{"id":12826,"date":"2024-06-10T08:56:13","date_gmt":"2024-06-10T06:56:13","guid":{"rendered":"https:\/\/emag.baerenreiter.com\/schlee-thomas-daniel\/"},"modified":"2026-02-23T07:37:52","modified_gmt":"2026-02-23T06:37:52","slug":"schlee-thomas-daniel","status":"publish","type":"page","link":"https:\/\/emag.baerenreiter.com\/en\/schlee-thomas-daniel\/","title":{"rendered":"Schlee, Thomas Daniel"},"content":{"rendered":"<div class=\"grve-section grve-row-section grve-fullwidth-background grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#707070;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section composer-header grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-5-12 grve-wpb-1715857276604 grve-vertical-position-middle grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-left\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 500px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 149.2%;\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"746\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee-500px.webp\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee-500px.webp 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee-500px.webp 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-7-12 grve-wpb-1715857422252 grve-vertical-position-middle grve-with-bg-transparent grve-align-center\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h1 class=\"grve-element grve-title grve-align-center grve-page-title grve-text-white\"><span>Thomas Daniel Schlee<\/span><\/h1><div class=\"grve-empty-space grve-height-1x\"><\/div><div class=\"grve-element grve-image grve-align-center signature-witdh-100\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-svg-thumbnail-wrapper\"><div class=\"grve-svg-thumbnail\"><img decoding=\"async\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee_Pfade_U_weiss.svg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee_Pfade_U_weiss.svg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee_Pfade_U_weiss.svg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-4x grve-padding-bottom-4x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Biography<\/span><\/h2><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Thomas Daniel Schlee was born in Vienna in 1957. He studied organ, composition and musicology in Vienna and Paris with Michael Radulescu, Jean Langlais, Olivier Messiaen and Francis Burt. As an organist, he gives concerts all over Europe, takes part in radio productions and CD recordings, acts as a juror in international competitions and as a publisher. From 1990 to 1998 he was music director of the Brucknerhaus Linz and artistic director of the International Bruckner Festival, from 1999 to 2003 deputy director of the International Beethoven Festival in Bonn. From 2004 to 2015 he was director of the Carinthian Summer Festival. As a composer, Schlee has published numerous works for orchestra, vocal and chamber music ensembles, as well as works for and with organ. In 2005 he was appointed Officer des Arts et Lettres, in 2010 he received the Austrian Art Prize for Music and in 2012 the Cross of Honor for Science and Art. In 2023, Schlee was awarded the Church Music Prize of the City of Saarlouis for the composition &#8220;Bild und Gleichnis \u2013 Sechs Betrachtungen der Heilsgeschichte f\u00fcr Orgel op. 92&#8221;.<br \/>\nThomas Daniel Schlee died in Vienna on November 10, 2025.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#e8ede8;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vita<\/h3><\/div><div class=\"grve-accordion-content biographie\" id=\"1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-schlee-en-no-2\" class=\"tablepress tablepress-id-schlee-en two-column-table\">\n<tbody>\n<tr class=\"row-1\">\n\t<td class=\"column-1\">1957<\/td><td class=\"column-2\">Born on 26 October in Vienna<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">1970-1976<\/td><td class=\"column-2\">Began to study organ with Friedrich Lessky<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">1976-1983<\/td><td class=\"column-2\">Studied at the Vienna Musikhochschule with Michael Radulescu (organ) and Erich Romanovsky (harmony and counterpoint)<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">1976-1984<\/td><td class=\"column-2\">Studied musicology and art history at Vienna University, earning a PhD.<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">1977-1978<\/td><td class=\"column-2\">Audited Olivier Messiaen\u2019s composition class at the Conservatoire National Sup\u00e9rieur de Musique, Paris<br>Private pupil of Jean Langlais, Paris<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">1982-1985<\/td><td class=\"column-2\">Studied composition with Francis Burt, Vienna<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">1982<\/td><td class=\"column-2\">Young Artists Grant from City of Vienna<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Prix du concours international de Saint-R\u00e9my-de-Provence<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">1986-1989<\/td><td class=\"column-2\">Musical dramaturg, Salzburg Landestheater<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">1988-1990<\/td><td class=\"column-2\">Taught at Vienna Musikhochschule<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">1989-1990<\/td><td class=\"column-2\">Taught at Department of Musicology, Salzburg University<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">1990-1998<\/td><td class=\"column-2\">Artistic director of Bruckner Hall, Linz<br>artistic director of International Bruckner Festival<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">1990<\/td><td class=\"column-2\">Chevalier des Arts et Lettres<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">1995-2001<\/td><td class=\"column-2\">Project director of \u201cLa cit\u00e9 c\u00e9leste\u201d, an exhibition on Olivier Messiaen with concerts, symposia and a composition competition, sponsored by the Guardini Foundation, Berlin<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">1998-2001<\/td><td class=\"column-2\">president of the Foundation, since then a member of its governing body and chairman of the board of musical advisors<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">1997<\/td><td class=\"column-2\">Joaqu\u00edn Rodrigo Medal<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">1998<\/td><td class=\"column-2\">Cultural prize in music from state of Upper Austria<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">1999-2003<\/td><td class=\"column-2\">Deputy director of International Beethoven Festival, Bonn<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">2002<\/td><td class=\"column-2\">Church music prize from city of Neuss<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">2003<\/td><td class=\"column-2\">Grant-in-aid from the Austrian Federal Chancellery<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">2004\u20132015<\/td><td class=\"column-2\">Director of Carinthian Summer Festival<\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">2005<\/td><td class=\"column-2\">Officier des Arts et Lettres<\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">2010<\/td><td class=\"column-2\">Austrian cultural prize of music<\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Active career as a concert organist with recitals, broadcasts, festival appearances and CD recordings (Diapason d\u2019Or, German Record Critics Prize, 10 de r\u00e9pertoire, etc.). <\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">2025<\/td><td class=\"column-2\">died on November 10, in Vienna<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Download Scores<\/h3><\/div><div class=\"grve-accordion-content downloads\" id=\"1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9794_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Concertino f\u00fcr zwei Oboen und Streicher op. 36 BA 9794-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9795_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Concertino f\u00fcr zwei Piccolotrompeten und Streicher (kleine Besetzung) BA 9795-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9796_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Concertino f\u00fcr zwei Piccolotrompeten und Streicher (gro\u00dfe Besetzung) BA 9796-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7738_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Der Kreuzweg unseres Herrn und Heilandes f\u00fcr Orgel und Streicher op. 52 BA 7738-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9714_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Ich, Hiob f\u00fcr Tenor, Sopran und Instrumentalensemble op. 68 BA 9714-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Sinfonia tascabile op. 67 (2006) BA 7754-72<\/h4><\/div><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7685_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Sonata da camera BA 7685-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7759_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">und ich sah (2002\/03) op. 55 BA 7759-72<\/h4><\/div><\/a><\/div><\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718002312864-e98d0ee6-b410\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Writings<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1718002312864-e98d0ee6-b410\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\u201eSpiritualit\u00e4t und transkulturelle Musiksprache\u201c, Gespr\u00e4ch mit Reinhard Pabst. In: Musica sacra 6\/1983<br \/>\nSkizzen zur Situation der Musica sacra heute. In: \u00d6MZ 40, 1985, 587f.<\/p>\n<p>\u201eLa L\u00e9gende de Tristan\u201c de Charles Tournemire. In: Les Ecrivains Fran\u00e7ais et l\u2019op\u00e9ra, hrsg. von Jean-Paul Capdevielle und Peter-Eckhard Knabe, K\u00f6ln 1986<\/p>\n<p>Zur freien Orgelmusik von Helmut Bornefeld. In: W\u00fcrttembergische Bl\u00e4tter f\u00fcr Kirchenmusik 6\/1986<\/p>\n<p>Die \u201eCinq Rechants\u201c von Olivier Messiaen. In: Studien zur Wertungsforschung, hrsg. von Otto Kolleritsch, Bd. 20, Wien \/Graz 1988<\/p>\n<p>Texte zu \u201eQuatuor pour la fin du temps\u201c, \u201eQuatre Etudes de rythme\u201c und \u201eSaint Fran\u00e7ois d\u2019Assise\u201c von Olivier Messiaen. In: Meilensteine der Musik, Bd. III, hrsg. von Hans A. Neunzig, Dortmund 1991<\/p>\n<p>Texte \u00fcber das Orgelwerk von Olivier Messiaen sowie \u00fcber Louis Vierne, Charles Tournemire und Marcel Dupr\u00e9. In: Almanach \u201eWien modern 91\u201c<\/p>\n<p>Christophe Colomb \u2013 Stationen einer Zusammenarbeit zwischen Paul Claudel und Darius Milhaud. In: Columbus zwischen zwei Welten, hrsg. von Titus Heydenreich, Frankfurt\/Main 1992<\/p>\n<p>Komplette deutsche Fassung des \u201epo\u00e8me\u201c des \u201eSaint Fran\u00e7ois d\u2019Assise\u201c von Olivier Messiaen. In: L\u2019Avant-Sc\u00e8ne Op\u00e9ra \/Salzburger Festspiele 1992<\/p>\n<p>In memoriam Olivier Messiaen. In: Musica, September\/Oktober 1992<br \/>\nArtikel in: Begnadet f\u00fcr das Sch\u00f6ne, Beitr\u00e4ge zum Stellenwert: Kunst- und Werkp\u00e4dagogik, Weitra 1993<\/p>\n<p>Ohne die Sterne leuchten die Monde nicht. In: Festschrift 20 Jahre Brucknerhaus, Linz 1994<\/p>\n<p>Wie fl\u00fcchtig ist der Augenblick? In: \u201eVon der Kunst, dem Wein zu lauschen\u201c, hrsg. von Herbert Friedl, St. P\u00f6lten 1995<\/p>\n<p>\u201eEine verlorene Tochter?\u201c \u2013 Religion und Musik am Ende des 20. Jahrhunderts. In: Autonomie und Verantwortung, hrsg. von Karl Lehmann und Hans Maier, Regensburg 1996<\/p>\n<p>\u201eOlivier Messiaen. La Cit\u00e9 c\u00e9leste \u2013 Das himmlische Jerusalem\u201c. \u00dcber Leben und Werk des franz\u00f6sischen Komponisten. Text des Katalogteils und Herausgabe (zusammen mit Dietrich K\u00e4mper), K\u00f6ln 1998<\/p>\n<p>Zelter hatte doch recht \u2013 Parerga zur gro\u00dfen Terz. In: \u201eBeethoven, Goethe und Europa\u201d, Almanach zum Internationalen Beethovenfest Bonn 1999, hrsg. von Thomas Daniel Schlee, Laaber 1999<\/p>\n<p>Artikel \u00fcber Georges Auric. In: MGG, Personenteil, Band 1, Kassel 2000, 1190ff.<\/p>\n<p>\u201eOrdnung und Freiheit\u201c, Almanach zum Internationalen Beethovenfest Bonn 2000, hrsg. von Thomas Daniel Schlee, Laaber 2000<\/p>\n<p>Les solitudes de Jean Fran\u00e7aix. In: Actes du Colloque International Jean Fran\u00e7aix, Fondation Singer-Polignac, Paris 2001<\/p>\n<p>Von der Gewalt des Sch\u00f6nen \u2013 die \u201eApocalypse selon Saint Jean\u201c von Jean Fran\u00e7aix. In: \u201eApokalypse\u201c, Symposion 1999 der Franz Schmidt-Gesellschaft, hrsg. von Carmen Ottner, Wien 2001<\/p>\n<p>Gesungene Gnade \u2013 zu Olivier Messiaens \u201eSaint Fran\u00e7ois d\u2019Assise\u201c. In: Musica sacra 2\/2002<br \/>\nOlivier Messiaen \u2013 Musiker der Verk\u00fcndigung. In: Stimmen der Zeit 11\/2002, Freiburg i. Br. 2002<\/p>\n<p>\u201eZweite Wiener Schule\u201c &#8211; Zum Programmschwerpunkt Sch\u00f6nberg-Berg-Webern des Internationalen Beethovenfestes Bonn 2003. In: Magazin des Internationalen Beethovenfestes Bonn 2003<\/p>\n<p>\u201eAbkehr und Einkehr\u201c &#8211; Anmerkungen zu Eitelkeit und Demut in der Orgelmusik der zweiten H\u00e4lfte des 20. Jahrhunderts. In: Musik &amp; Kirche Mai\/Juni 2005, Kassel<\/p>\n<p>Au\u00dferdem zahlreiche Artikel und Rezensionen (\u00d6sterreichische Musikzeitschrift, \u00d6sterreichisches Orgelforum, L\u2019Orgue, etc.), Programmhefttexte (Wiener Konzerthaus, Salzburger Landestheater, Brucknerhaus Linz, Internationale Beethovenfeste Bonn, Festival Carinthischer Sommer) und CD-Booklets.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715857809324-89faa186-31c9\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Bibliography<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1715857809324-89faa186-31c9\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>International Who\u2019s Who in Music, Cambridge (seit 1990\/91)<\/p>\n<p>Thomas Daniel Schlee. In: Harald Goertz, \u00d6sterreichische Komponisten unserer Zeit. Beitr\u00e4ge &#8217;94. Hrsg. vom \u00d6sterreichischen Musikrat, 1994, 136f.<\/p>\n<p>Musik aus \u00d6sterreich, hrsg. von Bernhard G\u00fcnther, Wien 1997<\/p>\n<p>Michael T\u00f6pel: Die Suche nach Sch\u00f6nheit in der Musik. Ein Gespr\u00e4ch mit Thomas Daniel Schlee. In: Musik und Kirche 3\/1998, 194ff.<\/p>\n<p>Fridolin Dallinger: \u00dcber Thomas Daniel Schlee. In: Beispiele 98 (Kulturpreise des Landes Ober\u00f6sterreich), Linz 1998<\/p>\n<p>Mit dem Orchester spielen. Thomas Daniel Schlees neues Orchesterst\u00fcck [Orchesterspiele op. 45]. In: Takte 2\/1998, 13<\/p>\n<p>The New Grove Dictionary of Music, 2nd edition, hrsg. von Stanley Sadie, London 2000<br \/>\nKonrad Huber: Thomas Daniel Schlee. Studien zum gegenw\u00e4rtigen \u00f6sterreichischen Musikleben. Diplomarbeit f\u00fcr das Institut f\u00fcr Musikgeschichte an der Universit\u00e4t f\u00fcr Musik und darstellende Kunst in Wien, Wien 2000<\/p>\n<p>Wie das M\u00e4dchen den Esel rettete. Eine \u00bbEseliade\u00ab von Thomas Daniel Schlee wird Kinderkonzerte bereichern. In: Takte 1\/2000, 17<\/p>\n<p>Barbara Maria Zollner: Der Esel Hes\u00e9ki\u00ebl. In: SIMs Kultur\/Kultursommer 2001, Wien 2001<br \/>\nEine Symphonie und eine Eseliade. Zwei neue St\u00fccke von Thomas Daniel Schlee wurden in G\u00f6ttingen und beim Carinthischen Sommer uraufgef\u00fchrt. In: Takte 1\/2002, 15<\/p>\n<p>Heinz-Albert Heindrichs: Der Kreuzweg unseres Herrn und Heilandes \u2013 Einblicke in Thomas Daniel Schlees preisgekr\u00f6nte Passionsmusik. In: Jahresbericht 2001 der Guardini Stiftung Berlin<\/p>\n<p>Otto Kargl: Klangfarbenspiel. Das geistliche Vokalwerk von Thomas Daniel Schlee. In: Musica sacra 1\/2003, 13ff.<\/p>\n<p>Daniel Ender: \u00bbVon der Heiligkeit der Erinnerung\u00ab &#8211; Betrachtungen zur Ersten Symphonie op. 51. In: Monatsmagazin der Gesellschaft der Musikfreunde, Wien, April 2004<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715926842723-5a976b04-5722\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Discography<\/h3><\/div><div class=\"grve-accordion-content diskographie\" id=\"1715926842723-5a976b04-5722\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"row\">\n<div class=\"col-md-16\">\n<div id=\"c2815\" class=\"csc-default layout-0\">\n<div class=\"csc-brv-text\">\n<p>Zweites Streichquartett op. 21 \/ Pr\u00e9ludes op. 6\/2 und 6\/4 f\u00fcr Orgel \/ Dann steht der Mandelbaum in Bl\u00fcte. Motette op. 37 \/ Das Feuer des Herrn. Kantate op. 27<br \/>\nAnton Bruckner-Quartett, Cappella Nova Graz (Leitung Otto Kargl), Arnold-Sch\u00f6nberg-Chor, Wiener Concert-Verein (Leitung Erwin Ortner), Thomas Daniel Schlee (Orgel)<br \/>\nAuf: ORF Edition Zeitton CD 274<\/p>\n<p>Aurora op. 32 \/ Licht, Farbe, Schatten op. 38 \/ Quia tu es Deus fortitudo mea op. 24 \/ Wacht auf, Harfe und Saitenspiel op. 35 \/ Alba op. 26<br \/>\nRadio-Sinfonieorchester Warschau, Leitung Wojciech Rajski<br \/>\nAuf: Extraplatte CD EX-SP 020-2<\/p>\n<p>Ricercar f\u00fcr gro\u00dfes Orchester op. 31<br \/>\nORF-Symphonieorchester, Leitung Karl Heinz Gruber<br \/>\nAuf: ORF Edition Zeitton CD 46<\/p>\n<p>Orchesterspiele op. 45<br \/>\nRSO Wien, Leitung Dennis Russell Davies. Auf: ORF Edition Zeitton \u201eNeue Musik aus \u00d6sterreich\u201c IV, CD 325<\/p>\n<p>Der Baum des Heils<br \/>\ncappella nova graz, Leitung Otto Kargl. Auf: Extraplatte CD EX 320-2<\/p>\n<p>Pr\u00e9lude op. 6 Nr. 4 f\u00fcr Orgel<br \/>\nBernhard Billeter (Die Silbermann-Orgel von St. Petri in Freiburg). Auf: Psallite CD 60021<\/p>\n<p>Reine Gegenwart<br \/>\nWiener Glasharmonika-Duo. Auf: ORF Edition Zeitton CD 329<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718002410967-9cb2bd9f-567c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Quotations<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1718002410967-9cb2bd9f-567c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\n\u201cMy music is a quest for the traces of beauty and expressivity that shimmer in combinations of notes. This is nothing new, but it is always a wonderful challenge. An aesthetic of denial is no less foreign to my way of thought than randomness in stylistic devices. Every composition has its destiny from which it derives its shape, its progression of harmonic colors, the nature of its melodic and formal fabric. The so-called \u2018material\u2019 is set in motion by the initial idea \u2013 the inspiration \u2013 after which it is subjected to its indwelling dynamism and outside control in mutual interaction. For the composer, this is the most exciting stage of his work. If the material is well-formed and the ear can function as the final arbiter over the succession of sounds, then there just might emerge that magic of an articulate art-form in which memory and imagination blend into a work of art.\u201d<br \/>\n<em>Thomas Daniel Schlee, 1997<\/em><\/p>\n<p>\u201cIn my experience, Schlee\u2019s music makes people happy; it does not cry out for attention, but invites the heart and the mind to discover qualities that remain emblazoned in the memory. The eloquent imagery and compositional density, the intellectual rigor and spirituality of his music place him close to Bruckner and especially to Messiaen, who taught Schlee in his later years. And it may be that future generations will see Messiaen\u2019s legacy, not so much in those composers who profited early but only partially from his technical innovations, but rather in Schlee, who grasped Messiaen\u2019s ideational universe in its totality because it was alreadyconsistent with his own. It was precisely this that led him to find his own distinctive and individual language.\u201d<br \/>\n<em>Heinz-Albert Heindrichs, 2003<\/em><\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><div class=\"grve-empty-space grve-height-2x\"><\/div><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>Performances<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-2-no-2\" class=\"tablepress tablepress-id-2 brv-termine tablepress-responsive tablepress-responsive-stack-headers tablepress-responsive-stack-tablet\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">composer_first_name<\/th><th class=\"column-2\">composer_last_name<\/th><th class=\"column-3\">title<\/th><th class=\"column-4\">date<\/th><th class=\"column-5\">orchestra<\/th><th class=\"column-6\">conductor<\/th><th class=\"column-7\">location<\/th><th class=\"column-8\">special<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">National Philharmonic Orchestra<\/td><td class=\"column-6\">Cornelius Meister<\/td><td class=\"column-7\">Warschau (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Violin Concerto<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Ilya Gringolts (Violine), Staatsorchester Rheinische Philharmonie<\/td><td class=\"column-6\">Anu Tali<\/td><td class=\"column-7\">Koblenz (Rhein-Mosel-Halle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Der Messias <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester &amp; Rundfunkchor<\/td><td class=\"column-6\">Dennis Russell Davies<\/td><td class=\"column-7\">Erfurt (Theater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Piano Concerto No. 2<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Francesco Piemontesi (Klavier), Symphonieorchester des Bayerischen Rundfunks<\/td><td class=\"column-6\">Enno Poppe<\/td><td class=\"column-7\">M\u00fcnchen (Residenz)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Emily Senturia, Regie: Haley Stamats<\/td><td class=\"column-7\">Madison (Overture Hall)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">2. Symphonie<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Dresdner Philharmonie<\/td><td class=\"column-6\">Christoph Eschenbach<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Echoes of O\u2019s<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Ensemble Lux NM<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wiesbaden (Art.Ist-Galerie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\">Orchester des Staatstheaters Darmstadt<\/td><td class=\"column-6\">Marc Albrecht<\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L\u2019incoronazione di Poppea<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lars Ulrik Mortensen, Regie: Christoph Marthaler<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marc Minkowski, Regie: Damiano Michieletto<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">La navigazione notturna<\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Marino Formenti, Alfredo Ovalles, Luca Lavuri, N.N. (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">Beat <\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Studie IV f\u00fcr Klavier solo <\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Filippo Gorini (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Italienische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Duisburger Philharmoniker<\/td><td class=\"column-6\">Stefan Blunier<\/td><td class=\"column-7\">Duisburg (Philharmonie Mercatorhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Messe solennelle<\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Bach-Verein K\u00f6ln, G\u00fcrzenichorchester<\/td><td class=\"column-6\">Christoph Siebert<\/td><td class=\"column-7\">K\u00f6ln (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Cl\u00e9op\u00e2tre<\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Antoniette Dennefeld (Sopran), Orchestra di Padova e del Veneto<\/td><td class=\"column-6\">Pierre Dumoussaud<\/td><td class=\"column-7\">Padova (Auditorium Pollini)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Wesendonck-Lieder <\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Alicja Bukowska (Mezzosopran), Elbland Philharmonie Sachsen<\/td><td class=\"column-6\">Hermes Helfricht<\/td><td class=\"column-7\">Pirna (Marienkirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">01.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Nadja Loschky<\/td><td class=\"column-7\">Dresden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Yi-Chen Lin, Regie: Barbara-David Br\u00fcesch<\/td><td class=\"column-7\">St. Gallen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L'Orfeo<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">J\u00f6rg Halubek, Regie: Markus Bothe<\/td><td class=\"column-7\">Schwetzingen (Schwetzinger SWR Festspiele, Schlosstheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Bethel (Zionskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Amor Artis Chamber Choir<\/td><td class=\"column-6\">Ryan James Brandau<\/td><td class=\"column-7\">New York (St. Patrick\u2019s Old Cathedral) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\">Wiener Symphoniker<\/td><td class=\"column-6\">Marie Jacquot<\/td><td class=\"column-7\">Wien (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orph\u00e9e et Euridice<\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Edward Ananian Cooper, Regie: Pierre-Andr\u00e9 Weitz<\/td><td class=\"column-7\">Limoges<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">Ludwig van<\/td><td class=\"column-2\">Beethoven<\/td><td class=\"column-3\">Musik zu Goethes Trauerspiel Egmont<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Essener Philharmoniker<\/td><td class=\"column-6\">Dirk Kaftan<\/td><td class=\"column-7\">Essen (Alfried Krupp Saal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Paride ed Helena<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Akademie f\u00fcr Alte Musik<\/td><td class=\"column-6\">Michael Hofstetter<\/td><td class=\"column-7\">Augsburg (Internationale Gluck-Opern-Festspiele)<\/td><td class=\"column-8\">konzertant, 9.5. Bayreuth, 10.5. F\u00fcrth<\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">Francesco<\/td><td class=\"column-2\">Filidei<\/td><td class=\"column-3\">Finito ogni gesto, Esercizio di pazzia I<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">ensemble XXI. jahrhundert<\/td><td class=\"column-6\">Peter Burwik<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Francesco Corti, Regie: Kirill Serebrennikov\u00a0<\/td><td class=\"column-7\">Amsterdam (Stichting Nationale Opera &amp; Ballet)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">saphir und haut Nr. 3 f\u00fcr Sopran und Inside Piano<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">Lisa-Maria Lebitschnis (Sopran), Amelie Warner (Klavier) <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Augsburg (Staatliches Textilmuseum) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Schwanensee<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Svetoslav Borisov, Choreographie: Stefano Giannetti<\/td><td class=\"column-7\">Dessau<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Tonhalle Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Bisatti, Regie: Suzanne Andrade, Barrie Kosky<\/td><td class=\"column-7\">Lille<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Julia Jones, Regie: Robert Carsen<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Ottawa Bach Choir<\/td><td class=\"column-6\">Lisette Canton<\/td><td class=\"column-7\">Ottawa (Knox Presbyterian Church)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Johannes Klumpp, Regie: Nora Krahl<\/td><td class=\"column-7\">Gelsenkirchen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">Ernst<\/td><td class=\"column-2\">Krenek<\/td><td class=\"column-3\">Fl\u00f6tenst\u00fcck neunphasig, f\u00fcr Fl\u00f6te und Klavier <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">\u0153nm . \u0153sterreichisches ensemble fuer neue musik<\/td><td class=\"column-6\">Rupert Huber<\/td><td class=\"column-7\">Salzburg (Schloss Frohnburg)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester<\/td><td class=\"column-6\">Alena Hron<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Das kalte Herz<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Kammerorchester Metzingen<\/td><td class=\"column-6\">Oliver Bensch<\/td><td class=\"column-7\">Metzingen (Stadthalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Orchester Opernhaus Z\u00fcrich<\/td><td class=\"column-6\">Yves Abel<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Alexander Soddy, Regie: Richard Jones<\/td><td class=\"column-7\">London (Royal Opera House)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andreas Spering, Regie: Wolfgang Berthold<\/td><td class=\"column-7\">Brandenburg<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\">Rotterdams Philharmonisch Orkest<\/td><td class=\"column-6\">Jukka-Pekka Saraste<\/td><td class=\"column-7\">Rotterdam (de Doelen)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Deidamia <\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">George Petrou, Regie: George Petrou<\/td><td class=\"column-7\">G\u00f6ttingen (Internationale H\u00e4ndel-Festspiele, Deutsches Theater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Monad\u2019s face f\u00fcr Sopran, Bassklarinette und Violoncello<\/td><td class=\"column-4\">16.05.2026<\/td><td class=\"column-5\">Sara Wiljaars (Sopran), N.N. (Bassklarinette), N.N. (Violoncello)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Hochschule f\u00fcr Musik Hanns Eisler)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">La bianca notte<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\">Klangforum Wien<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Katowice (Katowice Culture Nature Festival, NOSPR Concert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">Emmanuel<\/td><td class=\"column-2\">Chabrier<\/td><td class=\"column-3\">L\u2019Etoile<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Nicolas Kruger, Regie: Matthew Eberhardt<\/td><td class=\"column-7\">Eindhoven (Parktheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">Winfried Zillig: Rosse \/<\/td><td class=\"column-2\">Ruggero Leoncavallo: Pagliacci<\/td><td class=\"column-3\"><\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Mark Rohde, Regie: Roman Hovenbitzer<\/td><td class=\"column-7\">W\u00fcrzburg (Theaterfabrik Blaue Halle)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Le Docteur Miracle<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Anton Legkii, Regie: Claudia Pla\u00dfwich<\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">18.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Cluj-Napoca (Academia Nationala de Muzica Gheorge Dirna)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">20.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Willy Decker<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">Tre duetti con l\u00b4eco<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Ensemble Aventure<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Freiburg (Elisabeth Schneider Stiftung)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die drei kleinen Schweinchen<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Staatsorchester Darmstadt<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\">auch 22.\/23.5.<\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">L\u00e9lio ou Le retour \u00e0 la vie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Helsingborg Symphony Orchestra<\/td><td class=\"column-6\">Maxime Pascal<\/td><td class=\"column-7\">Helsingborg (Konserthus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Vinicius Kattah, Regie: Jiri Herman<\/td><td class=\"column-7\">Bratislava (Nationaltheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">Jean-Philippe<\/td><td class=\"column-2\">Rameau<\/td><td class=\"column-3\">Les Bor\u00e9ades<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">a nocte temporis<\/td><td class=\"column-6\">Reinoud Van Mechelen<\/td><td class=\"column-7\">Dortmund (Orchesterzentrum)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Lieux retrouv\u00e9s<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">RSO Wien<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Fort Worth Symphony Orchestra<\/td><td class=\"column-6\">Robert Spano<\/td><td class=\"column-7\">Fort Worth (Bass Performance Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Dietger Holm, Regie: Magdalena Fuchsberger<\/td><td class=\"column-7\">Heidelberg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Orchestre et ch\u0153ur Op\u00e9ra National de Paris<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Paris (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Zsolt Jank\u00f3, Regie: Mikl\u00f3s H. Vecsei<\/td><td class=\"column-7\">Budapest<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Benjamin Bayl, Regie: Agn\u00e8s Jaoui<\/td><td class=\"column-7\">Montpellier<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-62\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Kirche St. Michael)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-63\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">La Maitrise de Toulouse<\/td><td class=\"column-6\">Mark Opstad<\/td><td class=\"column-7\">Gramat (\u00c9glise Saint-Pierre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-64\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Vlaams Radiokoor, Orkest van de Achttiende eeuw<\/td><td class=\"column-6\">Bart van Reyn<\/td><td class=\"column-7\">Breda (Chasse Theater)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-65\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Prague Symphony Orchestra<\/td><td class=\"column-6\">Tom\u00e1s Netopil<\/td><td class=\"column-7\">Prag (Festival Prager Fr\u00fchling, Obecn\u00ed dum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-66\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">28.05.2026<\/td><td class=\"column-5\">Orchestra del Maggio Musicale Fiorentino<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Florenz (Teatro del Maggio)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-67\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Keren Kagarlitsky, Regie: Wim Vandekeybus<\/td><td class=\"column-7\">Antwerpen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-68\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Elena Salvatierra, Regie: Marta Eguilior<\/td><td class=\"column-7\">Cadiz (Teatro Villamarta)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-69\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">30.05.2026<\/td><td class=\"column-5\">Vocal ensembles\u00a0ardent\u00a0and\u00a0suppl\u00e9ments musicaux<\/td><td class=\"column-6\">Patrick Secchiari, Moritz Achermann<\/td><td class=\"column-7\">Bern (\u00c9glise francaise)<\/td><td class=\"column-8\">auch 31.5.<\/td>\n<\/tr>\n<tr class=\"row-70\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">6. Symphonie<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Tomas Hanus<\/td><td class=\"column-7\">Prag (Gemeindehaus)  <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-71\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Chor des Theater L\u00fcbeck, Philharmonisches Orchester Hansestadt L\u00fcbeck<\/td><td class=\"column-6\">Stefan Vladar<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-72\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo McFall, Regie: Uwe Eric Laufenberg<\/td><td class=\"column-7\">Wiesbaden (Maifestspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-73\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Zweimal Alexander<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Irene Delgado-Jim\u00e9nez, Regie: Anna Bernreitner<\/td><td class=\"column-7\">Wien (Theater an der Wien)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-74\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\">BBC Singer, Ma\u00eetrise de Notre-Dame<\/td><td class=\"column-6\">Sofi Jeannin,\u00a0Henri Chalet<\/td><td class=\"column-7\">Paris (Notre Dame)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-75\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">03.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Equilbey, Regie: Florent Siaud<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-76\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Der Mistk\u00e4fer<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\">Johannes Merz (Erz\u00e4hler), Kammerphilharmonie L\u00fcbeck<\/td><td class=\"column-6\">Emanuel Dantscher<\/td><td class=\"column-7\">L\u00fcbeck (Kolosseum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-77\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Rinaldo<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Hofstetter, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-78\">\n\t<td class=\"column-1\">Jir\u00ed Anton\u00edn (Georg Anton)<\/td><td class=\"column-2\">Benda<\/td><td class=\"column-3\">Medea <\/td><td class=\"column-4\">06.06.2026<\/td><td class=\"column-5\">Doerthe Maria Sandmann (Sprecherin), Barockorchester der Th\u00fcringen Philharmonie Gotha<\/td><td class=\"column-6\">Alexej Barchevitch<\/td><td class=\"column-7\">Eisenach (Landestheater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-79\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Ch\u0153ur de l\u2019Op\u00e9ra de Tours, Orchestre symphonique R\u00e9gion Centre-Val de Loire\/Tours<\/td><td class=\"column-6\">David Jackson<\/td><td class=\"column-7\">Tours (Grand Th\u00e9atre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-80\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">konzertant, auch 12.6. W\u00fcrzburg<\/td>\n<\/tr>\n<tr class=\"row-81\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">10.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Cummings, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-82\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Orquestra de Valencia<\/td><td class=\"column-6\">Francesco Corti, Regie: Beno\u00eet De Leersnyder<\/td><td class=\"column-7\">Valencia<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-83\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">W\u00fcrzburg (Kaisersaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-84\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Aci, Galatea e Polifemo<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Ren\u00e9 Jacobs<\/td><td class=\"column-7\">Halle (Marktkirche) <\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-85\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">David Bates, Regie: Robert Carsen<\/td><td class=\"column-7\">Rouen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-86\">\n\t<td class=\"column-1\">Anders<\/td><td class=\"column-2\">Hillborg<\/td><td class=\"column-3\">Sound Atlas<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">NDR Elbphilharmonie Orchester<\/td><td class=\"column-6\">Ryan Bancroft<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-87\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Claudio Novati, Regie: Felix Schr\u00f6dinger<\/td><td class=\"column-7\">Detmold  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-88\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Tell it or shout f\u00fcr Fl\u00f6te und Harfe<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Elizaveta Birjukova, Fl\u00f6te, Christina Engelke (Harfe)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Jena (K\u00fcnstlerische Abendschule)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-89\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Feldmesse<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\">M\u00fcnchner Philharmoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">M\u00fcnchen (Isarphilharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-90\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Il trionfo del Tempo e del Disinganno<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Simone De Felice, Regie: Katharina Kastening<\/td><td class=\"column-7\">Frankfurt (Bockenheimer Depot)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-91\">\n\t<td class=\"column-1\">Jindrich<\/td><td class=\"column-2\">Feld<\/td><td class=\"column-3\">Konzert f\u00fcr Fl\u00f6te und Orchester<\/td><td class=\"column-4\">15.06.2026<\/td><td class=\"column-5\">Daniela Koch (Fl\u00f6te), Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Konzerthalle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-92\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">17.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo Mc Fall, Regie: Marie-\u00c8ve Signeyrole<\/td><td class=\"column-7\">Wiesbaden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-93\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\">Konzerthausorchester<\/td><td class=\"column-6\">Ivan Fischer<\/td><td class=\"column-7\">Berlin (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-94\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Janis Liepins, Regie: Cordula D\u00e4uper <\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-95\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">G\u00e1bor Hontv\u00e1ri, Regie: Benjamin Prins<\/td><td class=\"column-7\">Sondershausen (Schloss)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-96\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Litanei f\u00fcr Sopran, Bassklarinette und Streichquartett (UA)\/canti della tenebra. F\u00fcnf Lieder f\u00fcr Mezzosopran und Klavier<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Nicholas\u2019 Church of Ireland)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-97\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Royal Liverpool Philharmonic Orchestra<\/td><td class=\"column-6\">Domingo Hindoyan<\/td><td class=\"column-7\">Liverpool (Philharmonic Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-98\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">in mia vita da vuolp f\u00fcr Bariton-Saxophon und Sopran\/Lot\u00f3fagos f\u00fcr Sopran und Kontrabass\/Prophezeiungen f\u00fcr Alt, Kontrabassklarinette und Akkordeon <\/td><td class=\"column-4\">20.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Vincent\u2019s Chapel)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-99\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Susanna<\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Collegium 1704 <\/td><td class=\"column-6\">V\u00e1clav Luks<\/td><td class=\"column-7\">Litomysl (Schlosshof)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-100\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Chelsea Opera Group<\/td><td class=\"column-6\">Paul Wingfield<\/td><td class=\"column-7\">London (Cadogan Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-101\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Klavierkonzert<\/td><td class=\"column-4\">24.06.2026<\/td><td class=\"column-5\">Kirill Gerstein (Klavier), Tonhalle Orchester<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-102\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Rias Kammerchor<\/td><td class=\"column-6\">Peter Dijkstra<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-103\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lidiya Yankovskaya, Regie: Max Webster <\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-104\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">27.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Guggeis, Regie: Andrea Moses<\/td><td class=\"column-7\">Berlin (Staatsoper Unter den Linden)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-105\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leonardo Garcia Alarcon, Regie: Cl\u00e9ment Cogitore<\/td><td class=\"column-7\">Aix-en-Provence (Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-106\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ariodante<\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Beaune (Festival Baroque, Hotel-Dieu)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-107\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix P\u00e4tzold, Regie: Immo Karaman<\/td><td class=\"column-7\">Kiel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-108\">\n\t<td class=\"column-1\">George<\/td><td class=\"column-2\">Benjamin<\/td><td class=\"column-3\">Three Consorts <\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Kent Nagano<\/td><td class=\"column-7\">Kl\u00fctz (Festspiele Mecklenburg-Vorpommern, Schloss Bothmer)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-109\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsche Staatsphilharmonie Rheinland-Pfalz<\/td><td class=\"column-6\">Michael Francis<\/td><td class=\"column-7\">Speyer (Ged\u00e4chtniskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-110\">\n\t<td class=\"column-1\">Giselher<\/td><td class=\"column-2\">Klebe<\/td><td class=\"column-3\">Mignon<\/td><td class=\"column-4\">07.07.2026<\/td><td class=\"column-5\">Detmolder Kammerorchester<\/td><td class=\"column-6\">Stanley Dodds<\/td><td class=\"column-7\">Detmold (Hochschule f\u00fcr Musik) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-111\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">16.07.2026<\/td><td class=\"column-5\">Schleswig-Holstein Festival Orchestra<\/td><td class=\"column-6\">Andrew Manze<\/td><td class=\"column-7\">Elmshorn (Stiftung Schleswig-Holstein Musik Festival)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-112\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">jag die hunde zur\u00fcck!<\/td><td class=\"column-4\">20.07.2026<\/td><td class=\"column-5\">Accademia Musicale Chigiana<\/td><td class=\"column-6\">Lorenzo Donati<\/td><td class=\"column-7\">Siena (Chiesa della Ss. Annunziata)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-113\">\n\t<td class=\"column-1\">Anton\u00edn <\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Petr Popelka, Regie: Martin Kusej <\/td><td class=\"column-7\">M\u00fcnchen (M\u00fcnchner Opernfestspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-114\">\n\t<td class=\"column-1\">Georges <\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen, Fassung 1874<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Fabio Luisi, Regie: Denis Krief<\/td><td class=\"column-7\">Martina Franca (Festival della Valle d\u2019Itria)<\/td><td class=\"column-8\">Szenische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-115\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">29.07.2026<\/td><td class=\"column-5\">Orchestre Symphonique de la Monnaie<\/td><td class=\"column-6\">Alain Altinoglu<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-116\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\">Studierende der Orchesterakademie<\/td><td class=\"column-6\">L\u00fc Jia<\/td><td class=\"column-7\">Lugano (Palazzo dei Congressi)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-117\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Evan Rogister, Regie: David McVicar<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-118\">\n\t<td class=\"column-1\">L'ubica<\/td><td class=\"column-2\">Cekovska<\/td><td class=\"column-3\">Maison de la musique en sept p\u00e9riodes<\/td><td class=\"column-4\">01.08.2026<\/td><td class=\"column-5\">Japan Century Symphony Orchestra<\/td><td class=\"column-6\">Andreas Ottensamer<\/td><td class=\"column-7\">Osaka<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-119\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Le Concert d\u2019Astr\u00e9e<\/td><td class=\"column-6\">Emmanuelle Haim<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-120\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Joana Mallwitz, Regie: Christof Loy<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-121\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">K\u00f6nig Karotte<\/td><td class=\"column-4\">09.08.2026<\/td><td class=\"column-5\">Mattias Straub (Erz\u00e4hler), Orchester der Sommeroperette Heldritt<\/td><td class=\"column-6\">Manuel Grund <\/td><td class=\"column-7\">Bad Rodach (Waldb\u00fchne Heldritt)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-122\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">15.08.2026<\/td><td class=\"column-5\">London Symphony Chorus and Orchestra<\/td><td class=\"column-6\">Antonio Pappano<\/td><td class=\"column-7\">London (Proms, Royal Albert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-123\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Orlando Paladino<\/td><td class=\"column-4\">28.08.2026<\/td><td class=\"column-5\">Orfeo Orchestra<\/td><td class=\"column-6\">Gy\u00f6rgy Vashegyi<\/td><td class=\"column-7\">Fert\u00f6d (Haydneum Concerts at Esterh\u00e1zy Palace)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-124\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marie Jacquot, Regie: Tatjana G\u00fcrbaca<\/td><td class=\"column-7\">Kopenhagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-125\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die verlorene Melodie <\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\">Staatskapelle Weimar<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Weimar (Theaterfest)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-126\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie in c-Moll<\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Gewandhausorchester<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-127\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">18.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Sch\u00f6nwandt, Regie: Krzysztof Warlikowski<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-128\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Mitridate, re di Ponto <\/td><td class=\"column-4\">24.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Frizza, Regie: Claus Guth<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-129\">\n\t<td class=\"column-1\">Fromental<\/td><td class=\"column-2\">Hal\u00e9vy<\/td><td class=\"column-3\">La Juive<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix Bender, Regie: Marco Storman<\/td><td class=\"column-7\">Ulm<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-130\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">09.10.2026<\/td><td class=\"column-5\">Orchestra del Teatro di San Carlo<\/td><td class=\"column-6\">Iv\u00e1n L\u00f3pez-Reynoso<\/td><td class=\"column-7\">Neapel (Teatro di San Carlo)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-131\">\n\t<td class=\"column-1\">Charles<\/td><td class=\"column-2\">Gounod<\/td><td class=\"column-3\">Faust<\/td><td class=\"column-4\">20.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniele Rustioni, Regie: Johannes Erath<\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-132\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-133\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">hr-Sinfonieorchester<\/td><td class=\"column-6\">Michael Wendeberg<\/td><td class=\"column-7\">Frankfurt (hr-Sendesaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-134\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk f\u00fcr Orchester<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Pierre Bleuse<\/td><td class=\"column-7\">Basel (Stadtcasino)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-135\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.11.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Roberto Abbado<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-136\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">06.12.2026<\/td><td class=\"column-5\">Erik Br\u00fcnner (Sprecher), Jugendsinfonieorchester Heinrich-Sch\u00fctz-Konservatorium, Dresdner Philharmonie<\/td><td class=\"column-6\">Milko Kersten<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\">auch 7.12.<\/td>\n<\/tr>\n<tr class=\"row-137\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">17.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Bertrand de Billy, Regie: Lydia Steier<\/td><td class=\"column-7\">Wien (Staatsoper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-138\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Tha\u00efs<\/td><td class=\"column-4\">18.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pierre Dumoussaud, Regie: Olivier Lepelletier-Leeds<\/td><td class=\"column-7\">Li\u00e8ge<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Works<\/span><\/h3><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202691956-56699a07-d07c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202691956-56699a07-d07c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07365-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07774-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07330-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07691-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07754-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07685-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09752-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07715-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11116-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07330-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202691989-8422d764-2730\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202691989-8422d764-2730\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09794-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09795-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09796-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07338-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11115-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09741-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11108-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07375-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202742098-8fb99d47-6623\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202742098-8fb99d47-6623\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07709-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09786-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07331-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07766-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202741771-af1366ef-844e\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/instruments<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202741771-af1366ef-844e\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09397\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08581\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09714-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07540\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07759-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08580\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09325\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202741530-f416db8f-cc26\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Choir<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202741530-f416db8f-cc26\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07532\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07540\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07759-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09786-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202740959-02cbb4b5-3f0b\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Ensemble<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202740959-02cbb4b5-3f0b\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09743-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07729-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202740569-d407e7fe-be1e\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Chamber music<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202740569-d407e7fe-be1e\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11415\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11053\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11057\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11058\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11086\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11087\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11067\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07454\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07455\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09369\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08270\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08268\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08269\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07237\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11012\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202738874-9fe7c8a4-ecac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202738874-9fe7c8a4-ecac\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11051\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA10884D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09352\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p><strong>Silberne Schnur<\/strong><br \/>\nf\u00fcr Klavier (2002\/03). 4 Minuten. In: Piano Album B\u00e4renreiter Contemporary Composers. BA 8762, k\u00e4uflich<br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08462\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202737940-75d94c49-b1de\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Other works<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202737940-75d94c49-b1de\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Editions Henry Lemoine, Paris<br \/>\n* Auslieferung der Leihmateriale durch Alkor-Edition, Kassel<\/p>\n<p><strong>Alba<\/strong><br \/>\nf\u00fcr Fl\u00f6te und Bratsche op. 26 (1987). 25073 H.L. \/ 7 Minuten<br \/>\nUrauff\u00fchrung am 10. M\u00e4rz 1987 in Wien: Albertina, Astrid Spitznagel (Fl\u00f6te), Leopold Schmetterer (Viola)<\/p>\n<p><strong>Aulodie et Jubilation<\/strong><br \/>\nf\u00fcr Oboe solo op. 34 (1993\/94). 26277 H.L. \/ 7 Minuten<br \/>\nUrauff\u00fchrung am 10. Juli 1995 in Linz: Ursulinenkirche, Hans Georg Jacobi<\/p>\n<p><strong>Bucoliques<\/strong><br \/>\nf\u00fcr Fl\u00f6te, Oboe und Harfe op. 13 (1987). 24998 H.L. \/ 12 Minuten<br \/>\nUrauff\u00fchrung am 21. Mai 1989 in Salzburg: Mozarts Wohnhaus, Helmut Zangerle (Fl\u00f6te), Wolfgang Schlachter (Oboe), Annemarie Zangerle (Harfe)<\/p>\n<p><strong>Carnet po\u00e9tique<\/strong><br \/>\nf\u00fcr gemischten Chor a cappella op. 39. Text von Patrick Fr\u00e9gonara (1995\/96). 26662 H.L. \/ 11 Minuten<br \/>\nUrauff\u00fchrung am 6. November 2001 in Paris: Chapelle Notre-Dame des Anges, Ensemble Vocal Fran\u00e7ais, Leitung Gilbert Martin-Bouyer<\/p>\n<p><strong>Choralvorspiele<\/strong><br \/>\nf\u00fcr Oboe und Orgel op. 18 (1983). 24705 H.L. \/ 11 Minuten<\/p>\n<p>(alternative Version f\u00fcr Altsaxophon und Orgel)<\/p>\n<p>Urauff\u00fchrung am 26. April 1983 in Wien: Konzerthaus (Mozartsaal), Josef Bednarik (Oboe), Thomas Daniel Schlee (Orgel)<\/p>\n<p><strong>Cinq Pi\u00e8ces<\/strong><br \/>\nf\u00fcr Orgel op. 29 (1990\/92). 26107 H.L. \/ 24 Minuten<br \/>\n\u2013 1: Madrigal (1990) \/ 5 Minuten<br \/>\nUrauff\u00fchrung am 20. Juli 1990 in Bad D\u00fcrrnberg (A): Hedwig Ebermann<\/p>\n<p>\u2013 2: Choral I (1991) \/ 4 Minuten<br \/>\nUrauff\u00fchrung am 1. August 1993 in Cambridge: King\u2019s College Chapel, Thomas Daniel Schlee<\/p>\n<p>\u2013 3: Mysterium fidei (1991) \/ 3 Minuten<br \/>\nUrauff\u00fchrung am 23. August 1991 in Stift Zwettl: Andrea Weisgrab<\/p>\n<p>\u2013 4: Cantil\u00e8ne (1992) \/ 6 Minuten<br \/>\nUrauff\u00fchrung am 24. August 1993 in Maastricht: Kei Koito<\/p>\n<p>\u2013 5: Choral II (1992) \/ 5 Minuten<br \/>\nUrauff\u00fchrung am 22. November 1992 in Wien: Konzerthaus (Gro\u00dfer Saal), Thomas Daniel Schlee<\/p>\n<p><strong>De Profundis<\/strong><br \/>\nf\u00fcr Bratsche und Kontrabass op. 43 (1996\/97). 26727 H.L. \/ 6 Minuten<br \/>\nUrauff\u00fchrung am 10. November 1997 in Wien: Nationalbibliothek<\/p>\n<p><strong>Dein Dunkel wird sein wie der Mittag*<\/strong><br \/>\nf\u00fcr Orgel, Schlagzeug und sieben Bl\u00e4ser op. 30 (1990\/91). AoE 10554, Auff\u00fchrungsmaterial leihweise; Partitur und Orgelstimme k\u00e4uflich<br \/>\nBl\u00e4ser: 2 (Picc), 2 (Eh), 0, 2 (Kfag) &#8211; 0, 1, 0, 0 \/ 15 Minuten<br \/>\nUrauff\u00fchrung am 13. Mai 1991 in Wien: Konzerthaus (Mozartsaal), Thomas Schm\u00f6gner (Orgel), Klangforum Wien, Leitung Beat Furrer<\/p>\n<p><strong>Deux Pi\u00e8ces<\/strong><br \/>\nf\u00fcr zwei Trompeten und Orgel op. 19 (1983\/84). 24769 H.L. \/ 10 Minuten<br \/>\n1. El\u00e9gie; 2. Battaglia<br \/>\nUrauff\u00fchrung am 25. Juli 1986 in Wien: Augustinerkirche, Hans Gansch (Trompete), Hans Peter Schuh (Trompete), Wolfgang Baumgratz (Orgel)<\/p>\n<p><strong>Dicite: pusillanimes confortamini<\/strong><br \/>\nGeistliches Konzert f\u00fcr Sopran, zwei Violinen und Violoncello (Orgelpositiv oder Fl\u00f6te ad lib.) op. 17 (lat.) (1982). 24790 H.L. \/ 10 Minuten<br \/>\nUrauff\u00fchrung am 12. Dezember 1982 in Wien: Michaelerkirche, Capella Archangeli, Leitung Wolfgang Sauseng<\/p>\n<p><strong>Effleur\u00e9e<\/strong><br \/>\nf\u00fcr Klavier op. 23 (1985-87). 25072 H.L. \/ 7 Minuten<br \/>\nUrauff\u00fchrung am 8. Oktober 1988 in Seattle\/Washington: Ursula K. Le Guin<\/p>\n<p><strong>Lob des Wassers<\/strong><br \/>\nf\u00fcr Fl\u00f6te op. 44 (1997). 25170 H.L. \/ 5 Minuten<br \/>\nUrauff\u00fchrung am 26. Oktober 1997 in Wien: Deutschordenskirche, Wolfgang Schulz<\/p>\n<p><strong>Musique de plein-air<\/strong><br \/>\nf\u00fcr Klarinette und Trompete op. 41 (1996). 26650 H.L. \/ 12 Minuten<br \/>\nUrauff\u00fchrung am 2. Februar 1998 in Karlsruhe: Schlo\u00df, Martin Nitschmann (Klarinette), Wolfram Lauel (Trompete)<\/p>\n<p><strong>Notturno<\/strong><br \/>\nf\u00fcr Hornquartett op. 35 (1995). 26409 H.L. \/ 4 Minuten<br \/>\nUrauff\u00fchrung am 16. Dezember 1996 in Linz: Hornquartett des Bruckner Orchesters<\/p>\n<p><strong>Offrandes<\/strong><br \/>\nf\u00fcr Orgel op. 28 (1986-89). 25201 H.L. \/ 15 Minuten<br \/>\n1. Adoratio; 2. Vigilia; 3. \u201e&#8230;est enim transitus Domini&#8230;\u201c<br \/>\nUrauff\u00fchrung am 7. Juli 1990 in Fribourg (CH): St. Michel, Kei Koito<\/p>\n<p><strong>Po\u00e9sies I-III<\/strong><br \/>\nf\u00fcr Klavier op. 25, Heft 1 (1986). 24861 H.L. \/ 10 Minuten<br \/>\nUrauff\u00fchrung am 10. M\u00e4rz 1987 in Wien: Albertina, Harald Ossberger<\/p>\n<p><strong>Po\u00e9sies IV-VI<\/strong><br \/>\nf\u00fcr Klavier op. 25, Heft 2 (1994\/95). 26333 H.L. \/ 10 Minuten<br \/>\nUrauff\u00fchrung am 14. April 1997 in Feldkirch (A): Till Alexander K\u00f6rber<\/p>\n<p><strong>Quia tu es Deus fortitudo mea*<\/strong><br \/>\nf\u00fcr elf Bl\u00e4ser op. 24 (1986). AoE 10555<br \/>\nBesetzung: 1, 1, 1, 1 &#8211; 2, 2, 2, 1 \/ 13 Minuten<br \/>\nUrauff\u00fchrung am 27. Oktober 1986 in St. Jakob\/Krieglach: M\u00fcrztaler Bl\u00e4sergruppe, Leitung Rudolf Zangl<\/p>\n<p><strong>Resonate<\/strong><br \/>\nnach Domenico Scarlatti f\u00fcr Orgelpositiv (oder Cembalo oder Klavier) op. 22 (1985). 24788 H.L. \/ 7 Minuten<br \/>\nUrauff\u00fchrung am 17. Oktober 1985 in Erding: St. Johann, Harald Feller<\/p>\n<p><strong>Seefelder Pr\u00e4ludium<\/strong><br \/>\nf\u00fcr Orgel (1982). 24702 H.L. (ver\u00f6ffentlicht mit \u201eSept pi\u00e8ces blanches\u201c) \/ 4 Minuten<br \/>\nUrauff\u00fchrung am 2. Juli 1982 in Seefeld (Tirol): Thomas Daniel Schlee<\/p>\n<p><strong>S\u00e8lah<\/strong><br \/>\nf\u00fcr Fl\u00f6te und Orgel op. 40 (2000). 26986 H.L. \/ 14 Minuten<br \/>\nUrauff\u00fchrung am 29. Juli 2001 in St. Wolfgang: Verena Guthy-Homolka (Fl\u00f6te), J\u00f6rg Hannes Hahn (Orgel)<\/p>\n<p><strong>Sept pi\u00e8ces blanches<\/strong><br \/>\nf\u00fcr Orgel (1982). 24704 H.L. \/ 15 Minuten<br \/>\nUrauff\u00fchrung am 1. Mai 1983 in der Abtei Marienstatt (D): Thomas Daniel Schlee<\/p>\n<hr \/>\n<p>Universal Edition<\/p>\n<p><strong>Amen. Halleluja<\/strong> f\u00fcr Orgel op. 57 (2003) \/ 12&#8242;<\/p>\n<p><strong>Drittes Streichquartett <\/strong>op. 56 (\u201eTempus floridum\u201c) (2003) \/ 22&#8217;30&#8221;<\/p>\n<p><strong>Pr\u00e9ludes f\u00fcr Orgel <\/strong>op. 6<br \/>\n(1: 1979, 4&#8242; \/ 2: 1980, 5&#8242; \/ 3: 1980, 5&#8242; \/ 4: 1981, 6&#8242; \/ 5: 1982, 5&#8242; \/ 6: 1984, 6&#8242; \/ 7: 1983\/1994, 6&#8242; \/ 8: 1986, 5&#8242; \/ 9: 1992-93, 6&#8242; \/ 10: 1988, 7&#8242; \u2013 2 Org \/ 11: 1994, 6&#8242;)<\/p>\n<p><strong>\u201eTempus floridum\u00ab,<\/strong> Moment musical f\u00fcr Streichquartett (1991) \/ 2&#8242;<\/p>\n<p><strong>Prisma<\/strong> f\u00fcr Orgel zu vier H\u00e4nden und Pedal (1989) \/ 4&#8242;<\/p>\n<p><strong>Et\u00fcde<\/strong> f\u00fcr Orgelpedal solo (1986) \/ 4&#8242;<\/p>\n<p><strong>Kleine Suite<\/strong> f\u00fcr Gitarre op. 5a (1979-1981) \/ 10&#8242;<\/p>\n<hr \/>\n<p>Doblinger<\/p>\n<p><strong>\u201eDurch die Banken\u201c<\/strong>, Szene f\u00fcr Tenor, Bariton und Klavier op. 78, Text von R. Gernhardt (2011) \/ 10\u2019<\/p>\n<p><strong>\u201eTr\u00e4nen\u201c<\/strong>, Neun Wiener T\u00e4nze f\u00fcr Klavier op. 73 (2003\/09) \/ 27\u2019<\/p>\n<p><strong>\u201eK\u00f6rper in Caf\u00e9s\u201c<\/strong> f\u00fcr Stimme und Ensemble op. 69, Text von R. Gernhardt (2007) \/ 15\u2019<\/p>\n<p><strong>Diptychon<\/strong> f\u00fcr Orgel op. 65 (2004\/06) \/ 17\u2019<\/p>\n<p><strong>Aus ungeheurer Ferne kommst Du wieder<\/strong> op. 63 f\u00fcr Orchester (2005) \/ 8&#8242;<\/p>\n<p><strong>Wiener Stundenbuch <\/strong>op. 59 f\u00fcr Ensemble (2004) \/ 14&#8242;<\/p>\n<p><strong>Tre Preghiere di San Francesco<\/strong> op. 58 f\u00fcr hohe Stimme und Orgel (2003\/2004) \/ 10&#8242;<\/p>\n<p><strong>Drei Zeichen <\/strong>op. 53 f\u00fcr Violoncello solo (2002) \/ 8&#8242;<\/p>\n<p><strong>Jiggs <\/strong>op. 48 f\u00fcr Streichorchester (2000) \/ 8&#8242;<\/p>\n<p><strong>Vesper <\/strong>op. 47 (Hymnus, Canticum, Magnificat) f\u00fcr Schola, Chor und Instrumentalensemble (1999) \/ 23&#8242;<\/p>\n<p><strong>Canticum <\/strong>op. 47a (aus der Vesper) f\u00fcr Schola, gemischten Chor und Orgel (1999) \/ 5\u2019<\/p>\n<p><strong>K\u00e4rntner Tabulaturb\u00fcchlein<\/strong> op. 47b f\u00fcr Klavier (1999\/2000) \/ 13\u2019<\/p>\n<p><strong>Intrada<\/strong> f\u00fcr drei Trompeten (oder zwei Trompeten und Horn) und zwei Posaunen (1998) \/ 4&#8217;30&#8221;<\/p>\n<p><strong>Tota pulchra es<\/strong> f\u00fcr gemischten Chor und Orgel (1997) \/ 6&#8242;<\/p>\n<p><strong>Der Baum des Heils.<\/strong> Oratorium op. 33 f\u00fcr Alt solo, gemischten Chor, Englischhorn, Violine, Claves und Orgel. Text von Reinhard Deutsch (1993\/94) \/ 42&#8242;<\/p>\n<p><strong>\u201eFragen von der Seele\u201c<\/strong> f\u00fcr Stimme und Orgelpositiv. Text von Jakob B\u00f6hme (engl. Fassung von Arnout de Waal) (1983) \/ 10&#8242;<\/p>\n<hr \/>\n<p>Editions de la Schola Cantorum<\/p>\n<p><strong>Introduktion, Psalm XI und Hymnus<\/strong> f\u00fcr M\u00e4nnerchor, Schlagwerk und Orgel (lat.) (1982-85) \/ 20&#8242;<\/p>\n<hr \/>\n<p>Editions Leduc<\/p>\n<p><strong>Deux Pri\u00e8res Mariales<\/strong> f\u00fcr Orgel (1984\/85) \/ 9&#8242;<\/p>\n<p><strong>Fantaisie<\/strong> f\u00fcr Orgel op. 15 (1981\/82) \/ 11&#8242;<\/p>\n<p><strong>Suite en \u00e9ventail<\/strong> f\u00fcr Orgel op. 16 (1982) \/ 11&#8242;<\/p>\n<hr \/>\n<p>Editions Billaudot<\/p>\n<p><strong>Mouvement<\/strong> f\u00fcr Violine und Klavier op. 7c (1994) \/ 3&#8242;<\/p>\n<p><strong>Fanfare<\/strong> f\u00fcr f\u00fcnf Trompeten (1991) \/ 2&#8242;<\/p>\n<p><strong>Melodie<\/strong> f\u00fcr Violine und Klavier op. 7b (1986) \/ 3&#8242;<\/p>\n<hr \/>\n<p>Editions Choudens<\/p>\n<p><strong>Grand Dialogue Monodique<\/strong> f\u00fcr Orgel (1981) \/ 3&#8242;<\/p>\n<hr \/>\n<p>Editions Combre<\/p>\n<p><strong>Volubilis<\/strong> f\u00fcr Alt- oder Sopransaxophon (2003) \/ 4&#8242;<\/p>\n<p><strong>Un Psaume de David<\/strong> (Ein Psalm Davids) op. 49 f\u00fcr Harfe und Orgel (1999-2002) \/ 8&#8242;<\/p>\n<p><strong>Viennoise<\/strong> f\u00fcr Fagott solo (1997) \/ 2&#8242;<\/p>\n<p><strong>Voile<\/strong> f\u00fcr Orgel (in: \u201eEnluminures\u00ab) (1995) \/ 2&#8242;<\/p>\n<p><strong>Drei modale Inventionen<\/strong> \u2013 Version I f\u00fcr Orgel (oder diverse Instrumentalduos oder Singstimmen) (1983\/84) \/ 6&#8242;<br \/>\n\u2013 Version II f\u00fcr Gitarre (1985) \/ 6&#8242;<\/p>\n<hr \/>\n<p>Butz<\/p>\n<p><strong>Benedicam Dominum.<\/strong> Offertorium f\u00fcr Chor und Orgel (1998\/1999) \/ 3&#8217;30&#8221;<\/p>\n<p><strong>\u201eNichts ist verborgen\u201c<\/strong>, <strong>\u201eIn jener Zeit\u201c<\/strong>, Evangelienmotetten f\u00fcr gemischten Chor a cappella (2009) \/ 11\u2019<\/p>\n<hr \/>\n<p>Als Manuskript<\/p>\n<p><strong>\u201eCanticum Sancti Floriani Martyris\u201c<\/strong>, nach den Skizzen von A. F. Kropfreiter, erg\u00e4nzt und orchestriert f\u00fcr Sopran, Bariton, gemischten Chor und Orchester (2004) \/ 20&#8242;<\/p>\n<p><strong>\u201eReine Gegenwart\u201c<\/strong> f\u00fcr Verrophon und Glasharmonika (2002) \/ 5&#8242;<\/p>\n<p><strong>Aubade<\/strong> f\u00fcr 13 Streichinstrumente (4,4,2,2,1) op. 14 (1981) \/ 16&#8242;<\/p>\n<p><strong>Erstes Streichquartett<\/strong> op. 9 (1979\/80) \/ 18&#8242;<\/p>\n<p><strong>Sankt Ambrosius singt in der belagerten Kathedrale.<\/strong> F\u00fcr Sprecher und Orgel. Text von Rudolf Henz (1980) \/ 6&#8242;<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-carousel\">\r\n\t<div class=\"grve-carousel-wrapper\">\r\n\t\t\t<div class=\"grve-carousel-navigation grve-navigation-arrow-1\">\r\n\t\t<div class=\"grve-carousel-buttons\">\r\n\t\t\t<div class=\"grve-carousel-prev\"><div class=\"grve-svg-icon grve-direction-left grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t\t<div class=\"grve-carousel-next\"><div class=\"grve-svg-icon grve-direction-right grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t<div data-items=\"3\" data-items-tablet-landscape=\"2\" data-items-tablet-portrait=\"2\" data-items-mobile=\"1\" data-slider-autoplay=\"yes\" data-pagination=\"yes\" data-slider-loop=\"yes\" data-slider-speed=\"3000\" data-slider-pause=\"no\" data-pagination-speed=\"400\" data-gutter-size=\"40\" class=\"grve-carousel-element grve-blog-carousel grve-blog-columns grve-with-gap grve-classic-carousel\">\r\n\t\t\t<article class=\"grve-carousel-item post-18879 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Appearance versus reality<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Appearance versus reality<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>\u013dubica \u010cekovsk\u00e1\u2018s opera \u201cDorian Gray\u201d in Annaberg-Buchholz\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-31T08:31:38+02:00\">31. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-31T12:50:12+02:00\">31. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18838 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The Swiss composer is composer-in-residence\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-24T14:34:38+01:00\">24. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-24T14:38:11+01:00\">24. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18817 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Three musicians play their way to the top<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Three musicians play their way to the top<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter awards a special prize at the Bach Competition, Leipzig\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-23T13:19:42+01:00\">23. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-23T13:49:14+01:00\">23. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18690 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Pianists at the start of their careers<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Pianists at the start of their careers<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg (Photo: from left to right: Bogdan Dugali\u0107, Elisey Mysin, Anastasiia Kliuchereva, photo: Michael Klimt)    \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-23T10:12:12+01:00\">23. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-23T10:16:00+01:00\">23. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18592 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Young international violin stars<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Young international violin stars<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-16T11:14:59+01:00\">16. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T11:17:52+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18577 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">On the death of Helmuth Rilling<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>On the death of Helmuth Rilling<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>A life with Bach \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-13T08:33:14+01:00\">13. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T07:21:10+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18545 post type-post status-publish format-standard has-post-thumbnail hentry category-complete-edition category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Milestone Reached in Halle<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-29T14:33:29+01:00\">29. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-29T14:37:26+01:00\">29. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18477 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Mourning Peter Hanser-Strecker<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Mourning Peter Hanser-Strecker<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The long-serving publisher and Chief Executive Officer of Schott Music, Peter Hanser-Strecker passed away\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-23T13:12:20+01:00\">23. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-23T14:30:41+01:00\">23. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18433 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Piero Ostali died<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp 512w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-500x500.webp 500w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Piero Ostali died<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>Piero Ostali, Owner and Managing Director of Casa Musicale Sonzogno, has died unexpectedly\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >512<\/span>\r\n\t\t\t   <span itemprop='width' >512<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-09T06:37:43+01:00\">9. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-09T12:48:54+01:00\">9. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18415 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Jonathan Del Mar turns 75<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp 1080w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Jonathan Del Mar turns 75<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>English musicologist and conductor Jonathan Del Mar turns 75. His Beethoven editions opened a new chapter in the service of musical practice.\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1080<\/span>\r\n\t\t\t   <span itemprop='width' >1080<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-07T08:27:22+01:00\">7. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-07T14:00:57+01:00\">7. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n"},"excerpt":{"rendered":"<div class=\"grve-section grve-row-section grve-fullwidth-background grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#707070;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section composer-header grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-5-12 grve-wpb-1715857276604 grve-vertical-position-middle grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-left\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 500px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 149.2%;\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"746\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee-500px.webp\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee-500px.webp 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee-500px.webp 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-7-12 grve-wpb-1715857422252 grve-vertical-position-middle grve-with-bg-transparent grve-align-center\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h1 class=\"grve-element grve-title grve-align-center grve-page-title grve-text-white\"><span>Thomas Daniel Schlee<\/span><\/h1><div class=\"grve-empty-space grve-height-1x\"><\/div><div class=\"grve-element grve-image grve-align-center signature-witdh-100\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-svg-thumbnail-wrapper\"><div class=\"grve-svg-thumbnail\"><img decoding=\"async\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee_Pfade_U_weiss.svg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee_Pfade_U_weiss.svg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Schlee_Pfade_U_weiss.svg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-4x grve-padding-bottom-4x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Biography<\/span><\/h2><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Thomas Daniel Schlee was born in Vienna in 1957. He studied organ, composition and musicology in Vienna and Paris with Michael Radulescu, Jean Langlais, Olivier Messiaen and Francis Burt. As an organist, he gives concerts all over Europe, takes part in radio productions and CD recordings, acts as a juror in international competitions and as a publisher. From 1990 to 1998 he was music director of the Brucknerhaus Linz and artistic director of the International Bruckner Festival, from 1999 to 2003 deputy director of the International Beethoven Festival in Bonn. From 2004 to 2015 he was director of the Carinthian Summer Festival. As a composer, Schlee has published numerous works for orchestra, vocal and chamber music ensembles, as well as works for and with organ. In 2005 he was appointed Officer des Arts et Lettres, in 2010 he received the Austrian Art Prize for Music and in 2012 the Cross of Honor for Science and Art. In 2023, Schlee was awarded the Church Music Prize of the City of Saarlouis for the composition &#8220;Bild und Gleichnis \u2013 Sechs Betrachtungen der Heilsgeschichte f\u00fcr Orgel op. 92&#8221;.<br \/>\nThomas Daniel Schlee died in Vienna on November 10, 2025.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#e8ede8;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vita<\/h3><\/div><div class=\"grve-accordion-content biographie\" id=\"1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-schlee-en-no-3\" class=\"tablepress tablepress-id-schlee-en two-column-table\">\n<tbody>\n<tr class=\"row-1\">\n\t<td class=\"column-1\">1957<\/td><td class=\"column-2\">Born on 26 October in Vienna<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">1970-1976<\/td><td class=\"column-2\">Began to study organ with Friedrich Lessky<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">1976-1983<\/td><td class=\"column-2\">Studied at the Vienna Musikhochschule with Michael Radulescu (organ) and Erich Romanovsky (harmony and counterpoint)<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">1976-1984<\/td><td class=\"column-2\">Studied musicology and art history at Vienna University, earning a PhD.<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">1977-1978<\/td><td class=\"column-2\">Audited Olivier Messiaen\u2019s composition class at the Conservatoire National Sup\u00e9rieur de Musique, Paris<br>Private pupil of Jean Langlais, Paris<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">1982-1985<\/td><td class=\"column-2\">Studied composition with Francis Burt, Vienna<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">1982<\/td><td class=\"column-2\">Young Artists Grant from City of Vienna<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Prix du concours international de Saint-R\u00e9my-de-Provence<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">1986-1989<\/td><td class=\"column-2\">Musical dramaturg, Salzburg Landestheater<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">1988-1990<\/td><td class=\"column-2\">Taught at Vienna Musikhochschule<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">1989-1990<\/td><td class=\"column-2\">Taught at Department of Musicology, Salzburg University<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">1990-1998<\/td><td class=\"column-2\">Artistic director of Bruckner Hall, Linz<br>artistic director of International Bruckner Festival<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">1990<\/td><td class=\"column-2\">Chevalier des Arts et Lettres<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">1995-2001<\/td><td class=\"column-2\">Project director of \u201cLa cit\u00e9 c\u00e9leste\u201d, an exhibition on Olivier Messiaen with concerts, symposia and a composition competition, sponsored by the Guardini Foundation, Berlin<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">1998-2001<\/td><td class=\"column-2\">president of the Foundation, since then a member of its governing body and chairman of the board of musical advisors<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">1997<\/td><td class=\"column-2\">Joaqu\u00edn Rodrigo Medal<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">1998<\/td><td class=\"column-2\">Cultural prize in music from state of Upper Austria<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">1999-2003<\/td><td class=\"column-2\">Deputy director of International Beethoven Festival, Bonn<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">2002<\/td><td class=\"column-2\">Church music prize from city of Neuss<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">2003<\/td><td class=\"column-2\">Grant-in-aid from the Austrian Federal Chancellery<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">2004\u20132015<\/td><td class=\"column-2\">Director of Carinthian Summer Festival<\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">2005<\/td><td class=\"column-2\">Officier des Arts et Lettres<\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">2010<\/td><td class=\"column-2\">Austrian cultural prize of music<\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\">Active career as a concert organist with recitals, broadcasts, festival appearances and CD recordings (Diapason d\u2019Or, German Record Critics Prize, 10 de r\u00e9pertoire, etc.). <\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">2025<\/td><td class=\"column-2\">died on November 10, in Vienna<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Download Scores<\/h3><\/div><div class=\"grve-accordion-content downloads\" id=\"1525082265545-1faa0928-8b95cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9794_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Concertino f\u00fcr zwei Oboen und Streicher op. 36 BA 9794-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9795_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Concertino f\u00fcr zwei Piccolotrompeten und Streicher (kleine Besetzung) BA 9795-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9796_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Concertino f\u00fcr zwei Piccolotrompeten und Streicher (gro\u00dfe Besetzung) BA 9796-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7738_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Der Kreuzweg unseres Herrn und Heilandes f\u00fcr Orgel und Streicher op. 52 BA 7738-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9714_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Ich, Hiob f\u00fcr Tenor, Sopran und Instrumentalensemble op. 68 BA 9714-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Sinfonia tascabile op. 67 (2006) BA 7754-72<\/h4><\/div><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7685_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Sonata da camera BA 7685-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA7759_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">und ich sah (2002\/03) op. 55 BA 7759-72<\/h4><\/div><\/a><\/div><\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718002312864-e98d0ee6-b410\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Writings<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1718002312864-e98d0ee6-b410\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\u201eSpiritualit\u00e4t und transkulturelle Musiksprache\u201c, Gespr\u00e4ch mit Reinhard Pabst. In: Musica sacra 6\/1983<br \/>\nSkizzen zur Situation der Musica sacra heute. In: \u00d6MZ 40, 1985, 587f.<\/p>\n<p>\u201eLa L\u00e9gende de Tristan\u201c de Charles Tournemire. In: Les Ecrivains Fran\u00e7ais et l\u2019op\u00e9ra, hrsg. von Jean-Paul Capdevielle und Peter-Eckhard Knabe, K\u00f6ln 1986<\/p>\n<p>Zur freien Orgelmusik von Helmut Bornefeld. In: W\u00fcrttembergische Bl\u00e4tter f\u00fcr Kirchenmusik 6\/1986<\/p>\n<p>Die \u201eCinq Rechants\u201c von Olivier Messiaen. In: Studien zur Wertungsforschung, hrsg. von Otto Kolleritsch, Bd. 20, Wien \/Graz 1988<\/p>\n<p>Texte zu \u201eQuatuor pour la fin du temps\u201c, \u201eQuatre Etudes de rythme\u201c und \u201eSaint Fran\u00e7ois d\u2019Assise\u201c von Olivier Messiaen. In: Meilensteine der Musik, Bd. III, hrsg. von Hans A. Neunzig, Dortmund 1991<\/p>\n<p>Texte \u00fcber das Orgelwerk von Olivier Messiaen sowie \u00fcber Louis Vierne, Charles Tournemire und Marcel Dupr\u00e9. In: Almanach \u201eWien modern 91\u201c<\/p>\n<p>Christophe Colomb \u2013 Stationen einer Zusammenarbeit zwischen Paul Claudel und Darius Milhaud. In: Columbus zwischen zwei Welten, hrsg. von Titus Heydenreich, Frankfurt\/Main 1992<\/p>\n<p>Komplette deutsche Fassung des \u201epo\u00e8me\u201c des \u201eSaint Fran\u00e7ois d\u2019Assise\u201c von Olivier Messiaen. In: L\u2019Avant-Sc\u00e8ne Op\u00e9ra \/Salzburger Festspiele 1992<\/p>\n<p>In memoriam Olivier Messiaen. In: Musica, September\/Oktober 1992<br \/>\nArtikel in: Begnadet f\u00fcr das Sch\u00f6ne, Beitr\u00e4ge zum Stellenwert: Kunst- und Werkp\u00e4dagogik, Weitra 1993<\/p>\n<p>Ohne die Sterne leuchten die Monde nicht. In: Festschrift 20 Jahre Brucknerhaus, Linz 1994<\/p>\n<p>Wie fl\u00fcchtig ist der Augenblick? In: \u201eVon der Kunst, dem Wein zu lauschen\u201c, hrsg. von Herbert Friedl, St. P\u00f6lten 1995<\/p>\n<p>\u201eEine verlorene Tochter?\u201c \u2013 Religion und Musik am Ende des 20. Jahrhunderts. In: Autonomie und Verantwortung, hrsg. von Karl Lehmann und Hans Maier, Regensburg 1996<\/p>\n<p>\u201eOlivier Messiaen. La Cit\u00e9 c\u00e9leste \u2013 Das himmlische Jerusalem\u201c. \u00dcber Leben und Werk des franz\u00f6sischen Komponisten. Text des Katalogteils und Herausgabe (zusammen mit Dietrich K\u00e4mper), K\u00f6ln 1998<\/p>\n<p>Zelter hatte doch recht \u2013 Parerga zur gro\u00dfen Terz. In: \u201eBeethoven, Goethe und Europa\u201d, Almanach zum Internationalen Beethovenfest Bonn 1999, hrsg. von Thomas Daniel Schlee, Laaber 1999<\/p>\n<p>Artikel \u00fcber Georges Auric. In: MGG, Personenteil, Band 1, Kassel 2000, 1190ff.<\/p>\n<p>\u201eOrdnung und Freiheit\u201c, Almanach zum Internationalen Beethovenfest Bonn 2000, hrsg. von Thomas Daniel Schlee, Laaber 2000<\/p>\n<p>Les solitudes de Jean Fran\u00e7aix. In: Actes du Colloque International Jean Fran\u00e7aix, Fondation Singer-Polignac, Paris 2001<\/p>\n<p>Von der Gewalt des Sch\u00f6nen \u2013 die \u201eApocalypse selon Saint Jean\u201c von Jean Fran\u00e7aix. In: \u201eApokalypse\u201c, Symposion 1999 der Franz Schmidt-Gesellschaft, hrsg. von Carmen Ottner, Wien 2001<\/p>\n<p>Gesungene Gnade \u2013 zu Olivier Messiaens \u201eSaint Fran\u00e7ois d\u2019Assise\u201c. In: Musica sacra 2\/2002<br \/>\nOlivier Messiaen \u2013 Musiker der Verk\u00fcndigung. In: Stimmen der Zeit 11\/2002, Freiburg i. Br. 2002<\/p>\n<p>\u201eZweite Wiener Schule\u201c &#8211; Zum Programmschwerpunkt Sch\u00f6nberg-Berg-Webern des Internationalen Beethovenfestes Bonn 2003. In: Magazin des Internationalen Beethovenfestes Bonn 2003<\/p>\n<p>\u201eAbkehr und Einkehr\u201c &#8211; Anmerkungen zu Eitelkeit und Demut in der Orgelmusik der zweiten H\u00e4lfte des 20. Jahrhunderts. In: Musik &amp; Kirche Mai\/Juni 2005, Kassel<\/p>\n<p>Au\u00dferdem zahlreiche Artikel und Rezensionen (\u00d6sterreichische Musikzeitschrift, \u00d6sterreichisches Orgelforum, L\u2019Orgue, etc.), Programmhefttexte (Wiener Konzerthaus, Salzburger Landestheater, Brucknerhaus Linz, Internationale Beethovenfeste Bonn, Festival Carinthischer Sommer) und CD-Booklets.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715857809324-89faa186-31c9\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Bibliography<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1715857809324-89faa186-31c9\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>International Who\u2019s Who in Music, Cambridge (seit 1990\/91)<\/p>\n<p>Thomas Daniel Schlee. In: Harald Goertz, \u00d6sterreichische Komponisten unserer Zeit. Beitr\u00e4ge &#8217;94. Hrsg. vom \u00d6sterreichischen Musikrat, 1994, 136f.<\/p>\n<p>Musik aus \u00d6sterreich, hrsg. von Bernhard G\u00fcnther, Wien 1997<\/p>\n<p>Michael T\u00f6pel: Die Suche nach Sch\u00f6nheit in der Musik. Ein Gespr\u00e4ch mit Thomas Daniel Schlee. In: Musik und Kirche 3\/1998, 194ff.<\/p>\n<p>Fridolin Dallinger: \u00dcber Thomas Daniel Schlee. In: Beispiele 98 (Kulturpreise des Landes Ober\u00f6sterreich), Linz 1998<\/p>\n<p>Mit dem Orchester spielen. Thomas Daniel Schlees neues Orchesterst\u00fcck [Orchesterspiele op. 45]. In: Takte 2\/1998, 13<\/p>\n<p>The New Grove Dictionary of Music, 2nd edition, hrsg. von Stanley Sadie, London 2000<br \/>\nKonrad Huber: Thomas Daniel Schlee. Studien zum gegenw\u00e4rtigen \u00f6sterreichischen Musikleben. Diplomarbeit f\u00fcr das Institut f\u00fcr Musikgeschichte an der Universit\u00e4t f\u00fcr Musik und darstellende Kunst in Wien, Wien 2000<\/p>\n<p>Wie das M\u00e4dchen den Esel rettete. Eine \u00bbEseliade\u00ab von Thomas Daniel Schlee wird Kinderkonzerte bereichern. In: Takte 1\/2000, 17<\/p>\n<p>Barbara Maria Zollner: Der Esel Hes\u00e9ki\u00ebl. In: SIMs Kultur\/Kultursommer 2001, Wien 2001<br \/>\nEine Symphonie und eine Eseliade. Zwei neue St\u00fccke von Thomas Daniel Schlee wurden in G\u00f6ttingen und beim Carinthischen Sommer uraufgef\u00fchrt. In: Takte 1\/2002, 15<\/p>\n<p>Heinz-Albert Heindrichs: Der Kreuzweg unseres Herrn und Heilandes \u2013 Einblicke in Thomas Daniel Schlees preisgekr\u00f6nte Passionsmusik. In: Jahresbericht 2001 der Guardini Stiftung Berlin<\/p>\n<p>Otto Kargl: Klangfarbenspiel. Das geistliche Vokalwerk von Thomas Daniel Schlee. In: Musica sacra 1\/2003, 13ff.<\/p>\n<p>Daniel Ender: \u00bbVon der Heiligkeit der Erinnerung\u00ab &#8211; Betrachtungen zur Ersten Symphonie op. 51. In: Monatsmagazin der Gesellschaft der Musikfreunde, Wien, April 2004<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715926842723-5a976b04-5722\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Discography<\/h3><\/div><div class=\"grve-accordion-content diskographie\" id=\"1715926842723-5a976b04-5722\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"row\">\n<div class=\"col-md-16\">\n<div id=\"c2815\" class=\"csc-default layout-0\">\n<div class=\"csc-brv-text\">\n<p>Zweites Streichquartett op. 21 \/ Pr\u00e9ludes op. 6\/2 und 6\/4 f\u00fcr Orgel \/ Dann steht der Mandelbaum in Bl\u00fcte. Motette op. 37 \/ Das Feuer des Herrn. Kantate op. 27<br \/>\nAnton Bruckner-Quartett, Cappella Nova Graz (Leitung Otto Kargl), Arnold-Sch\u00f6nberg-Chor, Wiener Concert-Verein (Leitung Erwin Ortner), Thomas Daniel Schlee (Orgel)<br \/>\nAuf: ORF Edition Zeitton CD 274<\/p>\n<p>Aurora op. 32 \/ Licht, Farbe, Schatten op. 38 \/ Quia tu es Deus fortitudo mea op. 24 \/ Wacht auf, Harfe und Saitenspiel op. 35 \/ Alba op. 26<br \/>\nRadio-Sinfonieorchester Warschau, Leitung Wojciech Rajski<br \/>\nAuf: Extraplatte CD EX-SP 020-2<\/p>\n<p>Ricercar f\u00fcr gro\u00dfes Orchester op. 31<br \/>\nORF-Symphonieorchester, Leitung Karl Heinz Gruber<br \/>\nAuf: ORF Edition Zeitton CD 46<\/p>\n<p>Orchesterspiele op. 45<br \/>\nRSO Wien, Leitung Dennis Russell Davies. Auf: ORF Edition Zeitton \u201eNeue Musik aus \u00d6sterreich\u201c IV, CD 325<\/p>\n<p>Der Baum des Heils<br \/>\ncappella nova graz, Leitung Otto Kargl. Auf: Extraplatte CD EX 320-2<\/p>\n<p>Pr\u00e9lude op. 6 Nr. 4 f\u00fcr Orgel<br \/>\nBernhard Billeter (Die Silbermann-Orgel von St. Petri in Freiburg). Auf: Psallite CD 60021<\/p>\n<p>Reine Gegenwart<br \/>\nWiener Glasharmonika-Duo. Auf: ORF Edition Zeitton CD 329<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1718002410967-9cb2bd9f-567c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Quotations<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1718002410967-9cb2bd9f-567c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\n\u201cMy music is a quest for the traces of beauty and expressivity that shimmer in combinations of notes. This is nothing new, but it is always a wonderful challenge. An aesthetic of denial is no less foreign to my way of thought than randomness in stylistic devices. Every composition has its destiny from which it derives its shape, its progression of harmonic colors, the nature of its melodic and formal fabric. The so-called \u2018material\u2019 is set in motion by the initial idea \u2013 the inspiration \u2013 after which it is subjected to its indwelling dynamism and outside control in mutual interaction. For the composer, this is the most exciting stage of his work. If the material is well-formed and the ear can function as the final arbiter over the succession of sounds, then there just might emerge that magic of an articulate art-form in which memory and imagination blend into a work of art.\u201d<br \/>\n<em>Thomas Daniel Schlee, 1997<\/em><\/p>\n<p>\u201cIn my experience, Schlee\u2019s music makes people happy; it does not cry out for attention, but invites the heart and the mind to discover qualities that remain emblazoned in the memory. The eloquent imagery and compositional density, the intellectual rigor and spirituality of his music place him close to Bruckner and especially to Messiaen, who taught Schlee in his later years. And it may be that future generations will see Messiaen\u2019s legacy, not so much in those composers who profited early but only partially from his technical innovations, but rather in Schlee, who grasped Messiaen\u2019s ideational universe in its totality because it was alreadyconsistent with his own. It was precisely this that led him to find his own distinctive and individual language.\u201d<br \/>\n<em>Heinz-Albert Heindrichs, 2003<\/em><\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><div class=\"grve-empty-space grve-height-2x\"><\/div><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>Performances<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-2-no-3\" class=\"tablepress tablepress-id-2 brv-termine tablepress-responsive tablepress-responsive-stack-headers tablepress-responsive-stack-tablet\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">composer_first_name<\/th><th class=\"column-2\">composer_last_name<\/th><th class=\"column-3\">title<\/th><th class=\"column-4\">date<\/th><th class=\"column-5\">orchestra<\/th><th class=\"column-6\">conductor<\/th><th class=\"column-7\">location<\/th><th class=\"column-8\">special<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">National Philharmonic Orchestra<\/td><td class=\"column-6\">Cornelius Meister<\/td><td class=\"column-7\">Warschau (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Violin Concerto<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Ilya Gringolts (Violine), Staatsorchester Rheinische Philharmonie<\/td><td class=\"column-6\">Anu Tali<\/td><td class=\"column-7\">Koblenz (Rhein-Mosel-Halle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Der Messias <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester &amp; Rundfunkchor<\/td><td class=\"column-6\">Dennis Russell Davies<\/td><td class=\"column-7\">Erfurt (Theater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Piano Concerto No. 2<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Francesco Piemontesi (Klavier), Symphonieorchester des Bayerischen Rundfunks<\/td><td class=\"column-6\">Enno Poppe<\/td><td class=\"column-7\">M\u00fcnchen (Residenz)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Emily Senturia, Regie: Haley Stamats<\/td><td class=\"column-7\">Madison (Overture Hall)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">2. Symphonie<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Dresdner Philharmonie<\/td><td class=\"column-6\">Christoph Eschenbach<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Echoes of O\u2019s<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Ensemble Lux NM<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wiesbaden (Art.Ist-Galerie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\">Orchester des Staatstheaters Darmstadt<\/td><td class=\"column-6\">Marc Albrecht<\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L\u2019incoronazione di Poppea<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lars Ulrik Mortensen, Regie: Christoph Marthaler<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marc Minkowski, Regie: Damiano Michieletto<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">La navigazione notturna<\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Marino Formenti, Alfredo Ovalles, Luca Lavuri, N.N. (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">Beat <\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Studie IV f\u00fcr Klavier solo <\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Filippo Gorini (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Italienische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Duisburger Philharmoniker<\/td><td class=\"column-6\">Stefan Blunier<\/td><td class=\"column-7\">Duisburg (Philharmonie Mercatorhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Messe solennelle<\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Bach-Verein K\u00f6ln, G\u00fcrzenichorchester<\/td><td class=\"column-6\">Christoph Siebert<\/td><td class=\"column-7\">K\u00f6ln (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Cl\u00e9op\u00e2tre<\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Antoniette Dennefeld (Sopran), Orchestra di Padova e del Veneto<\/td><td class=\"column-6\">Pierre Dumoussaud<\/td><td class=\"column-7\">Padova (Auditorium Pollini)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Wesendonck-Lieder <\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Alicja Bukowska (Mezzosopran), Elbland Philharmonie Sachsen<\/td><td class=\"column-6\">Hermes Helfricht<\/td><td class=\"column-7\">Pirna (Marienkirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">01.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Nadja Loschky<\/td><td class=\"column-7\">Dresden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Yi-Chen Lin, Regie: Barbara-David Br\u00fcesch<\/td><td class=\"column-7\">St. Gallen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L'Orfeo<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">J\u00f6rg Halubek, Regie: Markus Bothe<\/td><td class=\"column-7\">Schwetzingen (Schwetzinger SWR Festspiele, Schlosstheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Bethel (Zionskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Amor Artis Chamber Choir<\/td><td class=\"column-6\">Ryan James Brandau<\/td><td class=\"column-7\">New York (St. Patrick\u2019s Old Cathedral) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\">Wiener Symphoniker<\/td><td class=\"column-6\">Marie Jacquot<\/td><td class=\"column-7\">Wien (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orph\u00e9e et Euridice<\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Edward Ananian Cooper, Regie: Pierre-Andr\u00e9 Weitz<\/td><td class=\"column-7\">Limoges<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">Ludwig van<\/td><td class=\"column-2\">Beethoven<\/td><td class=\"column-3\">Musik zu Goethes Trauerspiel Egmont<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Essener Philharmoniker<\/td><td class=\"column-6\">Dirk Kaftan<\/td><td class=\"column-7\">Essen (Alfried Krupp Saal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Paride ed Helena<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Akademie f\u00fcr Alte Musik<\/td><td class=\"column-6\">Michael Hofstetter<\/td><td class=\"column-7\">Augsburg (Internationale Gluck-Opern-Festspiele)<\/td><td class=\"column-8\">konzertant, 9.5. Bayreuth, 10.5. F\u00fcrth<\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">Francesco<\/td><td class=\"column-2\">Filidei<\/td><td class=\"column-3\">Finito ogni gesto, Esercizio di pazzia I<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">ensemble XXI. jahrhundert<\/td><td class=\"column-6\">Peter Burwik<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Francesco Corti, Regie: Kirill Serebrennikov\u00a0<\/td><td class=\"column-7\">Amsterdam (Stichting Nationale Opera &amp; Ballet)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">saphir und haut Nr. 3 f\u00fcr Sopran und Inside Piano<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">Lisa-Maria Lebitschnis (Sopran), Amelie Warner (Klavier) <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Augsburg (Staatliches Textilmuseum) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Schwanensee<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Svetoslav Borisov, Choreographie: Stefano Giannetti<\/td><td class=\"column-7\">Dessau<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Tonhalle Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Bisatti, Regie: Suzanne Andrade, Barrie Kosky<\/td><td class=\"column-7\">Lille<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Julia Jones, Regie: Robert Carsen<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Ottawa Bach Choir<\/td><td class=\"column-6\">Lisette Canton<\/td><td class=\"column-7\">Ottawa (Knox Presbyterian Church)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Johannes Klumpp, Regie: Nora Krahl<\/td><td class=\"column-7\">Gelsenkirchen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">Ernst<\/td><td class=\"column-2\">Krenek<\/td><td class=\"column-3\">Fl\u00f6tenst\u00fcck neunphasig, f\u00fcr Fl\u00f6te und Klavier <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">\u0153nm . \u0153sterreichisches ensemble fuer neue musik<\/td><td class=\"column-6\">Rupert Huber<\/td><td class=\"column-7\">Salzburg (Schloss Frohnburg)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester<\/td><td class=\"column-6\">Alena Hron<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Das kalte Herz<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Kammerorchester Metzingen<\/td><td class=\"column-6\">Oliver Bensch<\/td><td class=\"column-7\">Metzingen (Stadthalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Orchester Opernhaus Z\u00fcrich<\/td><td class=\"column-6\">Yves Abel<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Alexander Soddy, Regie: Richard Jones<\/td><td class=\"column-7\">London (Royal Opera House)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andreas Spering, Regie: Wolfgang Berthold<\/td><td class=\"column-7\">Brandenburg<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\">Rotterdams Philharmonisch Orkest<\/td><td class=\"column-6\">Jukka-Pekka Saraste<\/td><td class=\"column-7\">Rotterdam (de Doelen)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Deidamia <\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">George Petrou, Regie: George Petrou<\/td><td class=\"column-7\">G\u00f6ttingen (Internationale H\u00e4ndel-Festspiele, Deutsches Theater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Monad\u2019s face f\u00fcr Sopran, Bassklarinette und Violoncello<\/td><td class=\"column-4\">16.05.2026<\/td><td class=\"column-5\">Sara Wiljaars (Sopran), N.N. (Bassklarinette), N.N. (Violoncello)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Hochschule f\u00fcr Musik Hanns Eisler)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">La bianca notte<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\">Klangforum Wien<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Katowice (Katowice Culture Nature Festival, NOSPR Concert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">Emmanuel<\/td><td class=\"column-2\">Chabrier<\/td><td class=\"column-3\">L\u2019Etoile<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Nicolas Kruger, Regie: Matthew Eberhardt<\/td><td class=\"column-7\">Eindhoven (Parktheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">Winfried Zillig: Rosse \/<\/td><td class=\"column-2\">Ruggero Leoncavallo: Pagliacci<\/td><td class=\"column-3\"><\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Mark Rohde, Regie: Roman Hovenbitzer<\/td><td class=\"column-7\">W\u00fcrzburg (Theaterfabrik Blaue Halle)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Le Docteur Miracle<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Anton Legkii, Regie: Claudia Pla\u00dfwich<\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">18.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Cluj-Napoca (Academia Nationala de Muzica Gheorge Dirna)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">20.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Willy Decker<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">Tre duetti con l\u00b4eco<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Ensemble Aventure<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Freiburg (Elisabeth Schneider Stiftung)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die drei kleinen Schweinchen<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Staatsorchester Darmstadt<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\">auch 22.\/23.5.<\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">L\u00e9lio ou Le retour \u00e0 la vie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Helsingborg Symphony Orchestra<\/td><td class=\"column-6\">Maxime Pascal<\/td><td class=\"column-7\">Helsingborg (Konserthus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Vinicius Kattah, Regie: Jiri Herman<\/td><td class=\"column-7\">Bratislava (Nationaltheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">Jean-Philippe<\/td><td class=\"column-2\">Rameau<\/td><td class=\"column-3\">Les Bor\u00e9ades<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">a nocte temporis<\/td><td class=\"column-6\">Reinoud Van Mechelen<\/td><td class=\"column-7\">Dortmund (Orchesterzentrum)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Lieux retrouv\u00e9s<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">RSO Wien<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Fort Worth Symphony Orchestra<\/td><td class=\"column-6\">Robert Spano<\/td><td class=\"column-7\">Fort Worth (Bass Performance Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Dietger Holm, Regie: Magdalena Fuchsberger<\/td><td class=\"column-7\">Heidelberg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Orchestre et ch\u0153ur Op\u00e9ra National de Paris<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Paris (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Zsolt Jank\u00f3, Regie: Mikl\u00f3s H. Vecsei<\/td><td class=\"column-7\">Budapest<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Benjamin Bayl, Regie: Agn\u00e8s Jaoui<\/td><td class=\"column-7\">Montpellier<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-62\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Kirche St. Michael)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-63\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">La Maitrise de Toulouse<\/td><td class=\"column-6\">Mark Opstad<\/td><td class=\"column-7\">Gramat (\u00c9glise Saint-Pierre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-64\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Vlaams Radiokoor, Orkest van de Achttiende eeuw<\/td><td class=\"column-6\">Bart van Reyn<\/td><td class=\"column-7\">Breda (Chasse Theater)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-65\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Prague Symphony Orchestra<\/td><td class=\"column-6\">Tom\u00e1s Netopil<\/td><td class=\"column-7\">Prag (Festival Prager Fr\u00fchling, Obecn\u00ed dum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-66\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">28.05.2026<\/td><td class=\"column-5\">Orchestra del Maggio Musicale Fiorentino<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Florenz (Teatro del Maggio)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-67\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Keren Kagarlitsky, Regie: Wim Vandekeybus<\/td><td class=\"column-7\">Antwerpen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-68\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Elena Salvatierra, Regie: Marta Eguilior<\/td><td class=\"column-7\">Cadiz (Teatro Villamarta)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-69\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">30.05.2026<\/td><td class=\"column-5\">Vocal ensembles\u00a0ardent\u00a0and\u00a0suppl\u00e9ments musicaux<\/td><td class=\"column-6\">Patrick Secchiari, Moritz Achermann<\/td><td class=\"column-7\">Bern (\u00c9glise francaise)<\/td><td class=\"column-8\">auch 31.5.<\/td>\n<\/tr>\n<tr class=\"row-70\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">6. Symphonie<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Tomas Hanus<\/td><td class=\"column-7\">Prag (Gemeindehaus)  <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-71\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Chor des Theater L\u00fcbeck, Philharmonisches Orchester Hansestadt L\u00fcbeck<\/td><td class=\"column-6\">Stefan Vladar<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-72\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo McFall, Regie: Uwe Eric Laufenberg<\/td><td class=\"column-7\">Wiesbaden (Maifestspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-73\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Zweimal Alexander<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Irene Delgado-Jim\u00e9nez, Regie: Anna Bernreitner<\/td><td class=\"column-7\">Wien (Theater an der Wien)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-74\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\">BBC Singer, Ma\u00eetrise de Notre-Dame<\/td><td class=\"column-6\">Sofi Jeannin,\u00a0Henri Chalet<\/td><td class=\"column-7\">Paris (Notre Dame)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-75\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">03.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Equilbey, Regie: Florent Siaud<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-76\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Der Mistk\u00e4fer<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\">Johannes Merz (Erz\u00e4hler), Kammerphilharmonie L\u00fcbeck<\/td><td class=\"column-6\">Emanuel Dantscher<\/td><td class=\"column-7\">L\u00fcbeck (Kolosseum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-77\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Rinaldo<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Hofstetter, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-78\">\n\t<td class=\"column-1\">Jir\u00ed Anton\u00edn (Georg Anton)<\/td><td class=\"column-2\">Benda<\/td><td class=\"column-3\">Medea <\/td><td class=\"column-4\">06.06.2026<\/td><td class=\"column-5\">Doerthe Maria Sandmann (Sprecherin), Barockorchester der Th\u00fcringen Philharmonie Gotha<\/td><td class=\"column-6\">Alexej Barchevitch<\/td><td class=\"column-7\">Eisenach (Landestheater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-79\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Ch\u0153ur de l\u2019Op\u00e9ra de Tours, Orchestre symphonique R\u00e9gion Centre-Val de Loire\/Tours<\/td><td class=\"column-6\">David Jackson<\/td><td class=\"column-7\">Tours (Grand Th\u00e9atre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-80\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">konzertant, auch 12.6. W\u00fcrzburg<\/td>\n<\/tr>\n<tr class=\"row-81\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">10.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Cummings, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-82\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Orquestra de Valencia<\/td><td class=\"column-6\">Francesco Corti, Regie: Beno\u00eet De Leersnyder<\/td><td class=\"column-7\">Valencia<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-83\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">W\u00fcrzburg (Kaisersaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-84\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Aci, Galatea e Polifemo<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Ren\u00e9 Jacobs<\/td><td class=\"column-7\">Halle (Marktkirche) <\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-85\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">David Bates, Regie: Robert Carsen<\/td><td class=\"column-7\">Rouen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-86\">\n\t<td class=\"column-1\">Anders<\/td><td class=\"column-2\">Hillborg<\/td><td class=\"column-3\">Sound Atlas<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">NDR Elbphilharmonie Orchester<\/td><td class=\"column-6\">Ryan Bancroft<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-87\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Claudio Novati, Regie: Felix Schr\u00f6dinger<\/td><td class=\"column-7\">Detmold  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-88\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Tell it or shout f\u00fcr Fl\u00f6te und Harfe<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Elizaveta Birjukova, Fl\u00f6te, Christina Engelke (Harfe)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Jena (K\u00fcnstlerische Abendschule)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-89\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Feldmesse<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\">M\u00fcnchner Philharmoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">M\u00fcnchen (Isarphilharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-90\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Il trionfo del Tempo e del Disinganno<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Simone De Felice, Regie: Katharina Kastening<\/td><td class=\"column-7\">Frankfurt (Bockenheimer Depot)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-91\">\n\t<td class=\"column-1\">Jindrich<\/td><td class=\"column-2\">Feld<\/td><td class=\"column-3\">Konzert f\u00fcr Fl\u00f6te und Orchester<\/td><td class=\"column-4\">15.06.2026<\/td><td class=\"column-5\">Daniela Koch (Fl\u00f6te), Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Konzerthalle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-92\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">17.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo Mc Fall, Regie: Marie-\u00c8ve Signeyrole<\/td><td class=\"column-7\">Wiesbaden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-93\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\">Konzerthausorchester<\/td><td class=\"column-6\">Ivan Fischer<\/td><td class=\"column-7\">Berlin (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-94\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Janis Liepins, Regie: Cordula D\u00e4uper <\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-95\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">G\u00e1bor Hontv\u00e1ri, Regie: Benjamin Prins<\/td><td class=\"column-7\">Sondershausen (Schloss)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-96\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Litanei f\u00fcr Sopran, Bassklarinette und Streichquartett (UA)\/canti della tenebra. F\u00fcnf Lieder f\u00fcr Mezzosopran und Klavier<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Nicholas\u2019 Church of Ireland)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-97\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Royal Liverpool Philharmonic Orchestra<\/td><td class=\"column-6\">Domingo Hindoyan<\/td><td class=\"column-7\">Liverpool (Philharmonic Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-98\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">in mia vita da vuolp f\u00fcr Bariton-Saxophon und Sopran\/Lot\u00f3fagos f\u00fcr Sopran und Kontrabass\/Prophezeiungen f\u00fcr Alt, Kontrabassklarinette und Akkordeon <\/td><td class=\"column-4\">20.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Vincent\u2019s Chapel)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-99\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Susanna<\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Collegium 1704 <\/td><td class=\"column-6\">V\u00e1clav Luks<\/td><td class=\"column-7\">Litomysl (Schlosshof)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-100\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Chelsea Opera Group<\/td><td class=\"column-6\">Paul Wingfield<\/td><td class=\"column-7\">London (Cadogan Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-101\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Klavierkonzert<\/td><td class=\"column-4\">24.06.2026<\/td><td class=\"column-5\">Kirill Gerstein (Klavier), Tonhalle Orchester<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-102\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Rias Kammerchor<\/td><td class=\"column-6\">Peter Dijkstra<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-103\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lidiya Yankovskaya, Regie: Max Webster <\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-104\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">27.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Guggeis, Regie: Andrea Moses<\/td><td class=\"column-7\">Berlin (Staatsoper Unter den Linden)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-105\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leonardo Garcia Alarcon, Regie: Cl\u00e9ment Cogitore<\/td><td class=\"column-7\">Aix-en-Provence (Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-106\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ariodante<\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Beaune (Festival Baroque, Hotel-Dieu)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-107\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix P\u00e4tzold, Regie: Immo Karaman<\/td><td class=\"column-7\">Kiel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-108\">\n\t<td class=\"column-1\">George<\/td><td class=\"column-2\">Benjamin<\/td><td class=\"column-3\">Three Consorts <\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Kent Nagano<\/td><td class=\"column-7\">Kl\u00fctz (Festspiele Mecklenburg-Vorpommern, Schloss Bothmer)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-109\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsche Staatsphilharmonie Rheinland-Pfalz<\/td><td class=\"column-6\">Michael Francis<\/td><td class=\"column-7\">Speyer (Ged\u00e4chtniskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-110\">\n\t<td class=\"column-1\">Giselher<\/td><td class=\"column-2\">Klebe<\/td><td class=\"column-3\">Mignon<\/td><td class=\"column-4\">07.07.2026<\/td><td class=\"column-5\">Detmolder Kammerorchester<\/td><td class=\"column-6\">Stanley Dodds<\/td><td class=\"column-7\">Detmold (Hochschule f\u00fcr Musik) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-111\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">16.07.2026<\/td><td class=\"column-5\">Schleswig-Holstein Festival Orchestra<\/td><td class=\"column-6\">Andrew Manze<\/td><td class=\"column-7\">Elmshorn (Stiftung Schleswig-Holstein Musik Festival)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-112\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">jag die hunde zur\u00fcck!<\/td><td class=\"column-4\">20.07.2026<\/td><td class=\"column-5\">Accademia Musicale Chigiana<\/td><td class=\"column-6\">Lorenzo Donati<\/td><td class=\"column-7\">Siena (Chiesa della Ss. Annunziata)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-113\">\n\t<td class=\"column-1\">Anton\u00edn <\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Petr Popelka, Regie: Martin Kusej <\/td><td class=\"column-7\">M\u00fcnchen (M\u00fcnchner Opernfestspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-114\">\n\t<td class=\"column-1\">Georges <\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen, Fassung 1874<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Fabio Luisi, Regie: Denis Krief<\/td><td class=\"column-7\">Martina Franca (Festival della Valle d\u2019Itria)<\/td><td class=\"column-8\">Szenische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-115\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">29.07.2026<\/td><td class=\"column-5\">Orchestre Symphonique de la Monnaie<\/td><td class=\"column-6\">Alain Altinoglu<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-116\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\">Studierende der Orchesterakademie<\/td><td class=\"column-6\">L\u00fc Jia<\/td><td class=\"column-7\">Lugano (Palazzo dei Congressi)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-117\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Evan Rogister, Regie: David McVicar<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-118\">\n\t<td class=\"column-1\">L'ubica<\/td><td class=\"column-2\">Cekovska<\/td><td class=\"column-3\">Maison de la musique en sept p\u00e9riodes<\/td><td class=\"column-4\">01.08.2026<\/td><td class=\"column-5\">Japan Century Symphony Orchestra<\/td><td class=\"column-6\">Andreas Ottensamer<\/td><td class=\"column-7\">Osaka<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-119\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Le Concert d\u2019Astr\u00e9e<\/td><td class=\"column-6\">Emmanuelle Haim<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-120\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Joana Mallwitz, Regie: Christof Loy<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-121\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">K\u00f6nig Karotte<\/td><td class=\"column-4\">09.08.2026<\/td><td class=\"column-5\">Mattias Straub (Erz\u00e4hler), Orchester der Sommeroperette Heldritt<\/td><td class=\"column-6\">Manuel Grund <\/td><td class=\"column-7\">Bad Rodach (Waldb\u00fchne Heldritt)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-122\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">15.08.2026<\/td><td class=\"column-5\">London Symphony Chorus and Orchestra<\/td><td class=\"column-6\">Antonio Pappano<\/td><td class=\"column-7\">London (Proms, Royal Albert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-123\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Orlando Paladino<\/td><td class=\"column-4\">28.08.2026<\/td><td class=\"column-5\">Orfeo Orchestra<\/td><td class=\"column-6\">Gy\u00f6rgy Vashegyi<\/td><td class=\"column-7\">Fert\u00f6d (Haydneum Concerts at Esterh\u00e1zy Palace)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-124\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marie Jacquot, Regie: Tatjana G\u00fcrbaca<\/td><td class=\"column-7\">Kopenhagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-125\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die verlorene Melodie <\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\">Staatskapelle Weimar<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Weimar (Theaterfest)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-126\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie in c-Moll<\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Gewandhausorchester<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-127\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">18.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Sch\u00f6nwandt, Regie: Krzysztof Warlikowski<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-128\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Mitridate, re di Ponto <\/td><td class=\"column-4\">24.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Frizza, Regie: Claus Guth<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-129\">\n\t<td class=\"column-1\">Fromental<\/td><td class=\"column-2\">Hal\u00e9vy<\/td><td class=\"column-3\">La Juive<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix Bender, Regie: Marco Storman<\/td><td class=\"column-7\">Ulm<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-130\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">09.10.2026<\/td><td class=\"column-5\">Orchestra del Teatro di San Carlo<\/td><td class=\"column-6\">Iv\u00e1n L\u00f3pez-Reynoso<\/td><td class=\"column-7\">Neapel (Teatro di San Carlo)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-131\">\n\t<td class=\"column-1\">Charles<\/td><td class=\"column-2\">Gounod<\/td><td class=\"column-3\">Faust<\/td><td class=\"column-4\">20.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniele Rustioni, Regie: Johannes Erath<\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-132\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-133\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">hr-Sinfonieorchester<\/td><td class=\"column-6\">Michael Wendeberg<\/td><td class=\"column-7\">Frankfurt (hr-Sendesaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-134\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk f\u00fcr Orchester<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Pierre Bleuse<\/td><td class=\"column-7\">Basel (Stadtcasino)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-135\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.11.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Roberto Abbado<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-136\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">06.12.2026<\/td><td class=\"column-5\">Erik Br\u00fcnner (Sprecher), Jugendsinfonieorchester Heinrich-Sch\u00fctz-Konservatorium, Dresdner Philharmonie<\/td><td class=\"column-6\">Milko Kersten<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\">auch 7.12.<\/td>\n<\/tr>\n<tr class=\"row-137\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">17.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Bertrand de Billy, Regie: Lydia Steier<\/td><td class=\"column-7\">Wien (Staatsoper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-138\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Tha\u00efs<\/td><td class=\"column-4\">18.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pierre Dumoussaud, Regie: Olivier Lepelletier-Leeds<\/td><td class=\"column-7\">Li\u00e8ge<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Works<\/span><\/h3><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202691956-56699a07-d07c\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202691956-56699a07-d07c\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07365-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07774-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07330-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07691-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07754-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07685-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09752-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07715-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11116-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07330-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202691989-8422d764-2730\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202691989-8422d764-2730\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09794-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09795-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09796-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07338-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11115-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09741-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11108-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07375-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202742098-8fb99d47-6623\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202742098-8fb99d47-6623\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07709-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09786-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07331-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07766-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202741771-af1366ef-844e\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vocal w\/instruments<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202741771-af1366ef-844e\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09397\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08581\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09714-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07540\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07759-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08580\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09325\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202741530-f416db8f-cc26\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Choir<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202741530-f416db8f-cc26\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA07532\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07540\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07759-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09786-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202740959-02cbb4b5-3f0b\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Ensemble<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202740959-02cbb4b5-3f0b\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09743-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07729-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202740569-d407e7fe-be1e\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Chamber music<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202740569-d407e7fe-be1e\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11415\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11053\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11057\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11058\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11086\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11087\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11067\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07454\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07455\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09369\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08270\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08268\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08269\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA07237\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11012\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202738874-9fe7c8a4-ecac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202738874-9fe7c8a4-ecac\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11051\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA10884D\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09352\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p><strong>Silberne Schnur<\/strong><br \/>\nf\u00fcr Klavier (2002\/03). 4 Minuten. In: Piano Album B\u00e4renreiter Contemporary Composers. BA 8762, k\u00e4uflich<br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA08462\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1721202737940-75d94c49-b1de\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Other works<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1721202737940-75d94c49-b1de\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Editions Henry Lemoine, Paris<br \/>\n* Auslieferung der Leihmateriale durch Alkor-Edition, Kassel<\/p>\n<p><strong>Alba<\/strong><br \/>\nf\u00fcr Fl\u00f6te und Bratsche op. 26 (1987). 25073 H.L. \/ 7 Minuten<br \/>\nUrauff\u00fchrung am 10. M\u00e4rz 1987 in Wien: Albertina, Astrid Spitznagel (Fl\u00f6te), Leopold Schmetterer (Viola)<\/p>\n<p><strong>Aulodie et Jubilation<\/strong><br \/>\nf\u00fcr Oboe solo op. 34 (1993\/94). 26277 H.L. \/ 7 Minuten<br \/>\nUrauff\u00fchrung am 10. Juli 1995 in Linz: Ursulinenkirche, Hans Georg Jacobi<\/p>\n<p><strong>Bucoliques<\/strong><br \/>\nf\u00fcr Fl\u00f6te, Oboe und Harfe op. 13 (1987). 24998 H.L. \/ 12 Minuten<br \/>\nUrauff\u00fchrung am 21. Mai 1989 in Salzburg: Mozarts Wohnhaus, Helmut Zangerle (Fl\u00f6te), Wolfgang Schlachter (Oboe), Annemarie Zangerle (Harfe)<\/p>\n<p><strong>Carnet po\u00e9tique<\/strong><br \/>\nf\u00fcr gemischten Chor a cappella op. 39. Text von Patrick Fr\u00e9gonara (1995\/96). 26662 H.L. \/ 11 Minuten<br \/>\nUrauff\u00fchrung am 6. November 2001 in Paris: Chapelle Notre-Dame des Anges, Ensemble Vocal Fran\u00e7ais, Leitung Gilbert Martin-Bouyer<\/p>\n<p><strong>Choralvorspiele<\/strong><br \/>\nf\u00fcr Oboe und Orgel op. 18 (1983). 24705 H.L. \/ 11 Minuten<\/p>\n<p>(alternative Version f\u00fcr Altsaxophon und Orgel)<\/p>\n<p>Urauff\u00fchrung am 26. April 1983 in Wien: Konzerthaus (Mozartsaal), Josef Bednarik (Oboe), Thomas Daniel Schlee (Orgel)<\/p>\n<p><strong>Cinq Pi\u00e8ces<\/strong><br \/>\nf\u00fcr Orgel op. 29 (1990\/92). 26107 H.L. \/ 24 Minuten<br \/>\n\u2013 1: Madrigal (1990) \/ 5 Minuten<br \/>\nUrauff\u00fchrung am 20. Juli 1990 in Bad D\u00fcrrnberg (A): Hedwig Ebermann<\/p>\n<p>\u2013 2: Choral I (1991) \/ 4 Minuten<br \/>\nUrauff\u00fchrung am 1. August 1993 in Cambridge: King\u2019s College Chapel, Thomas Daniel Schlee<\/p>\n<p>\u2013 3: Mysterium fidei (1991) \/ 3 Minuten<br \/>\nUrauff\u00fchrung am 23. August 1991 in Stift Zwettl: Andrea Weisgrab<\/p>\n<p>\u2013 4: Cantil\u00e8ne (1992) \/ 6 Minuten<br \/>\nUrauff\u00fchrung am 24. August 1993 in Maastricht: Kei Koito<\/p>\n<p>\u2013 5: Choral II (1992) \/ 5 Minuten<br \/>\nUrauff\u00fchrung am 22. November 1992 in Wien: Konzerthaus (Gro\u00dfer Saal), Thomas Daniel Schlee<\/p>\n<p><strong>De Profundis<\/strong><br \/>\nf\u00fcr Bratsche und Kontrabass op. 43 (1996\/97). 26727 H.L. \/ 6 Minuten<br \/>\nUrauff\u00fchrung am 10. November 1997 in Wien: Nationalbibliothek<\/p>\n<p><strong>Dein Dunkel wird sein wie der Mittag*<\/strong><br \/>\nf\u00fcr Orgel, Schlagzeug und sieben Bl\u00e4ser op. 30 (1990\/91). AoE 10554, Auff\u00fchrungsmaterial leihweise; Partitur und Orgelstimme k\u00e4uflich<br \/>\nBl\u00e4ser: 2 (Picc), 2 (Eh), 0, 2 (Kfag) &#8211; 0, 1, 0, 0 \/ 15 Minuten<br \/>\nUrauff\u00fchrung am 13. Mai 1991 in Wien: Konzerthaus (Mozartsaal), Thomas Schm\u00f6gner (Orgel), Klangforum Wien, Leitung Beat Furrer<\/p>\n<p><strong>Deux Pi\u00e8ces<\/strong><br \/>\nf\u00fcr zwei Trompeten und Orgel op. 19 (1983\/84). 24769 H.L. \/ 10 Minuten<br \/>\n1. El\u00e9gie; 2. Battaglia<br \/>\nUrauff\u00fchrung am 25. Juli 1986 in Wien: Augustinerkirche, Hans Gansch (Trompete), Hans Peter Schuh (Trompete), Wolfgang Baumgratz (Orgel)<\/p>\n<p><strong>Dicite: pusillanimes confortamini<\/strong><br \/>\nGeistliches Konzert f\u00fcr Sopran, zwei Violinen und Violoncello (Orgelpositiv oder Fl\u00f6te ad lib.) op. 17 (lat.) (1982). 24790 H.L. \/ 10 Minuten<br \/>\nUrauff\u00fchrung am 12. Dezember 1982 in Wien: Michaelerkirche, Capella Archangeli, Leitung Wolfgang Sauseng<\/p>\n<p><strong>Effleur\u00e9e<\/strong><br \/>\nf\u00fcr Klavier op. 23 (1985-87). 25072 H.L. \/ 7 Minuten<br \/>\nUrauff\u00fchrung am 8. Oktober 1988 in Seattle\/Washington: Ursula K. Le Guin<\/p>\n<p><strong>Lob des Wassers<\/strong><br \/>\nf\u00fcr Fl\u00f6te op. 44 (1997). 25170 H.L. \/ 5 Minuten<br \/>\nUrauff\u00fchrung am 26. Oktober 1997 in Wien: Deutschordenskirche, Wolfgang Schulz<\/p>\n<p><strong>Musique de plein-air<\/strong><br \/>\nf\u00fcr Klarinette und Trompete op. 41 (1996). 26650 H.L. \/ 12 Minuten<br \/>\nUrauff\u00fchrung am 2. Februar 1998 in Karlsruhe: Schlo\u00df, Martin Nitschmann (Klarinette), Wolfram Lauel (Trompete)<\/p>\n<p><strong>Notturno<\/strong><br \/>\nf\u00fcr Hornquartett op. 35 (1995). 26409 H.L. \/ 4 Minuten<br \/>\nUrauff\u00fchrung am 16. Dezember 1996 in Linz: Hornquartett des Bruckner Orchesters<\/p>\n<p><strong>Offrandes<\/strong><br \/>\nf\u00fcr Orgel op. 28 (1986-89). 25201 H.L. \/ 15 Minuten<br \/>\n1. Adoratio; 2. Vigilia; 3. \u201e&#8230;est enim transitus Domini&#8230;\u201c<br \/>\nUrauff\u00fchrung am 7. Juli 1990 in Fribourg (CH): St. Michel, Kei Koito<\/p>\n<p><strong>Po\u00e9sies I-III<\/strong><br \/>\nf\u00fcr Klavier op. 25, Heft 1 (1986). 24861 H.L. \/ 10 Minuten<br \/>\nUrauff\u00fchrung am 10. M\u00e4rz 1987 in Wien: Albertina, Harald Ossberger<\/p>\n<p><strong>Po\u00e9sies IV-VI<\/strong><br \/>\nf\u00fcr Klavier op. 25, Heft 2 (1994\/95). 26333 H.L. \/ 10 Minuten<br \/>\nUrauff\u00fchrung am 14. April 1997 in Feldkirch (A): Till Alexander K\u00f6rber<\/p>\n<p><strong>Quia tu es Deus fortitudo mea*<\/strong><br \/>\nf\u00fcr elf Bl\u00e4ser op. 24 (1986). AoE 10555<br \/>\nBesetzung: 1, 1, 1, 1 &#8211; 2, 2, 2, 1 \/ 13 Minuten<br \/>\nUrauff\u00fchrung am 27. Oktober 1986 in St. Jakob\/Krieglach: M\u00fcrztaler Bl\u00e4sergruppe, Leitung Rudolf Zangl<\/p>\n<p><strong>Resonate<\/strong><br \/>\nnach Domenico Scarlatti f\u00fcr Orgelpositiv (oder Cembalo oder Klavier) op. 22 (1985). 24788 H.L. \/ 7 Minuten<br \/>\nUrauff\u00fchrung am 17. Oktober 1985 in Erding: St. Johann, Harald Feller<\/p>\n<p><strong>Seefelder Pr\u00e4ludium<\/strong><br \/>\nf\u00fcr Orgel (1982). 24702 H.L. (ver\u00f6ffentlicht mit \u201eSept pi\u00e8ces blanches\u201c) \/ 4 Minuten<br \/>\nUrauff\u00fchrung am 2. Juli 1982 in Seefeld (Tirol): Thomas Daniel Schlee<\/p>\n<p><strong>S\u00e8lah<\/strong><br \/>\nf\u00fcr Fl\u00f6te und Orgel op. 40 (2000). 26986 H.L. \/ 14 Minuten<br \/>\nUrauff\u00fchrung am 29. Juli 2001 in St. Wolfgang: Verena Guthy-Homolka (Fl\u00f6te), J\u00f6rg Hannes Hahn (Orgel)<\/p>\n<p><strong>Sept pi\u00e8ces blanches<\/strong><br \/>\nf\u00fcr Orgel (1982). 24704 H.L. \/ 15 Minuten<br \/>\nUrauff\u00fchrung am 1. Mai 1983 in der Abtei Marienstatt (D): Thomas Daniel Schlee<\/p>\n<hr \/>\n<p>Universal Edition<\/p>\n<p><strong>Amen. Halleluja<\/strong> f\u00fcr Orgel op. 57 (2003) \/ 12&#8242;<\/p>\n<p><strong>Drittes Streichquartett <\/strong>op. 56 (\u201eTempus floridum\u201c) (2003) \/ 22&#8217;30&#8221;<\/p>\n<p><strong>Pr\u00e9ludes f\u00fcr Orgel <\/strong>op. 6<br \/>\n(1: 1979, 4&#8242; \/ 2: 1980, 5&#8242; \/ 3: 1980, 5&#8242; \/ 4: 1981, 6&#8242; \/ 5: 1982, 5&#8242; \/ 6: 1984, 6&#8242; \/ 7: 1983\/1994, 6&#8242; \/ 8: 1986, 5&#8242; \/ 9: 1992-93, 6&#8242; \/ 10: 1988, 7&#8242; \u2013 2 Org \/ 11: 1994, 6&#8242;)<\/p>\n<p><strong>\u201eTempus floridum\u00ab,<\/strong> Moment musical f\u00fcr Streichquartett (1991) \/ 2&#8242;<\/p>\n<p><strong>Prisma<\/strong> f\u00fcr Orgel zu vier H\u00e4nden und Pedal (1989) \/ 4&#8242;<\/p>\n<p><strong>Et\u00fcde<\/strong> f\u00fcr Orgelpedal solo (1986) \/ 4&#8242;<\/p>\n<p><strong>Kleine Suite<\/strong> f\u00fcr Gitarre op. 5a (1979-1981) \/ 10&#8242;<\/p>\n<hr \/>\n<p>Doblinger<\/p>\n<p><strong>\u201eDurch die Banken\u201c<\/strong>, Szene f\u00fcr Tenor, Bariton und Klavier op. 78, Text von R. Gernhardt (2011) \/ 10\u2019<\/p>\n<p><strong>\u201eTr\u00e4nen\u201c<\/strong>, Neun Wiener T\u00e4nze f\u00fcr Klavier op. 73 (2003\/09) \/ 27\u2019<\/p>\n<p><strong>\u201eK\u00f6rper in Caf\u00e9s\u201c<\/strong> f\u00fcr Stimme und Ensemble op. 69, Text von R. Gernhardt (2007) \/ 15\u2019<\/p>\n<p><strong>Diptychon<\/strong> f\u00fcr Orgel op. 65 (2004\/06) \/ 17\u2019<\/p>\n<p><strong>Aus ungeheurer Ferne kommst Du wieder<\/strong> op. 63 f\u00fcr Orchester (2005) \/ 8&#8242;<\/p>\n<p><strong>Wiener Stundenbuch <\/strong>op. 59 f\u00fcr Ensemble (2004) \/ 14&#8242;<\/p>\n<p><strong>Tre Preghiere di San Francesco<\/strong> op. 58 f\u00fcr hohe Stimme und Orgel (2003\/2004) \/ 10&#8242;<\/p>\n<p><strong>Drei Zeichen <\/strong>op. 53 f\u00fcr Violoncello solo (2002) \/ 8&#8242;<\/p>\n<p><strong>Jiggs <\/strong>op. 48 f\u00fcr Streichorchester (2000) \/ 8&#8242;<\/p>\n<p><strong>Vesper <\/strong>op. 47 (Hymnus, Canticum, Magnificat) f\u00fcr Schola, Chor und Instrumentalensemble (1999) \/ 23&#8242;<\/p>\n<p><strong>Canticum <\/strong>op. 47a (aus der Vesper) f\u00fcr Schola, gemischten Chor und Orgel (1999) \/ 5\u2019<\/p>\n<p><strong>K\u00e4rntner Tabulaturb\u00fcchlein<\/strong> op. 47b f\u00fcr Klavier (1999\/2000) \/ 13\u2019<\/p>\n<p><strong>Intrada<\/strong> f\u00fcr drei Trompeten (oder zwei Trompeten und Horn) und zwei Posaunen (1998) \/ 4&#8217;30&#8221;<\/p>\n<p><strong>Tota pulchra es<\/strong> f\u00fcr gemischten Chor und Orgel (1997) \/ 6&#8242;<\/p>\n<p><strong>Der Baum des Heils.<\/strong> Oratorium op. 33 f\u00fcr Alt solo, gemischten Chor, Englischhorn, Violine, Claves und Orgel. Text von Reinhard Deutsch (1993\/94) \/ 42&#8242;<\/p>\n<p><strong>\u201eFragen von der Seele\u201c<\/strong> f\u00fcr Stimme und Orgelpositiv. Text von Jakob B\u00f6hme (engl. Fassung von Arnout de Waal) (1983) \/ 10&#8242;<\/p>\n<hr \/>\n<p>Editions de la Schola Cantorum<\/p>\n<p><strong>Introduktion, Psalm XI und Hymnus<\/strong> f\u00fcr M\u00e4nnerchor, Schlagwerk und Orgel (lat.) (1982-85) \/ 20&#8242;<\/p>\n<hr \/>\n<p>Editions Leduc<\/p>\n<p><strong>Deux Pri\u00e8res Mariales<\/strong> f\u00fcr Orgel (1984\/85) \/ 9&#8242;<\/p>\n<p><strong>Fantaisie<\/strong> f\u00fcr Orgel op. 15 (1981\/82) \/ 11&#8242;<\/p>\n<p><strong>Suite en \u00e9ventail<\/strong> f\u00fcr Orgel op. 16 (1982) \/ 11&#8242;<\/p>\n<hr \/>\n<p>Editions Billaudot<\/p>\n<p><strong>Mouvement<\/strong> f\u00fcr Violine und Klavier op. 7c (1994) \/ 3&#8242;<\/p>\n<p><strong>Fanfare<\/strong> f\u00fcr f\u00fcnf Trompeten (1991) \/ 2&#8242;<\/p>\n<p><strong>Melodie<\/strong> f\u00fcr Violine und Klavier op. 7b (1986) \/ 3&#8242;<\/p>\n<hr \/>\n<p>Editions Choudens<\/p>\n<p><strong>Grand Dialogue Monodique<\/strong> f\u00fcr Orgel (1981) \/ 3&#8242;<\/p>\n<hr \/>\n<p>Editions Combre<\/p>\n<p><strong>Volubilis<\/strong> f\u00fcr Alt- oder Sopransaxophon (2003) \/ 4&#8242;<\/p>\n<p><strong>Un Psaume de David<\/strong> (Ein Psalm Davids) op. 49 f\u00fcr Harfe und Orgel (1999-2002) \/ 8&#8242;<\/p>\n<p><strong>Viennoise<\/strong> f\u00fcr Fagott solo (1997) \/ 2&#8242;<\/p>\n<p><strong>Voile<\/strong> f\u00fcr Orgel (in: \u201eEnluminures\u00ab) (1995) \/ 2&#8242;<\/p>\n<p><strong>Drei modale Inventionen<\/strong> \u2013 Version I f\u00fcr Orgel (oder diverse Instrumentalduos oder Singstimmen) (1983\/84) \/ 6&#8242;<br \/>\n\u2013 Version II f\u00fcr Gitarre (1985) \/ 6&#8242;<\/p>\n<hr \/>\n<p>Butz<\/p>\n<p><strong>Benedicam Dominum.<\/strong> Offertorium f\u00fcr Chor und Orgel (1998\/1999) \/ 3&#8217;30&#8221;<\/p>\n<p><strong>\u201eNichts ist verborgen\u201c<\/strong>, <strong>\u201eIn jener Zeit\u201c<\/strong>, Evangelienmotetten f\u00fcr gemischten Chor a cappella (2009) \/ 11\u2019<\/p>\n<hr \/>\n<p>Als Manuskript<\/p>\n<p><strong>\u201eCanticum Sancti Floriani Martyris\u201c<\/strong>, nach den Skizzen von A. F. Kropfreiter, erg\u00e4nzt und orchestriert f\u00fcr Sopran, Bariton, gemischten Chor und Orchester (2004) \/ 20&#8242;<\/p>\n<p><strong>\u201eReine Gegenwart\u201c<\/strong> f\u00fcr Verrophon und Glasharmonika (2002) \/ 5&#8242;<\/p>\n<p><strong>Aubade<\/strong> f\u00fcr 13 Streichinstrumente (4,4,2,2,1) op. 14 (1981) \/ 16&#8242;<\/p>\n<p><strong>Erstes Streichquartett<\/strong> op. 9 (1979\/80) \/ 18&#8242;<\/p>\n<p><strong>Sankt Ambrosius singt in der belagerten Kathedrale.<\/strong> F\u00fcr Sprecher und Orgel. Text von Rudolf Henz (1980) \/ 6&#8242;<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-carousel\">\r\n\t<div class=\"grve-carousel-wrapper\">\r\n\t\t\t<div class=\"grve-carousel-navigation grve-navigation-arrow-1\">\r\n\t\t<div class=\"grve-carousel-buttons\">\r\n\t\t\t<div class=\"grve-carousel-prev\"><div class=\"grve-svg-icon grve-direction-left grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t\t<div class=\"grve-carousel-next\"><div class=\"grve-svg-icon grve-direction-right grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t<div data-items=\"3\" data-items-tablet-landscape=\"2\" data-items-tablet-portrait=\"2\" data-items-mobile=\"1\" data-slider-autoplay=\"yes\" data-pagination=\"yes\" data-slider-loop=\"yes\" data-slider-speed=\"3000\" data-slider-pause=\"no\" data-pagination-speed=\"400\" data-gutter-size=\"40\" class=\"grve-carousel-element grve-blog-carousel grve-blog-columns grve-with-gap grve-classic-carousel\">\r\n\t\t\t<article class=\"grve-carousel-item post-18879 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Appearance versus reality<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Appearance versus reality<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>\u013dubica \u010cekovsk\u00e1\u2018s opera \u201cDorian Gray\u201d in Annaberg-Buchholz\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-31T08:31:38+02:00\">31. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-31T12:50:12+02:00\">31. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18838 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The Swiss composer is composer-in-residence\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-24T14:34:38+01:00\">24. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-24T14:38:11+01:00\">24. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18817 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Three musicians play their way to the top<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Three musicians play their way to the top<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter awards a special prize at the Bach Competition, Leipzig\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-23T13:19:42+01:00\">23. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-23T13:49:14+01:00\">23. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18690 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Pianists at the start of their careers<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Pianists at the start of their careers<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg (Photo: from left to right: Bogdan Dugali\u0107, Elisey Mysin, Anastasiia Kliuchereva, photo: Michael Klimt)    \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-23T10:12:12+01:00\">23. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-23T10:16:00+01:00\">23. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18592 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Young international violin stars<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Young international violin stars<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-16T11:14:59+01:00\">16. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T11:17:52+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18577 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">On the death of Helmuth Rilling<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>On the death of Helmuth Rilling<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>A life with Bach \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-13T08:33:14+01:00\">13. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T07:21:10+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18545 post type-post status-publish format-standard has-post-thumbnail hentry category-complete-edition category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Milestone Reached in Halle<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-29T14:33:29+01:00\">29. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-29T14:37:26+01:00\">29. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18477 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Mourning Peter Hanser-Strecker<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Mourning Peter Hanser-Strecker<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The long-serving publisher and Chief Executive Officer of Schott Music, Peter Hanser-Strecker passed away\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-23T13:12:20+01:00\">23. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-23T14:30:41+01:00\">23. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18433 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Piero Ostali died<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp 512w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-500x500.webp 500w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Piero Ostali died<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>Piero Ostali, Owner and Managing Director of Casa Musicale Sonzogno, has died unexpectedly\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >512<\/span>\r\n\t\t\t   <span itemprop='width' >512<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-09T06:37:43+01:00\">9. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-09T12:48:54+01:00\">9. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18415 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Jonathan Del Mar turns 75<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp 1080w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Jonathan Del Mar turns 75<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>English musicologist and conductor Jonathan Del Mar turns 75. His Beethoven editions opened a new chapter in the service of musical practice.\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1080<\/span>\r\n\t\t\t   <span itemprop='width' >1080<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-07T08:27:22+01:00\">7. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-07T14:00:57+01:00\">7. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n"},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_album_images":[],"_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_custom_thumbnail_cover":0,"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-12826","page","type-page","status-publish","hentry","grve-entry-item"],"acf":[],"wpml_current_locale":"en_US","wpml_translations":{"de_DE":{"locale":"de_DE","id":8990,"slug":"schlee-thomas-daniel","post_title":"Schlee, Thomas Daniel","href":"https:\/\/emag.baerenreiter.com\/schlee-thomas-daniel\/"}},"_links":{"self":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/comments?post=12826"}],"version-history":[{"count":13,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12826\/revisions"}],"predecessor-version":[{"id":18396,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12826\/revisions\/18396"}],"wp:attachment":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/media?parent=12826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}