sadie, London 2000<br \/>Konrad Huber: Thomas Daniel Schlee. Studien zum gegenw\u00e4rtigen \u00f6sterreichischen Musikleben. Diplomarbeit f\u00fcr das Institut f\u00fcr Musikgeschichte an der Universit\u00e4t f\u00fcr Musik und darstellende Kunst in Wien, Wien 2000<\/p>\n<p>Wie das M\u00e4dchen den Esel rettete. Eine \u00bbEseliade\u00ab von Thomas Daniel Schlee wird Kinderkonzerte bereichern. In: Takte 1\/2000, 17<\/p>\n<p>Barbara Maria Zollner: Der Esel Hes\u00e9ki\u00ebl. In: SIMs Kultur\/Kultursommer 2001, Wien 2001<br \/>Eine Symphonie und eine Eseliade. Zwei neue St\u00fccke von Thomas Daniel Schlee wurden in G\u00f6ttingen und beim Carinthischen Sommer uraufgef\u00fchrt. In: Takte 1\/2002, 15<\/p>\n<p>Heinz-Albert Heindrichs: Der Kreuzweg unseres Herrn und Heilandes \u2013 Einblicke in Thomas Daniel Schlees preisgekr\u00f6nte Passionsmusik. In: Jahresbericht 2001 der Guardini Stiftung Berlin<\/p>\n<p>Otto Kargl: Klangfarbenspiel. Das geistliche Vokalwerk von Thomas Daniel Schlee. In: Musica sacra 1\/2003, 13ff.<\/p>\n<p>Daniel Ender: \u00bbVon der Heiligkeit der Erinnerung\u00ab &#8211; Betrachtungen zur Ersten Symphonie op. 51. In: Monatsmagazin der Gesellschaft der Musikfreunde, Wien, April 2004<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715926842723-5a976b04-5722\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Discography<\/h3><\/div><div class=\"grve-accordion-content diskographie\" id=\"1715926842723-5a976b04-5722\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"row\">\n<div class=\"col-md-16\">\n<div id=\"c2815\" class=\"csc-default layout-0\">\n<div class=\"csc-brv-text\">\n<p>Zweites Streichquartett op. 21 \/ Pr\u00e9ludes op. 6\/2 und 6\/4 f\u00fcr Orgel \/ Dann steht der Mandelbaum in Bl\u00fcte. Motette op. 37 \/ Das Feuer des Herrn. Kantate op. 27<br \/>\nAnton Bruckner-Quartett, Cappella Nova Graz (Leitung Otto Kargl), Arnold-Sch\u00f6nberg-Chor, Wiener Concert-Verein (Leitung Erwin Ortner), Thomas Daniel Schlee (Orgel)<br \/>\nAuf: ORF Edition Zeitton CD 274<\/p>\n<p>Aurora op. 32 \/ Licht, Farbe, Schatten op. 38 \/ Quia tu es Deus fortitudo mea op. 24 \/ Wacht auf, Harfe und Saitenspiel op. 35 \/ Alba op. 26<br \/>\nRadio-Sinfonieorchester Warschau, Leitung Wojciech Rajski<br \/>\nAuf: Extraplatte CD EX-SP 020-2<\/p>\n<p>Ricercar f\u00fcr gro\u00dfes Orchester op. 31<br \/>\nORF-Symphonieorchester, Leitung Karl Heinz Gruber<br \/>\nAuf: ORF Edition Zeitton CD 46<\/p>\n<p>Orchesterspiele op. 45<br \/>\nRSO Wien, Leitung Dennis Russell Davies. Auf: ORF Edition Zeitton \u201eNeue Musik aus \u00d6sterreich\u201c IV, CD 325<\/p>\n<p>Der Baum des Heils<br \/>\ncappella nova graz, Leitung Otto Kargl. Auf: Extraplatte CD EX 320-2<\/p>\n<p>Pr\u00e9lude op. 6 Nr. 4 f\u00fcr Orgel<br \/>\nBernhard Billeter (Die Silbermann-Orgel von St. Petri in Freiburg). Auf: Psallite CD 60021<\/p>\n<p>Reine Gegenwart<br \/>\nWiener Glasharmonika-Duo. Auf: ORF Edition Zeitton CD 329<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718002410967-9cb2bd9f-567c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Quotations<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1718002410967-9cb2bd9f-567c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\n\u201cMy music is a quest for the traces of beauty and expressivity that shimmer in combinations of notes. This is nothing new, but it is always a wonderful challenge. An aesthetic of denial is no less foreign to my way of thought than randomness in stylistic devices. Every composition has its destiny from which it derives its shape, its progression of harmonic colors, the nature of its melodic and formal fabric. The so-called \u2018material\u2019 is set in motion by the initial idea \u2013 the inspiration \u2013 after which it is subjected to its indwelling dynamism and outside control in mutual interaction. For the composer, this is the most exciting stage of his work. If the material is well-formed and the ear can function as the final arbiter over the succession of sounds, then there just might emerge that magic of an articulate art-form in which memory and imagination blend into a work of art.\u201d<br \/><em>Thomas Daniel Schlee, 1997<\/em><\/p>\n<p>\u201cIn my experience, Schlee\u2019s music makes people happy; it does not cry out for attention, but invites the heart and the mind to discover qualities that remain emblazoned in the memory. The eloquent imagery and compositional density, the intellectual rigor and spirituality of his music place him close to Bruckner and especially to Messiaen, who taught Schlee in his later years. And it may be that future generations will see Messiaen\u2019s legacy, not so much in those composers who profited early but only partially from his technical innovations, but rather in Schlee, who grasped Messiaen\u2019s ideational universe in its totality because it was alreadyconsistent with his own. It was precisely this that led him to find his own distinctive and individual language.\u201d<br \/><em>Heinz-Albert Heindrichs, 2003<\/em><\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><div class=\"grve-empty-space grve-height-2x\"><\/div><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>Performances<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-2-no-2\" class=\"tablepress tablepress-id-2 brv-termine tablepress-responsive tablepress-responsive-stack-headers tablepress-responsive-stack-tablet\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">composer_first_name<\/th><th class=\"column-2\">composer_last_name<\/th><th class=\"column-3\">title<\/th><th class=\"column-4\">date<\/th><th class=\"column-5\">orchestra<\/th><th class=\"column-6\">conductor<\/th><th class=\"column-7\">location<\/th><th class=\"column-8\">special<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Klavierkonzert<\/td><td class=\"column-4\">24.06.2026<\/td><td class=\"column-5\">Kirill Gerstein (Klavier), Tonhalle Orchester<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Chelsea Opera Group<\/td><td class=\"column-6\">Paul Wingfield<\/td><td class=\"column-7\">London (Cadogan Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Rias Kammerchor<\/td><td class=\"column-6\">Peter Dijkstra<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lidiya Yankovskaya, Regie: Max Webster <\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">27.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Guggeis, Regie: Andrea Moses<\/td><td class=\"column-7\">Berlin (Staatsoper Unter den Linden)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Messe solennelle<\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\">Orchestre National de France<\/td><td class=\"column-6\">Dinis Sousa<\/td><td class=\"column-7\">Paris (Maison de la Radio)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leonardo Garcia Alarcon, Regie: Cl\u00e9ment Cogitore<\/td><td class=\"column-7\">Aix-en-Provence (Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Bruckner Orchester Linz<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">St. Florian (Basilika)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ariodante<\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Beaune (Festival Baroque, Hotel-Dieu)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix P\u00e4tzold, Regie: Immo Karaman<\/td><td class=\"column-7\">Kiel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">George<\/td><td class=\"column-2\">Benjamin<\/td><td class=\"column-3\">Three Consorts <\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Kent Nagano<\/td><td class=\"column-7\">Kl\u00fctz (Festspiele Mecklenburg-Vorpommern, Schloss Bothmer)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsche Staatsphilharmonie Rheinland-Pfalz<\/td><td class=\"column-6\">Michael Francis<\/td><td class=\"column-7\">Speyer (Ged\u00e4chtniskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">Giselher<\/td><td class=\"column-2\">Klebe<\/td><td class=\"column-3\">Mignon<\/td><td class=\"column-4\">07.07.2026<\/td><td class=\"column-5\">Detmolder Kammerorchester<\/td><td class=\"column-6\">Stanley Dodds<\/td><td class=\"column-7\">Detmold (Hochschule f\u00fcr Musik) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">09.07.2026<\/td><td class=\"column-5\">Slovenian Philharmonic<\/td><td class=\"column-6\">Charles Dutoit<\/td><td class=\"column-7\">Cankarjev (Gallus Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">12.07.2026<\/td><td class=\"column-5\">Staatsorchester Stuttgart<\/td><td class=\"column-6\">Lothar Zagrosek<\/td><td class=\"column-7\">Stuttgart (Liederhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXVII (so nimm denn meine h\u00e4nde) f\u00fcr orgel solo<\/td><td class=\"column-4\">15.07.2026<\/td><td class=\"column-5\">Martin K\u00fcckes (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Templin (Maria-Magdalenen-Kirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">16.07.2026<\/td><td class=\"column-5\">Schleswig-Holstein Festival Orchestra<\/td><td class=\"column-6\">Andrew Manze<\/td><td class=\"column-7\">Elmshorn (Stiftung Schleswig-Holstein Musik Festival)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito<\/td><td class=\"column-4\">19.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Adrian Kelly, Regie: Corina W\u00fcrsch<\/td><td class=\"column-7\">Buxton (International Festival, Opera House)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">jag die hunde zur\u00fcck!<\/td><td class=\"column-4\">20.07.2026<\/td><td class=\"column-5\">Accademia Musicale Chigiana<\/td><td class=\"column-6\">Lorenzo Donati<\/td><td class=\"column-7\">Siena (Chiesa della Ss. Annunziata)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">Anton\u00edn <\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Petr Popelka, Regie: Martin Kusej <\/td><td class=\"column-7\">M\u00fcnchen (M\u00fcnchner Opernfestspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">Georges <\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen, Fassung 1874<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Fabio Luisi, Regie: Denis Krief<\/td><td class=\"column-7\">Martina Franca (Festival della Valle d\u2019Itria)<\/td><td class=\"column-8\">Szenische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXVII (so nimm denn meine h\u00e4nde) f\u00fcr orgel solo<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\">Martin K\u00fcckes (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin-Spandau\u00a0(Orgelsommer, St. Nikolai)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">V\u00e1clav<\/td><td class=\"column-2\">Trojan<\/td><td class=\"column-3\">M\u00e4rchen<\/td><td class=\"column-4\">26.07.2026<\/td><td class=\"column-5\">Heilbronner Sinfonie Orchester <\/td><td class=\"column-6\">Alois Seidlmeier<\/td><td class=\"column-7\">Heilbronn (Deutschhof)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">26.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Teodor Currentzis, Regie: Gabriela Carrizo (Peeping Tom)<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">29.07.2026<\/td><td class=\"column-5\">Orchestre Symphonique de la Monnaie<\/td><td class=\"column-6\">Alain Altinoglu<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\">Studierende der Orchesterakademie<\/td><td class=\"column-6\">L\u00fc Jia<\/td><td class=\"column-7\">Lugano (Palazzo dei Congressi)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Evan Rogister, Regie: David McVicar<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">L'ubica<\/td><td class=\"column-2\">Cekovska<\/td><td class=\"column-3\">Maison de la musique en sept p\u00e9riodes<\/td><td class=\"column-4\">01.08.2026<\/td><td class=\"column-5\">Japan Century Symphony Orchestra<\/td><td class=\"column-6\">Andreas Ottensamer<\/td><td class=\"column-7\">Osaka<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Lucio Silla <\/td><td class=\"column-4\">02.08.2026<\/td><td class=\"column-5\">Mozarteum Orchester<\/td><td class=\"column-6\">Adam Fischer<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Le Cinesi<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Collegium 1704<\/td><td class=\"column-6\">V\u00e1clav Luks<\/td><td class=\"column-7\">Cesky Krumlov<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Le Concert d\u2019Astr\u00e9e<\/td><td class=\"column-6\">Emmanuelle Haim<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Joana Mallwitz, Regie: Christof Loy<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXII (wer nur den lieben gott l\u00e4\u00dft walten) f\u00fcr orgel solo<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Angela Metzger (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">M\u00fcnchen (St. Markus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Wesendonck-Lieder <\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Catherine Foster (Sopran), Mitglieder des Orchesters der Bayreuther Festspiele<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Bayreuth (Festspiele)<\/td><td class=\"column-8\">auch 11.8.<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">K\u00f6nig Karotte<\/td><td class=\"column-4\">09.08.2026<\/td><td class=\"column-5\">Mattias Straub (Erz\u00e4hler), Orchester der Sommeroperette Heldritt<\/td><td class=\"column-6\">Manuel Grund <\/td><td class=\"column-7\">Bad Rodach (Waldb\u00fchne Heldritt)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">Antonio<\/td><td class=\"column-2\">Salieri<\/td><td class=\"column-3\">Cublai, gran Kan de\u2019 Tartari<\/td><td class=\"column-4\">10.08.2026<\/td><td class=\"column-5\">Orchestra Haydn di Bolzano e Trento<\/td><td class=\"column-6\">Stefano Ferrario<\/td><td class=\"column-7\">La Villa (Badia)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">15.08.2026<\/td><td class=\"column-5\">London Symphony Chorus and Orchestra<\/td><td class=\"column-6\">Antonio Pappano<\/td><td class=\"column-7\">London (Proms, Royal Albert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni<\/td><td class=\"column-4\">16.08.2026<\/td><td class=\"column-5\">Scottish Chamber Chorus and Orchestra<\/td><td class=\"column-6\">Maxim Emelyanychev<\/td><td class=\"column-7\">Edinburgh (International Festival)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">19.08.2026<\/td><td class=\"column-5\">Orquesta Sinf\u00f3nica de Bilbao<\/td><td class=\"column-6\">Erick Nielsen<\/td><td class=\"column-7\">San Sebastian (Musikfestivals Quincena, Auditorio Kursaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La finta giardiniera<\/td><td class=\"column-4\">20.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Massimiliano Caldi, Regie: Maria Sartova<\/td><td class=\"column-7\">Danzig<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">Bernd Alois<\/td><td class=\"column-2\">Zimmermann<\/td><td class=\"column-3\">Musique pour les soupers du Roi Ubu<\/td><td class=\"column-4\">20.08.2026<\/td><td class=\"column-5\">Orchestre des Jardins Musicaux<\/td><td class=\"column-6\">Valentin Reymond<\/td><td class=\"column-7\">Cernier<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Canti della tenebra, In mia vita da vuolp, Presto f\u00fcr Fl\u00f6te und Klavier, Melodie f\u00fcr Fl\u00f6te solo, Studie f\u00fcr Klavier <\/td><td class=\"column-4\">26.08.2026<\/td><td class=\"column-5\">Elina Viluma-Helling (Sopran), Cornelia Sonnleithner (Alt), Maria Iazia (Klavier) Iva Kovac (Fl\u00f6te), Gerald Preinfalk (Saxophon)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">St. Gallen (Burg Gallenstein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Orlando Paladino<\/td><td class=\"column-4\">28.08.2026<\/td><td class=\"column-5\">Orfeo Orchestra<\/td><td class=\"column-6\">Gy\u00f6rgy Vashegyi<\/td><td class=\"column-7\">Fert\u00f6d (Haydneum Concerts at Esterh\u00e1zy Palace)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">Gustav<\/td><td class=\"column-2\">Holst<\/td><td class=\"column-3\">The Planets<\/td><td class=\"column-4\">03.09.2026<\/td><td class=\"column-5\">Robert Schumann Philharmonie<\/td><td class=\"column-6\">Benjamin Reiners<\/td><td class=\"column-7\">Chemnitz<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Sinfonie<\/td><td class=\"column-4\">08.09.2026<\/td><td class=\"column-5\">Staatskapelle Berlin<\/td><td class=\"column-6\">Christian Thielemann<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marie Jacquot, Regie: Tatjana G\u00fcrbaca<\/td><td class=\"column-7\">Kopenhagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die verlorene Melodie <\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\">Staatskapelle Weimar<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Weimar (Theaterfest)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Sebastiano Rolli, Regie: Martina Gredler<\/td><td class=\"column-7\">Magdeburg <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">R\u00e9gis<\/td><td class=\"column-2\">Campo<\/td><td class=\"column-3\">Lumen<\/td><td class=\"column-4\">13.09.2026<\/td><td class=\"column-5\">Stuttgarter Philharmoniker<\/td><td class=\"column-6\">R\u00e9my Ballot<\/td><td class=\"column-7\">Besancon (Festival de Musique)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">Arnold<\/td><td class=\"column-2\">Bax<\/td><td class=\"column-3\">Octet<\/td><td class=\"column-4\">14.09.2026<\/td><td class=\"column-5\">Ensemble Kontrapunkte<\/td><td class=\"column-6\">Gottfried Rabl<\/td><td class=\"column-7\">Wien (Musikverein) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Boost<\/td><td class=\"column-4\">16.09.2026<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">3. Symphonie <\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Essener Philharmoniker<\/td><td class=\"column-6\">Bertrand de Billy<\/td><td class=\"column-7\">Essen (Alfried Krupp Saal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie in c-Moll<\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Gewandhausorchester<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">18.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Sch\u00f6nwandt, Regie: Krzysztof Warlikowski<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">19.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andreas Wolf, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Violation<\/td><td class=\"column-4\">20.09.2026<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Julia Kurzydlak<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXIII (in te domine speravi) f\u00fcr orgel solo<\/td><td class=\"column-4\">20.09.2026<\/td><td class=\"column-5\">Roman Summereder (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Hannover (Nazarethkirche)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel VIII (aus tiefer not schrei ich zu dir), choralvorspiel XL (te deum laudamus), choralvorspiel XLVI (morgenglanz der ewigkeit), choralvorspiel LI (kyrie XI, orbis factor) <\/td><td class=\"column-4\">23.09.2026<\/td><td class=\"column-5\">Hansj\u00f6rg Albrecht (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Kathedrale St. Hedwig)<\/td><td class=\"column-8\">Urauff\u00fchrung (choralvorspiel VIII)<\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Mitridate, re di Ponto <\/td><td class=\"column-4\">24.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Frizza, Regie: Claus Guth<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">Matthias<\/td><td class=\"column-2\">Pintscher<\/td><td class=\"column-3\">NUR<\/td><td class=\"column-4\">25.09.2026<\/td><td class=\"column-5\">Inon Barnatan (Klavier), Utah Symphony<\/td><td class=\"column-6\">Matthias Pintscher<\/td><td class=\"column-7\">Salt Lake City (Abravanel Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-62\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">25.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Jakub Przybicien, Regie: Matthias Kitter<\/td><td class=\"column-7\">Nordhausen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-63\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">26.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Johannes Braun, Regie: Lorenzo Fioroni<\/td><td class=\"column-7\">Graz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-64\">\n\t<td class=\"column-1\">Anders<\/td><td class=\"column-2\">Hillborg<\/td><td class=\"column-3\">Cello Concerto<\/td><td class=\"column-4\">26.09.2026<\/td><td class=\"column-5\">Ariel Barnes (Cello), N\u00fcrnberger Symphoniker<\/td><td class=\"column-6\">Jonathan Darlington<\/td><td class=\"column-7\">N\u00fcrnberg (Meistersingerhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-65\">\n\t<td class=\"column-1\">Arnold<\/td><td class=\"column-2\">Bax<\/td><td class=\"column-3\">Tintagel<\/td><td class=\"column-4\">28.09.2026<\/td><td class=\"column-5\">Philharmonisches Orchester Bremerhaven <\/td><td class=\"column-6\">Florian Ludwig<\/td><td class=\"column-7\">Bremerhaven<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-66\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk (2026) f\u00fcr Bass &amp; Baritonsaxophon<\/td><td class=\"column-4\">29.09.2026<\/td><td class=\"column-5\">Ulfried Staber (Bass), Gerald Preinfalk (Saxophon)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Graz (BRUSEUM\/Neue Galerie)<\/td><td class=\"column-8\">Urauff\u00fchrung  <\/td>\n<\/tr>\n<tr class=\"row-67\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Zaide <\/td><td class=\"column-4\">30.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">George Petrou, Regie: David Hermann<\/td><td class=\"column-7\">Frankfurt   <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-68\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">01.10.2026<\/td><td class=\"column-5\">Orchestra del Maggio Musicale Fiorentino<\/td><td class=\"column-6\">Thomas Guggeis<\/td><td class=\"column-7\">Florenz<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-69\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">02.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michele Spotti, Regie: Ted Huffman<\/td><td class=\"column-7\">Valencia (Palau de les Arts Reina Sofia)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-70\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">02.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Stefan Vladar, Regie: Philipp Himmelmann<\/td><td class=\"column-7\">L\u00fcbeck<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-71\">\n\t<td class=\"column-1\">Umberto<\/td><td class=\"column-2\">Giordano<\/td><td class=\"column-3\">Andrea Ch\u00e9nier<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniel Cohen, Regie: John Dew<\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-72\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">31.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Sebastian Lang-Lessing, Regie: Pamela Recinella<\/td><td class=\"column-7\">Hagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-73\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Dornr\u00f6schen<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Carlo Benedetto Cimento, Choreographie: Reginaldo Oliveira<\/td><td class=\"column-7\">Palermo (Teatro Massimo)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-74\">\n\t<td class=\"column-1\">Fromental<\/td><td class=\"column-2\">Hal\u00e9vy<\/td><td class=\"column-3\">La Juive<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix Bender, Regie: Marco Storman<\/td><td class=\"column-7\">Ulm<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-75\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">04.10.2026<\/td><td class=\"column-5\">Philharmonia Orchestra<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">London (Royal Festival Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-76\">\n\t<td class=\"column-1\">Jacques<\/td><td class=\"column-2\">Offenbach<\/td><td class=\"column-3\">Les contes d'Hoffmann<\/td><td class=\"column-4\">04.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Sejoon Park, Regie: Anja Nicklich<\/td><td class=\"column-7\">Koblenz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-77\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">06.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Emmanuelle Haim, Regie: Ewelina Marciniak<\/td><td class=\"column-7\">Lille<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-78\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">09.10.2026<\/td><td class=\"column-5\">Orchestra del Teatro di San Carlo<\/td><td class=\"column-6\">Iv\u00e1n L\u00f3pez-Reynoso<\/td><td class=\"column-7\">Neapel (Teatro di San Carlo)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-79\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">10.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Hermes Helfricht, Regie: Matthew Ferraro<\/td><td class=\"column-7\">Erfurt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-80\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Herbst, Enigma I-IV &amp; VI, Enigma V, Enigma VII<\/td><td class=\"column-4\">10.10.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\">Cordula B\u00fcrgi<\/td><td class=\"column-7\">Graz (Helmut List Halle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-81\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ottone<\/td><td class=\"column-4\">11.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">V\u00e1clav Luks, Regie: Jetske Mijnssen<\/td><td class=\"column-7\">Frankfurt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-82\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">13.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pablo Gonz\u00e1lez, Regie: Marta Pazos<\/td><td class=\"column-7\">Teneriffa (Auditorio)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-83\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Riccardo primo, Re d\u2019Inghilterra <\/td><td class=\"column-4\">14.10.2026<\/td><td class=\"column-5\">Les Arts Florissants<\/td><td class=\"column-6\">Paul Agnew<\/td><td class=\"column-7\">Dijon (Grand Th\u00e9atre)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-84\">\n\t<td class=\"column-1\">Andrea Lorenzo<\/td><td class=\"column-2\">Scartazzini<\/td><td class=\"column-3\">Torso - Epitaph<\/td><td class=\"column-4\">14.10.2026<\/td><td class=\"column-5\">Luzerner Sinfonieorchester<\/td><td class=\"column-6\">Michael Sanderling<\/td><td class=\"column-7\">Luzern (KKL)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-85\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Konzert f\u00fcr Klavier und Orchester<\/td><td class=\"column-4\">15.10.2026<\/td><td class=\"column-5\">Orquesta Sinf\u00f3nica de l'ESMUC<\/td><td class=\"column-6\">Ernest Mart\u00ednez Izquierdo<\/td><td class=\"column-7\">Barcelona<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-86\">\n\t<td class=\"column-1\">Gioachino<\/td><td class=\"column-2\">Rossini<\/td><td class=\"column-3\">Il barbiere di Siviglia<\/td><td class=\"column-4\">15.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Chloe Rooke, Regie: Annabel Arden<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-87\">\n\t<td class=\"column-1\">Bernd Alois<\/td><td class=\"column-2\">Zimmermann<\/td><td class=\"column-3\">Musique pour les soupers du Roi Ubu<\/td><td class=\"column-4\">15.10.2026<\/td><td class=\"column-5\">M\u00fcnchner Philharmoniker<\/td><td class=\"column-6\">Anja Bihlmaier<\/td><td class=\"column-7\">M\u00fcnchen (Isarphilharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-88\">\n\t<td class=\"column-1\">Torsten<\/td><td class=\"column-2\">Rasch<\/td><td class=\"column-3\">Die wunderbaren Jahre<\/td><td class=\"column-4\">16.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Christian Blex, Regie: Nora Bussenius<\/td><td class=\"column-7\">Dresden  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-89\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">17.10.2026<\/td><td class=\"column-5\">NHK Symphony Orchestra<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Tokio (NHK Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-90\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">Gesualdo senza parole<\/td><td class=\"column-4\">17.10.2026<\/td><td class=\"column-5\">Klangforum Wien<\/td><td class=\"column-6\">Sylvain Cambreling<\/td><td class=\"column-7\">Wien (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-91\">\n\t<td class=\"column-1\">Charles<\/td><td class=\"column-2\">Gounod<\/td><td class=\"column-3\">Faust<\/td><td class=\"column-4\">20.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniele Rustioni, Regie: Johannes Erath<\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-92\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">John Stulz (Viola), Ensemble Intercontemporain<\/td><td class=\"column-6\">George Benjamin<\/td><td class=\"column-7\">Paris (Cit\u00e9 de la Musique)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-93\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Flavio, Re de\u2019 Langobardi <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Camille Delaforge, Regie: Max Emanuel Cencic<\/td><td class=\"column-7\">Meiningen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-94\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-95\">\n\t<td class=\"column-1\">Benjamin<\/td><td class=\"column-2\">Britten<\/td><td class=\"column-3\">Young Apollo<\/td><td class=\"column-4\">24.10.2026<\/td><td class=\"column-5\">Camerata Bern<\/td><td class=\"column-6\">Alexander Melnikov<\/td><td class=\"column-7\">Bern (Zentrum Paul Klee)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-96\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">25.10.2026<\/td><td class=\"column-5\">Orchestra, Coro e Tecnici del Teatro Comunale di Bologna<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-97\">\n\t<td class=\"column-1\">Matthias<\/td><td class=\"column-2\">Pintscher<\/td><td class=\"column-3\">Assonanza<\/td><td class=\"column-4\">29.10.2026<\/td><td class=\"column-5\">Leila Josefowicz (Violine), Royal Stockholm Philharmonic Orchestra<\/td><td class=\"column-6\">Matthias Pintscher<\/td><td class=\"column-7\">Stockholm (Konserthuset)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-98\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">29.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">N.N., Regie: Nilufar K. M\u00fcnzing<\/td><td class=\"column-7\">Klagenfurt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-99\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">30.10.2026<\/td><td class=\"column-5\">Estonian National Symphony Orchestra<\/td><td class=\"column-6\">Gregor A. Mayrhofer<\/td><td class=\"column-7\">Tallinn (Festival AFEKT, Estonia Concert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-100\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Schwanensee<\/td><td class=\"column-4\">31.10.2026<\/td><td class=\"column-5\">Camerata Louis Spohr<\/td><td class=\"column-6\">Bernd Peter Fugelsang<\/td><td class=\"column-7\">D\u00fcsseldorf<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-101\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">31.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">N.N., Regie: Neil Barry Moss<\/td><td class=\"column-7\">Coburg (Globe)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-102\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Turn<\/td><td class=\"column-4\">04.11.2026<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\">auchh 5.\/6.11.<\/td>\n<\/tr>\n<tr class=\"row-103\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Br\u00fcnn (Jan\u00e1cek-Theater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-104\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">hr-Sinfonieorchester<\/td><td class=\"column-6\">Michael Wendeberg<\/td><td class=\"column-7\">Frankfurt (hr-Sendesaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-105\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Core<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Orchester der Oper Z\u00fcrich<\/td><td class=\"column-6\">Gianandrea Noseda<\/td><td class=\"column-7\">Z\u00fcrich   <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-106\">\n\t<td class=\"column-1\">Pietro<\/td><td class=\"column-2\">Mascagni<\/td><td class=\"column-3\">Cavalleria rusticana<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">N.N., Regie: Gil Mehmert<\/td><td class=\"column-7\">Dortmund<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-107\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk f\u00fcr Orchester<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Pierre Bleuse<\/td><td class=\"column-7\">Basel (Stadtcasino)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-108\">\n\t<td class=\"column-1\">Engelbert<\/td><td class=\"column-2\">Humperdinck<\/td><td class=\"column-3\">Dornr\u00f6schen<\/td><td class=\"column-4\">08.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Markus Poschner, Regie: Anna Bergmann<\/td><td class=\"column-7\">Hamburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-109\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.11.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Roberto Abbado<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-110\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">a sei voci f\u00fcr 6 Frauenstimmen<\/td><td class=\"column-4\">15.11.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\">Cordula B\u00fcrgi<\/td><td class=\"column-7\">M\u00fcnchendorf (Musiksalon)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-111\">\n\t<td class=\"column-1\">V\u00e1clav<\/td><td class=\"column-2\">Trojan<\/td><td class=\"column-3\">M\u00e4rchen<\/td><td class=\"column-4\">21.11.2026<\/td><td class=\"column-5\">Kammerorchester der TUD<\/td><td class=\"column-6\">Florian Streich<\/td><td class=\"column-7\">Gro\u00df-Umstadt (Stadthalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-112\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">21.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">H\u00e9lio Vida, Regie: Nikolaus Habjan<\/td><td class=\"column-7\">Basel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-113\">\n\t<td class=\"column-1\">Henry<\/td><td class=\"column-2\">Purcell<\/td><td class=\"column-3\">Dido and Aeneas<\/td><td class=\"column-4\">21.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniel Geiss, Regie: Seollyeon Konwitschny-Lee<\/td><td class=\"column-7\">Neubrandenburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-114\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">25.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">David McVicar, Regie: Bettina Neuhaus<\/td><td class=\"column-7\">Barcelona<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-115\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Das Mondklavier<\/td><td class=\"column-4\">29.11.2026<\/td><td class=\"column-5\">Beate Bachmann (Sprecherin), Jenaer Philharmonie<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Jena (Volkshaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-116\">\n\t<td class=\"column-1\">Giovanni<\/td><td class=\"column-2\">Sollima<\/td><td class=\"column-3\">Violoncelles, vibrez!<\/td><td class=\"column-4\">02.12.2026<\/td><td class=\"column-5\">M\u00fcnchener Kammerorchester<\/td><td class=\"column-6\">Daniel Giglberger<\/td><td class=\"column-7\">Olten (Stadttheater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-117\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Geh\u00f6rte Form - Hommages<\/td><td class=\"column-4\">03.12.2026<\/td><td class=\"column-5\">Trio Sola<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-118\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Les P\u00eacheurs de Perles<\/td><td class=\"column-4\">05.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marc Minkowski, Regie: Pierre-Andr\u00e9 Weitz<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-119\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">06.12.2026<\/td><td class=\"column-5\">Erik Br\u00fcnner (Sprecher), Jugendsinfonieorchester Heinrich-Sch\u00fctz-Konservatorium, Dresdner Philharmonie<\/td><td class=\"column-6\">Milko Kersten<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\">auch 7.12.<\/td>\n<\/tr>\n<tr class=\"row-120\">\n\t<td class=\"column-1\">Francesco<\/td><td class=\"column-2\">Filidei<\/td><td class=\"column-3\">I funerali dell\u2019anarchico Serantini<\/td><td class=\"column-4\">09.12.2026<\/td><td class=\"column-5\">Studierende der Hochschule<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Karlsruhe (Hochschule f\u00fcr Musik)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-121\">\n\t<td class=\"column-1\">Miroslav<\/td><td class=\"column-2\">Srnka<\/td><td class=\"column-3\">Smoke<\/td><td class=\"column-4\">10.12.2026<\/td><td class=\"column-5\">NHK Symphony Orchestra<\/td><td class=\"column-6\">Maxim Emelyanychev<\/td><td class=\"column-7\">Tokio (Suntory Hall)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-122\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">13.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marta Gardoli?ska, Regie: Jetske Mijnssen<\/td><td class=\"column-7\">Genf (B\u00e2timent des Forces Motrices)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-123\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">17.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Bertrand de Billy, Regie: Lydia Steier<\/td><td class=\"column-7\">Wien (Staatsoper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-124\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Tha\u00efs<\/td><td class=\"column-4\">18.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pierre Dumoussaud, Regie: Olivier Lepelletier-Leeds<\/td><td class=\"column-7\">Li\u00e8ge<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-125\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Flavio, Re de\u2019 Langobardi<\/td><td class=\"column-4\">19.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Karsten Januschke, Regie: Tilmann K\u00f6hler<\/td><td class=\"column-7\">Frankfurt (Bockenheimer Depot)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-126\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Les P\u00eacheurs de Perles<\/td><td class=\"column-4\">29.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Victorien Vanoosten, Regie: Mirabelle Ordinaire<\/td><td class=\"column-7\">Toulon (Z\u00e9nith)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-127\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Thamos, K\u00f6nig in \u00c4gypten<\/td><td class=\"column-4\">12.01.2027<\/td><td class=\"column-5\">Orchestra Haydn di Bolzano e Trento<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Bozen (Auditorium)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-128\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">13.01.2027<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Gianandrea Noseda<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-129\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">16.01.2027<\/td><td class=\"column-5\">Staatsphilharmonie N\u00fcrnberg<\/td><td class=\"column-6\">Christopher Schumann<\/td><td class=\"column-7\">N\u00fcrnberg  <\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-130\">\n\t<td class=\"column-1\">Richard<\/td><td class=\"column-2\">Dubugnon<\/td><td class=\"column-3\">Sonnenring<\/td><td class=\"column-4\">20.01.2027<\/td><td class=\"column-5\">Janine Jansen (Violine), Orchestre de la Suisse Romande<\/td><td class=\"column-6\">Jonathan Nott<\/td><td class=\"column-7\">Genf (Victoria Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-131\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Orlando <\/td><td class=\"column-4\">21.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniel Espasa, Regie: Rafael Villalobos<\/td><td class=\"column-7\">Teneriffa (Auditorio)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-132\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Francesco Angelico, Regie: Vasily Barkhatov <\/td><td class=\"column-7\">Graz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-133\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orfeo ed Euridice <\/td><td class=\"column-4\">23.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Eric Staiger, Regie: Aileen Schneider<\/td><td class=\"column-7\">Oldenburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-134\">\n\t<td class=\"column-1\">Giovanni<\/td><td class=\"column-2\">Sollima<\/td><td class=\"column-3\">When We Were Trees<\/td><td class=\"column-4\">24.01.2027<\/td><td class=\"column-5\">S\u00fcdwestdeutsches Kammerorchester<\/td><td class=\"column-6\">Reto Bieri<\/td><td class=\"column-7\">Pforzheim (CongressCentrum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-135\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">24.01.2027<\/td><td class=\"column-5\">Oliver Moumouris (Sprecher), W\u00fcrttembergische Philharmonie<\/td><td class=\"column-6\">Hans Grischkat<\/td><td class=\"column-7\">Reutlingen (Georgensaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-136\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orfeo ed Euridice <\/td><td class=\"column-4\">29.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Aapo H\u00e4kkinen, Regie: Tero Saarinen<\/td><td class=\"column-7\">Helsinki<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-137\">\n\t<td class=\"column-1\">Engelbert<\/td><td class=\"column-2\">Humperdinck<\/td><td class=\"column-3\">K\u00f6nigskinder<\/td><td class=\"column-4\">30.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Justus Thorau, Regie: Angela Denoke<\/td><td class=\"column-7\">Saarbr\u00fccken<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-138\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">30.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Jiri Rozen, Regie: Caterina Cianfarini <\/td><td class=\"column-7\">Basel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-139\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">30.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marco Alibrando, Regie: Marcos Darbyshire<\/td><td class=\"column-7\">Weimar   <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-140\">\n\t<td class=\"column-1\">Jean-Philippe<\/td><td class=\"column-2\">Rameau<\/td><td class=\"column-3\">Les Bor\u00e9ades<\/td><td class=\"column-4\">05.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Camille Delaforge, Regie: R.B. Schlather<\/td><td class=\"column-7\">Dublin (Irish National Opera)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-141\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">10.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Hengelbrock, Regie: Netia Jones<\/td><td class=\"column-7\">London (Royal Opera House)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-142\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Nathalie Stutzmann, Regie: Robert Carsen<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-143\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">13.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Gerrit Prie\u00dfnitz, Regie: Anna-Sophie Mahler<\/td><td class=\"column-7\">Innsbruck<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-144\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marco Comin, Regie: N.N.<\/td><td class=\"column-7\">Bremerhaven<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-145\">\n\t<td class=\"column-1\">Ludwig van<\/td><td class=\"column-2\">Beethoven<\/td><td class=\"column-3\">Fidelio<\/td><td class=\"column-4\">17.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Kensho Watanabe, Regie: Ruth Knight<\/td><td class=\"column-7\">Glasgow<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-146\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Rinaldo<\/td><td class=\"column-4\">22.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Philippe Jaroussky, Regie: Valentina Carrasco<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-147\">\n\t<td class=\"column-1\">Oliver<\/td><td class=\"column-2\">Leith<\/td><td class=\"column-3\">Last Days<\/td><td class=\"column-4\">27.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andr\u00e9 de Ridder, Friedrike Scheunchen, Regie: Lily Kuhlmann<\/td><td class=\"column-7\">Freiburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-148\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Die verkaufte Braut<\/td><td class=\"column-4\">28.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">T\u00f3mas Netopil, Regie: Laurent Pelly<\/td><td class=\"column-7\">K\u00f6ln<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-149\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">05.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Kaspar Zehnder, Regie: Joel Lauwers<\/td><td class=\"column-7\">Metz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-150\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Serse <\/td><td class=\"column-4\">06.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Cl\u00e9ment Lonca, Regie: Lorenzo Fioroni<\/td><td class=\"column-7\">Bern  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-151\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">07.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Seok-Won Hong, Regie: Nicola Berloffa<\/td><td class=\"column-7\">Teneriffa (Auditorio)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-152\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Konzert Nr. 2 f\u00fcr Violine und Orchester<\/td><td class=\"column-4\">15.03.2027<\/td><td class=\"column-5\">Kirill Kobantschenko (Violine), Sinfonia Academica<\/td><td class=\"column-6\">David Holzinger<\/td><td class=\"column-7\">Wien (Mozartsaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-153\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Iphig\u00e9nie en Aulide<\/td><td class=\"column-4\">20.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Ivan Demidov, Regie: Jochen Biganzoli<\/td><td class=\"column-7\">Augsburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Works<\/span><\/h3><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202691956-56699a07-d07c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202691956-56699a07-d07c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07365-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07774-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07330-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07691-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07754-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07685-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09752-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07715-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11116-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07330-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202691989-8422d764-2730\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202691989-8422d764-2730\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09794-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09795-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09796-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07338-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11115-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09741-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11108-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07375-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202742098-8fb99d47-6623\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202742098-8fb99d47-6623\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07709-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09786-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07331-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07766-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202741771-af1366ef-844e\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/instruments<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202741771-af1366ef-844e\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09397\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08581\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09714-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07540\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07759-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08580\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09325\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202741530-f416db8f-cc26\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Choir<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202741530-f416db8f-cc26\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07532\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07540\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07759-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09786-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202740959-02cbb4b5-3f0b\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Ensemble<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202740959-02cbb4b5-3f0b\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09743-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07729-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202740569-d407e7fe-be1e\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Chamber music<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202740569-d407e7fe-be1e\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11415\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11053\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11057\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11058\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11086\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11087\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11067\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07454\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07455\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09369\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08270\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08268D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08269\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07237D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11012\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202738874-9fe7c8a4-ecac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202738874-9fe7c8a4-ecac\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11051\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA10884D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09352\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p><strong>Silberne Schnur<\/strong><br \/>f\u00fcr Klavier (2002\/03). 4 Minuten. In: Piano Album B\u00e4renreiter Contemporary Composers. BA 8762, k\u00e4uflich<br \/><div class=\"app-holder\"><bv-product-display product-id=\"BA08462\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202737940-75d94c49-b1de\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Other works<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202737940-75d94c49-b1de\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Editions Henry Lemoine, Paris<br \/>* Auslieferung der Leihmateriale durch Alkor-Edition, Kassel<\/p>\n<p><strong>Alba<\/strong><br \/>f\u00fcr Fl\u00f6te und Bratsche op. 26 (1987). 25073 H.L. \/ 7 Minuten<br \/>Urauff\u00fchrung am 10. M\u00e4rz 1987 in Wien: Albertina, Astrid Spitznagel (Fl\u00f6te), Leopold Schmetterer (Viola)<\/p>\n<p><strong>Aulodie et Jubilation<\/strong><br \/>f\u00fcr Oboe solo op. 34 (1993\/94). 26277 H.L. \/ 7 Minuten<br \/>Urauff\u00fchrung am 10. Juli 1995 in Linz: Ursulinenkirche, Hans Georg Jacobi<\/p>\n<p><strong>Bucoliques<\/strong><br \/>f\u00fcr Fl\u00f6te, Oboe und Harfe op. 13 (1987). 24998 H.L. \/ 12 Minuten<br \/>Urauff\u00fchrung am 21. Mai 1989 in Salzburg: Mozarts Wohnhaus, Helmut Zangerle (Fl\u00f6te), Wolfgang Schlachter (Oboe), Annemarie Zangerle (Harfe)<\/p>\n<p><strong>Carnet po\u00e9tique<\/strong><br \/>f\u00fcr gemischten Chor a cappella op. 39. Text von Patrick Fr\u00e9gonara (1995\/96). 26662 H.L. \/ 11 Minuten<br \/>Urauff\u00fchrung am 6. November 2001 in Paris: Chapelle Notre-Dame des Anges, Ensemble Vocal Fran\u00e7ais, Leitung Gilbert Martin-Bouyer<\/p>\n<p><strong>Choralvorspiele<\/strong><br \/>f\u00fcr Oboe und Orgel op. 18 (1983). 24705 H.L. \/ 11 Minuten<\/p>\n<p>(alternative Version f\u00fcr Altsaxophon und Orgel)<\/p>\n<p>Urauff\u00fchrung am 26. April 1983 in Wien: Konzerthaus (Mozartsaal), Josef Bednarik (Oboe), Thomas Daniel Schlee (Orgel)<\/p>\n<p><strong>Cinq Pi\u00e8ces<\/strong><br \/>f\u00fcr Orgel op. 29 (1990\/92). 26107 H.L. \/ 24 Minuten<br \/>\u2013 1: Madrigal (1990) \/ 5 Minuten<br \/>Urauff\u00fchrung am 20. Juli 1990 in Bad D\u00fcrrnberg (A): Hedwig Ebermann<\/p>\n<p>\u2013 2: Choral I (1991) \/ 4 Minuten<br \/>Urauff\u00fchrung am 1. August 1993 in Cambridge: King\u2019s College Chapel, Thomas Daniel Schlee<\/p>\n<p>\u2013 3: Mysterium fidei (1991) \/ 3 Minuten<br \/>Urauff\u00fchrung am 23. August 1991 in Stift Zwettl: Andrea Weisgrab<\/p>\n<p>\u2013 4: Cantil\u00e8ne (1992) \/ 6 Minuten<br \/>Urauff\u00fchrung am 24. August 1993 in Maastricht: Kei Koito<\/p>\n<p>\u2013 5: Choral II (1992) \/ 5 Minuten<br \/>Urauff\u00fchrung am 22. November 1992 in Wien: Konzerthaus (Gro\u00dfer Saal), Thomas Daniel Schlee<\/p>\n<p><strong>De Profundis<\/strong><br \/>f\u00fcr Bratsche und Kontrabass op. 43 (1996\/97). 26727 H.L. \/ 6 Minuten<br \/>Urauff\u00fchrung am 10. November 1997 in Wien: Nationalbibliothek<\/p>\n<p><strong>Dein Dunkel wird sein wie der Mittag*<\/strong><br \/>f\u00fcr Orgel, Schlagzeug und sieben Bl\u00e4ser op. 30 (1990\/91). AoE 10554, Auff\u00fchrungsmaterial leihweise; Partitur und Orgelstimme k\u00e4uflich<br \/>Bl\u00e4ser: 2 (Picc), 2 (Eh), 0, 2 (Kfag) &#8211; 0, 1, 0, 0 \/ 15 Minuten<br \/>Urauff\u00fchrung am 13. Mai 1991 in Wien: Konzerthaus (Mozartsaal), Thomas Schm\u00f6gner (Orgel), Klangforum Wien, Leitung Beat Furrer<\/p>\n<p><strong>Deux Pi\u00e8ces<\/strong><br \/>f\u00fcr zwei Trompeten und Orgel op. 19 (1983\/84). 24769 H.L. \/ 10 Minuten<br \/>1. El\u00e9gie; 2. Battaglia<br \/>Urauff\u00fchrung am 25. Juli 1986 in Wien: Augustinerkirche, Hans Gansch (Trompete), Hans Peter Schuh (Trompete), Wolfgang Baumgratz (Orgel)<\/p>\n<p><strong>Dicite: pusillanimes confortamini<\/strong><br \/>Geistliches Konzert f\u00fcr Sopran, zwei Violinen und Violoncello (Orgelpositiv oder Fl\u00f6te ad lib.) op. 17 (lat.) (1982). 24790 H.L. \/ 10 Minuten<br \/>Urauff\u00fchrung am 12. Dezember 1982 in Wien: Michaelerkirche, Capella Archangeli, Leitung Wolfgang Sauseng<\/p>\n<p><strong>Effleur\u00e9e<\/strong><br \/>f\u00fcr Klavier op. 23 (1985-87). 25072 H.L. \/ 7 Minuten<br \/>Urauff\u00fchrung am 8. Oktober 1988 in Seattle\/Washington: Ursula K. Le Guin<\/p>\n<p><strong>Lob des Wassers<\/strong><br \/>f\u00fcr Fl\u00f6te op. 44 (1997). 25170 H.L. \/ 5 Minuten<br \/>Urauff\u00fchrung am 26. Oktober 1997 in Wien: Deutschordenskirche, Wolfgang Schulz<\/p>\n<p><strong>Musique de plein-air<\/strong><br \/>f\u00fcr Klarinette und Trompete op. 41 (1996). 26650 H.L. \/ 12 Minuten<br \/>Urauff\u00fchrung am 2. Februar 1998 in Karlsruhe: Schlo\u00df, Martin Nitschmann (Klarinette), Wolfram Lauel (Trompete)<\/p>\n<p><strong>Notturno<\/strong><br \/>f\u00fcr Hornquartett op. 35 (1995). 26409 H.L. \/ 4 Minuten<br \/>Urauff\u00fchrung am 16. Dezember 1996 in Linz: Hornquartett des Bruckner Orchesters<\/p>\n<p><strong>Offrandes<\/strong><br \/>f\u00fcr Orgel op. 28 (1986-89). 25201 H.L. \/ 15 Minuten<br \/>1. Adoratio; 2. Vigilia; 3. \u201e&#8230;est enim transitus Domini&#8230;\u201c<br \/>Urauff\u00fchrung am 7. Juli 1990 in Fribourg (CH): St. Michel, Kei Koito<\/p>\n<p><strong>Po\u00e9sies I-III<\/strong><br \/>f\u00fcr Klavier op. 25, Heft 1 (1986). 24861 H.L. \/ 10 Minuten<br \/>Urauff\u00fchrung am 10. M\u00e4rz 1987 in Wien: Albertina, Harald Ossberger<\/p>\n<p><strong>Po\u00e9sies IV-VI<\/strong><br \/>f\u00fcr Klavier op. 25, Heft 2 (1994\/95). 26333 H.L. \/ 10 Minuten<br \/>Urauff\u00fchrung am 14. April 1997 in Feldkirch (A): Till Alexander K\u00f6rber<\/p>\n<p><strong>Quia tu es Deus fortitudo mea*<\/strong><br \/>f\u00fcr elf Bl\u00e4ser op. 24 (1986). AoE 10555<br \/>Besetzung: 1, 1, 1, 1 &#8211; 2, 2, 2, 1 \/ 13 Minuten<br \/>Urauff\u00fchrung am 27. Oktober 1986 in St. Jakob\/Krieglach: M\u00fcrztaler Bl\u00e4sergruppe, Leitung Rudolf Zangl<\/p>\n<p><strong>Resonate<\/strong><br \/>nach Domenico Scarlatti f\u00fcr Orgelpositiv (oder Cembalo oder Klavier) op. 22 (1985). 24788 H.L. \/ 7 Minuten<br \/>Urauff\u00fchrung am 17. Oktober 1985 in Erding: St. Johann, Harald Feller<\/p>\n<p><strong>Seefelder Pr\u00e4ludium<\/strong><br \/>f\u00fcr Orgel (1982). 24702 H.L. (ver\u00f6ffentlicht mit \u201eSept pi\u00e8ces blanches\u201c) \/ 4 Minuten<br \/>Urauff\u00fchrung am 2. Juli 1982 in Seefeld (Tirol): Thomas Daniel Schlee<\/p>\n<p><strong>S\u00e8lah<\/strong><br \/>f\u00fcr Fl\u00f6te und Orgel op. 40 (2000). 26986 H.L. \/ 14 Minuten<br \/>Urauff\u00fchrung am 29. Juli 2001 in St. Wolfgang: Verena Guthy-Homolka (Fl\u00f6te), J\u00f6rg Hannes Hahn (Orgel)<\/p>\n<p><strong>Sept pi\u00e8ces blanches<\/strong><br \/>f\u00fcr Orgel (1982). 24704 H.L. \/ 15 Minuten<br \/>Urauff\u00fchrung am 1. Mai 1983 in der Abtei Marienstatt (D): Thomas Daniel Schlee<\/p>\n<hr \/>\n<p>Universal Edition<\/p>\n<p><strong>Amen. Halleluja<\/strong> f\u00fcr Orgel op. 57 (2003) \/ 12&#8242;<\/p>\n<p><strong>Drittes Streichquartett <\/strong>op. 56 (\u201eTempus floridum\u201c) (2003) \/ 22&#8217;30&#8221;<\/p>\n<p><strong>Pr\u00e9ludes f\u00fcr Orgel <\/strong>op. 6<br \/>(1: 1979, 4&#8242; \/ 2: 1980, 5&#8242; \/ 3: 1980, 5&#8242; \/ 4: 1981, 6&#8242; \/ 5: 1982, 5&#8242; \/ 6: 1984, 6&#8242; \/ 7: 1983\/1994, 6&#8242; \/ 8: 1986, 5&#8242; \/ 9: 1992-93, 6&#8242; \/ 10: 1988, 7&#8242; \u2013 2 Org \/ 11: 1994, 6&#8242;)<\/p>\n<p><strong>\u201eTempus floridum\u00ab,<\/strong> Moment musical f\u00fcr Streichquartett (1991) \/ 2&#8242;<\/p>\n<p><strong>Prisma<\/strong> f\u00fcr Orgel zu vier H\u00e4nden und Pedal (1989) \/ 4&#8242;<\/p>\n<p><strong>Et\u00fcde<\/strong> f\u00fcr Orgelpedal solo (1986) \/ 4&#8242;<\/p>\n<p><strong>Kleine Suite<\/strong> f\u00fcr Gitarre op. 5a (1979-1981) \/ 10&#8242;<\/p>\n<hr \/>\n<p>Doblinger<\/p>\n<p><strong>\u201eDurch die Banken\u201c<\/strong>, Szene f\u00fcr Tenor, Bariton und Klavier op. 78, Text von R. Gernhardt (2011) \/ 10\u2019<\/p>\n<p><strong>\u201eTr\u00e4nen\u201c<\/strong>, Neun Wiener T\u00e4nze f\u00fcr Klavier op. 73 (2003\/09) \/ 27\u2019<\/p>\n<p><strong>\u201eK\u00f6rper in Caf\u00e9s\u201c<\/strong> f\u00fcr Stimme und Ensemble op. 69, Text von R. Gernhardt (2007) \/ 15\u2019<\/p>\n<p><strong>Diptychon<\/strong> f\u00fcr Orgel op. 65 (2004\/06) \/ 17\u2019<\/p>\n<p><strong>Aus ungeheurer Ferne kommst Du wieder<\/strong> op. 63 f\u00fcr Orchester (2005) \/ 8&#8242;<\/p>\n<p><strong>Wiener Stundenbuch <\/strong>op. 59 f\u00fcr Ensemble (2004) \/ 14&#8242;<\/p>\n<p><strong>Tre Preghiere di San Francesco<\/strong> op. 58 f\u00fcr hohe Stimme und Orgel (2003\/2004) \/ 10&#8242;<\/p>\n<p><strong>Drei Zeichen <\/strong>op. 53 f\u00fcr Violoncello solo (2002) \/ 8&#8242;<\/p>\n<p><strong>Jiggs <\/strong>op. 48 f\u00fcr Streichorchester (2000) \/ 8&#8242;<\/p>\n<p><strong>Vesper <\/strong>op. 47 (Hymnus, Canticum, Magnificat) f\u00fcr Schola, Chor und Instrumentalensemble (1999) \/ 23&#8242;<\/p>\n<p><strong>Canticum <\/strong>op. 47a (aus der Vesper) f\u00fcr Schola, gemischten Chor und Orgel (1999) \/ 5\u2019<\/p>\n<p><strong>K\u00e4rntner Tabulaturb\u00fcchlein<\/strong> op. 47b f\u00fcr Klavier (1999\/2000) \/ 13\u2019<\/p>\n<p><strong>Intrada<\/strong> f\u00fcr drei Trompeten (oder zwei Trompeten und Horn) und zwei Posaunen (1998) \/ 4&#8217;30&#8221;<\/p>\n<p><strong>Tota pulchra es<\/strong> f\u00fcr gemischten Chor und Orgel (1997) \/ 6&#8242;<\/p>\n<p><strong>Der Baum des Heils.<\/strong> Oratorium op. 33 f\u00fcr Alt solo, gemischten Chor, Englischhorn, Violine, Claves und Orgel. Text von Reinhard Deutsch (1993\/94) \/ 42&#8242;<\/p>\n<p><strong>\u201eFragen von der Seele\u201c<\/strong> f\u00fcr Stimme und Orgelpositiv. Text von Jakob B\u00f6hme (engl. Fassung von Arnout de Waal) (1983) \/ 10&#8242;<\/p>\n<hr \/>\n<p>Editions de la Schola Cantorum<\/p>\n<p><strong>Introduktion, Psalm XI und Hymnus<\/strong> f\u00fcr M\u00e4nnerchor, Schlagwerk und Orgel (lat.) (1982-85) \/ 20&#8242;<\/p>\n<hr \/>\n<p>Editions Leduc<\/p>\n<p><strong>Deux Pri\u00e8res Mariales<\/strong> f\u00fcr Orgel (1984\/85) \/ 9&#8242;<\/p>\n<p><strong>Fantaisie<\/strong> f\u00fcr Orgel op. 15 (1981\/82) \/ 11&#8242;<\/p>\n<p><strong>Suite en \u00e9ventail<\/strong> f\u00fcr Orgel op. 16 (1982) \/ 11&#8242;<\/p>\n<hr \/>\n<p>Editions Billaudot<\/p>\n<p><strong>Mouvement<\/strong> f\u00fcr Violine und Klavier op. 7c (1994) \/ 3&#8242;<\/p>\n<p><strong>Fanfare<\/strong> f\u00fcr f\u00fcnf Trompeten (1991) \/ 2&#8242;<\/p>\n<p><strong>Melodie<\/strong> f\u00fcr Violine und Klavier op. 7b (1986) \/ 3&#8242;<\/p>\n<hr \/>\n<p>Editions Choudens<\/p>\n<p><strong>Grand Dialogue Monodique<\/strong> f\u00fcr Orgel (1981) \/ 3&#8242;<\/p>\n<hr \/>\n<p>Editions Combre<\/p>\n<p><strong>Volubilis<\/strong> f\u00fcr Alt- oder Sopransaxophon (2003) \/ 4&#8242;<\/p>\n<p><strong>Un Psaume de David<\/strong> (Ein Psalm Davids) op. 49 f\u00fcr Harfe und Orgel (1999-2002) \/ 8&#8242;<\/p>\n<p><strong>Viennoise<\/strong> f\u00fcr Fagott solo (1997) \/ 2&#8242;<\/p>\n<p><strong>Voile<\/strong> f\u00fcr Orgel (in: \u201eEnluminures\u00ab) (1995) \/ 2&#8242;<\/p>\n<p><strong>Drei modale Inventionen<\/strong> \u2013 Version I f\u00fcr Orgel (oder diverse Instrumentalduos oder Singstimmen) (1983\/84) \/ 6&#8242;<br \/>\u2013 Version II f\u00fcr Gitarre (1985) \/ 6&#8242;<\/p>\n<hr \/>\n<p>Butz<\/p>\n<p><strong>Benedicam Dominum.<\/strong> Offertorium f\u00fcr Chor und Orgel (1998\/1999) \/ 3&#8217;30&#8221;<\/p>\n<p><strong>\u201eNichts ist verborgen\u201c<\/strong>, <strong>\u201eIn jener Zeit\u201c<\/strong>, Evangelienmotetten f\u00fcr gemischten Chor a cappella (2009) \/ 11\u2019<\/p>\n<hr \/>\n<p>Als Manuskript<\/p>\n<p><strong>\u201eCanticum Sancti Floriani Martyris\u201c<\/strong>, nach den Skizzen von A. F. Kropfreiter, erg\u00e4nzt und orchestriert f\u00fcr Sopran, Bariton, gemischten Chor und Orchester (2004) \/ 20&#8242;<\/p>\n<p><strong>\u201eReine Gegenwart\u201c<\/strong> f\u00fcr Verrophon und Glasharmonika (2002) \/ 5&#8242;<\/p>\n<p><strong>Aubade<\/strong> f\u00fcr 13 Streichinstrumente (4,4,2,2,1) op. 14 (1981) \/ 16&#8242;<\/p>\n<p><strong>Erstes Streichquartett<\/strong> op. 9 (1979\/80) \/ 18&#8242;<\/p>\n<p><strong>Sankt Ambrosius singt in der belagerten Kathedrale.<\/strong> F\u00fcr Sprecher und Orgel. Text von Rudolf Henz (1980) \/ 6&#8242;<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-carousel\">\r\n\t<div class=\"grve-carousel-wrapper\">\r\n\t\t\t<div class=\"grve-carousel-navigation grve-navigation-arrow-1\">\r\n\t\t<div class=\"grve-carousel-buttons\">\r\n\t\t\t<div class=\"grve-carousel-prev\"><div class=\"grve-svg-icon grve-direction-left grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t\t<div class=\"grve-carousel-next\"><div class=\"grve-svg-icon grve-direction-right grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t<div data-items=\"3\" data-items-tablet-landscape=\"2\" data-items-tablet-portrait=\"2\" data-items-mobile=\"1\" data-slider-autoplay=\"yes\" data-pagination=\"yes\" data-slider-loop=\"yes\" data-slider-speed=\"3000\" data-slider-pause=\"no\" data-pagination-speed=\"400\" data-gutter-size=\"40\" class=\"grve-carousel-element grve-blog-carousel grve-blog-columns grve-with-gap grve-classic-carousel\">\r\n\t\t\t<article class=\"grve-carousel-item post-19397 post type-post status-publish format-standard has-post-thumbnail hentry category-baerenreiter-on-stage-en category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/baerenreiter-on-stage-en\/an-unheard-carmen\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">An Unheard \u201cCarmen\u201d<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen.webp 1078w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/baerenreiter-on-stage-en\/an-unheard-carmen\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>An Unheard \u201cCarmen\u201d<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The new edition of Bizet&#8217;s opera Carmen in Apulia and Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1078<\/span>\r\n\t\t\t   <span itemprop='width' >1078<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-07-07T13:38:55+02:00\">7. July 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-07-07T13:41:42+02:00\">7. July 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/baerenreiter-on-stage-en\/an-unheard-carmen\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-19322 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/creative-chair-in-zurich-and-opus-klassik\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Creative Chair in Zurich and Opus Klassik<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/creative-chair-in-zurich-and-opus-klassik\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Creative Chair in Zurich and Opus Klassik<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>Dieter Ammann &#8211; Creative Chair in Zurich and Opus Klassik\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-06-22T13:07:09+02:00\">22. June 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-06-22T13:11:59+02:00\">22. June 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/creative-chair-in-zurich-and-opus-klassik\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-19113 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/brilliant-baroque-ensembles\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Brilliant Baroque ensembles<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/brilliant-baroque-ensembles\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Brilliant Baroque ensembles<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter Special Prizes at the G\u00f6ttingen Handel Competition\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-05-20T14:40:32+02:00\">20. May 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-05-20T14:45:41+02:00\">20. May 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/brilliant-baroque-ensembles\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18879 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Appearance versus reality<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Appearance versus reality<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>\u013dubica \u010cekovsk\u00e1\u2018s opera \u201cDorian Gray\u201d in Annaberg-Buchholz\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-31T08:31:38+02:00\">31. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-31T12:50:12+02:00\">31. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18838 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The Swiss composer is composer-in-residence\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-24T14:34:38+01:00\">24. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-24T14:38:11+01:00\">24. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18817 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Three musicians play their way to the top<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Three musicians play their way to the top<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter awards a special prize at the Bach Competition, Leipzig\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-23T13:19:42+01:00\">23. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-23T13:49:14+01:00\">23. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18690 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Pianists at the start of their careers<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Pianists at the start of their careers<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg (Photo: from left to right: Bogdan Dugali\u0107, Elisey Mysin, Anastasiia Kliuchereva, photo: Michael Klimt)    \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-23T10:12:12+01:00\">23. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-23T10:16:00+01:00\">23. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18592 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Young international violin stars<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Young international violin stars<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-16T11:14:59+01:00\">16. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T11:17:52+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18577 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">On the death of Helmuth Rilling<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>On the death of Helmuth Rilling<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>A life with Bach \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-13T08:33:14+01:00\">13. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T07:21:10+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18545 post type-post status-publish format-standard has-post-thumbnail hentry category-complete-edition category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Milestone Reached in Halle<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-29T14:33:29+01:00\">29. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-29T14:37:26+01:00\">29. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n"},"excerpt":{"rendered":"<div class=\"grve-section grve-row-section grve-fullwidth-background grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#707070;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section composer-header grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-5-12 grve-wpb-1715857276604 grve-vertical-position-middle grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-left\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 500px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 149.2%;\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"746\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee-500px.webp\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee-500px.webp 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee-500px.webp 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-7-12 grve-wpb-1715857422252 grve-vertical-position-middle grve-with-bg-transparent grve-align-center\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h1 class=\"grve-element grve-title grve-align-center grve-page-title grve-text-white\"><span>Thomas Daniel Schlee<\/span><\/h1><div class=\"grve-empty-space grve-height-1x\"><\/div><div class=\"grve-element grve-image grve-align-center signature-witdh-100\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-svg-thumbnail-wrapper\"><div class=\"grve-svg-thumbnail\"><img decoding=\"async\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee_Pfade_U_weiss.svg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee_Pfade_U_weiss.svg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee_Pfade_U_weiss.svg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-4x grve-padding-bottom-4x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Biography<\/span><\/h2><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Thomas Daniel Schlee was born in Vienna in 1957. He studied organ, composition and musicology in Vienna and Paris with Michael Radulescu, Jean Langlais, Olivier Messiaen and Francis Burt. As an organist, he gives concerts all over Europe, takes part in radio productions and CD recordings, acts as a juror in international competitions and as a publisher. From 1990 to 1998 he was music director of the Brucknerhaus Linz and artistic director of the International Bruckner Festival, from 1999 to 2003 deputy director of the International Beethoven Festival in Bonn. From 2004 to 2015 he was director of the Carinthian Summer Festival. As a composer, Schlee has published numerous works for orchestra, vocal and chamber music ensembles, as well as works for and with organ. In 2005 he was appointed Officer des Arts et Lettres, in 2010 he received the Austrian Art Prize for Music and in 2012 the Cross of Honor for Science and Art. In 2023, Schlee was awarded the Church Music Prize of the City of Saarlouis for the composition &#8220;Bild und Gleichnis \u2013 Sechs Betrachtungen der Heilsgeschichte f\u00fcr Orgel op. 92&#8221;.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#e8ede8;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vita<\/h3><\/div><div class=\"grve-accordion-content biographie\" id=\"1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-schlee-en-no-3\" class=\"tablepress tablepress-id-schlee-en two-column-table\">\n<tbody>\n<tr class=\"row-1\">\n\t<td class=\"column-1\">1957<\/td><td class=\"column-2\">Born on 26 October in Vienna<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">1970-1976<\/td><td class=\"column-2\">Began to study organ with Friedrich Lessky<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">1976-1983<\/td><td class=\"column-2\">Studied at the Vienna Musikhochschule with Michael Radulescu (organ) and Erich Romanovsky (harmony and counterpoint)<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">1976-1984<\/td><td class=\"column-2\">Studied musicology and art history at Vienna University, earning a PhD.<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">1977-1978<\/td><td class=\"column-2\">Audited Olivier Messiaen\u2019s composition class at the Conservatoire National Sup\u00e9rieur de Musique, Paris<br>Private pupil of Jean Langlais, Paris<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">1982-1985<\/td><td class=\"column-2\">Studied composition with Francis Burt, Vienna<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">1982<\/td><td class=\"column-2\">Young Artists Grant from City of Vienna<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Prix du concours international de Saint-R\u00e9my-de-Provence<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">1986-1989<\/td><td class=\"column-2\">Musical dramaturg, Salzburg Landestheater<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">1988-1990<\/td><td class=\"column-2\">Taught at Vienna Musikhochschule<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">1989-1990<\/td><td class=\"column-2\">Taught at Department of Musicology, Salzburg University<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">1990-1998<\/td><td class=\"column-2\">Artistic director of Bruckner Hall, Linz<br>artistic director of International Bruckner Festival<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">1990<\/td><td class=\"column-2\">Chevalier des Arts et Lettres<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">1995-2001<\/td><td class=\"column-2\">Project director of \u201cLa cit\u00e9 c\u00e9leste\u201d, an exhibition on Olivier Messiaen with concerts, symposia and a composition competition, sponsored by the Guardini Foundation, Berlin<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">1998-2001<\/td><td class=\"column-2\">president of the Foundation, since then a member of its governing body and chairman of the board of musical advisors<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">1997<\/td><td class=\"column-2\">Joaqu\u00edn Rodrigo Medal<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">1998<\/td><td class=\"column-2\">Cultural prize in music from state of Upper Austria<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">1999-2003<\/td><td class=\"column-2\">Deputy director of International Beethoven Festival, Bonn<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">2002<\/td><td class=\"column-2\">Church music prize from city of Neuss<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">2003<\/td><td class=\"column-2\">Grant-in-aid from the Austrian Federal Chancellery<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">2004\u20132015<\/td><td class=\"column-2\">Director of Carinthian Summer Festival<\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">2005<\/td><td class=\"column-2\">Officier des Arts et Lettres<\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">2010<\/td><td class=\"column-2\">Austrian cultural prize of music<\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Active career as a concert organist with recitals, broadcasts, festival appearances and CD recordings (Diapason d\u2019Or, German Record Critics Prize, 10 de r\u00e9pertoire, etc.). <\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">2025<\/td><td class=\"column-2\">died on November 10, in Vienna<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Download Scores<\/h3><\/div><div class=\"grve-accordion-content downloads\" id=\"1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9794_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Concertino f\u00fcr zwei Oboen und Streicher op. 36 BA 9794-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9795_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Concertino f\u00fcr zwei Piccolotrompeten und Streicher (kleine Besetzung) BA 9795-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9796_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Concertino f\u00fcr zwei Piccolotrompeten und Streicher (gro\u00dfe Besetzung) BA 9796-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7738_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Der Kreuzweg unseres Herrn und Heilandes f\u00fcr Orgel und Streicher op. 52 BA 7738-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9714_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Ich, Hiob f\u00fcr Tenor, Sopran und Instrumentalensemble op. 68 BA 9714-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Sinfonia tascabile op. 67 (2006) BA 7754-72<\/h4><\/div><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7685_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Sonata da camera BA 7685-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7759_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">und ich sah (2002\/03) op. 55 BA 7759-72<\/h4><\/div><\/a><\/div><\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718002312864-e98d0ee6-b410\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Writings<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1718002312864-e98d0ee6-b410\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\u201eSpiritualit\u00e4t und transkulturelle Musiksprache\u201c, Gespr\u00e4ch mit Reinhard Pabst. In: Musica sacra 6\/1983<br \/>Skizzen zur Situation der Musica sacra heute. In: \u00d6MZ 40, 1985, 587f.<\/p>\n<p>\u201eLa L\u00e9gende de Tristan\u201c de Charles Tournemire. In: Les Ecrivains Fran\u00e7ais et l\u2019op\u00e9ra, hrsg. von Jean-Paul Capdevielle und Peter-Eckhard Knabe, K\u00f6ln 1986<\/p>\n<p>Zur freien Orgelmusik von Helmut Bornefeld. In: W\u00fcrttembergische Bl\u00e4tter f\u00fcr Kirchenmusik 6\/1986<\/p>\n<p>Die \u201eCinq Rechants\u201c von Olivier Messiaen. In: Studien zur Wertungsforschung, hrsg. von Otto Kolleritsch, Bd. 20, Wien \/Graz 1988<\/p>\n<p>Texte zu \u201eQuatuor pour la fin du temps\u201c, \u201eQuatre Etudes de rythme\u201c und \u201eSaint Fran\u00e7ois d\u2019Assise\u201c von Olivier Messiaen. In: Meilensteine der Musik, Bd. III, hrsg. von Hans A. Neunzig, Dortmund 1991<\/p>\n<p>Texte \u00fcber das Orgelwerk von Olivier Messiaen sowie \u00fcber Louis Vierne, Charles Tournemire und Marcel Dupr\u00e9. In: Almanach \u201eWien modern 91\u201c<\/p>\n<p>Christophe Colomb \u2013 Stationen einer Zusammenarbeit zwischen Paul Claudel und Darius Milhaud. In: Columbus zwischen zwei Welten, hrsg. von Titus Heydenreich, Frankfurt\/Main 1992<\/p>\n<p>Komplette deutsche Fassung des \u201epo\u00e8me\u201c des \u201eSaint Fran\u00e7ois d\u2019Assise\u201c von Olivier Messiaen. In: L\u2019Avant-Sc\u00e8ne Op\u00e9ra \/Salzburger Festspiele 1992<\/p>\n<p>In memoriam Olivier Messiaen. In: Musica, September\/Oktober 1992<br \/>Artikel in: Begnadet f\u00fcr das Sch\u00f6ne, Beitr\u00e4ge zum Stellenwert: Kunst- und Werkp\u00e4dagogik, Weitra 1993<\/p>\n<p>Ohne die Sterne leuchten die Monde nicht. In: Festschrift 20 Jahre Brucknerhaus, Linz 1994<\/p>\n<p>Wie fl\u00fcchtig ist der Augenblick? In: \u201eVon der Kunst, dem Wein zu lauschen\u201c, hrsg. von Herbert Friedl, St. P\u00f6lten 1995<\/p>\n<p>\u201eEine verlorene Tochter?\u201c \u2013 Religion und Musik am Ende des 20. Jahrhunderts. In: Autonomie und Verantwortung, hrsg. von Karl Lehmann und Hans Maier, Regensburg 1996<\/p>\n<p>\u201eOlivier Messiaen. La Cit\u00e9 c\u00e9leste \u2013 Das himmlische Jerusalem\u201c. \u00dcber Leben und Werk des franz\u00f6sischen Komponisten. Text des Katalogteils und Herausgabe (zusammen mit Dietrich K\u00e4mper), K\u00f6ln 1998<\/p>\n<p>Zelter hatte doch recht \u2013 Parerga zur gro\u00dfen Terz. In: \u201eBeethoven, Goethe und Europa\u201d, Almanach zum Internationalen Beethovenfest Bonn 1999, hrsg. von Thomas Daniel Schlee, Laaber 1999<\/p>\n<p>Artikel \u00fcber Georges Auric. In: MGG, Personenteil, Band 1, Kassel 2000, 1190ff.<\/p>\n<p>\u201eOrdnung und Freiheit\u201c, Almanach zum Internationalen Beethovenfest Bonn 2000, hrsg. von Thomas Daniel Schlee, Laaber 2000<\/p>\n<p>Les solitudes de Jean Fran\u00e7aix. In: Actes du Colloque International Jean Fran\u00e7aix, Fondation Singer-Polignac, Paris 2001<\/p>\n<p>Von der Gewalt des Sch\u00f6nen \u2013 die \u201eApocalypse selon Saint Jean\u201c von Jean Fran\u00e7aix. In: \u201eApokalypse\u201c, Symposion 1999 der Franz Schmidt-Gesellschaft, hrsg. von Carmen Ottner, Wien 2001<\/p>\n<p>Gesungene Gnade \u2013 zu Olivier Messiaens \u201eSaint Fran\u00e7ois d\u2019Assise\u201c. In: Musica sacra 2\/2002<br \/>Olivier Messiaen \u2013 Musiker der Verk\u00fcndigung. In: Stimmen der Zeit 11\/2002, Freiburg i. Br. 2002<\/p>\n<p>\u201eZweite Wiener Schule\u201c &#8211; Zum Programmschwerpunkt Sch\u00f6nberg-Berg-Webern des Internationalen Beethovenfestes Bonn 2003. In: Magazin des Internationalen Beethovenfestes Bonn 2003<\/p>\n<p>\u201eAbkehr und Einkehr\u201c &#8211; Anmerkungen zu Eitelkeit und Demut in der Orgelmusik der zweiten H\u00e4lfte des 20. Jahrhunderts. In: Musik &amp; Kirche Mai\/Juni 2005, Kassel<\/p>\n<p>Au\u00dferdem zahlreiche Artikel und Rezensionen (\u00d6sterreichische Musikzeitschrift, \u00d6sterreichisches Orgelforum, L\u2019Orgue, etc.), Programmhefttexte (Wiener Konzerthaus, Salzburger Landestheater, Brucknerhaus Linz, Internationale Beethovenfeste Bonn, Festival Carinthischer Sommer) und CD-Booklets.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715857809324-89faa186-31c9\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Bibliography<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1715857809324-89faa186-31c9\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>International Who\u2019s Who in Music, Cambridge (seit 1990\/91)<\/p>\n<p>Thomas Daniel Schlee. In: Harald Goertz, \u00d6sterreichische Komponisten unserer Zeit. Beitr\u00e4ge &#8217;94. Hrsg. vom \u00d6sterreichischen Musikrat, 1994, 136f.<\/p>\n<p>Musik aus \u00d6sterreich, hrsg. von Bernhard G\u00fcnther, Wien 1997<\/p>\n<p>Michael T\u00f6pel: Die Suche nach Sch\u00f6nheit in der Musik. Ein Gespr\u00e4ch mit Thomas Daniel Schlee. In: Musik und Kirche 3\/1998, 194ff.<\/p>\n<p>Fridolin Dallinger: \u00dcber Thomas Daniel Schlee. In: Beispiele 98 (Kulturpreise des Landes Ober\u00f6sterreich), Linz 1998<\/p>\n<p>Mit dem Orchester spielen. Thomas Daniel Schlees neues Orchesterst\u00fcck [Orchesterspiele op. 45]. In: Takte 2\/1998, 13<\/p>\n<p>The New Grove Dictionary of Music, 2nd edition, hrsg. von Stanley Sadie, London 2000<br \/>Konrad Huber: Thomas Daniel Schlee. Studien zum gegenw\u00e4rtigen \u00f6sterreichischen Musikleben. Diplomarbeit f\u00fcr das Institut f\u00fcr Musikgeschichte an der Universit\u00e4t f\u00fcr Musik und darstellende Kunst in Wien, Wien 2000<\/p>\n<p>Wie das M\u00e4dchen den Esel rettete. Eine \u00bbEseliade\u00ab von Thomas Daniel Schlee wird Kinderkonzerte bereichern. In: Takte 1\/2000, 17<\/p>\n<p>Barbara Maria Zollner: Der Esel Hes\u00e9ki\u00ebl. In: SIMs Kultur\/Kultursommer 2001, Wien 2001<br \/>Eine Symphonie und eine Eseliade. Zwei neue St\u00fccke von Thomas Daniel Schlee wurden in G\u00f6ttingen und beim Carinthischen Sommer uraufgef\u00fchrt. In: Takte 1\/2002, 15<\/p>\n<p>Heinz-Albert Heindrichs: Der Kreuzweg unseres Herrn und Heilandes \u2013 Einblicke in Thomas Daniel Schlees preisgekr\u00f6nte Passionsmusik. In: Jahresbericht 2001 der Guardini Stiftung Berlin<\/p>\n<p>Otto Kargl: Klangfarbenspiel. Das geistliche Vokalwerk von Thomas Daniel Schlee. In: Musica sacra 1\/2003, 13ff.<\/p>\n<p>Daniel Ender: \u00bbVon der Heiligkeit der Erinnerung\u00ab &#8211; Betrachtungen zur Ersten Symphonie op. 51. In: Monatsmagazin der Gesellschaft der Musikfreunde, Wien, April 2004<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715926842723-5a976b04-5722\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Discography<\/h3><\/div><div class=\"grve-accordion-content diskographie\" id=\"1715926842723-5a976b04-5722\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"row\">\n<div class=\"col-md-16\">\n<div id=\"c2815\" class=\"csc-default layout-0\">\n<div class=\"csc-brv-text\">\n<p>Zweites Streichquartett op. 21 \/ Pr\u00e9ludes op. 6\/2 und 6\/4 f\u00fcr Orgel \/ Dann steht der Mandelbaum in Bl\u00fcte. Motette op. 37 \/ Das Feuer des Herrn. Kantate op. 27<br \/>\nAnton Bruckner-Quartett, Cappella Nova Graz (Leitung Otto Kargl), Arnold-Sch\u00f6nberg-Chor, Wiener Concert-Verein (Leitung Erwin Ortner), Thomas Daniel Schlee (Orgel)<br \/>\nAuf: ORF Edition Zeitton CD 274<\/p>\n<p>Aurora op. 32 \/ Licht, Farbe, Schatten op. 38 \/ Quia tu es Deus fortitudo mea op. 24 \/ Wacht auf, Harfe und Saitenspiel op. 35 \/ Alba op. 26<br \/>\nRadio-Sinfonieorchester Warschau, Leitung Wojciech Rajski<br \/>\nAuf: Extraplatte CD EX-SP 020-2<\/p>\n<p>Ricercar f\u00fcr gro\u00dfes Orchester op. 31<br \/>\nORF-Symphonieorchester, Leitung Karl Heinz Gruber<br \/>\nAuf: ORF Edition Zeitton CD 46<\/p>\n<p>Orchesterspiele op. 45<br \/>\nRSO Wien, Leitung Dennis Russell Davies. Auf: ORF Edition Zeitton \u201eNeue Musik aus \u00d6sterreich\u201c IV, CD 325<\/p>\n<p>Der Baum des Heils<br \/>\ncappella nova graz, Leitung Otto Kargl. Auf: Extraplatte CD EX 320-2<\/p>\n<p>Pr\u00e9lude op. 6 Nr. 4 f\u00fcr Orgel<br \/>\nBernhard Billeter (Die Silbermann-Orgel von St. Petri in Freiburg). Auf: Psallite CD 60021<\/p>\n<p>Reine Gegenwart<br \/>\nWiener Glasharmonika-Duo. Auf: ORF Edition Zeitton CD 329<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718002410967-9cb2bd9f-567c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Quotations<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1718002410967-9cb2bd9f-567c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\n\u201cMy music is a quest for the traces of beauty and expressivity that shimmer in combinations of notes. This is nothing new, but it is always a wonderful challenge. An aesthetic of denial is no less foreign to my way of thought than randomness in stylistic devices. Every composition has its destiny from which it derives its shape, its progression of harmonic colors, the nature of its melodic and formal fabric. The so-called \u2018material\u2019 is set in motion by the initial idea \u2013 the inspiration \u2013 after which it is subjected to its indwelling dynamism and outside control in mutual interaction. For the composer, this is the most exciting stage of his work. If the material is well-formed and the ear can function as the final arbiter over the succession of sounds, then there just might emerge that magic of an articulate art-form in which memory and imagination blend into a work of art.\u201d<br \/><em>Thomas Daniel Schlee, 1997<\/em><\/p>\n<p>\u201cIn my experience, Schlee\u2019s music makes people happy; it does not cry out for attention, but invites the heart and the mind to discover qualities that remain emblazoned in the memory. The eloquent imagery and compositional density, the intellectual rigor and spirituality of his music place him close to Bruckner and especially to Messiaen, who taught Schlee in his later years. And it may be that future generations will see Messiaen\u2019s legacy, not so much in those composers who profited early but only partially from his technical innovations, but rather in Schlee, who grasped Messiaen\u2019s ideational universe in its totality because it was alreadyconsistent with his own. It was precisely this that led him to find his own distinctive and individual language.\u201d<br \/><em>Heinz-Albert Heindrichs, 2003<\/em><\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><div class=\"grve-empty-space grve-height-2x\"><\/div><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>Performances<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-2-no-3\" class=\"tablepress tablepress-id-2 brv-termine tablepress-responsive tablepress-responsive-stack-headers tablepress-responsive-stack-tablet\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">composer_first_name<\/th><th class=\"column-2\">composer_last_name<\/th><th class=\"column-3\">title<\/th><th class=\"column-4\">date<\/th><th class=\"column-5\">orchestra<\/th><th class=\"column-6\">conductor<\/th><th class=\"column-7\">location<\/th><th class=\"column-8\">special<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Klavierkonzert<\/td><td class=\"column-4\">24.06.2026<\/td><td class=\"column-5\">Kirill Gerstein (Klavier), Tonhalle Orchester<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Chelsea Opera Group<\/td><td class=\"column-6\">Paul Wingfield<\/td><td class=\"column-7\">London (Cadogan Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Rias Kammerchor<\/td><td class=\"column-6\">Peter Dijkstra<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lidiya Yankovskaya, Regie: Max Webster <\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">27.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Guggeis, Regie: Andrea Moses<\/td><td class=\"column-7\">Berlin (Staatsoper Unter den Linden)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Messe solennelle<\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\">Orchestre National de France<\/td><td class=\"column-6\">Dinis Sousa<\/td><td class=\"column-7\">Paris (Maison de la Radio)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leonardo Garcia Alarcon, Regie: Cl\u00e9ment Cogitore<\/td><td class=\"column-7\">Aix-en-Provence (Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Bruckner Orchester Linz<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">St. Florian (Basilika)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ariodante<\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Beaune (Festival Baroque, Hotel-Dieu)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix P\u00e4tzold, Regie: Immo Karaman<\/td><td class=\"column-7\">Kiel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">George<\/td><td class=\"column-2\">Benjamin<\/td><td class=\"column-3\">Three Consorts <\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Kent Nagano<\/td><td class=\"column-7\">Kl\u00fctz (Festspiele Mecklenburg-Vorpommern, Schloss Bothmer)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsche Staatsphilharmonie Rheinland-Pfalz<\/td><td class=\"column-6\">Michael Francis<\/td><td class=\"column-7\">Speyer (Ged\u00e4chtniskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">Giselher<\/td><td class=\"column-2\">Klebe<\/td><td class=\"column-3\">Mignon<\/td><td class=\"column-4\">07.07.2026<\/td><td class=\"column-5\">Detmolder Kammerorchester<\/td><td class=\"column-6\">Stanley Dodds<\/td><td class=\"column-7\">Detmold (Hochschule f\u00fcr Musik) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">09.07.2026<\/td><td class=\"column-5\">Slovenian Philharmonic<\/td><td class=\"column-6\">Charles Dutoit<\/td><td class=\"column-7\">Cankarjev (Gallus Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">12.07.2026<\/td><td class=\"column-5\">Staatsorchester Stuttgart<\/td><td class=\"column-6\">Lothar Zagrosek<\/td><td class=\"column-7\">Stuttgart (Liederhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXVII (so nimm denn meine h\u00e4nde) f\u00fcr orgel solo<\/td><td class=\"column-4\">15.07.2026<\/td><td class=\"column-5\">Martin K\u00fcckes (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Templin (Maria-Magdalenen-Kirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">16.07.2026<\/td><td class=\"column-5\">Schleswig-Holstein Festival Orchestra<\/td><td class=\"column-6\">Andrew Manze<\/td><td class=\"column-7\">Elmshorn (Stiftung Schleswig-Holstein Musik Festival)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito<\/td><td class=\"column-4\">19.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Adrian Kelly, Regie: Corina W\u00fcrsch<\/td><td class=\"column-7\">Buxton (International Festival, Opera House)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">jag die hunde zur\u00fcck!<\/td><td class=\"column-4\">20.07.2026<\/td><td class=\"column-5\">Accademia Musicale Chigiana<\/td><td class=\"column-6\">Lorenzo Donati<\/td><td class=\"column-7\">Siena (Chiesa della Ss. Annunziata)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">Anton\u00edn <\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Petr Popelka, Regie: Martin Kusej <\/td><td class=\"column-7\">M\u00fcnchen (M\u00fcnchner Opernfestspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">Georges <\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen, Fassung 1874<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Fabio Luisi, Regie: Denis Krief<\/td><td class=\"column-7\">Martina Franca (Festival della Valle d\u2019Itria)<\/td><td class=\"column-8\">Szenische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXVII (so nimm denn meine h\u00e4nde) f\u00fcr orgel solo<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\">Martin K\u00fcckes (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin-Spandau\u00a0(Orgelsommer, St. Nikolai)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">V\u00e1clav<\/td><td class=\"column-2\">Trojan<\/td><td class=\"column-3\">M\u00e4rchen<\/td><td class=\"column-4\">26.07.2026<\/td><td class=\"column-5\">Heilbronner Sinfonie Orchester <\/td><td class=\"column-6\">Alois Seidlmeier<\/td><td class=\"column-7\">Heilbronn (Deutschhof)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">26.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Teodor Currentzis, Regie: Gabriela Carrizo (Peeping Tom)<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">29.07.2026<\/td><td class=\"column-5\">Orchestre Symphonique de la Monnaie<\/td><td class=\"column-6\">Alain Altinoglu<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\">Studierende der Orchesterakademie<\/td><td class=\"column-6\">L\u00fc Jia<\/td><td class=\"column-7\">Lugano (Palazzo dei Congressi)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Evan Rogister, Regie: David McVicar<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">L'ubica<\/td><td class=\"column-2\">Cekovska<\/td><td class=\"column-3\">Maison de la musique en sept p\u00e9riodes<\/td><td class=\"column-4\">01.08.2026<\/td><td class=\"column-5\">Japan Century Symphony Orchestra<\/td><td class=\"column-6\">Andreas Ottensamer<\/td><td class=\"column-7\">Osaka<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Lucio Silla <\/td><td class=\"column-4\">02.08.2026<\/td><td class=\"column-5\">Mozarteum Orchester<\/td><td class=\"column-6\">Adam Fischer<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Le Cinesi<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Collegium 1704<\/td><td class=\"column-6\">V\u00e1clav Luks<\/td><td class=\"column-7\">Cesky Krumlov<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Le Concert d\u2019Astr\u00e9e<\/td><td class=\"column-6\">Emmanuelle Haim<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Joana Mallwitz, Regie: Christof Loy<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXII (wer nur den lieben gott l\u00e4\u00dft walten) f\u00fcr orgel solo<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Angela Metzger (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">M\u00fcnchen (St. Markus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Wesendonck-Lieder <\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Catherine Foster (Sopran), Mitglieder des Orchesters der Bayreuther Festspiele<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Bayreuth (Festspiele)<\/td><td class=\"column-8\">auch 11.8.<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">K\u00f6nig Karotte<\/td><td class=\"column-4\">09.08.2026<\/td><td class=\"column-5\">Mattias Straub (Erz\u00e4hler), Orchester der Sommeroperette Heldritt<\/td><td class=\"column-6\">Manuel Grund <\/td><td class=\"column-7\">Bad Rodach (Waldb\u00fchne Heldritt)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">Antonio<\/td><td class=\"column-2\">Salieri<\/td><td class=\"column-3\">Cublai, gran Kan de\u2019 Tartari<\/td><td class=\"column-4\">10.08.2026<\/td><td class=\"column-5\">Orchestra Haydn di Bolzano e Trento<\/td><td class=\"column-6\">Stefano Ferrario<\/td><td class=\"column-7\">La Villa (Badia)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">15.08.2026<\/td><td class=\"column-5\">London Symphony Chorus and Orchestra<\/td><td class=\"column-6\">Antonio Pappano<\/td><td class=\"column-7\">London (Proms, Royal Albert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni<\/td><td class=\"column-4\">16.08.2026<\/td><td class=\"column-5\">Scottish Chamber Chorus and Orchestra<\/td><td class=\"column-6\">Maxim Emelyanychev<\/td><td class=\"column-7\">Edinburgh (International Festival)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">19.08.2026<\/td><td class=\"column-5\">Orquesta Sinf\u00f3nica de Bilbao<\/td><td class=\"column-6\">Erick Nielsen<\/td><td class=\"column-7\">San Sebastian (Musikfestivals Quincena, Auditorio Kursaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La finta giardiniera<\/td><td class=\"column-4\">20.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Massimiliano Caldi, Regie: Maria Sartova<\/td><td class=\"column-7\">Danzig<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">Bernd Alois<\/td><td class=\"column-2\">Zimmermann<\/td><td class=\"column-3\">Musique pour les soupers du Roi Ubu<\/td><td class=\"column-4\">20.08.2026<\/td><td class=\"column-5\">Orchestre des Jardins Musicaux<\/td><td class=\"column-6\">Valentin Reymond<\/td><td class=\"column-7\">Cernier<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Canti della tenebra, In mia vita da vuolp, Presto f\u00fcr Fl\u00f6te und Klavier, Melodie f\u00fcr Fl\u00f6te solo, Studie f\u00fcr Klavier <\/td><td class=\"column-4\">26.08.2026<\/td><td class=\"column-5\">Elina Viluma-Helling (Sopran), Cornelia Sonnleithner (Alt), Maria Iazia (Klavier) Iva Kovac (Fl\u00f6te), Gerald Preinfalk (Saxophon)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">St. Gallen (Burg Gallenstein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Orlando Paladino<\/td><td class=\"column-4\">28.08.2026<\/td><td class=\"column-5\">Orfeo Orchestra<\/td><td class=\"column-6\">Gy\u00f6rgy Vashegyi<\/td><td class=\"column-7\">Fert\u00f6d (Haydneum Concerts at Esterh\u00e1zy Palace)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">Gustav<\/td><td class=\"column-2\">Holst<\/td><td class=\"column-3\">The Planets<\/td><td class=\"column-4\">03.09.2026<\/td><td class=\"column-5\">Robert Schumann Philharmonie<\/td><td class=\"column-6\">Benjamin Reiners<\/td><td class=\"column-7\">Chemnitz<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Sinfonie<\/td><td class=\"column-4\">08.09.2026<\/td><td class=\"column-5\">Staatskapelle Berlin<\/td><td class=\"column-6\">Christian Thielemann<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marie Jacquot, Regie: Tatjana G\u00fcrbaca<\/td><td class=\"column-7\">Kopenhagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die verlorene Melodie <\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\">Staatskapelle Weimar<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Weimar (Theaterfest)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Sebastiano Rolli, Regie: Martina Gredler<\/td><td class=\"column-7\">Magdeburg <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">R\u00e9gis<\/td><td class=\"column-2\">Campo<\/td><td class=\"column-3\">Lumen<\/td><td class=\"column-4\">13.09.2026<\/td><td class=\"column-5\">Stuttgarter Philharmoniker<\/td><td class=\"column-6\">R\u00e9my Ballot<\/td><td class=\"column-7\">Besancon (Festival de Musique)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">Arnold<\/td><td class=\"column-2\">Bax<\/td><td class=\"column-3\">Octet<\/td><td class=\"column-4\">14.09.2026<\/td><td class=\"column-5\">Ensemble Kontrapunkte<\/td><td class=\"column-6\">Gottfried Rabl<\/td><td class=\"column-7\">Wien (Musikverein) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Boost<\/td><td class=\"column-4\">16.09.2026<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">3. Symphonie <\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Essener Philharmoniker<\/td><td class=\"column-6\">Bertrand de Billy<\/td><td class=\"column-7\">Essen (Alfried Krupp Saal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie in c-Moll<\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Gewandhausorchester<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">18.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Sch\u00f6nwandt, Regie: Krzysztof Warlikowski<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">19.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andreas Wolf, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Violation<\/td><td class=\"column-4\">20.09.2026<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Julia Kurzydlak<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel XXXIII (in te domine speravi) f\u00fcr orgel solo<\/td><td class=\"column-4\">20.09.2026<\/td><td class=\"column-5\">Roman Summereder (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Hannover (Nazarethkirche)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">choralvorspiel VIII (aus tiefer not schrei ich zu dir), choralvorspiel XL (te deum laudamus), choralvorspiel XLVI (morgenglanz der ewigkeit), choralvorspiel LI (kyrie XI, orbis factor) <\/td><td class=\"column-4\">23.09.2026<\/td><td class=\"column-5\">Hansj\u00f6rg Albrecht (Orgel)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Kathedrale St. Hedwig)<\/td><td class=\"column-8\">Urauff\u00fchrung (choralvorspiel VIII)<\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Mitridate, re di Ponto <\/td><td class=\"column-4\">24.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Frizza, Regie: Claus Guth<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">Matthias<\/td><td class=\"column-2\">Pintscher<\/td><td class=\"column-3\">NUR<\/td><td class=\"column-4\">25.09.2026<\/td><td class=\"column-5\">Inon Barnatan (Klavier), Utah Symphony<\/td><td class=\"column-6\">Matthias Pintscher<\/td><td class=\"column-7\">Salt Lake City (Abravanel Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-62\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">25.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Jakub Przybicien, Regie: Matthias Kitter<\/td><td class=\"column-7\">Nordhausen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-63\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">26.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Johannes Braun, Regie: Lorenzo Fioroni<\/td><td class=\"column-7\">Graz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-64\">\n\t<td class=\"column-1\">Anders<\/td><td class=\"column-2\">Hillborg<\/td><td class=\"column-3\">Cello Concerto<\/td><td class=\"column-4\">26.09.2026<\/td><td class=\"column-5\">Ariel Barnes (Cello), N\u00fcrnberger Symphoniker<\/td><td class=\"column-6\">Jonathan Darlington<\/td><td class=\"column-7\">N\u00fcrnberg (Meistersingerhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-65\">\n\t<td class=\"column-1\">Arnold<\/td><td class=\"column-2\">Bax<\/td><td class=\"column-3\">Tintagel<\/td><td class=\"column-4\">28.09.2026<\/td><td class=\"column-5\">Philharmonisches Orchester Bremerhaven <\/td><td class=\"column-6\">Florian Ludwig<\/td><td class=\"column-7\">Bremerhaven<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-66\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk (2026) f\u00fcr Bass &amp; Baritonsaxophon<\/td><td class=\"column-4\">29.09.2026<\/td><td class=\"column-5\">Ulfried Staber (Bass), Gerald Preinfalk (Saxophon)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Graz (BRUSEUM\/Neue Galerie)<\/td><td class=\"column-8\">Urauff\u00fchrung  <\/td>\n<\/tr>\n<tr class=\"row-67\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Zaide <\/td><td class=\"column-4\">30.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">George Petrou, Regie: David Hermann<\/td><td class=\"column-7\">Frankfurt   <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-68\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">01.10.2026<\/td><td class=\"column-5\">Orchestra del Maggio Musicale Fiorentino<\/td><td class=\"column-6\">Thomas Guggeis<\/td><td class=\"column-7\">Florenz<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-69\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">02.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michele Spotti, Regie: Ted Huffman<\/td><td class=\"column-7\">Valencia (Palau de les Arts Reina Sofia)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-70\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">02.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Stefan Vladar, Regie: Philipp Himmelmann<\/td><td class=\"column-7\">L\u00fcbeck<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-71\">\n\t<td class=\"column-1\">Umberto<\/td><td class=\"column-2\">Giordano<\/td><td class=\"column-3\">Andrea Ch\u00e9nier<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniel Cohen, Regie: John Dew<\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-72\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">31.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Sebastian Lang-Lessing, Regie: Pamela Recinella<\/td><td class=\"column-7\">Hagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-73\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Dornr\u00f6schen<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Carlo Benedetto Cimento, Choreographie: Reginaldo Oliveira<\/td><td class=\"column-7\">Palermo (Teatro Massimo)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-74\">\n\t<td class=\"column-1\">Fromental<\/td><td class=\"column-2\">Hal\u00e9vy<\/td><td class=\"column-3\">La Juive<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix Bender, Regie: Marco Storman<\/td><td class=\"column-7\">Ulm<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-75\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">04.10.2026<\/td><td class=\"column-5\">Philharmonia Orchestra<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">London (Royal Festival Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-76\">\n\t<td class=\"column-1\">Jacques<\/td><td class=\"column-2\">Offenbach<\/td><td class=\"column-3\">Les contes d'Hoffmann<\/td><td class=\"column-4\">04.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Sejoon Park, Regie: Anja Nicklich<\/td><td class=\"column-7\">Koblenz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-77\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">06.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Emmanuelle Haim, Regie: Ewelina Marciniak<\/td><td class=\"column-7\">Lille<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-78\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">09.10.2026<\/td><td class=\"column-5\">Orchestra del Teatro di San Carlo<\/td><td class=\"column-6\">Iv\u00e1n L\u00f3pez-Reynoso<\/td><td class=\"column-7\">Neapel (Teatro di San Carlo)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-79\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">10.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Hermes Helfricht, Regie: Matthew Ferraro<\/td><td class=\"column-7\">Erfurt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-80\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Herbst, Enigma I-IV &amp; VI, Enigma V, Enigma VII<\/td><td class=\"column-4\">10.10.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\">Cordula B\u00fcrgi<\/td><td class=\"column-7\">Graz (Helmut List Halle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-81\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ottone<\/td><td class=\"column-4\">11.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">V\u00e1clav Luks, Regie: Jetske Mijnssen<\/td><td class=\"column-7\">Frankfurt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-82\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">13.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pablo Gonz\u00e1lez, Regie: Marta Pazos<\/td><td class=\"column-7\">Teneriffa (Auditorio)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-83\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Riccardo primo, Re d\u2019Inghilterra <\/td><td class=\"column-4\">14.10.2026<\/td><td class=\"column-5\">Les Arts Florissants<\/td><td class=\"column-6\">Paul Agnew<\/td><td class=\"column-7\">Dijon (Grand Th\u00e9atre)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-84\">\n\t<td class=\"column-1\">Andrea Lorenzo<\/td><td class=\"column-2\">Scartazzini<\/td><td class=\"column-3\">Torso - Epitaph<\/td><td class=\"column-4\">14.10.2026<\/td><td class=\"column-5\">Luzerner Sinfonieorchester<\/td><td class=\"column-6\">Michael Sanderling<\/td><td class=\"column-7\">Luzern (KKL)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-85\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Konzert f\u00fcr Klavier und Orchester<\/td><td class=\"column-4\">15.10.2026<\/td><td class=\"column-5\">Orquesta Sinf\u00f3nica de l'ESMUC<\/td><td class=\"column-6\">Ernest Mart\u00ednez Izquierdo<\/td><td class=\"column-7\">Barcelona<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-86\">\n\t<td class=\"column-1\">Gioachino<\/td><td class=\"column-2\">Rossini<\/td><td class=\"column-3\">Il barbiere di Siviglia<\/td><td class=\"column-4\">15.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Chloe Rooke, Regie: Annabel Arden<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-87\">\n\t<td class=\"column-1\">Bernd Alois<\/td><td class=\"column-2\">Zimmermann<\/td><td class=\"column-3\">Musique pour les soupers du Roi Ubu<\/td><td class=\"column-4\">15.10.2026<\/td><td class=\"column-5\">M\u00fcnchner Philharmoniker<\/td><td class=\"column-6\">Anja Bihlmaier<\/td><td class=\"column-7\">M\u00fcnchen (Isarphilharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-88\">\n\t<td class=\"column-1\">Torsten<\/td><td class=\"column-2\">Rasch<\/td><td class=\"column-3\">Die wunderbaren Jahre<\/td><td class=\"column-4\">16.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Christian Blex, Regie: Nora Bussenius<\/td><td class=\"column-7\">Dresden  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-89\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">17.10.2026<\/td><td class=\"column-5\">NHK Symphony Orchestra<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Tokio (NHK Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-90\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">Gesualdo senza parole<\/td><td class=\"column-4\">17.10.2026<\/td><td class=\"column-5\">Klangforum Wien<\/td><td class=\"column-6\">Sylvain Cambreling<\/td><td class=\"column-7\">Wien (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-91\">\n\t<td class=\"column-1\">Charles<\/td><td class=\"column-2\">Gounod<\/td><td class=\"column-3\">Faust<\/td><td class=\"column-4\">20.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniele Rustioni, Regie: Johannes Erath<\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-92\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">John Stulz (Viola), Ensemble Intercontemporain<\/td><td class=\"column-6\">George Benjamin<\/td><td class=\"column-7\">Paris (Cit\u00e9 de la Musique)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-93\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Flavio, Re de\u2019 Langobardi <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Camille Delaforge, Regie: Max Emanuel Cencic<\/td><td class=\"column-7\">Meiningen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-94\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-95\">\n\t<td class=\"column-1\">Benjamin<\/td><td class=\"column-2\">Britten<\/td><td class=\"column-3\">Young Apollo<\/td><td class=\"column-4\">24.10.2026<\/td><td class=\"column-5\">Camerata Bern<\/td><td class=\"column-6\">Alexander Melnikov<\/td><td class=\"column-7\">Bern (Zentrum Paul Klee)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-96\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">25.10.2026<\/td><td class=\"column-5\">Orchestra, Coro e Tecnici del Teatro Comunale di Bologna<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-97\">\n\t<td class=\"column-1\">Matthias<\/td><td class=\"column-2\">Pintscher<\/td><td class=\"column-3\">Assonanza<\/td><td class=\"column-4\">29.10.2026<\/td><td class=\"column-5\">Leila Josefowicz (Violine), Royal Stockholm Philharmonic Orchestra<\/td><td class=\"column-6\">Matthias Pintscher<\/td><td class=\"column-7\">Stockholm (Konserthuset)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-98\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">29.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">N.N., Regie: Nilufar K. M\u00fcnzing<\/td><td class=\"column-7\">Klagenfurt<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-99\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">30.10.2026<\/td><td class=\"column-5\">Estonian National Symphony Orchestra<\/td><td class=\"column-6\">Gregor A. Mayrhofer<\/td><td class=\"column-7\">Tallinn (Festival AFEKT, Estonia Concert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-100\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Schwanensee<\/td><td class=\"column-4\">31.10.2026<\/td><td class=\"column-5\">Camerata Louis Spohr<\/td><td class=\"column-6\">Bernd Peter Fugelsang<\/td><td class=\"column-7\">D\u00fcsseldorf<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-101\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">31.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">N.N., Regie: Neil Barry Moss<\/td><td class=\"column-7\">Coburg (Globe)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-102\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Turn<\/td><td class=\"column-4\">04.11.2026<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\">auchh 5.\/6.11.<\/td>\n<\/tr>\n<tr class=\"row-103\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Br\u00fcnn (Jan\u00e1cek-Theater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-104\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">hr-Sinfonieorchester<\/td><td class=\"column-6\">Michael Wendeberg<\/td><td class=\"column-7\">Frankfurt (hr-Sendesaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-105\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Core<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Orchester der Oper Z\u00fcrich<\/td><td class=\"column-6\">Gianandrea Noseda<\/td><td class=\"column-7\">Z\u00fcrich   <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-106\">\n\t<td class=\"column-1\">Pietro<\/td><td class=\"column-2\">Mascagni<\/td><td class=\"column-3\">Cavalleria rusticana<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">N.N., Regie: Gil Mehmert<\/td><td class=\"column-7\">Dortmund<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-107\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk f\u00fcr Orchester<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Pierre Bleuse<\/td><td class=\"column-7\">Basel (Stadtcasino)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-108\">\n\t<td class=\"column-1\">Engelbert<\/td><td class=\"column-2\">Humperdinck<\/td><td class=\"column-3\">Dornr\u00f6schen<\/td><td class=\"column-4\">08.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Markus Poschner, Regie: Anna Bergmann<\/td><td class=\"column-7\">Hamburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-109\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.11.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Roberto Abbado<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-110\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">a sei voci f\u00fcr 6 Frauenstimmen<\/td><td class=\"column-4\">15.11.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\">Cordula B\u00fcrgi<\/td><td class=\"column-7\">M\u00fcnchendorf (Musiksalon)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-111\">\n\t<td class=\"column-1\">V\u00e1clav<\/td><td class=\"column-2\">Trojan<\/td><td class=\"column-3\">M\u00e4rchen<\/td><td class=\"column-4\">21.11.2026<\/td><td class=\"column-5\">Kammerorchester der TUD<\/td><td class=\"column-6\">Florian Streich<\/td><td class=\"column-7\">Gro\u00df-Umstadt (Stadthalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-112\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">21.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">H\u00e9lio Vida, Regie: Nikolaus Habjan<\/td><td class=\"column-7\">Basel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-113\">\n\t<td class=\"column-1\">Henry<\/td><td class=\"column-2\">Purcell<\/td><td class=\"column-3\">Dido and Aeneas<\/td><td class=\"column-4\">21.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniel Geiss, Regie: Seollyeon Konwitschny-Lee<\/td><td class=\"column-7\">Neubrandenburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-114\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">25.11.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">David McVicar, Regie: Bettina Neuhaus<\/td><td class=\"column-7\">Barcelona<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-115\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Das Mondklavier<\/td><td class=\"column-4\">29.11.2026<\/td><td class=\"column-5\">Beate Bachmann (Sprecherin), Jenaer Philharmonie<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Jena (Volkshaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-116\">\n\t<td class=\"column-1\">Giovanni<\/td><td class=\"column-2\">Sollima<\/td><td class=\"column-3\">Violoncelles, vibrez!<\/td><td class=\"column-4\">02.12.2026<\/td><td class=\"column-5\">M\u00fcnchener Kammerorchester<\/td><td class=\"column-6\">Daniel Giglberger<\/td><td class=\"column-7\">Olten (Stadttheater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-117\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Geh\u00f6rte Form - Hommages<\/td><td class=\"column-4\">03.12.2026<\/td><td class=\"column-5\">Trio Sola<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-118\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Les P\u00eacheurs de Perles<\/td><td class=\"column-4\">05.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marc Minkowski, Regie: Pierre-Andr\u00e9 Weitz<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-119\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">06.12.2026<\/td><td class=\"column-5\">Erik Br\u00fcnner (Sprecher), Jugendsinfonieorchester Heinrich-Sch\u00fctz-Konservatorium, Dresdner Philharmonie<\/td><td class=\"column-6\">Milko Kersten<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\">auch 7.12.<\/td>\n<\/tr>\n<tr class=\"row-120\">\n\t<td class=\"column-1\">Francesco<\/td><td class=\"column-2\">Filidei<\/td><td class=\"column-3\">I funerali dell\u2019anarchico Serantini<\/td><td class=\"column-4\">09.12.2026<\/td><td class=\"column-5\">Studierende der Hochschule<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Karlsruhe (Hochschule f\u00fcr Musik)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-121\">\n\t<td class=\"column-1\">Miroslav<\/td><td class=\"column-2\">Srnka<\/td><td class=\"column-3\">Smoke<\/td><td class=\"column-4\">10.12.2026<\/td><td class=\"column-5\">NHK Symphony Orchestra<\/td><td class=\"column-6\">Maxim Emelyanychev<\/td><td class=\"column-7\">Tokio (Suntory Hall)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-122\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">13.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marta Gardoli?ska, Regie: Jetske Mijnssen<\/td><td class=\"column-7\">Genf (B\u00e2timent des Forces Motrices)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-123\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">17.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Bertrand de Billy, Regie: Lydia Steier<\/td><td class=\"column-7\">Wien (Staatsoper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-124\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Tha\u00efs<\/td><td class=\"column-4\">18.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pierre Dumoussaud, Regie: Olivier Lepelletier-Leeds<\/td><td class=\"column-7\">Li\u00e8ge<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-125\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Flavio, Re de\u2019 Langobardi<\/td><td class=\"column-4\">19.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Karsten Januschke, Regie: Tilmann K\u00f6hler<\/td><td class=\"column-7\">Frankfurt (Bockenheimer Depot)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-126\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Les P\u00eacheurs de Perles<\/td><td class=\"column-4\">29.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Victorien Vanoosten, Regie: Mirabelle Ordinaire<\/td><td class=\"column-7\">Toulon (Z\u00e9nith)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-127\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Thamos, K\u00f6nig in \u00c4gypten<\/td><td class=\"column-4\">12.01.2027<\/td><td class=\"column-5\">Orchestra Haydn di Bolzano e Trento<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Bozen (Auditorium)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-128\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">13.01.2027<\/td><td class=\"column-5\">Tonhalle-Orchester<\/td><td class=\"column-6\">Gianandrea Noseda<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-129\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">16.01.2027<\/td><td class=\"column-5\">Staatsphilharmonie N\u00fcrnberg<\/td><td class=\"column-6\">Christopher Schumann<\/td><td class=\"column-7\">N\u00fcrnberg  <\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-130\">\n\t<td class=\"column-1\">Richard<\/td><td class=\"column-2\">Dubugnon<\/td><td class=\"column-3\">Sonnenring<\/td><td class=\"column-4\">20.01.2027<\/td><td class=\"column-5\">Janine Jansen (Violine), Orchestre de la Suisse Romande<\/td><td class=\"column-6\">Jonathan Nott<\/td><td class=\"column-7\">Genf (Victoria Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-131\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Orlando <\/td><td class=\"column-4\">21.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniel Espasa, Regie: Rafael Villalobos<\/td><td class=\"column-7\">Teneriffa (Auditorio)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-132\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Francesco Angelico, Regie: Vasily Barkhatov <\/td><td class=\"column-7\">Graz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-133\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orfeo ed Euridice <\/td><td class=\"column-4\">23.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Eric Staiger, Regie: Aileen Schneider<\/td><td class=\"column-7\">Oldenburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-134\">\n\t<td class=\"column-1\">Giovanni<\/td><td class=\"column-2\">Sollima<\/td><td class=\"column-3\">When We Were Trees<\/td><td class=\"column-4\">24.01.2027<\/td><td class=\"column-5\">S\u00fcdwestdeutsches Kammerorchester<\/td><td class=\"column-6\">Reto Bieri<\/td><td class=\"column-7\">Pforzheim (CongressCentrum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-135\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">24.01.2027<\/td><td class=\"column-5\">Oliver Moumouris (Sprecher), W\u00fcrttembergische Philharmonie<\/td><td class=\"column-6\">Hans Grischkat<\/td><td class=\"column-7\">Reutlingen (Georgensaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-136\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orfeo ed Euridice <\/td><td class=\"column-4\">29.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Aapo H\u00e4kkinen, Regie: Tero Saarinen<\/td><td class=\"column-7\">Helsinki<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-137\">\n\t<td class=\"column-1\">Engelbert<\/td><td class=\"column-2\">Humperdinck<\/td><td class=\"column-3\">K\u00f6nigskinder<\/td><td class=\"column-4\">30.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Justus Thorau, Regie: Angela Denoke<\/td><td class=\"column-7\">Saarbr\u00fccken<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-138\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">30.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Jiri Rozen, Regie: Caterina Cianfarini <\/td><td class=\"column-7\">Basel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-139\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">30.01.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marco Alibrando, Regie: Marcos Darbyshire<\/td><td class=\"column-7\">Weimar   <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-140\">\n\t<td class=\"column-1\">Jean-Philippe<\/td><td class=\"column-2\">Rameau<\/td><td class=\"column-3\">Les Bor\u00e9ades<\/td><td class=\"column-4\">05.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Camille Delaforge, Regie: R.B. Schlather<\/td><td class=\"column-7\">Dublin (Irish National Opera)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-141\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">10.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Hengelbrock, Regie: Netia Jones<\/td><td class=\"column-7\">London (Royal Opera House)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-142\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Nathalie Stutzmann, Regie: Robert Carsen<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-143\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">13.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Gerrit Prie\u00dfnitz, Regie: Anna-Sophie Mahler<\/td><td class=\"column-7\">Innsbruck<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-144\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marco Comin, Regie: N.N.<\/td><td class=\"column-7\">Bremerhaven<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-145\">\n\t<td class=\"column-1\">Ludwig van<\/td><td class=\"column-2\">Beethoven<\/td><td class=\"column-3\">Fidelio<\/td><td class=\"column-4\">17.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Kensho Watanabe, Regie: Ruth Knight<\/td><td class=\"column-7\">Glasgow<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-146\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Rinaldo<\/td><td class=\"column-4\">22.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Philippe Jaroussky, Regie: Valentina Carrasco<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-147\">\n\t<td class=\"column-1\">Oliver<\/td><td class=\"column-2\">Leith<\/td><td class=\"column-3\">Last Days<\/td><td class=\"column-4\">27.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andr\u00e9 de Ridder, Friedrike Scheunchen, Regie: Lily Kuhlmann<\/td><td class=\"column-7\">Freiburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-148\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Die verkaufte Braut<\/td><td class=\"column-4\">28.02.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">T\u00f3mas Netopil, Regie: Laurent Pelly<\/td><td class=\"column-7\">K\u00f6ln<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-149\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">05.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Kaspar Zehnder, Regie: Joel Lauwers<\/td><td class=\"column-7\">Metz<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-150\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Serse <\/td><td class=\"column-4\">06.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Cl\u00e9ment Lonca, Regie: Lorenzo Fioroni<\/td><td class=\"column-7\">Bern  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-151\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">07.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Seok-Won Hong, Regie: Nicola Berloffa<\/td><td class=\"column-7\">Teneriffa (Auditorio)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-152\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Konzert Nr. 2 f\u00fcr Violine und Orchester<\/td><td class=\"column-4\">15.03.2027<\/td><td class=\"column-5\">Kirill Kobantschenko (Violine), Sinfonia Academica<\/td><td class=\"column-6\">David Holzinger<\/td><td class=\"column-7\">Wien (Mozartsaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-153\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Iphig\u00e9nie en Aulide<\/td><td class=\"column-4\">20.03.2027<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Ivan Demidov, Regie: Jochen Biganzoli<\/td><td class=\"column-7\">Augsburg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Works<\/span><\/h3><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202691956-56699a07-d07c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202691956-56699a07-d07c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07365-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07774-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07330-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07691-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07754-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07685-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09752-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07715-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11116-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07330-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202691989-8422d764-2730\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202691989-8422d764-2730\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09794-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09795-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09796-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07338-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11115-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09741-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11108-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07375-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202742098-8fb99d47-6623\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202742098-8fb99d47-6623\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07709-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09786-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07331-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07766-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202741771-af1366ef-844e\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/instruments<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202741771-af1366ef-844e\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09397\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08581\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09714-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07540\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07759-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08580\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09325\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202741530-f416db8f-cc26\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Choir<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202741530-f416db8f-cc26\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07532\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07540\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07759-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09786-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202740959-02cbb4b5-3f0b\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Ensemble<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202740959-02cbb4b5-3f0b\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09743-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07729-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202740569-d407e7fe-be1e\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Chamber music<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202740569-d407e7fe-be1e\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11415\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11053\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11057\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11058\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11086\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11087\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11067\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07454\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07455\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09369\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08270\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08268D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08269\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07237D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11012\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202738874-9fe7c8a4-ecac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202738874-9fe7c8a4-ecac\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11051\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA10884D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09352\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p><strong>Silberne Schnur<\/strong><br \/>f\u00fcr Klavier (2002\/03). 4 Minuten. In: Piano Album B\u00e4renreiter Contemporary Composers. BA 8762, k\u00e4uflich<br \/><div class=\"app-holder\"><bv-product-display product-id=\"BA08462\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202737940-75d94c49-b1de\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Other works<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202737940-75d94c49-b1de\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Editions Henry Lemoine, Paris<br \/>* Auslieferung der Leihmateriale durch Alkor-Edition, Kassel<\/p>\n<p><strong>Alba<\/strong><br \/>f\u00fcr Fl\u00f6te und Bratsche op. 26 (1987). 25073 H.L. \/ 7 Minuten<br \/>Urauff\u00fchrung am 10. M\u00e4rz 1987 in Wien: Albertina, Astrid Spitznagel (Fl\u00f6te), Leopold Schmetterer (Viola)<\/p>\n<p><strong>Aulodie et Jubilation<\/strong><br \/>f\u00fcr Oboe solo op. 34 (1993\/94). 26277 H.L. \/ 7 Minuten<br \/>Urauff\u00fchrung am 10. Juli 1995 in Linz: Ursulinenkirche, Hans Georg Jacobi<\/p>\n<p><strong>Bucoliques<\/strong><br \/>f\u00fcr Fl\u00f6te, Oboe und Harfe op. 13 (1987). 24998 H.L. \/ 12 Minuten<br \/>Urauff\u00fchrung am 21. Mai 1989 in Salzburg: Mozarts Wohnhaus, Helmut Zangerle (Fl\u00f6te), Wolfgang Schlachter (Oboe), Annemarie Zangerle (Harfe)<\/p>\n<p><strong>Carnet po\u00e9tique<\/strong><br \/>f\u00fcr gemischten Chor a cappella op. 39. Text von Patrick Fr\u00e9gonara (1995\/96). 26662 H.L. \/ 11 Minuten<br \/>Urauff\u00fchrung am 6. November 2001 in Paris: Chapelle Notre-Dame des Anges, Ensemble Vocal Fran\u00e7ais, Leitung Gilbert Martin-Bouyer<\/p>\n<p><strong>Choralvorspiele<\/strong><br \/>f\u00fcr Oboe und Orgel op. 18 (1983). 24705 H.L. \/ 11 Minuten<\/p>\n<p>(alternative Version f\u00fcr Altsaxophon und Orgel)<\/p>\n<p>Urauff\u00fchrung am 26. April 1983 in Wien: Konzerthaus (Mozartsaal), Josef Bednarik (Oboe), Thomas Daniel Schlee (Orgel)<\/p>\n<p><strong>Cinq Pi\u00e8ces<\/strong><br \/>f\u00fcr Orgel op. 29 (1990\/92). 26107 H.L. \/ 24 Minuten<br \/>\u2013 1: Madrigal (1990) \/ 5 Minuten<br \/>Urauff\u00fchrung am 20. Juli 1990 in Bad D\u00fcrrnberg (A): Hedwig Ebermann<\/p>\n<p>\u2013 2: Choral I (1991) \/ 4 Minuten<br \/>Urauff\u00fchrung am 1. August 1993 in Cambridge: King\u2019s College Chapel, Thomas Daniel Schlee<\/p>\n<p>\u2013 3: Mysterium fidei (1991) \/ 3 Minuten<br \/>Urauff\u00fchrung am 23. August 1991 in Stift Zwettl: Andrea Weisgrab<\/p>\n<p>\u2013 4: Cantil\u00e8ne (1992) \/ 6 Minuten<br \/>Urauff\u00fchrung am 24. August 1993 in Maastricht: Kei Koito<\/p>\n<p>\u2013 5: Choral II (1992) \/ 5 Minuten<br \/>Urauff\u00fchrung am 22. November 1992 in Wien: Konzerthaus (Gro\u00dfer Saal), Thomas Daniel Schlee<\/p>\n<p><strong>De Profundis<\/strong><br \/>f\u00fcr Bratsche und Kontrabass op. 43 (1996\/97). 26727 H.L. \/ 6 Minuten<br \/>Urauff\u00fchrung am 10. November 1997 in Wien: Nationalbibliothek<\/p>\n<p><strong>Dein Dunkel wird sein wie der Mittag*<\/strong><br \/>f\u00fcr Orgel, Schlagzeug und sieben Bl\u00e4ser op. 30 (1990\/91). AoE 10554, Auff\u00fchrungsmaterial leihweise; Partitur und Orgelstimme k\u00e4uflich<br \/>Bl\u00e4ser: 2 (Picc), 2 (Eh), 0, 2 (Kfag) &#8211; 0, 1, 0, 0 \/ 15 Minuten<br \/>Urauff\u00fchrung am 13. Mai 1991 in Wien: Konzerthaus (Mozartsaal), Thomas Schm\u00f6gner (Orgel), Klangforum Wien, Leitung Beat Furrer<\/p>\n<p><strong>Deux Pi\u00e8ces<\/strong><br \/>f\u00fcr zwei Trompeten und Orgel op. 19 (1983\/84). 24769 H.L. \/ 10 Minuten<br \/>1. El\u00e9gie; 2. Battaglia<br \/>Urauff\u00fchrung am 25. Juli 1986 in Wien: Augustinerkirche, Hans Gansch (Trompete), Hans Peter Schuh (Trompete), Wolfgang Baumgratz (Orgel)<\/p>\n<p><strong>Dicite: pusillanimes confortamini<\/strong><br \/>Geistliches Konzert f\u00fcr Sopran, zwei Violinen und Violoncello (Orgelpositiv oder Fl\u00f6te ad lib.) op. 17 (lat.) (1982). 24790 H.L. \/ 10 Minuten<br \/>Urauff\u00fchrung am 12. Dezember 1982 in Wien: Michaelerkirche, Capella Archangeli, Leitung Wolfgang Sauseng<\/p>\n<p><strong>Effleur\u00e9e<\/strong><br \/>f\u00fcr Klavier op. 23 (1985-87). 25072 H.L. \/ 7 Minuten<br \/>Urauff\u00fchrung am 8. Oktober 1988 in Seattle\/Washington: Ursula K. Le Guin<\/p>\n<p><strong>Lob des Wassers<\/strong><br \/>f\u00fcr Fl\u00f6te op. 44 (1997). 25170 H.L. \/ 5 Minuten<br \/>Urauff\u00fchrung am 26. Oktober 1997 in Wien: Deutschordenskirche, Wolfgang Schulz<\/p>\n<p><strong>Musique de plein-air<\/strong><br \/>f\u00fcr Klarinette und Trompete op. 41 (1996). 26650 H.L. \/ 12 Minuten<br \/>Urauff\u00fchrung am 2. Februar 1998 in Karlsruhe: Schlo\u00df, Martin Nitschmann (Klarinette), Wolfram Lauel (Trompete)<\/p>\n<p><strong>Notturno<\/strong><br \/>f\u00fcr Hornquartett op. 35 (1995). 26409 H.L. \/ 4 Minuten<br \/>Urauff\u00fchrung am 16. Dezember 1996 in Linz: Hornquartett des Bruckner Orchesters<\/p>\n<p><strong>Offrandes<\/strong><br \/>f\u00fcr Orgel op. 28 (1986-89). 25201 H.L. \/ 15 Minuten<br \/>1. Adoratio; 2. Vigilia; 3. \u201e&#8230;est enim transitus Domini&#8230;\u201c<br \/>Urauff\u00fchrung am 7. Juli 1990 in Fribourg (CH): St. Michel, Kei Koito<\/p>\n<p><strong>Po\u00e9sies I-III<\/strong><br \/>f\u00fcr Klavier op. 25, Heft 1 (1986). 24861 H.L. \/ 10 Minuten<br \/>Urauff\u00fchrung am 10. M\u00e4rz 1987 in Wien: Albertina, Harald Ossberger<\/p>\n<p><strong>Po\u00e9sies IV-VI<\/strong><br \/>f\u00fcr Klavier op. 25, Heft 2 (1994\/95). 26333 H.L. \/ 10 Minuten<br \/>Urauff\u00fchrung am 14. April 1997 in Feldkirch (A): Till Alexander K\u00f6rber<\/p>\n<p><strong>Quia tu es Deus fortitudo mea*<\/strong><br \/>f\u00fcr elf Bl\u00e4ser op. 24 (1986). AoE 10555<br \/>Besetzung: 1, 1, 1, 1 &#8211; 2, 2, 2, 1 \/ 13 Minuten<br \/>Urauff\u00fchrung am 27. Oktober 1986 in St. Jakob\/Krieglach: M\u00fcrztaler Bl\u00e4sergruppe, Leitung Rudolf Zangl<\/p>\n<p><strong>Resonate<\/strong><br \/>nach Domenico Scarlatti f\u00fcr Orgelpositiv (oder Cembalo oder Klavier) op. 22 (1985). 24788 H.L. \/ 7 Minuten<br \/>Urauff\u00fchrung am 17. Oktober 1985 in Erding: St. Johann, Harald Feller<\/p>\n<p><strong>Seefelder Pr\u00e4ludium<\/strong><br \/>f\u00fcr Orgel (1982). 24702 H.L. (ver\u00f6ffentlicht mit \u201eSept pi\u00e8ces blanches\u201c) \/ 4 Minuten<br \/>Urauff\u00fchrung am 2. Juli 1982 in Seefeld (Tirol): Thomas Daniel Schlee<\/p>\n<p><strong>S\u00e8lah<\/strong><br \/>f\u00fcr Fl\u00f6te und Orgel op. 40 (2000). 26986 H.L. \/ 14 Minuten<br \/>Urauff\u00fchrung am 29. Juli 2001 in St. Wolfgang: Verena Guthy-Homolka (Fl\u00f6te), J\u00f6rg Hannes Hahn (Orgel)<\/p>\n<p><strong>Sept pi\u00e8ces blanches<\/strong><br \/>f\u00fcr Orgel (1982). 24704 H.L. \/ 15 Minuten<br \/>Urauff\u00fchrung am 1. Mai 1983 in der Abtei Marienstatt (D): Thomas Daniel Schlee<\/p>\n<hr \/>\n<p>Universal Edition<\/p>\n<p><strong>Amen. Halleluja<\/strong> f\u00fcr Orgel op. 57 (2003) \/ 12&#8242;<\/p>\n<p><strong>Drittes Streichquartett <\/strong>op. 56 (\u201eTempus floridum\u201c) (2003) \/ 22&#8217;30&#8221;<\/p>\n<p><strong>Pr\u00e9ludes f\u00fcr Orgel <\/strong>op. 6<br \/>(1: 1979, 4&#8242; \/ 2: 1980, 5&#8242; \/ 3: 1980, 5&#8242; \/ 4: 1981, 6&#8242; \/ 5: 1982, 5&#8242; \/ 6: 1984, 6&#8242; \/ 7: 1983\/1994, 6&#8242; \/ 8: 1986, 5&#8242; \/ 9: 1992-93, 6&#8242; \/ 10: 1988, 7&#8242; \u2013 2 Org \/ 11: 1994, 6&#8242;)<\/p>\n<p><strong>\u201eTempus floridum\u00ab,<\/strong> Moment musical f\u00fcr Streichquartett (1991) \/ 2&#8242;<\/p>\n<p><strong>Prisma<\/strong> f\u00fcr Orgel zu vier H\u00e4nden und Pedal (1989) \/ 4&#8242;<\/p>\n<p><strong>Et\u00fcde<\/strong> f\u00fcr Orgelpedal solo (1986) \/ 4&#8242;<\/p>\n<p><strong>Kleine Suite<\/strong> f\u00fcr Gitarre op. 5a (1979-1981) \/ 10&#8242;<\/p>\n<hr \/>\n<p>Doblinger<\/p>\n<p><strong>\u201eDurch die Banken\u201c<\/strong>, Szene f\u00fcr Tenor, Bariton und Klavier op. 78, Text von R. Gernhardt (2011) \/ 10\u2019<\/p>\n<p><strong>\u201eTr\u00e4nen\u201c<\/strong>, Neun Wiener T\u00e4nze f\u00fcr Klavier op. 73 (2003\/09) \/ 27\u2019<\/p>\n<p><strong>\u201eK\u00f6rper in Caf\u00e9s\u201c<\/strong> f\u00fcr Stimme und Ensemble op. 69, Text von R. Gernhardt (2007) \/ 15\u2019<\/p>\n<p><strong>Diptychon<\/strong> f\u00fcr Orgel op. 65 (2004\/06) \/ 17\u2019<\/p>\n<p><strong>Aus ungeheurer Ferne kommst Du wieder<\/strong> op. 63 f\u00fcr Orchester (2005) \/ 8&#8242;<\/p>\n<p><strong>Wiener Stundenbuch <\/strong>op. 59 f\u00fcr Ensemble (2004) \/ 14&#8242;<\/p>\n<p><strong>Tre Preghiere di San Francesco<\/strong> op. 58 f\u00fcr hohe Stimme und Orgel (2003\/2004) \/ 10&#8242;<\/p>\n<p><strong>Drei Zeichen <\/strong>op. 53 f\u00fcr Violoncello solo (2002) \/ 8&#8242;<\/p>\n<p><strong>Jiggs <\/strong>op. 48 f\u00fcr Streichorchester (2000) \/ 8&#8242;<\/p>\n<p><strong>Vesper <\/strong>op. 47 (Hymnus, Canticum, Magnificat) f\u00fcr Schola, Chor und Instrumentalensemble (1999) \/ 23&#8242;<\/p>\n<p><strong>Canticum <\/strong>op. 47a (aus der Vesper) f\u00fcr Schola, gemischten Chor und Orgel (1999) \/ 5\u2019<\/p>\n<p><strong>K\u00e4rntner Tabulaturb\u00fcchlein<\/strong> op. 47b f\u00fcr Klavier (1999\/2000) \/ 13\u2019<\/p>\n<p><strong>Intrada<\/strong> f\u00fcr drei Trompeten (oder zwei Trompeten und Horn) und zwei Posaunen (1998) \/ 4&#8217;30&#8221;<\/p>\n<p><strong>Tota pulchra es<\/strong> f\u00fcr gemischten Chor und Orgel (1997) \/ 6&#8242;<\/p>\n<p><strong>Der Baum des Heils.<\/strong> Oratorium op. 33 f\u00fcr Alt solo, gemischten Chor, Englischhorn, Violine, Claves und Orgel. Text von Reinhard Deutsch (1993\/94) \/ 42&#8242;<\/p>\n<p><strong>\u201eFragen von der Seele\u201c<\/strong> f\u00fcr Stimme und Orgelpositiv. Text von Jakob B\u00f6hme (engl. Fassung von Arnout de Waal) (1983) \/ 10&#8242;<\/p>\n<hr \/>\n<p>Editions de la Schola Cantorum<\/p>\n<p><strong>Introduktion, Psalm XI und Hymnus<\/strong> f\u00fcr M\u00e4nnerchor, Schlagwerk und Orgel (lat.) (1982-85) \/ 20&#8242;<\/p>\n<hr \/>\n<p>Editions Leduc<\/p>\n<p><strong>Deux Pri\u00e8res Mariales<\/strong> f\u00fcr Orgel (1984\/85) \/ 9&#8242;<\/p>\n<p><strong>Fantaisie<\/strong> f\u00fcr Orgel op. 15 (1981\/82) \/ 11&#8242;<\/p>\n<p><strong>Suite en \u00e9ventail<\/strong> f\u00fcr Orgel op. 16 (1982) \/ 11&#8242;<\/p>\n<hr \/>\n<p>Editions Billaudot<\/p>\n<p><strong>Mouvement<\/strong> f\u00fcr Violine und Klavier op. 7c (1994) \/ 3&#8242;<\/p>\n<p><strong>Fanfare<\/strong> f\u00fcr f\u00fcnf Trompeten (1991) \/ 2&#8242;<\/p>\n<p><strong>Melodie<\/strong> f\u00fcr Violine und Klavier op. 7b (1986) \/ 3&#8242;<\/p>\n<hr \/>\n<p>Editions Choudens<\/p>\n<p><strong>Grand Dialogue Monodique<\/strong> f\u00fcr Orgel (1981) \/ 3&#8242;<\/p>\n<hr \/>\n<p>Editions Combre<\/p>\n<p><strong>Volubilis<\/strong> f\u00fcr Alt- oder Sopransaxophon (2003) \/ 4&#8242;<\/p>\n<p><strong>Un Psaume de David<\/strong> (Ein Psalm Davids) op. 49 f\u00fcr Harfe und Orgel (1999-2002) \/ 8&#8242;<\/p>\n<p><strong>Viennoise<\/strong> f\u00fcr Fagott solo (1997) \/ 2&#8242;<\/p>\n<p><strong>Voile<\/strong> f\u00fcr Orgel (in: \u201eEnluminures\u00ab) (1995) \/ 2&#8242;<\/p>\n<p><strong>Drei modale Inventionen<\/strong> \u2013 Version I f\u00fcr Orgel (oder diverse Instrumentalduos oder Singstimmen) (1983\/84) \/ 6&#8242;<br \/>\u2013 Version II f\u00fcr Gitarre (1985) \/ 6&#8242;<\/p>\n<hr \/>\n<p>Butz<\/p>\n<p><strong>Benedicam Dominum.<\/strong> Offertorium f\u00fcr Chor und Orgel (1998\/1999) \/ 3&#8217;30&#8221;<\/p>\n<p><strong>\u201eNichts ist verborgen\u201c<\/strong>, <strong>\u201eIn jener Zeit\u201c<\/strong>, Evangelienmotetten f\u00fcr gemischten Chor a cappella (2009) \/ 11\u2019<\/p>\n<hr \/>\n<p>Als Manuskript<\/p>\n<p><strong>\u201eCanticum Sancti Floriani Martyris\u201c<\/strong>, nach den Skizzen von A. F. Kropfreiter, erg\u00e4nzt und orchestriert f\u00fcr Sopran, Bariton, gemischten Chor und Orchester (2004) \/ 20&#8242;<\/p>\n<p><strong>\u201eReine Gegenwart\u201c<\/strong> f\u00fcr Verrophon und Glasharmonika (2002) \/ 5&#8242;<\/p>\n<p><strong>Aubade<\/strong> f\u00fcr 13 Streichinstrumente (4,4,2,2,1) op. 14 (1981) \/ 16&#8242;<\/p>\n<p><strong>Erstes Streichquartett<\/strong> op. 9 (1979\/80) \/ 18&#8242;<\/p>\n<p><strong>Sankt Ambrosius singt in der belagerten Kathedrale.<\/strong> F\u00fcr Sprecher und Orgel. Text von Rudolf Henz (1980) \/ 6&#8242;<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-carousel\">\r\n\t<div class=\"grve-carousel-wrapper\">\r\n\t\t\t<div class=\"grve-carousel-navigation grve-navigation-arrow-1\">\r\n\t\t<div class=\"grve-carousel-buttons\">\r\n\t\t\t<div class=\"grve-carousel-prev\"><div class=\"grve-svg-icon grve-direction-left grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t\t<div class=\"grve-carousel-next\"><div class=\"grve-svg-icon grve-direction-right grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t<div data-items=\"3\" data-items-tablet-landscape=\"2\" data-items-tablet-portrait=\"2\" data-items-mobile=\"1\" data-slider-autoplay=\"yes\" data-pagination=\"yes\" data-slider-loop=\"yes\" data-slider-speed=\"3000\" data-slider-pause=\"no\" data-pagination-speed=\"400\" data-gutter-size=\"40\" class=\"grve-carousel-element grve-blog-carousel grve-blog-columns grve-with-gap grve-classic-carousel\">\r\n\t\t\t<article class=\"grve-carousel-item post-19397 post type-post status-publish format-standard has-post-thumbnail hentry category-baerenreiter-on-stage-en category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/baerenreiter-on-stage-en\/an-unheard-carmen\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">An Unheard \u201cCarmen\u201d<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen.webp 1078w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/baerenreiter-on-stage-en\/an-unheard-carmen\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>An Unheard \u201cCarmen\u201d<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The new edition of Bizet&#8217;s opera Carmen in Apulia and Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1078<\/span>\r\n\t\t\t   <span itemprop='width' >1078<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/07\/Beitragsbild_unerhoerte_Carmen.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-07-07T13:38:55+02:00\">7. July 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-07-07T13:41:42+02:00\">7. July 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/baerenreiter-on-stage-en\/an-unheard-carmen\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-19322 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/creative-chair-in-zurich-and-opus-klassik\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Creative Chair in Zurich and Opus Klassik<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/creative-chair-in-zurich-and-opus-klassik\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Creative Chair in Zurich and Opus Klassik<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>Dieter Ammann &#8211; Creative Chair in Zurich and Opus Klassik\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/06\/260622-Ammann-2022-Foto-Ingo-Hoehn.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-06-22T13:07:09+02:00\">22. June 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-06-22T13:11:59+02:00\">22. June 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/creative-chair-in-zurich-and-opus-klassik\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-19113 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/brilliant-baroque-ensembles\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Brilliant Baroque ensembles<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/brilliant-baroque-ensembles\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Brilliant Baroque ensembles<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter Special Prizes at the G\u00f6ttingen Handel Competition\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/05\/260520-Haendel-Competition-GOe-Furore-Ensemble-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-05-20T14:40:32+02:00\">20. May 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-05-20T14:45:41+02:00\">20. May 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/brilliant-baroque-ensembles\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18879 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Appearance versus reality<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Appearance versus reality<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>\u013dubica \u010cekovsk\u00e1\u2018s opera \u201cDorian Gray\u201d in Annaberg-Buchholz\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-31T08:31:38+02:00\">31. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-31T12:50:12+02:00\">31. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18838 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The Swiss composer is composer-in-residence\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-24T14:34:38+01:00\">24. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-24T14:38:11+01:00\">24. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18817 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Three musicians play their way to the top<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Three musicians play their way to the top<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter awards a special prize at the Bach Competition, Leipzig\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-23T13:19:42+01:00\">23. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-23T13:49:14+01:00\">23. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18690 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Pianists at the start of their careers<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Pianists at the start of their careers<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg (Photo: from left to right: Bogdan Dugali\u0107, Elisey Mysin, Anastasiia Kliuchereva, photo: Michael Klimt)    \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-23T10:12:12+01:00\">23. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-23T10:16:00+01:00\">23. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18592 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Young international violin stars<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Young international violin stars<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-16T11:14:59+01:00\">16. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T11:17:52+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18577 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">On the death of Helmuth Rilling<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>On the death of Helmuth Rilling<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>A life with Bach \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-13T08:33:14+01:00\">13. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T07:21:10+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18545 post type-post status-publish format-standard has-post-thumbnail hentry category-complete-edition category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Milestone Reached in Halle<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-29T14:33:29+01:00\">29. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-29T14:37:26+01:00\">29. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n"},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_album_images":[],"_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_custom_thumbnail_cover":0,"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-12826","page","type-page","status-publish","hentry","grve-entry-item"],"acf":[],"wpml_current_locale":"en_US","wpml_translations":{"de_DE":{"locale":"de_DE","id":8990,"slug":"schlee-thomas-daniel","post_title":"Schlee, Thomas Daniel","href":"https:\/\/emag.baerenreiter.com\/schlee-thomas-daniel\/"}},"_links":{"self":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/comments?post=12826"}],"version-history":[{"count":16,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12826\/revisions"}],"predecessor-version":[{"id":19204,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12826\/revisions\/19204"}],"wp:attachment":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/media?parent=12826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}