{"id":10794,"date":"2024-06-04T12:11:26","date_gmt":"2024-06-04T10:11:26","guid":{"rendered":"https:\/\/emag.baerenreiter.com\/bach-johann-sebastian\/"},"modified":"2025-08-14T09:20:05","modified_gmt":"2025-08-14T07:20:05","slug":"bach-johann-sebastian-old","status":"publish","type":"page","link":"https:\/\/emag.baerenreiter.com\/en\/bach-johann-sebastian-old\/","title":{"rendered":"Bach, Johann Sebastian-old"},"content":{"rendered":"
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\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>

Johann Sebastian Bach<\/span><\/h1>

(1685 – 1750)<\/span><\/h3>
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New Edition of the Complete Works<\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

NBA<\/h2><\/div><\/div>

NBArev<\/h2><\/div><\/div><\/div>

NBA<\/h2><\/div><\/div>
<\/div>
<\/div><\/div><\/div><\/div>

Edited by the Johann Sebastian Bach Institute, G\u00f6ttingen and by the Bach-Archiv Leipzig<\/span><\/h3>
<\/div>
\r\n\t\t\t

The New Bach Edition is an Urtext edition offering the world of scholarship a reliable musical text which is equally useful in performance. Prepared with the most exacting methods of source criticism, it has set new standards for modern scholarly-critical editions in the latter half of the 20th century. Work on the New Bach Edition led to the rediscovery of lost compositions and resolved many questions of authenticity in the Bach canon. Most of all, however, the close study of the sources has occasioned a large-scale revision of the chronology of Bach’s life, thereby forming the basis for a new image of the composer in our time.<\/p>\n

In each series, the volumes not only contain those works by Bach which have survived intact but also those existing as fragments. In addition to a preface, each musical volume presents a selection of the relevant sources in facsimile. It is also accompanied by a separately published critical report.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div>

Publication Schedule<\/span><\/h3>
\r\n\t\t\t

The edition will appear in over 100 volumes divided into the following series:<\/p>\n

Series I: Cantatas (47 volumes)
\nSeries II: Masses, Passions, Oratorios (12 volumes)
\nSeries III: Motets, Chorales, Lieder (4 volumes)
\nSeries IV: Organ Works (11 volumes)
\nSeries V: Keyboard and Lute Works (14 volumes)
\nSeries VI: Chamber Music (5 volumes)
\nSeries VII: Orchestral Works (7 volumes)
\nSeries VIII: Canons, Musical Offering, Art of Fugue (3 volumes)
\nSeries IX: Addenda (4 volumes)
\nSupplement: Bach Documents (10 volumes)<\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div>
\r\n\t\tWorks<\/span>\r\n\t\t\t\t\t\t\t<\/a><\/div><\/div><\/div><\/div>
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\n<\/span><\/h3>
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<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div>

Subscription Guidelines<\/span><\/h3>
\r\n\t\t\t

The following purchasing options are available for this edition:<\/p>\n

Purchase of individual volumes at retail sales prices
\nFull subscription (a price advantage of approx. 20 %)<\/p>\n

For further information please ask your customer service<\/a>.<\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div>

NBArev<\/h2><\/div><\/div>

Edited by the Bach-Archiv Leipzig | General Editors: Christoph Wolff, Uwe Wolf, Peter Wollny<\/span><\/h3>
<\/div>
\r\n\t\t\t

The New Bach Edition (NBA), now completed and available in 104 music volumes and 101 critical commentaries, is regarded as a work of musical scholarship of the first rank. The publication of this immense project stretched over 56 years. However, since the publication of some of the earlier volumes, new sources have been discovered and others newly evaluated, new knowledge has been acquired and further editorial experience amassed. In the interest of a continued practical and musicological usability of the historical scholarly-critical complete edition, it is essential to update selected volumes.<\/p>\n

The Bach Archive Leipzig and B\u00e4renreiter have therefore decided to publish approx. 15 volumes or works in revised editions. The New Bach Edition \u2013 Revised (NBArev) resembles the NBA in its outward appearance, but each volume now contains a more detailed foreword in German and English, discussing the genesis of the works and how the sources have come down to us as well as a concise critical report in German.<\/p>\n

The Bach Archive Leipzig is the internationally recognised centre for Bach research. This guarantees that the New Bach Edition \u2013 Revised will be prepared by first-class editors. Volume by volume, editions of the highest standard will be created for the NBArev.<\/p>\n

The Mass in B minor will be the first work to be published during the summer of 2010. This work was originally published in 1954 (edited by Friedrich Smend) as the second volume of the NBA. The revised edition, edited by Uwe Wolf (Bach Archive Leipzig), takes into consideration the results of the latest research and scientific examination methods (x-ray spectography) into Bach\u2019s manuscript score.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>

Publication Schedule<\/span><\/h3>
\r\n\t\t\t

The edition will comprise the following volumes:<\/p>\n

Mass in B Minor
\nWeimar Cantatas BWV 31, 132, 143, 161, 172
\nChamber Music with Violin
\nSt. John Passion \u201eO Mensch bewein\u201c (1725)
\nOrgan Chorales I
\nPre-Weimar Cantatas BWV 21, 106, 131, 150
\nSt. John Passion \u201eHerr, unser Herrscher\u201c (1749)
\nKlavier\u00fcbung I
\nChamber Music with Flute
\nMotets
\nOrgan Chorales II
\nSix Suites for Violoncello Solo
\nPictorial Documents of J. S. Bach’s life
\nTexts to the Vocal Works<\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div>
\r\n\t\tWorks<\/span>\r\n\t\t\t\t\t\t\t<\/a><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>

In search of the original state of the autograph manuscript using scientific methods<\/span><\/h3>
\r\n\t\t\t
\n
\n

For the first time annotations by J. S. Bach and C. P. E. Bach can be differentiated using ink analysis (x-ray spectrography of over 500 places in the score). All corrections, additions and alterations by Bach\u2019s son and places which remain doubtful (because of iron gall ink erosion) appear in the edition in square brackets.<\/p>\n<\/div>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n
<\/div>
\r\n\t\t\t

From J. S. Bach, Mass in B Minor: Symbolum Nicenum, Et resurrexit<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div>

\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n
<\/div>
\r\n\t\t\t

From J. S. Bach, Mass in B Minor, Gloria
\nIn grey: Additional information of the \u201eDresden parts\u201c<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

The \u201cDresden parts\u201d: their inclusion and typographical differentiation<\/span><\/h3>
\r\n\t\t\t

Valuable information to the readings of the autograph score of the Missa can be drawn from the \u201cDresden parts\u201d of 1733, largely written by Bach himself. The different readings of the parts are clearly differentiated from the readings of the autograph score by the use of passages printed in grey.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div>

<\/div><\/div><\/div>
<\/div><\/div>
<\/div>

Subscription Guidelines<\/span><\/h3>
\r\n\t\t\t

The following purchasing options are available for this edition:<\/p>\n

Purchase of individual volumes at retail sales prices
\nFull subscription (a price advantage of approx. 20 %)<\/p>\n

For further information please ask your customer service<\/a>.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
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\r\n\t\t\t\t\t\t\tMilestone Reached in Halle<\/span><\/a>\r\n\t\t\t\t
\"\"<\/div><\/div>\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
Complete Editions<\/a> News<\/a><\/div>\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t

Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t\t
\r\n\t\t\t\t\t

The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\r\n\t\t\t

\r\n\t\t\t\t
\r\n\t
\r\n\t\t
\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\u201cMost agreeable\u201d. A peasant\u2019s son is the hero in Handel\u2019s \u201cGiustino\u201d<\/span><\/a>\r\n\t\t\t\t
\"Painting<\/div><\/div>\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
Complete Editions<\/a><\/div>\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t

\u201cMost agreeable\u201d. A peasant\u2019s son is the hero in Handel\u2019s \u201cGiustino\u201d<\/span><\/h3><\/a>\t\t\t\t
\r\n\t\t\t\t\t

A strong plot, and fabulously imaginative music: but until now Handel\u2019s \u201cGiustino\u201d has not been one of his most frequently-performed operas. With the new edition this could all change.\n<\/p>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\r\n\t\t\t

\r\n\t\t\t\t
\r\n\t
\r\n\t\t
\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\tDramatically effective. Franz Schubert\u2019s works for music theatre<\/span><\/a>\r\n\t\t\t\t
\"Scene<\/div><\/div>\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
Complete Editions<\/a><\/div>\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t

Dramatically effective. Franz Schubert\u2019s works for music theatre<\/span><\/h3><\/a>\t\t\t\t
\r\n\t\t\t\t\t

Franz Schubert\u2019s stage works have never become firmly established in the repertoire. And yet they contain interesting examples of Romantic opera aesthetics. And with the 2028 Schubert anniversary year in mind, they offer a variety of opportunities for productions.\n<\/p>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\r\n\t\t\t

\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<\/div><\/div><\/div>

Johann Sebastian Bach<\/span><\/h1>

(1685 – 1750)<\/span><\/h3>
\r\n\t\t\t

New Edition of the Complete Works<\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

NBA<\/h2><\/div><\/div>

NBArev<\/h2><\/div><\/div><\/div>

NBA<\/h2><\/div><\/div>
<\/div>
<\/div><\/div><\/div><\/div>

Edited by the Johann Sebastian Bach Institute, G\u00f6ttingen and by the Bach-Archiv Leipzig<\/span><\/h3>
<\/div>
\r\n\t\t\t

The New Bach Edition is an Urtext edition offering the world of scholarship a reliable musical text which is equally useful in performance. Prepared with the most exacting methods of source criticism, it has set new standards for modern scholarly-critical editions in the latter half of the 20th century. Work on the New Bach Edition led to the rediscovery of lost compositions and resolved many questions of authenticity in the Bach canon. Most of all, however, the close study of the sources has occasioned a large-scale revision of the chronology of Bach’s life, thereby forming the basis for a new image of the composer in our time.<\/p>\n

In each series, the volumes not only contain those works by Bach which have survived intact but also those existing as fragments. In addition to a preface, each musical volume presents a selection of the relevant sources in facsimile. It is also accompanied by a separately published critical report.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div>

Publication Schedule<\/span><\/h3>
\r\n\t\t\t

The edition will appear in over 100 volumes divided into the following series:<\/p>\n

Series I: Cantatas (47 volumes)
\nSeries II: Masses, Passions, Oratorios (12 volumes)
\nSeries III: Motets, Chorales, Lieder (4 volumes)
\nSeries IV: Organ Works (11 volumes)
\nSeries V: Keyboard and Lute Works (14 volumes)
\nSeries VI: Chamber Music (5 volumes)
\nSeries VII: Orchestral Works (7 volumes)
\nSeries VIII: Canons, Musical Offering, Art of Fugue (3 volumes)
\nSeries IX: Addenda (4 volumes)
\nSupplement: Bach Documents (10 volumes)<\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div>
\r\n\t\tWorks<\/span>\r\n\t\t\t\t\t\t\t<\/a><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div>


\n<\/span><\/h3>
\r\n\t\t\t\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div>

Subscription Guidelines<\/span><\/h3>
\r\n\t\t\t

The following purchasing options are available for this edition:<\/p>\n

Purchase of individual volumes at retail sales prices
\nFull subscription (a price advantage of approx. 20 %)<\/p>\n

For further information please ask your customer service<\/a>.<\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div>

NBArev<\/h2><\/div><\/div>

Edited by the Bach-Archiv Leipzig | General Editors: Christoph Wolff, Uwe Wolf, Peter Wollny<\/span><\/h3>
<\/div>
\r\n\t\t\t

The New Bach Edition (NBA), now completed and available in 104 music volumes and 101 critical commentaries, is regarded as a work of musical scholarship of the first rank. The publication of this immense project stretched over 56 years. However, since the publication of some of the earlier volumes, new sources have been discovered and others newly evaluated, new knowledge has been acquired and further editorial experience amassed. In the interest of a continued practical and musicological usability of the historical scholarly-critical complete edition, it is essential to update selected volumes.<\/p>\n

The Bach Archive Leipzig and B\u00e4renreiter have therefore decided to publish approx. 15 volumes or works in revised editions. The New Bach Edition \u2013 Revised (NBArev) resembles the NBA in its outward appearance, but each volume now contains a more detailed foreword in German and English, discussing the genesis of the works and how the sources have come down to us as well as a concise critical report in German.<\/p>\n

The Bach Archive Leipzig is the internationally recognised centre for Bach research. This guarantees that the New Bach Edition \u2013 Revised will be prepared by first-class editors. Volume by volume, editions of the highest standard will be created for the NBArev.<\/p>\n

The Mass in B minor will be the first work to be published during the summer of 2010. This work was originally published in 1954 (edited by Friedrich Smend) as the second volume of the NBA. The revised edition, edited by Uwe Wolf (Bach Archive Leipzig), takes into consideration the results of the latest research and scientific examination methods (x-ray spectography) into Bach\u2019s manuscript score.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>

Publication Schedule<\/span><\/h3>
\r\n\t\t\t

The edition will comprise the following volumes:<\/p>\n

Mass in B Minor
\nWeimar Cantatas BWV 31, 132, 143, 161, 172
\nChamber Music with Violin
\nSt. John Passion \u201eO Mensch bewein\u201c (1725)
\nOrgan Chorales I
\nPre-Weimar Cantatas BWV 21, 106, 131, 150
\nSt. John Passion \u201eHerr, unser Herrscher\u201c (1749)
\nKlavier\u00fcbung I
\nChamber Music with Flute
\nMotets
\nOrgan Chorales II
\nSix Suites for Violoncello Solo
\nPictorial Documents of J. S. Bach’s life
\nTexts to the Vocal Works<\/p>\n\r\n\t\t<\/div>\r\n\t

<\/div>
\r\n\t\tWorks<\/span>\r\n\t\t\t\t\t\t\t<\/a><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>

In search of the original state of the autograph manuscript using scientific methods<\/span><\/h3>
\r\n\t\t\t
\n
\n

For the first time annotations by J. S. Bach and C. P. E. Bach can be differentiated using ink analysis (x-ray spectrography of over 500 places in the score). All corrections, additions and alterations by Bach\u2019s son and places which remain doubtful (because of iron gall ink erosion) appear in the edition in square brackets.<\/p>\n<\/div>\n<\/div>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n
<\/div>
\r\n\t\t\t

From J. S. Bach, Mass in B Minor: Symbolum Nicenum, Et resurrexit<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div>

\r\n\t
\r\n\t\t\r\n\r\n
\r\n\t\t
\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n
<\/div>
\r\n\t\t\t

From J. S. Bach, Mass in B Minor, Gloria
\nIn grey: Additional information of the \u201eDresden parts\u201c<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

The \u201cDresden parts\u201d: their inclusion and typographical differentiation<\/span><\/h3>
\r\n\t\t\t

Valuable information to the readings of the autograph score of the Missa can be drawn from the \u201cDresden parts\u201d of 1733, largely written by Bach himself. The different readings of the parts are clearly differentiated from the readings of the autograph score by the use of passages printed in grey.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div>

<\/div><\/div><\/div>
<\/div><\/div>
<\/div>

Subscription Guidelines<\/span><\/h3>
\r\n\t\t\t

The following purchasing options are available for this edition:<\/p>\n

Purchase of individual volumes at retail sales prices
\nFull subscription (a price advantage of approx. 20 %)<\/p>\n

For further information please ask your customer service<\/a>.<\/p>\n\r\n\t\t<\/div>\r\n\t<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
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\t\t\t\r\n\t\t\t\t<\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t\t
\t\t\t\r\n\t\t\t\t<\/polygon>\r\n\t\t\t<\/svg>\r\n\t\t\t<\/div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t
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\r\n\t\t\t\t\t\t\tMilestone Reached in Halle<\/span><\/a>\r\n\t\t\t\t
\"\"<\/div><\/div>\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
Complete Editions<\/a> News<\/a><\/div>\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t

Milestone Reached in Halle<\/span><\/h3><\/a>\t\t\t\t
\r\n\t\t\t\t\t

The 100th Volume of the Halle Handel Edition Has Been Published\n<\/p>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\r\n\t\t\t

\r\n\t\t\t\t
\r\n\t
\r\n\t\t
\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\u201cMost agreeable\u201d. A peasant\u2019s son is the hero in Handel\u2019s \u201cGiustino\u201d<\/span><\/a>\r\n\t\t\t\t
\"Painting<\/div><\/div>\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
Complete Editions<\/a><\/div>\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t

\u201cMost agreeable\u201d. A peasant\u2019s son is the hero in Handel\u2019s \u201cGiustino\u201d<\/span><\/h3><\/a>\t\t\t\t
\r\n\t\t\t\t\t

A strong plot, and fabulously imaginative music: but until now Handel\u2019s \u201cGiustino\u201d has not been one of his most frequently-performed operas. With the new edition this could all change.\n<\/p>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\r\n\t\t\t

\r\n\t\t\t\t
\r\n\t
\r\n\t\t
\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\tDramatically effective. Franz Schubert\u2019s works for music theatre<\/span><\/a>\r\n\t\t\t\t
\"Scene<\/div><\/div>\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t
Complete Editions<\/a><\/div>\r\n\t\t\t\t\t\t
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Dramatically effective. Franz Schubert\u2019s works for music theatre<\/span><\/h3><\/a>\t\t\t\t
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Franz Schubert\u2019s stage works have never become firmly established in the repertoire. And yet they contain interesting examples of Romantic opera aesthetics. And with the 2028 Schubert anniversary year in mind, they offer a variety of opportunities for productions.\n<\/p>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\r\n\t\t\t