{"id":12731,"date":"2024-06-04T08:07:54","date_gmt":"2024-06-04T06:07:54","guid":{"rendered":"https:\/\/emag.baerenreiter.com\/ammann-dieter\/"},"modified":"2026-02-19T15:04:57","modified_gmt":"2026-02-19T14:04:57","slug":"ammann-dieter","status":"publish","type":"page","link":"https:\/\/emag.baerenreiter.com\/en\/ammann-dieter\/","title":{"rendered":"Ammann, Dieter"},"content":{"rendered":"<div class=\"grve-section grve-row-section grve-fullwidth-background grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#707070;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section composer-header grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-5-12 grve-wpb-1715857276604 grve-vertical-position-middle grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-left\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 500px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 150.2%;\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"751\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann-500px.webp\" class=\"attachment-full size-full\" alt=\"Portrait picture of Dieter Ammann\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann-500px.webp 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann-500px.webp 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-7-12 grve-wpb-1715857422252 grve-vertical-position-middle grve-with-bg-transparent grve-align-center\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h1 class=\"grve-element grve-title grve-align-center grve-page-title grve-text-white\"><span>Dieter Ammann<\/span><\/h1><div class=\"grve-element grve-text grve-small-text\">\r\n\t\t\t<p><a href=\"https:\/\/www.dieterammann.ch\" target=\"_blank\" rel=\"nofollow noopener\">www.dieterammann.ch<\/a><\/p>\n\r\n\t\t<\/div>\r\n\t<div class=\"grve-empty-space grve-height-1x\"><\/div><div class=\"grve-element grve-image grve-align-center signature-witdh-100\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-svg-thumbnail-wrapper\"><div class=\"grve-svg-thumbnail\"><img decoding=\"async\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann_u_weiss-1.svg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann_u_weiss-1.svg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann_u_weiss-1.svg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-4x grve-padding-bottom-4x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Biography<\/span><\/h2><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Dieter Ammann was born in Aarau in 1962. He grew up in a very musical family. After graduating from high school, he studied school music\/conducting (Lucerne) and at the same time completed a course at the Swiss Jazz School in Bern. The 1980s and early 90s were characterized by Europe-wide concert activities and recordings in the field of jazz\/improvised music, with artists as diverse as Eddie Harris (CD Yeah, you right) and Udo Lindenberg.<\/p>\n<p>This was followed by studies in theory\/composition at the Basel Music Academy (Roland Moser, Detlev M\u00fcller-Siemens) with courses with Witold Lutoslawski, Wolfgang Rihm, Dieter Schnebel and Niccolo Castiglioni.<\/p>\n<p>At the age of 30, he turned to composition. Due to his scrupulous and slow approach to his work, a commissioned work can take two years or more to complete. He has received numerous national and international awards for his chamber music and orchestral works, including grants from the Aargau Board of Trustees, the Canton of Lucerne, the Franz Liszt Scholarship from the \u201cWeimar European Capital of Culture\u201d Foundation, the main prize from the IBLA Foundation New York (in honor of L. Berio) and the \u201cYoung composers in Europe\u201d competition (Leipzig), the Ernst von Siemens Prize for Composition, the Swiss Music Prize and the AZ Media Prize for Culture.<\/p>\n<p>Master classes have taken him to the universities of Cologne, Weimar, Karlsruhe, St. Petersburg, New York University, Rosario and La Plata, among others. He is in demand as a lecturer at the International Impulse Academy Graz or, together with Wolfgang Rihm, at the Composers Seminar of the Lucerne Festival Academy and leads a composition class at the Lucerne School of Music.<\/p>\n<p>Ammann has received invitations as composer-in-residence to festivals such as the Davos Festival, Les Mus\u00e9iques Festival, the Lucerne Festival, Wittener Tage f\u00fcr neue Kammermusik, Sommerliche Musiktage Hitzacker, the ReMusica Festival St. Petersburg, Tongyeong International Music Festival and the Weywuying Festival.<br \/>In addition to the renowned Swiss orchestras (Tonhalle, Philharmonia Zurich, Lucerne, Basel, Bern, Suisse Romande), his works have been performed by orchestras such as the Boston Symphony Orchestra, BBC Symphony Orchestra, Philharmonia London, Helsinki Philharmonic, Mariinsky Symphony, Munich Philharmonic, Vienna Symphony Orchestra, Munich Chamber Orchestra, DSO Berlin, WDR, Lucerne Festival Contemporary Orchestra, Klangforum Wien, Ensemble Modern Orchestra, Ensemble intercontemporain, Quatuor Diotima, Mondrian Ensemble, ensemble recherche, conducted by Pierre Boulez, George Benjamin, Jonathan Nott, Baldur Br\u00f6nnimann, Sylvain Cambreling, James Gaffigan, Valery Gergiev, Pablo Heras-Casado, Susanna M\u00e4lkki, Sakari Oramo, Matthias Pintscher, Emilio Pomarico, David Robertson, Peter Rundel, Michael Sanderling, Markus Stenz, Mario Venzago and many others.<br \/>Artists such as Carolin Widmann, Andreas Haefliger, Michael Barenboim, Tabea Zimmermann, Nils M\u00f6nkemeyer, and Maximilian Hornung interpret his solo pieces and concertos.<\/p>\n<p>Ammann\u2019s works are published by B\u00e4renreiter Verlag and Swiss Music Edition SME\/musinfo.ch<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-4x grve-padding-bottom-1x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#e8ede8;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vita<\/h3><\/div><div class=\"grve-accordion-content biographie\" id=\"1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-ammann-en-no-2\" class=\"tablepress tablepress-id-ammann-en two-column-table\">\n<tbody>\n<tr class=\"row-1\">\n\t<td class=\"column-1\">1962<\/td><td class=\"column-2\">Born on 17 May in Aarau, Switzerland. First piano lessons at pre-school age, later self-taught on the trumpet. During secondary school learnt piano and guitar.<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">from 1982<\/td><td class=\"column-2\">Course at the Akademie f\u00fcr Schul- und Kirchenmusik in Lucerne, at the same time as gaining diplomas in school music teaching (main study: conducting)<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">1983-84<\/td><td class=\"column-2\">Jazz School in Bern (general department)<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">1986<\/td><td class=\"column-2\">Period in Berlin as a freelance musician (particularly improvised music)<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">1988-92<\/td><td class=\"column-2\">Degree course in theory and composition at the Musikakademie Basel<br>from 1991<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">from 1991<\/td><td class=\"column-2\">Began working as a composer, attending courses with W. Rihm, W. Lutoslawski, D. Schnebel, N. Castiglioni. Award from the Aargauer Kuratorium<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">1993<\/td><td class=\"column-2\">Project grant from the Aargauer Kuratorium<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">1995<\/td><td class=\"column-2\">First prize winner for Switzerland in the \u2018Young composers in Europe\u2019 competition, Leipzig (study visit, combined with presentation concerts in the Gewandhaus)<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">1996<\/td><td class=\"column-2\">Main prize at the \u2018International Competition for Composers\u2019 (in honour of Luciano Berio) from the IBLA Foundation New York. Composition grant from the City and Canton of Lucerne. Project grant from the Aargauer Kuratorium<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">1997<\/td><td class=\"column-2\">First prize in the international composition competition \u2018Symposium NRW f\u00fcr Neue Musik\u2019 as part of the \u2018Niederrheinischer Herbst\u2019 Festival<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">1998<\/td><td class=\"column-2\">Composition grant from the Aargauer Kuratorium. Winner of the Franz Liszt Scholarship from the \u2018Franz Liszt\u2019 Hochschule f\u00fcr Musik and the 1999 European Capital of Culture Weimar (6-month composition residency with concerts)<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">1999<\/td><td class=\"column-2\">Second Level Award at the \u2018International Competition for Composers\u2019 from the IBLA Foundation New York<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">2001<\/td><td class=\"column-2\">Composition grant from the Aargauer Kuratorium<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">2003<\/td><td class=\"column-2\">Composer-in-residence at the 18th International Music Festival Davos (Switzerland). Studio residency in Berlin awarded by the Aargauer Kuratorium. Work prize from the city of Zofingen. Recognition award from the M. + C. Dienemann Foundation<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">2004<\/td><td class=\"column-2\">Composition grant from the City and Canton of Lucerne<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">2007<\/td><td class=\"column-2\">Composition grant from the Aargauer Kuratorium<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">2008<\/td><td class=\"column-2\">Award of Composer\u2019s Prize from the Ernst von Siemens Music Foundation, Munich<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">2009<\/td><td class=\"column-2\">Composer in residence at the Festival les mus\u00e9iques Basel<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">2010<\/td><td class=\"column-2\">Composer in residence at the Lucerne Festival<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">2013<\/td><td class=\"column-2\">Composer in residence at the Wittener Tage f\u00fcr neue Kammermusik and the Sommerliche Musiktage Hitzacker<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">2015<\/td><td class=\"column-2\">Composer in residence at the Festival reMusic in St. Petersburg<\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">2016<\/td><td class=\"column-2\">Portrait concert with the Philharmonia Orchestra London<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715857809324-89faa186-31c9\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">About Dieter Ammann<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1715857809324-89faa186-31c9\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\u201cThis is an exceptional (extraordinary) piece of music &#8230;&#8230;..\u201d.<br \/>(Attending a rehearsal of &#8220;Geh\u00f6rte Form \u2013 Hommages&#8221;)<br \/><em>Pierre Boulez<\/em><\/p>\n<p>\u201cIf you focus on the transitions rather than the individual sounds \u2013 even though they are successfully achieved \u2013 on the dramatic contrast of the sequence of sections, and above all on the overall formal developments, you recognise this composer\u2019s independence. On the one hand, the dense montage of contrasting sections does not have a consistent programmatic-musical effect, not even a narrative one, for only through the abstraction to the musically structural does the form become clear. On the other hand, the contrasts of the sequence of sections raise structural questions which one is tempted to answer associatively by recourse to the extra-musical. This ambivalence is necessary for the formal concept of the string trio and it is astounding how consistently Dieter Ammann pursues it. Added to this, the composer\u2019s very veins are pulsing with musicality: the score is full of verbal performance directions which clarify passages where the music notation appears too abstract. This closeness to the performing activity is indispensable for a composer as an inevitable complement to speculative abstraction. To articulate something which is accepted is to create something new. This stance, which can also embrace provocative innovation, seems to me to be something exceptional and valuable in a young composer, when today\u2019s music business demands above all a stylistic identity which is distinguished by being different.\u201d<br \/><em>Hanspeter Kyburz<\/em><\/p>\n<p>stimmen<br \/>\u201c Not a second\u2019s let up, everything lively and in the best sense shot through by lines of force, which then remain strong and uninterrupted if they aim in contradictory directions. Your compositional ability at integration ensures the strands never snap and forces the ambivalences into a current without becoming lost!<br \/>Energies, even counter energies, are sustained in you music, they don\u2019t disappear into redundant endings. Everything is so fresh!&#8230;..\u201d<br \/><em>Wolfgang Rihm<\/em><\/p>\n<p>\u201cComing from improvised music, after serial beginnings Ammann achieves a freer, more intuitive personal style in an energetic and emotionally \u2018laden\u2019 tonal language.\u201d<\/p>\n<p>\u201c&#8230;the treatment of the parameters always serves the direct, almost physical expression.\u201d<br \/><em>Urs Mattenberger<\/em><\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1716896054136-0df045ed-1148\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Download Scores<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1716896054136-0df045ed-1148\"><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9750_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">BOOST for Orchestra (2001) BA 9750-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9751_core_Partitur_WZ.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">CORE for Orchestra (2002) BA 9751-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11151_72_zgm_01.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">``glut`` for orchestra (2014-16) BA 11151-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11139_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Le r\u00e9seau des reprises pour grand ensemble (2013\/14) BA 11139-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11177-72_Ammann_Score_A3_Wasserzeichen.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">The Piano Concerto \u2013 Gran Toccata (2016-19) BA 11177-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9768_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">TURN for Orchestra (2010) BA 9768-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11117_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">unbalanced instability (2011-13) BA 11117-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11138_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">VIOLATION for Violoncello and Ensemble (1999) BA 11138-72<\/h4><\/div><\/a><\/div><\/div><\/li><\/ul><\/div><div class=\"grve-empty-space grve-height-2x\"><\/div><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>Performances<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-322-no-2\" class=\"tablepress tablepress-id-322 brv-termine tablepress-responsive tablepress-responsive-stack-headers tablepress-responsive-stack-tablet\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">Komponist Vorname<\/th><th class=\"column-2\">Komponist Nachname<\/th><th class=\"column-3\">Titel<\/th><th class=\"column-4\">Datum<\/th><th class=\"column-5\">Orchester<\/th><th class=\"column-6\">Dirigent<\/th><th class=\"column-7\">Ort<\/th><th class=\"column-8\">Info<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">National Philharmonic Orchestra<\/td><td class=\"column-6\">Cornelius Meister<\/td><td class=\"column-7\">Warschau (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Violin Concerto<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Ilya Gringolts (Violine), Staatsorchester Rheinische Philharmonie<\/td><td class=\"column-6\">Anu Tali<\/td><td class=\"column-7\">Koblenz (Rhein-Mosel-Halle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Der Messias <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester &amp; Rundfunkchor<\/td><td class=\"column-6\">Dennis Russell Davies<\/td><td class=\"column-7\">Erfurt (Theater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Piano Concerto No. 2<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Francesco Piemontesi (Klavier), Symphonieorchester des Bayerischen Rundfunks<\/td><td class=\"column-6\">Enno Poppe<\/td><td class=\"column-7\">M\u00fcnchen (Residenz)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Emily Senturia, Regie: Haley Stamats<\/td><td class=\"column-7\">Madison (Overture Hall)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">2. Symphonie<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Dresdner Philharmonie<\/td><td class=\"column-6\">Christoph Eschenbach<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Echoes of O\u2019s<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Ensemble Lux NM<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wiesbaden (Art.Ist-Galerie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\">Orchester des Staatstheaters Darmstadt<\/td><td class=\"column-6\">Marc Albrecht<\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L\u2019incoronazione di Poppea<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lars Ulrik Mortensen, Regie: Christoph Marthaler<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marc Minkowski, Regie: Damiano Michieletto<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">La navigazione notturna<\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Marino Formenti, Alfredo Ovalles, Luca Lavuri, N.N. (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">Beat <\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Studie IV f\u00fcr Klavier solo <\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Filippo Gorini (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Italienische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Duisburger Philharmoniker<\/td><td class=\"column-6\">Stefan Blunier<\/td><td class=\"column-7\">Duisburg (Philharmonie Mercatorhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Messe solennelle<\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Bach-Verein K\u00f6ln, G\u00fcrzenichorchester<\/td><td class=\"column-6\">Christoph Siebert<\/td><td class=\"column-7\">K\u00f6ln (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Cl\u00e9op\u00e2tre<\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Antoniette Dennefeld (Sopran), Orchestra di Padova e del Veneto<\/td><td class=\"column-6\">Pierre Dumoussaud<\/td><td class=\"column-7\">Padova (Auditorium Pollini)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Wesendonck-Lieder <\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Alicja Bukowska (Mezzosopran), Elbland Philharmonie Sachsen<\/td><td class=\"column-6\">Hermes Helfricht<\/td><td class=\"column-7\">Pirna (Marienkirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">01.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Nadja Loschky<\/td><td class=\"column-7\">Dresden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Yi-Chen Lin, Regie: Barbara-David Br\u00fcesch<\/td><td class=\"column-7\">St. Gallen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L'Orfeo<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">J\u00f6rg Halubek, Regie: Markus Bothe<\/td><td class=\"column-7\">Schwetzingen (Schwetzinger SWR Festspiele, Schlosstheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Bethel (Zionskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Amor Artis Chamber Choir<\/td><td class=\"column-6\">Ryan James Brandau<\/td><td class=\"column-7\">New York (St. Patrick\u2019s Old Cathedral) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\">Wiener Symphoniker<\/td><td class=\"column-6\">Marie Jacquot<\/td><td class=\"column-7\">Wien (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orph\u00e9e et Euridice<\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Edward Ananian Cooper, Regie: Pierre-Andr\u00e9 Weitz<\/td><td class=\"column-7\">Limoges<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">Ludwig van<\/td><td class=\"column-2\">Beethoven<\/td><td class=\"column-3\">Musik zu Goethes Trauerspiel Egmont<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Essener Philharmoniker<\/td><td class=\"column-6\">Dirk Kaftan<\/td><td class=\"column-7\">Essen (Alfried Krupp Saal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Paride ed Helena<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Akademie f\u00fcr Alte Musik<\/td><td class=\"column-6\">Michael Hofstetter<\/td><td class=\"column-7\">Augsburg (Internationale Gluck-Opern-Festspiele)<\/td><td class=\"column-8\">konzertant, 9.5. Bayreuth, 10.5. F\u00fcrth<\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">Francesco<\/td><td class=\"column-2\">Filidei<\/td><td class=\"column-3\">Finito ogni gesto, Esercizio di pazzia I<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">ensemble XXI. jahrhundert<\/td><td class=\"column-6\">Peter Burwik<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Francesco Corti, Regie: Kirill Serebrennikov\u00a0<\/td><td class=\"column-7\">Amsterdam (Stichting Nationale Opera &amp; Ballet)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">saphir und haut Nr. 3 f\u00fcr Sopran und Inside Piano<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">Lisa-Maria Lebitschnis (Sopran), Amelie Warner (Klavier) <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Augsburg (Staatliches Textilmuseum) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Schwanensee<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Svetoslav Borisov, Choreographie: Stefano Giannetti<\/td><td class=\"column-7\">Dessau<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Tonhalle Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Bisatti, Regie: Suzanne Andrade, Barrie Kosky<\/td><td class=\"column-7\">Lille<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Julia Jones, Regie: Robert Carsen<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Ottawa Bach Choir<\/td><td class=\"column-6\">Lisette Canton<\/td><td class=\"column-7\">Ottawa (Knox Presbyterian Church)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Johannes Klumpp, Regie: Nora Krahl<\/td><td class=\"column-7\">Gelsenkirchen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">Ernst<\/td><td class=\"column-2\">Krenek<\/td><td class=\"column-3\">Fl\u00f6tenst\u00fcck neunphasig, f\u00fcr Fl\u00f6te und Klavier <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">\u0153nm . \u0153sterreichisches ensemble fuer neue musik<\/td><td class=\"column-6\">Rupert Huber<\/td><td class=\"column-7\">Salzburg (Schloss Frohnburg)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester<\/td><td class=\"column-6\">Alena Hron<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Das kalte Herz<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Kammerorchester Metzingen<\/td><td class=\"column-6\">Oliver Bensch<\/td><td class=\"column-7\">Metzingen (Stadthalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Orchester Opernhaus Z\u00fcrich<\/td><td class=\"column-6\">Yves Abel<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Alexander Soddy, Regie: Richard Jones<\/td><td class=\"column-7\">London (Royal Opera House)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andreas Spering, Regie: Wolfgang Berthold<\/td><td class=\"column-7\">Brandenburg<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\">Rotterdams Philharmonisch Orkest<\/td><td class=\"column-6\">Jukka-Pekka Saraste<\/td><td class=\"column-7\">Rotterdam (de Doelen)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Deidamia <\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">George Petrou, Regie: George Petrou<\/td><td class=\"column-7\">G\u00f6ttingen (Internationale H\u00e4ndel-Festspiele, Deutsches Theater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Monad\u2019s face f\u00fcr Sopran, Bassklarinette und Violoncello<\/td><td class=\"column-4\">16.05.2026<\/td><td class=\"column-5\">Sara Wiljaars (Sopran), N.N. (Bassklarinette), N.N. (Violoncello)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Hochschule f\u00fcr Musik Hanns Eisler)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">La bianca notte<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\">Klangforum Wien<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Katowice (Katowice Culture Nature Festival, NOSPR Concert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">Emmanuel<\/td><td class=\"column-2\">Chabrier<\/td><td class=\"column-3\">L\u2019Etoile<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Nicolas Kruger, Regie: Matthew Eberhardt<\/td><td class=\"column-7\">Eindhoven (Parktheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">Winfried Zillig: Rosse \/<\/td><td class=\"column-2\">Ruggero Leoncavallo: Pagliacci<\/td><td class=\"column-3\"><\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Mark Rohde, Regie: Roman Hovenbitzer<\/td><td class=\"column-7\">W\u00fcrzburg (Theaterfabrik Blaue Halle)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Le Docteur Miracle<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Anton Legkii, Regie: Claudia Pla\u00dfwich<\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">18.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Cluj-Napoca (Academia Nationala de Muzica Gheorge Dirna)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">20.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Willy Decker<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">Tre duetti con l\u00b4eco<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Ensemble Aventure<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Freiburg (Elisabeth Schneider Stiftung)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die drei kleinen Schweinchen<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Staatsorchester Darmstadt<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\">auch 22.\/23.5.<\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">L\u00e9lio ou Le retour \u00e0 la vie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Helsingborg Symphony Orchestra<\/td><td class=\"column-6\">Maxime Pascal<\/td><td class=\"column-7\">Helsingborg (Konserthus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Vinicius Kattah, Regie: Jiri Herman<\/td><td class=\"column-7\">Bratislava (Nationaltheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">Jean-Philippe<\/td><td class=\"column-2\">Rameau<\/td><td class=\"column-3\">Les Bor\u00e9ades<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">a nocte temporis<\/td><td class=\"column-6\">Reinoud Van Mechelen<\/td><td class=\"column-7\">Dortmund (Orchesterzentrum)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Lieux retrouv\u00e9s<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">RSO Wien<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Fort Worth Symphony Orchestra<\/td><td class=\"column-6\">Robert Spano<\/td><td class=\"column-7\">Fort Worth (Bass Performance Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Dietger Holm, Regie: Magdalena Fuchsberger<\/td><td class=\"column-7\">Heidelberg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Orchestre et ch\u0153ur Op\u00e9ra National de Paris<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Paris (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Zsolt Jank\u00f3, Regie: Mikl\u00f3s H. Vecsei<\/td><td class=\"column-7\">Budapest<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Benjamin Bayl, Regie: Agn\u00e8s Jaoui<\/td><td class=\"column-7\">Montpellier<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-62\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Kirche St. Michael)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-63\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">La Maitrise de Toulouse<\/td><td class=\"column-6\">Mark Opstad<\/td><td class=\"column-7\">Gramat (\u00c9glise Saint-Pierre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-64\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Vlaams Radiokoor, Orkest van de Achttiende eeuw<\/td><td class=\"column-6\">Bart van Reyn<\/td><td class=\"column-7\">Breda (Chasse Theater)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-65\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Prague Symphony Orchestra<\/td><td class=\"column-6\">Tom\u00e1s Netopil<\/td><td class=\"column-7\">Prag (Festival Prager Fr\u00fchling, Obecn\u00ed dum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-66\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">28.05.2026<\/td><td class=\"column-5\">Orchestra del Maggio Musicale Fiorentino<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Florenz (Teatro del Maggio)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-67\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Keren Kagarlitsky, Regie: Wim Vandekeybus<\/td><td class=\"column-7\">Antwerpen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-68\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Elena Salvatierra, Regie: Marta Eguilior<\/td><td class=\"column-7\">Cadiz (Teatro Villamarta)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-69\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">30.05.2026<\/td><td class=\"column-5\">Vocal ensembles\u00a0ardent\u00a0and\u00a0suppl\u00e9ments musicaux<\/td><td class=\"column-6\">Patrick Secchiari, Moritz Achermann<\/td><td class=\"column-7\">Bern (\u00c9glise francaise)<\/td><td class=\"column-8\">auch 31.5.<\/td>\n<\/tr>\n<tr class=\"row-70\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">6. Symphonie<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Tomas Hanus<\/td><td class=\"column-7\">Prag (Gemeindehaus)  <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-71\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Chor des Theater L\u00fcbeck, Philharmonisches Orchester Hansestadt L\u00fcbeck<\/td><td class=\"column-6\">Stefan Vladar<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-72\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo McFall, Regie: Uwe Eric Laufenberg<\/td><td class=\"column-7\">Wiesbaden (Maifestspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-73\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Zweimal Alexander<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Irene Delgado-Jim\u00e9nez, Regie: Anna Bernreitner<\/td><td class=\"column-7\">Wien (Theater an der Wien)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-74\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\">BBC Singer, Ma\u00eetrise de Notre-Dame<\/td><td class=\"column-6\">Sofi Jeannin,\u00a0Henri Chalet<\/td><td class=\"column-7\">Paris (Notre Dame)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-75\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">03.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Equilbey, Regie: Florent Siaud<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-76\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Der Mistk\u00e4fer<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\">Johannes Merz (Erz\u00e4hler), Kammerphilharmonie L\u00fcbeck<\/td><td class=\"column-6\">Emanuel Dantscher<\/td><td class=\"column-7\">L\u00fcbeck (Kolosseum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-77\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Rinaldo<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Hofstetter, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-78\">\n\t<td class=\"column-1\">Jir\u00ed Anton\u00edn (Georg Anton)<\/td><td class=\"column-2\">Benda<\/td><td class=\"column-3\">Medea <\/td><td class=\"column-4\">06.06.2026<\/td><td class=\"column-5\">Doerthe Maria Sandmann (Sprecherin), Barockorchester der Th\u00fcringen Philharmonie Gotha<\/td><td class=\"column-6\">Alexej Barchevitch<\/td><td class=\"column-7\">Eisenach (Landestheater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-79\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Ch\u0153ur de l\u2019Op\u00e9ra de Tours, Orchestre symphonique R\u00e9gion Centre-Val de Loire\/Tours<\/td><td class=\"column-6\">David Jackson<\/td><td class=\"column-7\">Tours (Grand Th\u00e9atre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-80\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">konzertant, auch 12.6. W\u00fcrzburg<\/td>\n<\/tr>\n<tr class=\"row-81\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">10.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Cummings, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-82\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Orquestra de Valencia<\/td><td class=\"column-6\">Francesco Corti, Regie: Beno\u00eet De Leersnyder<\/td><td class=\"column-7\">Valencia<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-83\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">W\u00fcrzburg (Kaisersaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-84\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Aci, Galatea e Polifemo<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Ren\u00e9 Jacobs<\/td><td class=\"column-7\">Halle (Marktkirche) <\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-85\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">David Bates, Regie: Robert Carsen<\/td><td class=\"column-7\">Rouen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-86\">\n\t<td class=\"column-1\">Anders<\/td><td class=\"column-2\">Hillborg<\/td><td class=\"column-3\">Sound Atlas<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">NDR Elbphilharmonie Orchester<\/td><td class=\"column-6\">Ryan Bancroft<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-87\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Claudio Novati, Regie: Felix Schr\u00f6dinger<\/td><td class=\"column-7\">Detmold  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-88\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Tell it or shout f\u00fcr Fl\u00f6te und Harfe<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Elizaveta Birjukova, Fl\u00f6te, Christina Engelke (Harfe)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Jena (K\u00fcnstlerische Abendschule)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-89\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Feldmesse<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\">M\u00fcnchner Philharmoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">M\u00fcnchen (Isarphilharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-90\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Il trionfo del Tempo e del Disinganno<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Simone De Felice, Regie: Katharina Kastening<\/td><td class=\"column-7\">Frankfurt (Bockenheimer Depot)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-91\">\n\t<td class=\"column-1\">Jindrich<\/td><td class=\"column-2\">Feld<\/td><td class=\"column-3\">Konzert f\u00fcr Fl\u00f6te und Orchester<\/td><td class=\"column-4\">15.06.2026<\/td><td class=\"column-5\">Daniela Koch (Fl\u00f6te), Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Konzerthalle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-92\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">17.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo Mc Fall, Regie: Marie-\u00c8ve Signeyrole<\/td><td class=\"column-7\">Wiesbaden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-93\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\">Konzerthausorchester<\/td><td class=\"column-6\">Ivan Fischer<\/td><td class=\"column-7\">Berlin (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-94\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Janis Liepins, Regie: Cordula D\u00e4uper <\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-95\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">G\u00e1bor Hontv\u00e1ri, Regie: Benjamin Prins<\/td><td class=\"column-7\">Sondershausen (Schloss)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-96\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Litanei f\u00fcr Sopran, Bassklarinette und Streichquartett (UA)\/canti della tenebra. F\u00fcnf Lieder f\u00fcr Mezzosopran und Klavier<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Nicholas\u2019 Church of Ireland)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-97\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Royal Liverpool Philharmonic Orchestra<\/td><td class=\"column-6\">Domingo Hindoyan<\/td><td class=\"column-7\">Liverpool (Philharmonic Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-98\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">in mia vita da vuolp f\u00fcr Bariton-Saxophon und Sopran\/Lot\u00f3fagos f\u00fcr Sopran und Kontrabass\/Prophezeiungen f\u00fcr Alt, Kontrabassklarinette und Akkordeon <\/td><td class=\"column-4\">20.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Vincent\u2019s Chapel)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-99\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Susanna<\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Collegium 1704 <\/td><td class=\"column-6\">V\u00e1clav Luks<\/td><td class=\"column-7\">Litomysl (Schlosshof)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-100\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Chelsea Opera Group<\/td><td class=\"column-6\">Paul Wingfield<\/td><td class=\"column-7\">London (Cadogan Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-101\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Klavierkonzert<\/td><td class=\"column-4\">24.06.2026<\/td><td class=\"column-5\">Kirill Gerstein (Klavier), Tonhalle Orchester<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-102\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Rias Kammerchor<\/td><td class=\"column-6\">Peter Dijkstra<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-103\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lidiya Yankovskaya, Regie: Max Webster <\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-104\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">27.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Guggeis, Regie: Andrea Moses<\/td><td class=\"column-7\">Berlin (Staatsoper Unter den Linden)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-105\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leonardo Garcia Alarcon, Regie: Cl\u00e9ment Cogitore<\/td><td class=\"column-7\">Aix-en-Provence (Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-106\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ariodante<\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Beaune (Festival Baroque, Hotel-Dieu)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-107\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix P\u00e4tzold, Regie: Immo Karaman<\/td><td class=\"column-7\">Kiel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-108\">\n\t<td class=\"column-1\">George<\/td><td class=\"column-2\">Benjamin<\/td><td class=\"column-3\">Three Consorts <\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Kent Nagano<\/td><td class=\"column-7\">Kl\u00fctz (Festspiele Mecklenburg-Vorpommern, Schloss Bothmer)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-109\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsche Staatsphilharmonie Rheinland-Pfalz<\/td><td class=\"column-6\">Michael Francis<\/td><td class=\"column-7\">Speyer (Ged\u00e4chtniskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-110\">\n\t<td class=\"column-1\">Giselher<\/td><td class=\"column-2\">Klebe<\/td><td class=\"column-3\">Mignon<\/td><td class=\"column-4\">07.07.2026<\/td><td class=\"column-5\">Detmolder Kammerorchester<\/td><td class=\"column-6\">Stanley Dodds<\/td><td class=\"column-7\">Detmold (Hochschule f\u00fcr Musik) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-111\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">16.07.2026<\/td><td class=\"column-5\">Schleswig-Holstein Festival Orchestra<\/td><td class=\"column-6\">Andrew Manze<\/td><td class=\"column-7\">Elmshorn (Stiftung Schleswig-Holstein Musik Festival)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-112\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">jag die hunde zur\u00fcck!<\/td><td class=\"column-4\">20.07.2026<\/td><td class=\"column-5\">Accademia Musicale Chigiana<\/td><td class=\"column-6\">Lorenzo Donati<\/td><td class=\"column-7\">Siena (Chiesa della Ss. Annunziata)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-113\">\n\t<td class=\"column-1\">Anton\u00edn <\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Petr Popelka, Regie: Martin Kusej <\/td><td class=\"column-7\">M\u00fcnchen (M\u00fcnchner Opernfestspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-114\">\n\t<td class=\"column-1\">Georges <\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen, Fassung 1874<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Fabio Luisi, Regie: Denis Krief<\/td><td class=\"column-7\">Martina Franca (Festival della Valle d\u2019Itria)<\/td><td class=\"column-8\">Szenische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-115\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">29.07.2026<\/td><td class=\"column-5\">Orchestre Symphonique de la Monnaie<\/td><td class=\"column-6\">Alain Altinoglu<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-116\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\">Studierende der Orchesterakademie<\/td><td class=\"column-6\">L\u00fc Jia<\/td><td class=\"column-7\">Lugano (Palazzo dei Congressi)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-117\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Evan Rogister, Regie: David McVicar<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-118\">\n\t<td class=\"column-1\">L'ubica<\/td><td class=\"column-2\">Cekovska<\/td><td class=\"column-3\">Maison de la musique en sept p\u00e9riodes<\/td><td class=\"column-4\">01.08.2026<\/td><td class=\"column-5\">Japan Century Symphony Orchestra<\/td><td class=\"column-6\">Andreas Ottensamer<\/td><td class=\"column-7\">Osaka<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-119\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Le Concert d\u2019Astr\u00e9e<\/td><td class=\"column-6\">Emmanuelle Haim<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-120\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Joana Mallwitz, Regie: Christof Loy<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-121\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">K\u00f6nig Karotte<\/td><td class=\"column-4\">09.08.2026<\/td><td class=\"column-5\">Mattias Straub (Erz\u00e4hler), Orchester der Sommeroperette Heldritt<\/td><td class=\"column-6\">Manuel Grund <\/td><td class=\"column-7\">Bad Rodach (Waldb\u00fchne Heldritt)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-122\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">15.08.2026<\/td><td class=\"column-5\">London Symphony Chorus and Orchestra<\/td><td class=\"column-6\">Antonio Pappano<\/td><td class=\"column-7\">London (Proms, Royal Albert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-123\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Orlando Paladino<\/td><td class=\"column-4\">28.08.2026<\/td><td class=\"column-5\">Orfeo Orchestra<\/td><td class=\"column-6\">Gy\u00f6rgy Vashegyi<\/td><td class=\"column-7\">Fert\u00f6d (Haydneum Concerts at Esterh\u00e1zy Palace)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-124\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marie Jacquot, Regie: Tatjana G\u00fcrbaca<\/td><td class=\"column-7\">Kopenhagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-125\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die verlorene Melodie <\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\">Staatskapelle Weimar<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Weimar (Theaterfest)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-126\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie in c-Moll<\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Gewandhausorchester<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-127\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">18.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Sch\u00f6nwandt, Regie: Krzysztof Warlikowski<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-128\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Mitridate, re di Ponto <\/td><td class=\"column-4\">24.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Frizza, Regie: Claus Guth<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-129\">\n\t<td class=\"column-1\">Fromental<\/td><td class=\"column-2\">Hal\u00e9vy<\/td><td class=\"column-3\">La Juive<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix Bender, Regie: Marco Storman<\/td><td class=\"column-7\">Ulm<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-130\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">09.10.2026<\/td><td class=\"column-5\">Orchestra del Teatro di San Carlo<\/td><td class=\"column-6\">Iv\u00e1n L\u00f3pez-Reynoso<\/td><td class=\"column-7\">Neapel (Teatro di San Carlo)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-131\">\n\t<td class=\"column-1\">Charles<\/td><td class=\"column-2\">Gounod<\/td><td class=\"column-3\">Faust<\/td><td class=\"column-4\">20.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniele Rustioni, Regie: Johannes Erath<\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-132\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-133\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">hr-Sinfonieorchester<\/td><td class=\"column-6\">Michael Wendeberg<\/td><td class=\"column-7\">Frankfurt (hr-Sendesaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-134\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk f\u00fcr Orchester<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Pierre Bleuse<\/td><td class=\"column-7\">Basel (Stadtcasino)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-135\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.11.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Roberto Abbado<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-136\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">06.12.2026<\/td><td class=\"column-5\">Erik Br\u00fcnner (Sprecher), Jugendsinfonieorchester Heinrich-Sch\u00fctz-Konservatorium, Dresdner Philharmonie<\/td><td class=\"column-6\">Milko Kersten<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\">auch 7.12.<\/td>\n<\/tr>\n<tr class=\"row-137\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">17.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Bertrand de Billy, Regie: Lydia Steier<\/td><td class=\"column-7\">Wien (Staatsoper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-138\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Tha\u00efs<\/td><td class=\"column-4\">18.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pierre Dumoussaud, Regie: Olivier Lepelletier-Leeds<\/td><td class=\"column-7\">Li\u00e8ge<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Works<\/span><\/h3><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1719549754552-c28004d8-9be9\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1719549754552-c28004d8-9be9\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09750-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09751-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11151-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09768-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1719549754591-1ff7a0f4-10c4\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo \/ Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1719549754591-1ff7a0f4-10c4\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11178-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11177-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11117-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1719549988559-cdb101a1-cc37\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Ensemble<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1719549988559-cdb101a1-cc37\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11760-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11139-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11138-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1719550061990-7ee21066-dc13\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Chamber Music<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1719550061990-7ee21066-dc13\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11060\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>In Vorbereitung \/ Auf Anfrage<\/p>\n<p><strong>Streichquartett Nr. 2 \u201eDistanzenquartett\u201c<\/strong><br \/>(2009). BA 11047. 15 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 23. April 2009, Basel: Amar Quartett<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1719550152226-35531bfb-1253\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Other Works<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1719550152226-35531bfb-1253\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Distributed by Schweizer Musikedition \/ Edition suisse musicale<br \/>www.musicedition.ch<\/p>\n<p><strong>Under Pressure<\/strong> (1996\/97) 16&#8242;<br \/>f\u00fcr Tenorsaxophon und Orchester (3 (1. auch Picc), 3, Engl-Hn, 3 (1. auch B-Klar), 2, Co-Fag &#8211; 4,3,2, B-Pos, 0 &#8211; Schlgz(2-3) &#8211; Hfe &#8211; min: 8,6,4,4,2)<\/p>\n<p><strong>Musica Empirica<\/strong> (1997\/98) 9&#8242;<br \/>f\u00fcr Sopransaxophon und Gitarre<\/p>\n<p><strong>Geh\u00f6rte Form &#8211; Hommages<\/strong> (1998) 18&#8242;<br \/>f\u00fcr Violine, Bratsche und Violoncello<\/p>\n<p><strong>Grooves- fitting one<\/strong> (2000) 15&#8242;<br \/>f\u00fcr Kammerorchester (1 (Picc),2,0,2 (Co-Fag) &#8211; 2,0,0,0 &#8211; Schlgz (1-2) &#8211; 6,5,4,4,2)<\/p>\n<p><strong>A (tenir) tension<\/strong> (2002\/03) 11&#8217;30<br \/>Trio f\u00fcr Fl\u00f6te, Marimbaphon, Vibraphon und Perkussionsinstrumente<\/p>\n<p><strong>Geborstener Satz<\/strong> (2003) 12&#8217;30<br \/>f\u00fcr Streichquartett<\/p>\n<p><strong>d&#8217;accord(s)<\/strong> (2004) 7&#8217;30<br \/>f\u00fcr 2 Altsaxophone<\/p>\n<p><strong>Eine Minute f\u00fcr zwei Fanfaren<\/strong> (2004) 1&#8217;30<br \/>f\u00fcr Horn in F<\/p>\n<p><strong>Apr\u00e8s le silence<\/strong> (2005) 18&#8242;<br \/>f\u00fcr Violine, Violoncello und Klavier<\/p>\n<p><strong>stellen<\/strong> (2008) 10&#8217;30<br \/>f\u00fcr 14 Streicher (8,3,2,1)<\/p>\n<p><strong>Venite a dire \/ Raummusik<\/strong> (2010) 14&#8242;<br \/>2 Madrigale<br \/>f\u00fcr 12 Solostimmen (3S, 3A, 3T, 3B)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-60 grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-sm-column-1 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Interview<\/span><\/h2><h3 class=\"grve-element grve-title grve-align-left grve-h4 grve-text-primary-2\"><span><br>\n<h1>Wrestling with freedom<\/h1>\n<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t<p><strong>The Swiss composer Dieter Ammann<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t<div class=\"grve-element grve-text\">\r\n\t\t\t<p><em>takte: Dieter Ammann, what are the most important works you have composed to date? Have there been stages or turning points in your composing?<br \/>\n<\/em><br \/>Ammann: I must begin by saying that it is important to me to develop a personal style, naturally not in order to repeat oneself, but rather in order to find a way in one\u2019s chosen direction. There are a few turning points: one was after the first two pieces which were still characterised by serial thinking, \u201cDevelopments\u201d (1993) and \u201cpiece for cello\u201d (1994\/1998). In the cello piece the pitches are still treated very strictly, however, I was already working intuitively both rhythmically and in instrumental colour. And in its use of pitch, \u201cRegard sur les traditions\u201c (1995) can also be easily explained. After that, it became more and more intuitive. In \u201cThe Freedom of Speech\u201c (1995\/96), this freedom was already on the agenda, although the title is also concerned with the death of my father. Here for the first time, I have chosen a route which is sometimes laborious, of composing the introduction and developing what follows out of it.<\/p>\n<p>Then for me, there are pieces where I\u2019ve personally progressed: firstly \u201dGeh\u00f6rte Form \u2013 Hommages\u201c (1998). I had seven months to work on this in Weimar, and this is reflected in the time dimensions and the tonal elaboration of these three string instruments. The next steps came a little later with \u201cViolation\u201c (1998\/99), where the relationship between solo instruments and ensemble was a central theme. Then come three orchestral pieces: in \u201cBoost\u201c (2000\/01), I unambiguously referred to \u201cGrooves\u201c (2000), and in \u201cCore\u201c (2002) I again referred to Boost. Finally, in the piano trio \u201cApr\u00e8s le silence\u201c (2004\/05) I have pushed the boundaries even further in the breadth of expression. Then bringing these extremes together under an arch, without the music dividing up, was a step forwards for me.<\/p>\n<p><em>You\u2019ve used terms such as scene change, that\u2019s to say, you\u2019ve used theatrical terms to describe your music. Many composers take literary works as inspiration, or works of fine art for the structure or emotional themes. Do you have such interests?<br \/>\n<\/em><br \/>For me, music for me is exactly the medium which doesn\u2019t need to convey any content apart from itself. I therefore don\u2019t take such stimuli as my starting point. What I attempt is to translate my acoustic concept into a form which is also meaningful, or at least stimulating, for others. These are always pure acoustic perceptions, inherent musical events.<br \/><em><br \/>\nIn your music, you frequently develop extreme contrasts of tension, juxtapose structures which form a rapid interplay \u2013 for instance between very energetic, eventful and very peaceful zones, and these build up from extremely complex stratified individual events.<br \/>\n<\/em><br \/>This is connected with my personal fondness for fashioning from musical processes. I\u2019m an impatient person and like it when I\u2019m surprised, when as a listener, I\u2019m alternately thrown onto a roller coaster of musical events and am carried away by it. Music which grabs my attention means more to me than something where I have to open seventeen doors before I can find out what it\u2019s about, what the composer\u2019s on about. That\u2019s to say, when I write, then it\u2019s always also for me as a listener, but that\u2019s naturally a subjective process. At any rate, this curiosity and impatience has led to the fact that, with the exception of two pieces, I have stopped working with a material in long processes and examining it in all its facets. It\u2019s much more the case that certain rules which I give myself, only apply selectively from time to time. When I notice that I would prefer a quite different acoustic outcome, I take some time off and modify or abandon the material. On the one hand this is a liberation, on the other hand you can\u2019t hide behind the academic art of material treatment and illumination, because you have to decide make your own mind up whether this idea, this sound visualisation stands up to scrutiny and justifies itself. These are extremely subjectively located tonal concepts, which I then attempt to portray in a material most suitable to this concept. Therefore there are also tonal shapes in my mind, sometimes spaces in which dissonance and consonance are distinguishable \u2013 then once again the complete chromatic range up to quarter tones, which I then interpret as a further differentiation of the chromatic. I find it exciting to shape something direct, something haptic, and despite that to create musical depth in the spatial sense, so that with repeated listening you can perceive things behind it, which you were completely unaware of at first hearing.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-sm-column-1 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-center\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 2560px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 66.523%;\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1703\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann-Dieter-2022-Foto-Hochschule-Luzern-1-scaled.jpg\" class=\"attachment-full size-full\" alt=\"Dieter Ammann during an interview 2022\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann-Dieter-2022-Foto-Hochschule-Luzern-1-scaled.jpg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann-Dieter-2022-Foto-Hochschule-Luzern-1-scaled.jpg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-text\">\r\n\t\t\t<p><em>People probably often ask you about your interest in jazz. It\u2019s clear that improvising is something other than composing. Despite that, there are indeed connections.<br \/>\n<\/em><br \/>Through my father, who was a scientist and teacher, my approach to music was firstly through playing, then through listening. And even now, notation is always a distraction for me. I believe I have a different relationship to rhythmic aspects. There has been, and still is, a great deal of new music which is never allowed to pulsate. I no longer know exactly which composer made the remark that the problem with new music was that everything was rubato. In addition to this, people can tell my background as a performing musician from my treatment of instruments. It is important to me that, although the boundaries are tested in terms of playing technique, the music remains realisable. At the same time I have noticed that my intention very often coincides with the technical possibilities of the instrument, that I somehow feel and think out of the instrument. A characteristic of improvised music is also, that at almost every moment it is constructed as a dialogue. I also try to realise this principle of action-reaction in composed music between instrumental groups or individual instruments, and perhaps it also seems to be so lively for that reason.<\/p>\n<p><em>Finally, a very general question: do you need to compose?<br \/>\n<\/em><br \/>I actually began to compose because of an enquiry I received. I would never write without a commission. But, when I compose, I am so engrossed in it that a piece runs through my life for months, like a leitmotif. It can happen that I work for a year on fifteen minutes of music. I\u2019m also a family man, love my children and wife very much, and am happy teaching. But when I compose, I can enter into a sound world for months, and meanwhile, I have a great need for that. Something else should be mentioned: I have the feeling that I have something to say in composed music, which others would say differently, or not say at all. I believe that I have something to contribute there, which is worth devoting myself to for the rest of my life. Indeed, I wasn\u2019t a composer in the strict sense of the word until I was thirty years old, rather I was an interpreter, an instrumentalist. Naturally I developed pieces in bands, but that\u2019s something other than \u201cacademic composing\u201d. Here is something independent, which really contains something of me, something personal.<\/p>\n<p><em>A brief look ahead: what are your next projects?<br \/>\n<\/em><br \/>In the next few months, I\u2019ll be busy on my second string quartet. In addition, my teaching commitments at the Musikhochschulen in Lucerne and Berne absorb a lot of time and energy. In spring 2009 I\u2019ve accepted an invitation to be composer-in-residence at the Swiss festival \u201dles mus\u00e9iques\u201d and I\u2019ll also be presenting my work as a musician in the Freefunk area. For 2010 another invitation from a major festival is lined up. With the commissioned work associated with this, I\u2019m taking on a compositional task which I\u2019ve already had in mind for a long time: to write a piece for orchestra which is calm for most of the time, and which is capable of forming a convincing trilogy with my two orchestral works Boost and Core.<\/p>\n<p>In conversation with Marie Luise Maintz<\/p>\n<p>from: takte 2\/2008<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-carousel\">\r\n\t<div class=\"grve-carousel-wrapper\">\r\n\t\t\t<div class=\"grve-carousel-navigation grve-navigation-arrow-1\">\r\n\t\t<div class=\"grve-carousel-buttons\">\r\n\t\t\t<div class=\"grve-carousel-prev\"><div class=\"grve-svg-icon grve-direction-left grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t\t<div class=\"grve-carousel-next\"><div class=\"grve-svg-icon grve-direction-right grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t<div data-items=\"3\" data-items-tablet-landscape=\"2\" data-items-tablet-portrait=\"2\" data-items-mobile=\"1\" data-slider-autoplay=\"yes\" data-pagination=\"yes\" data-slider-loop=\"yes\" data-slider-speed=\"3000\" data-slider-pause=\"no\" data-pagination-speed=\"400\" data-gutter-size=\"40\" class=\"grve-carousel-element grve-blog-carousel grve-blog-columns grve-with-gap grve-classic-carousel\">\r\n\t\t\t<article class=\"grve-carousel-item post-18879 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Appearance versus reality<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Appearance versus reality<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>\u013dubica \u010cekovsk\u00e1\u2018s opera \u201cDorian Gray\u201d in Annaberg-Buchholz\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-31T08:31:38+02:00\">31. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-31T12:50:12+02:00\">31. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18838 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The Swiss composer is composer-in-residence\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-24T14:34:38+01:00\">24. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-24T14:38:11+01:00\">24. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18817 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Three musicians play their way to the top<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Three musicians play their way to the top<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter awards a special prize at the Bach Competition, Leipzig\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-23T13:19:42+01:00\">23. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-23T13:49:14+01:00\">23. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18690 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Pianists at the start of their careers<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Pianists at the start of their careers<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg (Photo: from left to right: Bogdan Dugali\u0107, Elisey Mysin, Anastasiia Kliuchereva, photo: Michael Klimt)    \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-23T10:12:12+01:00\">23. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-23T10:16:00+01:00\">23. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18592 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Young international violin stars<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Young international violin stars<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-16T11:14:59+01:00\">16. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T11:17:52+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18577 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">On the death of Helmuth Rilling<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>On the death of Helmuth Rilling<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>A life with Bach \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-13T08:33:14+01:00\">13. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T07:21:10+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18545 post type-post status-publish format-standard has-post-thumbnail hentry category-complete-edition category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Milestone Reached in Halle<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-29T14:33:29+01:00\">29. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-29T14:37:26+01:00\">29. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18477 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Mourning Peter Hanser-Strecker<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Mourning Peter Hanser-Strecker<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The long-serving publisher and Chief Executive Officer of Schott Music, Peter Hanser-Strecker passed away\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-23T13:12:20+01:00\">23. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-23T14:30:41+01:00\">23. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18433 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Piero Ostali died<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp 512w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-500x500.webp 500w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Piero Ostali died<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>Piero Ostali, Owner and Managing Director of Casa Musicale Sonzogno, has died unexpectedly\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >512<\/span>\r\n\t\t\t   <span itemprop='width' >512<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-09T06:37:43+01:00\">9. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-09T12:48:54+01:00\">9. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18415 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Jonathan Del Mar turns 75<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp 1080w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Jonathan Del Mar turns 75<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>English musicologist and conductor Jonathan Del Mar turns 75. His Beethoven editions opened a new chapter in the service of musical practice.\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1080<\/span>\r\n\t\t\t   <span itemprop='width' >1080<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-07T08:27:22+01:00\">7. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-07T14:00:57+01:00\">7. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n"},"excerpt":{"rendered":"<div class=\"grve-section grve-row-section grve-fullwidth-background grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#707070;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section composer-header grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-5-12 grve-wpb-1715857276604 grve-vertical-position-middle grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-left\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 500px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 150.2%;\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"751\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann-500px.webp\" class=\"attachment-full size-full\" alt=\"Portrait picture of Dieter Ammann\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann-500px.webp 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann-500px.webp 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-7-12 grve-wpb-1715857422252 grve-vertical-position-middle grve-with-bg-transparent grve-align-center\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h1 class=\"grve-element grve-title grve-align-center grve-page-title grve-text-white\"><span>Dieter Ammann<\/span><\/h1><div class=\"grve-element grve-text grve-small-text\">\r\n\t\t\t<p><a href=\"https:\/\/www.dieterammann.ch\" target=\"_blank\" rel=\"nofollow noopener\">www.dieterammann.ch<\/a><\/p>\n\r\n\t\t<\/div>\r\n\t<div class=\"grve-empty-space grve-height-1x\"><\/div><div class=\"grve-element grve-image grve-align-center signature-witdh-100\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-svg-thumbnail-wrapper\"><div class=\"grve-svg-thumbnail\"><img decoding=\"async\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann_u_weiss-1.svg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann_u_weiss-1.svg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann_u_weiss-1.svg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-4x grve-padding-bottom-4x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Biography<\/span><\/h2><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Dieter Ammann was born in Aarau in 1962. He grew up in a very musical family. After graduating from high school, he studied school music\/conducting (Lucerne) and at the same time completed a course at the Swiss Jazz School in Bern. The 1980s and early 90s were characterized by Europe-wide concert activities and recordings in the field of jazz\/improvised music, with artists as diverse as Eddie Harris (CD Yeah, you right) and Udo Lindenberg.<\/p>\n<p>This was followed by studies in theory\/composition at the Basel Music Academy (Roland Moser, Detlev M\u00fcller-Siemens) with courses with Witold Lutoslawski, Wolfgang Rihm, Dieter Schnebel and Niccolo Castiglioni.<\/p>\n<p>At the age of 30, he turned to composition. Due to his scrupulous and slow approach to his work, a commissioned work can take two years or more to complete. He has received numerous national and international awards for his chamber music and orchestral works, including grants from the Aargau Board of Trustees, the Canton of Lucerne, the Franz Liszt Scholarship from the \u201cWeimar European Capital of Culture\u201d Foundation, the main prize from the IBLA Foundation New York (in honor of L. Berio) and the \u201cYoung composers in Europe\u201d competition (Leipzig), the Ernst von Siemens Prize for Composition, the Swiss Music Prize and the AZ Media Prize for Culture.<\/p>\n<p>Master classes have taken him to the universities of Cologne, Weimar, Karlsruhe, St. Petersburg, New York University, Rosario and La Plata, among others. He is in demand as a lecturer at the International Impulse Academy Graz or, together with Wolfgang Rihm, at the Composers Seminar of the Lucerne Festival Academy and leads a composition class at the Lucerne School of Music.<\/p>\n<p>Ammann has received invitations as composer-in-residence to festivals such as the Davos Festival, Les Mus\u00e9iques Festival, the Lucerne Festival, Wittener Tage f\u00fcr neue Kammermusik, Sommerliche Musiktage Hitzacker, the ReMusica Festival St. Petersburg, Tongyeong International Music Festival and the Weywuying Festival.<br \/>In addition to the renowned Swiss orchestras (Tonhalle, Philharmonia Zurich, Lucerne, Basel, Bern, Suisse Romande), his works have been performed by orchestras such as the Boston Symphony Orchestra, BBC Symphony Orchestra, Philharmonia London, Helsinki Philharmonic, Mariinsky Symphony, Munich Philharmonic, Vienna Symphony Orchestra, Munich Chamber Orchestra, DSO Berlin, WDR, Lucerne Festival Contemporary Orchestra, Klangforum Wien, Ensemble Modern Orchestra, Ensemble intercontemporain, Quatuor Diotima, Mondrian Ensemble, ensemble recherche, conducted by Pierre Boulez, George Benjamin, Jonathan Nott, Baldur Br\u00f6nnimann, Sylvain Cambreling, James Gaffigan, Valery Gergiev, Pablo Heras-Casado, Susanna M\u00e4lkki, Sakari Oramo, Matthias Pintscher, Emilio Pomarico, David Robertson, Peter Rundel, Michael Sanderling, Markus Stenz, Mario Venzago and many others.<br \/>Artists such as Carolin Widmann, Andreas Haefliger, Michael Barenboim, Tabea Zimmermann, Nils M\u00f6nkemeyer, and Maximilian Hornung interpret his solo pieces and concertos.<\/p>\n<p>Ammann\u2019s works are published by B\u00e4renreiter Verlag and Swiss Music Edition SME\/musinfo.ch<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-4x grve-padding-bottom-1x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#e8ede8;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-2  grve-tablet-column-2-3 grve-tablet-sm-column-2-3 grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Vita<\/h3><\/div><div class=\"grve-accordion-content biographie\" id=\"1594660430213-c4485d8e-1f27cda3-e6daaaef-86c175b2-50ac\"><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-ammann-en-no-3\" class=\"tablepress tablepress-id-ammann-en two-column-table\">\n<tbody>\n<tr class=\"row-1\">\n\t<td class=\"column-1\">1962<\/td><td class=\"column-2\">Born on 17 May in Aarau, Switzerland. First piano lessons at pre-school age, later self-taught on the trumpet. During secondary school learnt piano and guitar.<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">from 1982<\/td><td class=\"column-2\">Course at the Akademie f\u00fcr Schul- und Kirchenmusik in Lucerne, at the same time as gaining diplomas in school music teaching (main study: conducting)<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">1983-84<\/td><td class=\"column-2\">Jazz School in Bern (general department)<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">1986<\/td><td class=\"column-2\">Period in Berlin as a freelance musician (particularly improvised music)<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">1988-92<\/td><td class=\"column-2\">Degree course in theory and composition at the Musikakademie Basel<br>from 1991<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">from 1991<\/td><td class=\"column-2\">Began working as a composer, attending courses with W. Rihm, W. Lutoslawski, D. Schnebel, N. Castiglioni. Award from the Aargauer Kuratorium<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">1993<\/td><td class=\"column-2\">Project grant from the Aargauer Kuratorium<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">1995<\/td><td class=\"column-2\">First prize winner for Switzerland in the \u2018Young composers in Europe\u2019 competition, Leipzig (study visit, combined with presentation concerts in the Gewandhaus)<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">1996<\/td><td class=\"column-2\">Main prize at the \u2018International Competition for Composers\u2019 (in honour of Luciano Berio) from the IBLA Foundation New York. Composition grant from the City and Canton of Lucerne. Project grant from the Aargauer Kuratorium<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">1997<\/td><td class=\"column-2\">First prize in the international composition competition \u2018Symposium NRW f\u00fcr Neue Musik\u2019 as part of the \u2018Niederrheinischer Herbst\u2019 Festival<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">1998<\/td><td class=\"column-2\">Composition grant from the Aargauer Kuratorium. Winner of the Franz Liszt Scholarship from the \u2018Franz Liszt\u2019 Hochschule f\u00fcr Musik and the 1999 European Capital of Culture Weimar (6-month composition residency with concerts)<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">1999<\/td><td class=\"column-2\">Second Level Award at the \u2018International Competition for Composers\u2019 from the IBLA Foundation New York<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">2001<\/td><td class=\"column-2\">Composition grant from the Aargauer Kuratorium<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">2003<\/td><td class=\"column-2\">Composer-in-residence at the 18th International Music Festival Davos (Switzerland). Studio residency in Berlin awarded by the Aargauer Kuratorium. Work prize from the city of Zofingen. Recognition award from the M. + C. Dienemann Foundation<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">2004<\/td><td class=\"column-2\">Composition grant from the City and Canton of Lucerne<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">2007<\/td><td class=\"column-2\">Composition grant from the Aargauer Kuratorium<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">2008<\/td><td class=\"column-2\">Award of Composer\u2019s Prize from the Ernst von Siemens Music Foundation, Munich<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">2009<\/td><td class=\"column-2\">Composer in residence at the Festival les mus\u00e9iques Basel<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">2010<\/td><td class=\"column-2\">Composer in residence at the Lucerne Festival<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">2013<\/td><td class=\"column-2\">Composer in residence at the Wittener Tage f\u00fcr neue Kammermusik and the Sommerliche Musiktage Hitzacker<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">2015<\/td><td class=\"column-2\">Composer in residence at the Festival reMusic in St. Petersburg<\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">2016<\/td><td class=\"column-2\">Portrait concert with the Philharmonia Orchestra London<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1715857809324-89faa186-31c9\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">About Dieter Ammann<\/h3><\/div><div class=\"grve-accordion-content bibliographie\" id=\"1715857809324-89faa186-31c9\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>\u201cThis is an exceptional (extraordinary) piece of music &#8230;&#8230;..\u201d.<br \/>(Attending a rehearsal of &#8220;Geh\u00f6rte Form \u2013 Hommages&#8221;)<br \/><em>Pierre Boulez<\/em><\/p>\n<p>\u201cIf you focus on the transitions rather than the individual sounds \u2013 even though they are successfully achieved \u2013 on the dramatic contrast of the sequence of sections, and above all on the overall formal developments, you recognise this composer\u2019s independence. On the one hand, the dense montage of contrasting sections does not have a consistent programmatic-musical effect, not even a narrative one, for only through the abstraction to the musically structural does the form become clear. On the other hand, the contrasts of the sequence of sections raise structural questions which one is tempted to answer associatively by recourse to the extra-musical. This ambivalence is necessary for the formal concept of the string trio and it is astounding how consistently Dieter Ammann pursues it. Added to this, the composer\u2019s very veins are pulsing with musicality: the score is full of verbal performance directions which clarify passages where the music notation appears too abstract. This closeness to the performing activity is indispensable for a composer as an inevitable complement to speculative abstraction. To articulate something which is accepted is to create something new. This stance, which can also embrace provocative innovation, seems to me to be something exceptional and valuable in a young composer, when today\u2019s music business demands above all a stylistic identity which is distinguished by being different.\u201d<br \/><em>Hanspeter Kyburz<\/em><\/p>\n<p>stimmen<br \/>\u201c Not a second\u2019s let up, everything lively and in the best sense shot through by lines of force, which then remain strong and uninterrupted if they aim in contradictory directions. Your compositional ability at integration ensures the strands never snap and forces the ambivalences into a current without becoming lost!<br \/>Energies, even counter energies, are sustained in you music, they don\u2019t disappear into redundant endings. Everything is so fresh!&#8230;..\u201d<br \/><em>Wolfgang Rihm<\/em><\/p>\n<p>\u201cComing from improvised music, after serial beginnings Ammann achieves a freer, more intuitive personal style in an energetic and emotionally \u2018laden\u2019 tonal language.\u201d<\/p>\n<p>\u201c&#8230;the treatment of the parameters always serves the direct, almost physical expression.\u201d<br \/><em>Urs Mattenberger<\/em><\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1716896054136-0df045ed-1148\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Download Scores<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1716896054136-0df045ed-1148\"><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9750_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">BOOST for Orchestra (2001) BA 9750-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9751_core_Partitur_WZ.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">CORE for Orchestra (2002) BA 9751-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11151_72_zgm_01.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">``glut`` for orchestra (2014-16) BA 11151-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11139_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">Le r\u00e9seau des reprises pour grand ensemble (2013\/14) BA 11139-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11177-72_Ammann_Score_A3_Wasserzeichen.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">The Piano Concerto \u2013 Gran Toccata (2016-19) BA 11177-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA9768_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">TURN for Orchestra (2010) BA 9768-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11117_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">unbalanced instability (2011-13) BA 11117-72<\/h4><\/div><\/a><\/div><div class=\"grve-element grve-box-icon grve-medium grve-side-icon grve-align-left grve-vertical-align-middle grve-layout-2\"><a href=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/BA11138_Partitur.pdf\" target=\"_blank\"><div class=\"grve-wrapper-icon\" style=\"\"><span class=\"grve-box-icon far fa-file-pdf grve-text-primary-2\"><\/span><\/div><div class=\"grve-box-content\"><h4 class=\"grve-box-title grve-body-text\">VIOLATION for Violoncello and Ensemble (1999) BA 11138-72<\/h4><\/div><\/a><\/div><\/div><\/li><\/ul><\/div><div class=\"grve-empty-space grve-height-2x\"><\/div><\/div><\/div><\/div><div class=\"grve-column wpb_column grve-bookmark grve-column-1-4  grve-tablet-column-1-6 grve-tablet-sm-column-1-6 grve-mobile-column-hide grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>Performances<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t\n<table id=\"tablepress-322-no-3\" class=\"tablepress tablepress-id-322 brv-termine tablepress-responsive tablepress-responsive-stack-headers tablepress-responsive-stack-tablet\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">Komponist Vorname<\/th><th class=\"column-2\">Komponist Nachname<\/th><th class=\"column-3\">Titel<\/th><th class=\"column-4\">Datum<\/th><th class=\"column-5\">Orchester<\/th><th class=\"column-6\">Dirigent<\/th><th class=\"column-7\">Ort<\/th><th class=\"column-8\">Info<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">National Philharmonic Orchestra<\/td><td class=\"column-6\">Cornelius Meister<\/td><td class=\"column-7\">Warschau (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Violin Concerto<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Ilya Gringolts (Violine), Staatsorchester Rheinische Philharmonie<\/td><td class=\"column-6\">Anu Tali<\/td><td class=\"column-7\">Koblenz (Rhein-Mosel-Halle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Der Messias <\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester &amp; Rundfunkchor<\/td><td class=\"column-6\">Dennis Russell Davies<\/td><td class=\"column-7\">Erfurt (Theater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Piano Concerto No. 2<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\">Francesco Piemontesi (Klavier), Symphonieorchester des Bayerischen Rundfunks<\/td><td class=\"column-6\">Enno Poppe<\/td><td class=\"column-7\">M\u00fcnchen (Residenz)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">24.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Emily Senturia, Regie: Haley Stamats<\/td><td class=\"column-7\">Madison (Overture Hall)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">2. Symphonie<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Dresdner Philharmonie<\/td><td class=\"column-6\">Christoph Eschenbach<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Echoes of O\u2019s<\/td><td class=\"column-4\">25.04.2026<\/td><td class=\"column-5\">Ensemble Lux NM<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wiesbaden (Art.Ist-Galerie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\">Orchester des Staatstheaters Darmstadt<\/td><td class=\"column-6\">Marc Albrecht<\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L\u2019incoronazione di Poppea<\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lars Ulrik Mortensen, Regie: Christoph Marthaler<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">26.04.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marc Minkowski, Regie: Damiano Michieletto<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">La navigazione notturna<\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Marino Formenti, Alfredo Ovalles, Luca Lavuri, N.N. (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">Beat <\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Studie IV f\u00fcr Klavier solo <\/td><td class=\"column-4\">28.04.2026<\/td><td class=\"column-5\">Filippo Gorini (Klavier)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Italienische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Duisburger Philharmoniker<\/td><td class=\"column-6\">Stefan Blunier<\/td><td class=\"column-7\">Duisburg (Philharmonie Mercatorhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Messe solennelle<\/td><td class=\"column-4\">29.04.2026<\/td><td class=\"column-5\">Bach-Verein K\u00f6ln, G\u00fcrzenichorchester<\/td><td class=\"column-6\">Christoph Siebert<\/td><td class=\"column-7\">K\u00f6ln (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Cl\u00e9op\u00e2tre<\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Antoniette Dennefeld (Sopran), Orchestra di Padova e del Veneto<\/td><td class=\"column-6\">Pierre Dumoussaud<\/td><td class=\"column-7\">Padova (Auditorium Pollini)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Wesendonck-Lieder <\/td><td class=\"column-4\">30.04.2026<\/td><td class=\"column-5\">Alicja Bukowska (Mezzosopran), Elbland Philharmonie Sachsen<\/td><td class=\"column-6\">Hermes Helfricht<\/td><td class=\"column-7\">Pirna (Marienkirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">01.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Nadja Loschky<\/td><td class=\"column-7\">Dresden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Yi-Chen Lin, Regie: Barbara-David Br\u00fcesch<\/td><td class=\"column-7\">St. Gallen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Claudio<\/td><td class=\"column-2\">Monteverdi<\/td><td class=\"column-3\">L'Orfeo<\/td><td class=\"column-4\">02.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">J\u00f6rg Halubek, Regie: Markus Bothe<\/td><td class=\"column-7\">Schwetzingen (Schwetzinger SWR Festspiele, Schlosstheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Bethel (Zionskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">03.05.2026<\/td><td class=\"column-5\">Amor Artis Chamber Choir<\/td><td class=\"column-6\">Ryan James Brandau<\/td><td class=\"column-7\">New York (St. Patrick\u2019s Old Cathedral) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\">Wiener Symphoniker<\/td><td class=\"column-6\">Marie Jacquot<\/td><td class=\"column-7\">Wien (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Orph\u00e9e et Euridice<\/td><td class=\"column-4\">05.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Edward Ananian Cooper, Regie: Pierre-Andr\u00e9 Weitz<\/td><td class=\"column-7\">Limoges<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">Ludwig van<\/td><td class=\"column-2\">Beethoven<\/td><td class=\"column-3\">Musik zu Goethes Trauerspiel Egmont<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Essener Philharmoniker<\/td><td class=\"column-6\">Dirk Kaftan<\/td><td class=\"column-7\">Essen (Alfried Krupp Saal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">Christoph Willibald<\/td><td class=\"column-2\">Gluck<\/td><td class=\"column-3\">Paride ed Helena<\/td><td class=\"column-4\">07.05.2026<\/td><td class=\"column-5\">Akademie f\u00fcr Alte Musik<\/td><td class=\"column-6\">Michael Hofstetter<\/td><td class=\"column-7\">Augsburg (Internationale Gluck-Opern-Festspiele)<\/td><td class=\"column-8\">konzertant, 9.5. Bayreuth, 10.5. F\u00fcrth<\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">Francesco<\/td><td class=\"column-2\">Filidei<\/td><td class=\"column-3\">Finito ogni gesto, Esercizio di pazzia I<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">ensemble XXI. jahrhundert<\/td><td class=\"column-6\">Peter Burwik<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Francesco Corti, Regie: Kirill Serebrennikov\u00a0<\/td><td class=\"column-7\">Amsterdam (Stichting Nationale Opera &amp; Ballet)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">saphir und haut Nr. 3 f\u00fcr Sopran und Inside Piano<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\">Lisa-Maria Lebitschnis (Sopran), Amelie Warner (Klavier) <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Augsburg (Staatliches Textilmuseum) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Schwanensee<\/td><td class=\"column-4\">08.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Svetoslav Borisov, Choreographie: Stefano Giannetti<\/td><td class=\"column-7\">Dessau<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Tonhalle Orchester<\/td><td class=\"column-6\">Paavo J\u00e4rvi<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Bisatti, Regie: Suzanne Andrade, Barrie Kosky<\/td><td class=\"column-7\">Lille<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Julia Jones, Regie: Robert Carsen<\/td><td class=\"column-7\">Kopenhagen (Det Kongelige Teater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\">Ottawa Bach Choir<\/td><td class=\"column-6\">Lisette Canton<\/td><td class=\"column-7\">Ottawa (Knox Presbyterian Church)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">09.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Johannes Klumpp, Regie: Nora Krahl<\/td><td class=\"column-7\">Gelsenkirchen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">Ernst<\/td><td class=\"column-2\">Krenek<\/td><td class=\"column-3\">Fl\u00f6tenst\u00fcck neunphasig, f\u00fcr Fl\u00f6te und Klavier <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">\u0153nm . \u0153sterreichisches ensemble fuer neue musik<\/td><td class=\"column-6\">Rupert Huber<\/td><td class=\"column-7\">Salzburg (Schloss Frohnburg)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">MDR-Sinfonieorchester<\/td><td class=\"column-6\">Alena Hron<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Das kalte Herz<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Kammerorchester Metzingen<\/td><td class=\"column-6\">Oliver Bensch<\/td><td class=\"column-7\">Metzingen (Stadthalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">10.05.2026<\/td><td class=\"column-5\">Orchester Opernhaus Z\u00fcrich<\/td><td class=\"column-6\">Yves Abel<\/td><td class=\"column-7\">Z\u00fcrich<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Alexander Soddy, Regie: Richard Jones<\/td><td class=\"column-7\">London (Royal Opera House)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Andreas Spering, Regie: Wolfgang Berthold<\/td><td class=\"column-7\">Brandenburg<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">5. Symphonie<\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\">Rotterdams Philharmonisch Orkest<\/td><td class=\"column-6\">Jukka-Pekka Saraste<\/td><td class=\"column-7\">Rotterdam (de Doelen)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Deidamia <\/td><td class=\"column-4\">15.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">George Petrou, Regie: George Petrou<\/td><td class=\"column-7\">G\u00f6ttingen (Internationale H\u00e4ndel-Festspiele, Deutsches Theater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Monad\u2019s face f\u00fcr Sopran, Bassklarinette und Violoncello<\/td><td class=\"column-4\">16.05.2026<\/td><td class=\"column-5\">Sara Wiljaars (Sopran), N.N. (Bassklarinette), N.N. (Violoncello)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Berlin (Hochschule f\u00fcr Musik Hanns Eisler)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">La bianca notte<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\">Klangforum Wien<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Katowice (Katowice Culture Nature Festival, NOSPR Concert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">Emmanuel<\/td><td class=\"column-2\">Chabrier<\/td><td class=\"column-3\">L\u2019Etoile<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Nicolas Kruger, Regie: Matthew Eberhardt<\/td><td class=\"column-7\">Eindhoven (Parktheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">Winfried Zillig: Rosse \/<\/td><td class=\"column-2\">Ruggero Leoncavallo: Pagliacci<\/td><td class=\"column-3\"><\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Mark Rohde, Regie: Roman Hovenbitzer<\/td><td class=\"column-7\">W\u00fcrzburg (Theaterfabrik Blaue Halle)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Le Docteur Miracle<\/td><td class=\"column-4\">17.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Anton Legkii, Regie: Claudia Pla\u00dfwich<\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">koy f\u00fcr Bass-Stimme solo<\/td><td class=\"column-4\">18.05.2026<\/td><td class=\"column-5\">Martin Wistinghausen (Stimme)  <\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Cluj-Napoca (Academia Nationala de Muzica Gheorge Dirna)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">20.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lorenzo Passerini, Regie: Willy Decker<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">Salvatore<\/td><td class=\"column-2\">Sciarrino<\/td><td class=\"column-3\">Tre duetti con l\u00b4eco<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Ensemble Aventure<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Freiburg (Elisabeth Schneider Stiftung)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die drei kleinen Schweinchen<\/td><td class=\"column-4\">21.05.2026<\/td><td class=\"column-5\">Staatsorchester Darmstadt<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Darmstadt<\/td><td class=\"column-8\">auch 22.\/23.5.<\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">L\u00e9lio ou Le retour \u00e0 la vie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Helsingborg Symphony Orchestra<\/td><td class=\"column-6\">Maxime Pascal<\/td><td class=\"column-7\">Helsingborg (Konserthus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Le nozze di Figaro <\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Vinicius Kattah, Regie: Jiri Herman<\/td><td class=\"column-7\">Bratislava (Nationaltheater)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">Jean-Philippe<\/td><td class=\"column-2\">Rameau<\/td><td class=\"column-3\">Les Bor\u00e9ades<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">a nocte temporis<\/td><td class=\"column-6\">Reinoud Van Mechelen<\/td><td class=\"column-7\">Dortmund (Orchesterzentrum)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Lieux retrouv\u00e9s<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">RSO Wien<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Wien (Musikverein)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Fort Worth Symphony Orchestra<\/td><td class=\"column-6\">Robert Spano<\/td><td class=\"column-7\">Fort Worth (Bass Performance Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Dietger Holm, Regie: Magdalena Fuchsberger<\/td><td class=\"column-7\">Heidelberg<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">22.05.2026<\/td><td class=\"column-5\">Orchestre et ch\u0153ur Op\u00e9ra National de Paris<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Paris (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Zsolt Jank\u00f3, Regie: Mikl\u00f3s H. Vecsei<\/td><td class=\"column-7\">Budapest<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Benjamin Bayl, Regie: Agn\u00e8s Jaoui<\/td><td class=\"column-7\">Montpellier<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-62\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Kirche St. Michael)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-63\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">24.05.2026<\/td><td class=\"column-5\">La Maitrise de Toulouse<\/td><td class=\"column-6\">Mark Opstad<\/td><td class=\"column-7\">Gramat (\u00c9glise Saint-Pierre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-64\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Vlaams Radiokoor, Orkest van de Achttiende eeuw<\/td><td class=\"column-6\">Bart van Reyn<\/td><td class=\"column-7\">Breda (Chasse Theater)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-65\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">25.05.2026<\/td><td class=\"column-5\">Prague Symphony Orchestra<\/td><td class=\"column-6\">Tom\u00e1s Netopil<\/td><td class=\"column-7\">Prag (Festival Prager Fr\u00fchling, Obecn\u00ed dum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-66\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">4. Symphonie <\/td><td class=\"column-4\">28.05.2026<\/td><td class=\"column-5\">Orchestra del Maggio Musicale Fiorentino<\/td><td class=\"column-6\">Philippe Jordan<\/td><td class=\"column-7\">Florenz (Teatro del Maggio)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-67\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Keren Kagarlitsky, Regie: Wim Vandekeybus<\/td><td class=\"column-7\">Antwerpen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-68\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni<\/td><td class=\"column-4\">29.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Elena Salvatierra, Regie: Marta Eguilior<\/td><td class=\"column-7\">Cadiz (Teatro Villamarta)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-69\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">30.05.2026<\/td><td class=\"column-5\">Vocal ensembles\u00a0ardent\u00a0and\u00a0suppl\u00e9ments musicaux<\/td><td class=\"column-6\">Patrick Secchiari, Moritz Achermann<\/td><td class=\"column-7\">Bern (\u00c9glise francaise)<\/td><td class=\"column-8\">auch 31.5.<\/td>\n<\/tr>\n<tr class=\"row-70\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">6. Symphonie<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Tomas Hanus<\/td><td class=\"column-7\">Prag (Gemeindehaus)  <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-71\">\n\t<td class=\"column-1\">Bedrich<\/td><td class=\"column-2\">Smetana<\/td><td class=\"column-3\">Mein Vaterland <\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\">Chor des Theater L\u00fcbeck, Philharmonisches Orchester Hansestadt L\u00fcbeck<\/td><td class=\"column-6\">Stefan Vladar<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-72\">\n\t<td class=\"column-1\">Georges<\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen<\/td><td class=\"column-4\">31.05.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo McFall, Regie: Uwe Eric Laufenberg<\/td><td class=\"column-7\">Wiesbaden (Maifestspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-73\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Zweimal Alexander<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Irene Delgado-Jim\u00e9nez, Regie: Anna Bernreitner<\/td><td class=\"column-7\">Wien (Theater an der Wien)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-74\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">02.06.2026<\/td><td class=\"column-5\">BBC Singer, Ma\u00eetrise de Notre-Dame<\/td><td class=\"column-6\">Sofi Jeannin,\u00a0Henri Chalet<\/td><td class=\"column-7\">Paris (Notre Dame)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-75\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">03.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Equilbey, Regie: Florent Siaud<\/td><td class=\"column-7\">Paris (Th\u00e9\u00e2tre des Champs-Elys\u00e9es)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-76\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Der Mistk\u00e4fer<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\">Johannes Merz (Erz\u00e4hler), Kammerphilharmonie L\u00fcbeck<\/td><td class=\"column-6\">Emanuel Dantscher<\/td><td class=\"column-7\">L\u00fcbeck (Kolosseum)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-77\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Rinaldo<\/td><td class=\"column-4\">05.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Hofstetter, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-78\">\n\t<td class=\"column-1\">Jir\u00ed Anton\u00edn (Georg Anton)<\/td><td class=\"column-2\">Benda<\/td><td class=\"column-3\">Medea <\/td><td class=\"column-4\">06.06.2026<\/td><td class=\"column-5\">Doerthe Maria Sandmann (Sprecherin), Barockorchester der Th\u00fcringen Philharmonie Gotha<\/td><td class=\"column-6\">Alexej Barchevitch<\/td><td class=\"column-7\">Eisenach (Landestheater)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-79\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Messe in c-Moll<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Ch\u0153ur de l\u2019Op\u00e9ra de Tours, Orchestre symphonique R\u00e9gion Centre-Val de Loire\/Tours<\/td><td class=\"column-6\">David Jackson<\/td><td class=\"column-7\">Tours (Grand Th\u00e9atre)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-80\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito<\/td><td class=\"column-4\">09.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">konzertant, auch 12.6. W\u00fcrzburg<\/td>\n<\/tr>\n<tr class=\"row-81\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">10.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Laurence Cummings, Regie: Walter Sutcliffe<\/td><td class=\"column-7\">Halle (H\u00e4ndel-Festspiele, Oper)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-82\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Don Giovanni <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Orquestra de Valencia<\/td><td class=\"column-6\">Francesco Corti, Regie: Beno\u00eet De Leersnyder<\/td><td class=\"column-7\">Valencia<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-83\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">La clemenza di Tito <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">W\u00fcrzburg (Kaisersaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-84\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Aci, Galatea e Polifemo<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Ren\u00e9 Jacobs<\/td><td class=\"column-7\">Halle (Marktkirche) <\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-85\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Agrippina <\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">David Bates, Regie: Robert Carsen<\/td><td class=\"column-7\">Rouen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-86\">\n\t<td class=\"column-1\">Anders<\/td><td class=\"column-2\">Hillborg<\/td><td class=\"column-3\">Sound Atlas<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">NDR Elbphilharmonie Orchester<\/td><td class=\"column-6\">Ryan Bancroft<\/td><td class=\"column-7\">L\u00fcbeck (Musik- und Kongresshalle)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-87\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Claudio Novati, Regie: Felix Schr\u00f6dinger<\/td><td class=\"column-7\">Detmold  <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-88\">\n\t<td class=\"column-1\">Charlotte<\/td><td class=\"column-2\">Seither<\/td><td class=\"column-3\">Tell it or shout f\u00fcr Fl\u00f6te und Harfe<\/td><td class=\"column-4\">12.06.2026<\/td><td class=\"column-5\">Elizaveta Birjukova, Fl\u00f6te, Christina Engelke (Harfe)<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Jena (K\u00fcnstlerische Abendschule)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-89\">\n\t<td class=\"column-1\">Bohuslav<\/td><td class=\"column-2\">Martinu<\/td><td class=\"column-3\">Feldmesse<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\">M\u00fcnchner Philharmoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">M\u00fcnchen (Isarphilharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-90\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Il trionfo del Tempo e del Disinganno<\/td><td class=\"column-4\">13.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Simone De Felice, Regie: Katharina Kastening<\/td><td class=\"column-7\">Frankfurt (Bockenheimer Depot)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-91\">\n\t<td class=\"column-1\">Jindrich<\/td><td class=\"column-2\">Feld<\/td><td class=\"column-3\">Konzert f\u00fcr Fl\u00f6te und Orchester<\/td><td class=\"column-4\">15.06.2026<\/td><td class=\"column-5\">Daniela Koch (Fl\u00f6te), Bamberger Symphoniker<\/td><td class=\"column-6\">Jakub Hrusa<\/td><td class=\"column-7\">Bamberg (Konzerthalle) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-92\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">17.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leo Mc Fall, Regie: Marie-\u00c8ve Signeyrole<\/td><td class=\"column-7\">Wiesbaden<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-93\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">7. Symphonie <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\">Konzerthausorchester<\/td><td class=\"column-6\">Ivan Fischer<\/td><td class=\"column-7\">Berlin (Konzerthaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-94\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">18.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Janis Liepins, Regie: Cordula D\u00e4uper <\/td><td class=\"column-7\">Mannheim<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-95\">\n\t<td class=\"column-1\">Pietro Mascagni \/<\/td><td class=\"column-2\">Ruggero Leoncavallo<\/td><td class=\"column-3\">Cavalleria Rusticana\/Pagliacci<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">G\u00e1bor Hontv\u00e1ri, Regie: Benjamin Prins<\/td><td class=\"column-7\">Sondershausen (Schloss)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-96\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Litanei f\u00fcr Sopran, Bassklarinette und Streichquartett (UA)\/canti della tenebra. F\u00fcnf Lieder f\u00fcr Mezzosopran und Klavier<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Nicholas\u2019 Church of Ireland)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-97\">\n\t<td class=\"column-1\">Anton\u00edn<\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">19.06.2026<\/td><td class=\"column-5\">Royal Liverpool Philharmonic Orchestra<\/td><td class=\"column-6\">Domingo Hindoyan<\/td><td class=\"column-7\">Liverpool (Philharmonic Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-98\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">in mia vita da vuolp f\u00fcr Bariton-Saxophon und Sopran\/Lot\u00f3fagos f\u00fcr Sopran und Kontrabass\/Prophezeiungen f\u00fcr Alt, Kontrabassklarinette und Akkordeon <\/td><td class=\"column-4\">20.06.2026<\/td><td class=\"column-5\">Cantando Admont<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Dundalk (St Vincent\u2019s Chapel)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-99\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Susanna<\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Collegium 1704 <\/td><td class=\"column-6\">V\u00e1clav Luks<\/td><td class=\"column-7\">Litomysl (Schlosshof)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-100\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">21.06.2026<\/td><td class=\"column-5\">Chelsea Opera Group<\/td><td class=\"column-6\">Paul Wingfield<\/td><td class=\"column-7\">London (Cadogan Hall)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-101\">\n\t<td class=\"column-1\">Thomas<\/td><td class=\"column-2\">Ad\u00e8s<\/td><td class=\"column-3\">Klavierkonzert<\/td><td class=\"column-4\">24.06.2026<\/td><td class=\"column-5\">Kirill Gerstein (Klavier), Tonhalle Orchester<\/td><td class=\"column-6\">Thomas Ad\u00e8s<\/td><td class=\"column-7\">Z\u00fcrich (Tonhalle)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-102\">\n\t<td class=\"column-1\">Frank<\/td><td class=\"column-2\">Martin <\/td><td class=\"column-3\">Messe f\u00fcr zwei vierstimmige Ch\u00f6re a cappella<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\">Rias Kammerchor<\/td><td class=\"column-6\">Peter Dijkstra<\/td><td class=\"column-7\">Berlin (Philharmonie)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-103\">\n\t<td class=\"column-1\">Peter I.<\/td><td class=\"column-2\">Tschaikowsky<\/td><td class=\"column-3\">Eugen Onegin<\/td><td class=\"column-4\">26.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Lidiya Yankovskaya, Regie: Max Webster <\/td><td class=\"column-7\">Hampshire (The Grange Festival) <\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-104\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail <\/td><td class=\"column-4\">27.06.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Thomas Guggeis, Regie: Andrea Moses<\/td><td class=\"column-7\">Berlin (Staatsoper Unter den Linden)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-105\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Zauberfl\u00f6te <\/td><td class=\"column-4\">02.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Leonardo Garcia Alarcon, Regie: Cl\u00e9ment Cogitore<\/td><td class=\"column-7\">Aix-en-Provence (Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-106\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Ariodante<\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\">Les Talens Lyriques<\/td><td class=\"column-6\">Christophe Rousset<\/td><td class=\"column-7\">Beaune (Festival Baroque, Hotel-Dieu)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-107\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Idomeneo <\/td><td class=\"column-4\">04.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix P\u00e4tzold, Regie: Immo Karaman<\/td><td class=\"column-7\">Kiel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-108\">\n\t<td class=\"column-1\">George<\/td><td class=\"column-2\">Benjamin<\/td><td class=\"column-3\">Three Consorts <\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsches Symphonie-Orchester Berlin<\/td><td class=\"column-6\">Kent Nagano<\/td><td class=\"column-7\">Kl\u00fctz (Festspiele Mecklenburg-Vorpommern, Schloss Bothmer)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-109\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">05.07.2026<\/td><td class=\"column-5\">Deutsche Staatsphilharmonie Rheinland-Pfalz<\/td><td class=\"column-6\">Michael Francis<\/td><td class=\"column-7\">Speyer (Ged\u00e4chtniskirche)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-110\">\n\t<td class=\"column-1\">Giselher<\/td><td class=\"column-2\">Klebe<\/td><td class=\"column-3\">Mignon<\/td><td class=\"column-4\">07.07.2026<\/td><td class=\"column-5\">Detmolder Kammerorchester<\/td><td class=\"column-6\">Stanley Dodds<\/td><td class=\"column-7\">Detmold (Hochschule f\u00fcr Musik) <\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-111\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Harold en Italie<\/td><td class=\"column-4\">16.07.2026<\/td><td class=\"column-5\">Schleswig-Holstein Festival Orchestra<\/td><td class=\"column-6\">Andrew Manze<\/td><td class=\"column-7\">Elmshorn (Stiftung Schleswig-Holstein Musik Festival)<\/td><td class=\"column-8\">weitere Termine<\/td>\n<\/tr>\n<tr class=\"row-112\">\n\t<td class=\"column-1\">Philipp<\/td><td class=\"column-2\">Maintz<\/td><td class=\"column-3\">jag die hunde zur\u00fcck!<\/td><td class=\"column-4\">20.07.2026<\/td><td class=\"column-5\">Accademia Musicale Chigiana<\/td><td class=\"column-6\">Lorenzo Donati<\/td><td class=\"column-7\">Siena (Chiesa della Ss. Annunziata)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-113\">\n\t<td class=\"column-1\">Anton\u00edn <\/td><td class=\"column-2\">Dvor\u00e1k<\/td><td class=\"column-3\">Rusalka<\/td><td class=\"column-4\">23.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Petr Popelka, Regie: Martin Kusej <\/td><td class=\"column-7\">M\u00fcnchen (M\u00fcnchner Opernfestspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-114\">\n\t<td class=\"column-1\">Georges <\/td><td class=\"column-2\">Bizet<\/td><td class=\"column-3\">Carmen, Fassung 1874<\/td><td class=\"column-4\">25.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Fabio Luisi, Regie: Denis Krief<\/td><td class=\"column-7\">Martina Franca (Festival della Valle d\u2019Itria)<\/td><td class=\"column-8\">Szenische Erstauff\u00fchrung <\/td>\n<\/tr>\n<tr class=\"row-115\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">29.07.2026<\/td><td class=\"column-5\">Orchestre Symphonique de la Monnaie<\/td><td class=\"column-6\">Alain Altinoglu<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-116\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">Viola Concerto \u201eNo templates\u201c<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\">Studierende der Orchesterakademie<\/td><td class=\"column-6\">L\u00fc Jia<\/td><td class=\"column-7\">Lugano (Palazzo dei Congressi)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-117\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Die Entf\u00fchrung aus dem Serail<\/td><td class=\"column-4\">31.07.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Evan Rogister, Regie: David McVicar<\/td><td class=\"column-7\">Glyndebourne (Opera Festival)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-118\">\n\t<td class=\"column-1\">L'ubica<\/td><td class=\"column-2\">Cekovska<\/td><td class=\"column-3\">Maison de la musique en sept p\u00e9riodes<\/td><td class=\"column-4\">01.08.2026<\/td><td class=\"column-5\">Japan Century Symphony Orchestra<\/td><td class=\"column-6\">Andreas Ottensamer<\/td><td class=\"column-7\">Osaka<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-119\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Die Sieben letzten Worte unseres Erl\u00f6sers am Kreuz<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\">Le Concert d\u2019Astr\u00e9e<\/td><td class=\"column-6\">Emmanuelle Haim<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-120\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Cos\u00ec fan tutte<\/td><td class=\"column-4\">06.08.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Joana Mallwitz, Regie: Christof Loy<\/td><td class=\"column-7\">Salzburg (Salzburger Festspiele)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-121\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">K\u00f6nig Karotte<\/td><td class=\"column-4\">09.08.2026<\/td><td class=\"column-5\">Mattias Straub (Erz\u00e4hler), Orchester der Sommeroperette Heldritt<\/td><td class=\"column-6\">Manuel Grund <\/td><td class=\"column-7\">Bad Rodach (Waldb\u00fchne Heldritt)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-122\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">Grande messe des morts<\/td><td class=\"column-4\">15.08.2026<\/td><td class=\"column-5\">London Symphony Chorus and Orchestra<\/td><td class=\"column-6\">Antonio Pappano<\/td><td class=\"column-7\">London (Proms, Royal Albert Hall)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-123\">\n\t<td class=\"column-1\">Joseph<\/td><td class=\"column-2\">Haydn<\/td><td class=\"column-3\">Orlando Paladino<\/td><td class=\"column-4\">28.08.2026<\/td><td class=\"column-5\">Orfeo Orchestra<\/td><td class=\"column-6\">Gy\u00f6rgy Vashegyi<\/td><td class=\"column-7\">Fert\u00f6d (Haydneum Concerts at Esterh\u00e1zy Palace)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-124\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Werther<\/td><td class=\"column-4\">11.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Marie Jacquot, Regie: Tatjana G\u00fcrbaca<\/td><td class=\"column-7\">Kopenhagen<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-125\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Die verlorene Melodie <\/td><td class=\"column-4\">12.09.2026<\/td><td class=\"column-5\">Staatskapelle Weimar<\/td><td class=\"column-6\"><\/td><td class=\"column-7\">Weimar (Theaterfest)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-126\">\n\t<td class=\"column-1\">Anton<\/td><td class=\"column-2\">Bruckner<\/td><td class=\"column-3\">8. Symphonie in c-Moll<\/td><td class=\"column-4\">17.09.2026<\/td><td class=\"column-5\">Gewandhausorchester<\/td><td class=\"column-6\">Herbert Blomstedt<\/td><td class=\"column-7\">Leipzig (Gewandhaus)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-127\">\n\t<td class=\"column-1\">Ambroise<\/td><td class=\"column-2\">Thomas<\/td><td class=\"column-3\">Hamlet<\/td><td class=\"column-4\">18.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Michael Sch\u00f6nwandt, Regie: Krzysztof Warlikowski<\/td><td class=\"column-7\">Paris (Op\u00e9ra National)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-128\">\n\t<td class=\"column-1\">Wolfgang Amadeus<\/td><td class=\"column-2\">Mozart<\/td><td class=\"column-3\">Mitridate, re di Ponto <\/td><td class=\"column-4\">24.09.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Riccardo Frizza, Regie: Claus Guth<\/td><td class=\"column-7\">Neapel<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-129\">\n\t<td class=\"column-1\">Fromental<\/td><td class=\"column-2\">Hal\u00e9vy<\/td><td class=\"column-3\">La Juive<\/td><td class=\"column-4\">03.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Felix Bender, Regie: Marco Storman<\/td><td class=\"column-7\">Ulm<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-130\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Alcina<\/td><td class=\"column-4\">09.10.2026<\/td><td class=\"column-5\">Orchestra del Teatro di San Carlo<\/td><td class=\"column-6\">Iv\u00e1n L\u00f3pez-Reynoso<\/td><td class=\"column-7\">Neapel (Teatro di San Carlo)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-131\">\n\t<td class=\"column-1\">Charles<\/td><td class=\"column-2\">Gounod<\/td><td class=\"column-3\">Faust<\/td><td class=\"column-4\">20.10.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Daniele Rustioni, Regie: Johannes Erath<\/td><td class=\"column-7\">Mailand (Teatro alla Scala)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-132\">\n\t<td class=\"column-1\">Georg Friedrich<\/td><td class=\"column-2\">H\u00e4ndel<\/td><td class=\"column-3\">Semele <\/td><td class=\"column-4\">23.10.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Rinaldo Alessandrini<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-133\">\n\t<td class=\"column-1\">Dieter<\/td><td class=\"column-2\">Ammann<\/td><td class=\"column-3\">glut<\/td><td class=\"column-4\">06.11.2026<\/td><td class=\"column-5\">hr-Sinfonieorchester<\/td><td class=\"column-6\">Michael Wendeberg<\/td><td class=\"column-7\">Frankfurt (hr-Sendesaal)<\/td><td class=\"column-8\"><\/td>\n<\/tr>\n<tr class=\"row-134\">\n\t<td class=\"column-1\">Beat<\/td><td class=\"column-2\">Furrer<\/td><td class=\"column-3\">Neues Werk f\u00fcr Orchester<\/td><td class=\"column-4\">07.11.2026<\/td><td class=\"column-5\">Kammerorchester Basel<\/td><td class=\"column-6\">Pierre Bleuse<\/td><td class=\"column-7\">Basel (Stadtcasino)<\/td><td class=\"column-8\">Urauff\u00fchrung<\/td>\n<\/tr>\n<tr class=\"row-135\">\n\t<td class=\"column-1\">Camille<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td><td class=\"column-3\">Samson et Dalila<\/td><td class=\"column-4\">13.11.2026<\/td><td class=\"column-5\">Orchestra e Coro del Teatro Comunale di Bologna\u00a0<\/td><td class=\"column-6\">Roberto Abbado<\/td><td class=\"column-7\">Bologna (Teatro Comunale)<\/td><td class=\"column-8\">konzertant<\/td>\n<\/tr>\n<tr class=\"row-136\">\n\t<td class=\"column-1\">Andreas N.<\/td><td class=\"column-2\">Tarkmann<\/td><td class=\"column-3\">Nils Holgersson<\/td><td class=\"column-4\">06.12.2026<\/td><td class=\"column-5\">Erik Br\u00fcnner (Sprecher), Jugendsinfonieorchester Heinrich-Sch\u00fctz-Konservatorium, Dresdner Philharmonie<\/td><td class=\"column-6\">Milko Kersten<\/td><td class=\"column-7\">Dresden (Kulturpalast)<\/td><td class=\"column-8\">auch 7.12.<\/td>\n<\/tr>\n<tr class=\"row-137\">\n\t<td class=\"column-1\">Hector<\/td><td class=\"column-2\">Berlioz<\/td><td class=\"column-3\">La damnation de Faust<\/td><td class=\"column-4\">17.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Bertrand de Billy, Regie: Lydia Steier<\/td><td class=\"column-7\">Wien (Staatsoper)<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<tr class=\"row-138\">\n\t<td class=\"column-1\">Jules<\/td><td class=\"column-2\">Massenet<\/td><td class=\"column-3\">Tha\u00efs<\/td><td class=\"column-4\">18.12.2026<\/td><td class=\"column-5\"><\/td><td class=\"column-6\">Pierre Dumoussaud, Regie: Olivier Lepelletier-Leeds<\/td><td class=\"column-7\">Li\u00e8ge<\/td><td class=\"column-8\">Premiere<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\r\n\t\t<\/div>\r\n\t<div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent grve-empty-column\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-1x grve-padding-bottom-1x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><h3 class=\"grve-element grve-title grve-align-inherit grve-h4\"><span>Works<\/span><\/h3><div class=\"grve-element grve-accordion \"><ul class=\"grve-accordion-wrapper grve-action-toggle grve-with-icon\"><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1719549754552-c28004d8-9be9\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1719549754552-c28004d8-9be9\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA09750-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09751-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div><br \/>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11151-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA09768-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1719549754591-1ff7a0f4-10c4\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Solo \/ Orchestra<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1719549754591-1ff7a0f4-10c4\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11178-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11177-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11117-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1719549988559-cdb101a1-cc37\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Ensemble<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1719549988559-cdb101a1-cc37\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11760-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11139-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<div class=\"app-holder\"><bv-product-display product-id=\"BA11138-72\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1719550061990-7ee21066-dc13\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Chamber Music<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1719550061990-7ee21066-dc13\"><div class=\"grve-element grve-text\">\r\n\t\t\t<div class=\"app-holder\"><bv-product-display product-id=\"BA11060\" template=\"zgm\" lang=\"en\"><\/bv-product-display><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>In Vorbereitung \/ Auf Anfrage<\/p>\n<p><strong>Streichquartett Nr. 2 \u201eDistanzenquartett\u201c<\/strong><br \/>(2009). BA 11047. 15 Minuten, in Vorbereitung<br \/>Urauff\u00fchrung 23. April 2009, Basel: Amar Quartett<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><li><div class=\"grve-title-wrapper grve-tab-link grve-align-default grve-icon-position-right\" data-rel=\"#1719550152226-35531bfb-1253\"><div class=\"grve-accordion-arrow grve-svg-heading-color grve-accordion-plus\">\t\t\t\t<svg width=\"24px\" height=\"24px\" viewBox=\"0 0 24 24\" stroke-width=\"0\">\r\n\t\t\t\t\t<path d=\"M12,5 C12.5128358,5 12.9355072,5.38604019 12.9932723,5.88337887 L13,6 L13,11 L18,11 C18.5522847,11 19,11.4477153 19,12 C19,12.5128358 18.6139598,12.9355072 18.1166211,12.9932723 L18,13 L13,13 L13,18 C13,18.5522847 12.5522847,19 12,19 C11.4871642,19 11.0644928,18.6139598 11.0067277,18.1166211 L11,18 L11,13 L6,13 C5.44771525,13 5,12.5522847 5,12 C5,11.4871642 5.38604019,11.0644928 5.88337887,11.0067277 L6,11 L11,11 L11,6 C11,5.44771525 11.4477153,5 12,5 Z\"><\/path>\r\n\t\t\t\t<\/svg>\r\n\t\t\t<\/div><h3 class=\"grve-title grve-h6\">Other Works<\/h3><\/div><div class=\"grve-accordion-content \" id=\"1719550152226-35531bfb-1253\"><div class=\"grve-element grve-text\">\r\n\t\t\t<p>Distributed by Schweizer Musikedition \/ Edition suisse musicale<br \/>www.musicedition.ch<\/p>\n<p><strong>Under Pressure<\/strong> (1996\/97) 16&#8242;<br \/>f\u00fcr Tenorsaxophon und Orchester (3 (1. auch Picc), 3, Engl-Hn, 3 (1. auch B-Klar), 2, Co-Fag &#8211; 4,3,2, B-Pos, 0 &#8211; Schlgz(2-3) &#8211; Hfe &#8211; min: 8,6,4,4,2)<\/p>\n<p><strong>Musica Empirica<\/strong> (1997\/98) 9&#8242;<br \/>f\u00fcr Sopransaxophon und Gitarre<\/p>\n<p><strong>Geh\u00f6rte Form &#8211; Hommages<\/strong> (1998) 18&#8242;<br \/>f\u00fcr Violine, Bratsche und Violoncello<\/p>\n<p><strong>Grooves- fitting one<\/strong> (2000) 15&#8242;<br \/>f\u00fcr Kammerorchester (1 (Picc),2,0,2 (Co-Fag) &#8211; 2,0,0,0 &#8211; Schlgz (1-2) &#8211; 6,5,4,4,2)<\/p>\n<p><strong>A (tenir) tension<\/strong> (2002\/03) 11&#8217;30<br \/>Trio f\u00fcr Fl\u00f6te, Marimbaphon, Vibraphon und Perkussionsinstrumente<\/p>\n<p><strong>Geborstener Satz<\/strong> (2003) 12&#8217;30<br \/>f\u00fcr Streichquartett<\/p>\n<p><strong>d&#8217;accord(s)<\/strong> (2004) 7&#8217;30<br \/>f\u00fcr 2 Altsaxophone<\/p>\n<p><strong>Eine Minute f\u00fcr zwei Fanfaren<\/strong> (2004) 1&#8217;30<br \/>f\u00fcr Horn in F<\/p>\n<p><strong>Apr\u00e8s le silence<\/strong> (2005) 18&#8242;<br \/>f\u00fcr Violine, Violoncello und Klavier<\/p>\n<p><strong>stellen<\/strong> (2008) 10&#8217;30<br \/>f\u00fcr 14 Streicher (8,3,2,1)<\/p>\n<p><strong>Venite a dire \/ Raummusik<\/strong> (2010) 14&#8242;<br \/>2 Madrigale<br \/>f\u00fcr 12 Solostimmen (3S, 3A, 3T, 3B)<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-transparent\" data-header-color=\"default\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-60 grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-sm-column-1 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><h2 class=\"grve-element grve-title grve-align-left grve-h3 grve-text-primary-2\"><span>Interview<\/span><\/h2><h3 class=\"grve-element grve-title grve-align-left grve-h4 grve-text-primary-2\"><span><br>\n<h1>Wrestling with freedom<\/h1>\n<\/span><\/h3><div class=\"grve-element grve-text\">\r\n\t\t\t<p><strong>The Swiss composer Dieter Ammann<\/strong><\/p>\n\r\n\t\t<\/div>\r\n\t<div class=\"grve-element grve-text\">\r\n\t\t\t<p><em>takte: Dieter Ammann, what are the most important works you have composed to date? Have there been stages or turning points in your composing?<br \/>\n<\/em><br \/>Ammann: I must begin by saying that it is important to me to develop a personal style, naturally not in order to repeat oneself, but rather in order to find a way in one\u2019s chosen direction. There are a few turning points: one was after the first two pieces which were still characterised by serial thinking, \u201cDevelopments\u201d (1993) and \u201cpiece for cello\u201d (1994\/1998). In the cello piece the pitches are still treated very strictly, however, I was already working intuitively both rhythmically and in instrumental colour. And in its use of pitch, \u201cRegard sur les traditions\u201c (1995) can also be easily explained. After that, it became more and more intuitive. In \u201cThe Freedom of Speech\u201c (1995\/96), this freedom was already on the agenda, although the title is also concerned with the death of my father. Here for the first time, I have chosen a route which is sometimes laborious, of composing the introduction and developing what follows out of it.<\/p>\n<p>Then for me, there are pieces where I\u2019ve personally progressed: firstly \u201dGeh\u00f6rte Form \u2013 Hommages\u201c (1998). I had seven months to work on this in Weimar, and this is reflected in the time dimensions and the tonal elaboration of these three string instruments. The next steps came a little later with \u201cViolation\u201c (1998\/99), where the relationship between solo instruments and ensemble was a central theme. Then come three orchestral pieces: in \u201cBoost\u201c (2000\/01), I unambiguously referred to \u201cGrooves\u201c (2000), and in \u201cCore\u201c (2002) I again referred to Boost. Finally, in the piano trio \u201cApr\u00e8s le silence\u201c (2004\/05) I have pushed the boundaries even further in the breadth of expression. Then bringing these extremes together under an arch, without the music dividing up, was a step forwards for me.<\/p>\n<p><em>You\u2019ve used terms such as scene change, that\u2019s to say, you\u2019ve used theatrical terms to describe your music. Many composers take literary works as inspiration, or works of fine art for the structure or emotional themes. Do you have such interests?<br \/>\n<\/em><br \/>For me, music for me is exactly the medium which doesn\u2019t need to convey any content apart from itself. I therefore don\u2019t take such stimuli as my starting point. What I attempt is to translate my acoustic concept into a form which is also meaningful, or at least stimulating, for others. These are always pure acoustic perceptions, inherent musical events.<br \/><em><br \/>\nIn your music, you frequently develop extreme contrasts of tension, juxtapose structures which form a rapid interplay \u2013 for instance between very energetic, eventful and very peaceful zones, and these build up from extremely complex stratified individual events.<br \/>\n<\/em><br \/>This is connected with my personal fondness for fashioning from musical processes. I\u2019m an impatient person and like it when I\u2019m surprised, when as a listener, I\u2019m alternately thrown onto a roller coaster of musical events and am carried away by it. Music which grabs my attention means more to me than something where I have to open seventeen doors before I can find out what it\u2019s about, what the composer\u2019s on about. That\u2019s to say, when I write, then it\u2019s always also for me as a listener, but that\u2019s naturally a subjective process. At any rate, this curiosity and impatience has led to the fact that, with the exception of two pieces, I have stopped working with a material in long processes and examining it in all its facets. It\u2019s much more the case that certain rules which I give myself, only apply selectively from time to time. When I notice that I would prefer a quite different acoustic outcome, I take some time off and modify or abandon the material. On the one hand this is a liberation, on the other hand you can\u2019t hide behind the academic art of material treatment and illumination, because you have to decide make your own mind up whether this idea, this sound visualisation stands up to scrutiny and justifies itself. These are extremely subjectively located tonal concepts, which I then attempt to portray in a material most suitable to this concept. Therefore there are also tonal shapes in my mind, sometimes spaces in which dissonance and consonance are distinguishable \u2013 then once again the complete chromatic range up to quarter tones, which I then interpret as a further differentiation of the chromatic. I find it exciting to shape something direct, something haptic, and despite that to create musical depth in the spatial sense, so that with repeated listening you can perceive things behind it, which you were completely unaware of at first hearing.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><div class=\"grve-column-inner wpb_column grve-column-1-2  grve-tablet-sm-column-1 grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-image grve-align-center\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 2560px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 66.523%;\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1703\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann-Dieter-2022-Foto-Hochschule-Luzern-1-scaled.jpg\" class=\"attachment-full size-full\" alt=\"Dieter Ammann during an interview 2022\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann-Dieter-2022-Foto-Hochschule-Luzern-1-scaled.jpg 1x,https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2024\/06\/Ammann-Dieter-2022-Foto-Hochschule-Luzern-1-scaled.jpg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" loading=\"lazy\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<div class=\"grve-empty-space grve-height-2x\"><\/div><div class=\"grve-element grve-text\">\r\n\t\t\t<p><em>People probably often ask you about your interest in jazz. It\u2019s clear that improvising is something other than composing. Despite that, there are indeed connections.<br \/>\n<\/em><br \/>Through my father, who was a scientist and teacher, my approach to music was firstly through playing, then through listening. And even now, notation is always a distraction for me. I believe I have a different relationship to rhythmic aspects. There has been, and still is, a great deal of new music which is never allowed to pulsate. I no longer know exactly which composer made the remark that the problem with new music was that everything was rubato. In addition to this, people can tell my background as a performing musician from my treatment of instruments. It is important to me that, although the boundaries are tested in terms of playing technique, the music remains realisable. At the same time I have noticed that my intention very often coincides with the technical possibilities of the instrument, that I somehow feel and think out of the instrument. A characteristic of improvised music is also, that at almost every moment it is constructed as a dialogue. I also try to realise this principle of action-reaction in composed music between instrumental groups or individual instruments, and perhaps it also seems to be so lively for that reason.<\/p>\n<p><em>Finally, a very general question: do you need to compose?<br \/>\n<\/em><br \/>I actually began to compose because of an enquiry I received. I would never write without a commission. But, when I compose, I am so engrossed in it that a piece runs through my life for months, like a leitmotif. It can happen that I work for a year on fifteen minutes of music. I\u2019m also a family man, love my children and wife very much, and am happy teaching. But when I compose, I can enter into a sound world for months, and meanwhile, I have a great need for that. Something else should be mentioned: I have the feeling that I have something to say in composed music, which others would say differently, or not say at all. I believe that I have something to contribute there, which is worth devoting myself to for the rest of my life. Indeed, I wasn\u2019t a composer in the strict sense of the word until I was thirty years old, rather I was an interpreter, an instrumentalist. Naturally I developed pieces in bands, but that\u2019s something other than \u201cacademic composing\u201d. Here is something independent, which really contains something of me, something personal.<\/p>\n<p><em>A brief look ahead: what are your next projects?<br \/>\n<\/em><br \/>In the next few months, I\u2019ll be busy on my second string quartet. In addition, my teaching commitments at the Musikhochschulen in Lucerne and Berne absorb a lot of time and energy. In spring 2009 I\u2019ve accepted an invitation to be composer-in-residence at the Swiss festival \u201dles mus\u00e9iques\u201d and I\u2019ll also be presenting my work as a musician in the Freefunk area. For 2010 another invitation from a major festival is lined up. With the commissioned work associated with this, I\u2019m taking on a compositional task which I\u2019ve already had in mind for a long time: to write a piece for orchestra which is calm for most of the time, and which is capable of forming a convincing trilogy with my two orchestral works Boost and Core.<\/p>\n<p>In conversation with Marie Luise Maintz<\/p>\n<p>from: takte 2\/2008<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"grve-section grve-row-section grve-fullwidth-background grve-padding-top-3x grve-padding-bottom-3x grve-with-bg-color\" data-header-color=\"default\"  style=\"background-color:#f5f7f5;\"><div class=\"grve-container\"><div class=\"grve-row grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column wpb_column grve-bookmark grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper\"><div class=\"grve-column-content\" ><div class=\"grve-inner-section grve-with-bg-transparent\"><div class=\"grve-row-inner grve-bookmark grve-columns-gap-default grve-mobile-vertical-gap-30\"><div class=\"grve-column-inner wpb_column grve-column-1  grve-with-bg-transparent\"><div class=\"grve-column-wrapper-inner\"><div class=\"grve-column-inner-content\" ><div class=\"grve-element grve-carousel\">\r\n\t<div class=\"grve-carousel-wrapper\">\r\n\t\t\t<div class=\"grve-carousel-navigation grve-navigation-arrow-1\">\r\n\t\t<div class=\"grve-carousel-buttons\">\r\n\t\t\t<div class=\"grve-carousel-prev\"><div class=\"grve-svg-icon grve-direction-left grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t\t<div class=\"grve-carousel-next\"><div class=\"grve-svg-icon grve-direction-right grve-arrow-1 grve-svg-black grve-with-shape grve-circle grve-bg-white\">\t\t\t<svg width=\"12px\" height=\"12px\" viewBox=\"0 0 12 12\">\r\n\t\t\t\t<polygon points=\"3.6 0 10 6 3.6 12 2 10.5 6.8 6 2 1.5\"><\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t<div data-items=\"3\" data-items-tablet-landscape=\"2\" data-items-tablet-portrait=\"2\" data-items-mobile=\"1\" data-slider-autoplay=\"yes\" data-pagination=\"yes\" data-slider-loop=\"yes\" data-slider-speed=\"3000\" data-slider-pause=\"no\" data-pagination-speed=\"400\" data-gutter-size=\"40\" class=\"grve-carousel-element grve-blog-carousel grve-blog-columns grve-with-gap grve-classic-carousel\">\r\n\t\t\t<article class=\"grve-carousel-item post-18879 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Appearance versus reality<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Appearance versus reality<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>\u013dubica \u010cekovsk\u00e1\u2018s opera \u201cDorian Gray\u201d in Annaberg-Buchholz\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260331-Cekovska-Dorian-Gray-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-31T08:31:38+02:00\">31. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-31T12:50:12+02:00\">31. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/appearance-versus-reality\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18838 post type-post status-publish format-standard has-post-thumbnail hentry category-contemporary-music grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Dieter Ammann at the 2026 Weiwuying International Music Festival<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The Swiss composer is composer-in-residence\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260325-Dieter-Ammann-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-24T14:34:38+01:00\">24. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-24T14:38:11+01:00\">24. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/contemporary-music\/dieter-ammann-at-the-2026-weiwuying-international-music-festival\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18817 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Three musicians play their way to the top<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Three musicians play their way to the top<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter awards a special prize at the Bach Competition, Leipzig\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/03\/260323-Bach-Wettbewerb-Leipzig-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-03-23T13:19:42+01:00\">23. March 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-03-23T13:49:14+01:00\">23. March 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/three-musicians-play-their-way-to-the-top\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18690 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Pianists at the start of their careers<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Pianists at the start of their careers<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg (Photo: from left to right: Bogdan Dugali\u0107, Elisey Mysin, Anastasiia Kliuchereva, photo: Michael Klimt)    \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260223-Mozart-Wettb.-Klavier-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-23T10:12:12+01:00\">23. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-23T10:16:00+01:00\">23. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/pianists-at-the-start-of-their-careers\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18592 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Young international violin stars<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Young international violin stars<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>B\u00e4renreiter donated special prizes at the International Mozart Competition in Salzburg\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260216-Mozart-Wettb.-Violine-Beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-16T11:14:59+01:00\">16. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T11:17:52+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/young-international-violin-stars\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18577 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">On the death of Helmuth Rilling<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>On the death of Helmuth Rilling<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>A life with Bach \n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/02\/260213-Rilling-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-02-13T08:33:14+01:00\">13. February 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-02-16T07:21:10+01:00\">16. February 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/on-the-death-of-helmuth-rilling\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18545 post type-post status-publish format-standard has-post-thumbnail hentry category-complete-edition category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Milestone Reached in Halle<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260129-HHA-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-29T14:33:29+01:00\">29. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-29T14:37:26+01:00\">29. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/complete-edition\/milestone-reached-in-halle\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18477 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Mourning Peter Hanser-Strecker<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp 1190w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Mourning Peter Hanser-Strecker<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>The long-serving publisher and Chief Executive Officer of Schott Music, Peter Hanser-Strecker passed away\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1190<\/span>\r\n\t\t\t   <span itemprop='width' >1190<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260123-Peter-Hanser-Strecker.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-23T13:12:20+01:00\">23. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-23T14:30:41+01:00\">23. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/mourning-peter-hanser-strecker\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18433 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Piero Ostali died<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp 512w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild-500x500.webp 500w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Piero Ostali died<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>Piero Ostali, Owner and Managing Director of Casa Musicale Sonzogno, has died unexpectedly\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >512<\/span>\r\n\t\t\t   <span itemprop='width' >512<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/Piero-Ostali-Sonzogno-beitragsbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-09T06:37:43+01:00\">9. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-09T12:48:54+01:00\">9. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/piero-ostali-died\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t\t<article class=\"grve-carousel-item post-18415 post type-post status-publish format-standard has-post-thumbnail hentry category-news-en grve-entry-item grve-blog-item\" itemscope itemType=\"http:\/\/schema.org\/BlogPosting\">\r\n\t\t\t\t<div class=\"grve-post-item grve-style-2 grve-format-standard\">\r\n\t<div class=\"grve-post-item-inner grve-border grve-image-priority grve-radius-none grve-shadow-none grve-bg-default grve-text-default grve-headings-default grve-border-default\">\r\n\t\t\t\t<div class=\"grve-post-media\">\r\n\t\t\t\t\t\t<a class=\"grve-item-url\" href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><span class=\"screen-reader-text\">Jonathan Del Mar turns 75<\/span><\/a>\r\n\t\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp\" class=\"attachment-impeka-grve-small-square size-impeka-grve-small-square wp-post-image\" alt=\"\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1000x1000.webp 1000w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-300x300.webp 300w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-1024x1024.webp 1024w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-150x150.webp 150w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-768x768.webp 768w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-500x500.webp 500w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild-800x800.webp 800w, https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp 1080w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" loading=\"lazy\" \/><\/div><\/div>\t\t<\/div>\r\n\t\t\t\t\t\t<div class=\"grve-post-content\">\r\n\t\t\t\t\t\t<a href=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\" rel=\"bookmark\"><h3 class=\"grve-post-title grve-h5\" itemprop=\"headline\"><span>Jonathan Del Mar turns 75<\/span><\/h3><\/a>\t\t\t<div class=\"grve-post-exerpt\" itemprop=\"articleBody\">\r\n\t\t\t\t<p>English musicologist and conductor Jonathan Del Mar turns 75. His Beethoven editions opened a new chapter in the service of musical practice.\n<\/p>\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<span class=\"grve-hidden\">\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\r\n\t\t\t   <span itemprop='url' >https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t   <span itemprop='height' >1080<\/span>\r\n\t\t\t   <span itemprop='width' >1080<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<span class=\"grve-structured-data\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\r\n\t\t\t\t<span itemprop=\"name\">B\u00e4renreiter Verlag<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"publisher\" itemscope itemtype=\"http:\/\/schema.org\/Organization\">\r\n\t\t\t\t<span itemprop='name'>B\u00e4renreiter Verlag<\/span>\r\n\t\t\t\t<span itemprop='logo' itemscope itemtype='http:\/\/schema.org\/ImageObject'>\r\n\t\t\t\t\t<span itemprop='url'>https:\/\/emag.baerenreiter.com\/wp-content\/uploads\/2026\/01\/260107-Jonathan-Del-Mar-Artikelbild.webp<\/span>\r\n\t\t\t\t<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t<time class=\"grve-structured-data\" itemprop=\"datePublished\" datetime=\"2026-01-07T08:27:22+01:00\">7. January 2026<\/time>\r\n\t\t\t<time class=\"grve-structured-data\" itemprop=\"dateModified\"  datetime=\"2026-01-07T14:00:57+01:00\">7. January 2026<\/time>\r\n\t\t\t<span class=\"grve-structured-data\" itemprop=\"mainEntityOfPage\" itemscope itemtype=\"http:\/\/schema.org\/WebPage\" itemid=\"https:\/\/emag.baerenreiter.com\/en\/news-en\/jonathan-del-mar-turns-75\/\"><\/span>\r\n\t\t<\/span>\r\n\t<\/div>\r\n\r\n\t\t\t<\/article>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n"},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_album_images":[],"_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_custom_thumbnail_cover":0,"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-12731","page","type-page","status-publish","hentry","grve-entry-item"],"acf":[],"wpml_current_locale":"en_US","wpml_translations":{"de_DE":{"locale":"de_DE","id":8665,"slug":"ammann-dieter","post_title":"Ammann, Dieter","href":"https:\/\/emag.baerenreiter.com\/ammann-dieter\/"}},"_links":{"self":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/comments?post=12731"}],"version-history":[{"count":26,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12731\/revisions"}],"predecessor-version":[{"id":18645,"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/pages\/12731\/revisions\/18645"}],"wp:attachment":[{"href":"https:\/\/emag.baerenreiter.com\/en\/wp-json\/wp\/v2\/media?parent=12731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}